Episode 12: The Alternate
[Dr. Mora is talking about the time he discovered Odo]
Dax: When did you realize you were dealing with a sentient life form?
Odo: He didn’t. I had to teach him that myself.
Odo (Rene Auberjonois) gets a visit from Dr. Mora Pol (James Sloyan), the scientist who researched him in a laboratory on Bajor. Mora seems to be unhappy w/ Odo’s decision to leave Bajor for DS9; Odo resents the way the scientist treated him. Mora tells of a science probe that recently scanned a planet (in the Gamma Quadrant) and found DNA patterns looking like his own! Sisko agrees to let Odo, Mora, Dax (Terry Farrell) and Dr. Weld take a runabout. On the planet, they find a mysterious pillar and Dr. Weld finds the lifeform (obviously a clump of iron filings in a Petri dish w/ a magnet underneath to make it move).
Dr. Mora was originally to be played by Auberjonois himself, much as Data’s creator, Dr. Noonian Soong, was played by Brent Spiner. This plan was scrapped, as it would take too much time each day to get Auberjonois out of one type of make-up and into another. The teleplay was written by Morgan Gendel, who also wrote on TNG, as well as many TV series. The natural conflicts arising in the father-son relationship are explored, but w/ a twist (as Dr. Mora isn’t Odo’s biological father). The two actors did a fine job portraying their conflicting ideas and emotions; I think teens and younger people will esp. relate. There is also a mystery element, as the lifeform grows and transforms.
Episode 13: The Armageddon Game
Bashir (Alexander Siddig) and O’Brien (Colm Meaney) are in a lab in orbit of T’Lani III; they are helping the T’Lani and Kellerun to destroy dangerous bio weapons (harvesters). These were used by both races in a long/brutal war. Bashir and O’Brien manage to neutralize one of the harvesters and both sides are very happy; they invite them to a celebration that night. When the last harvester is about to be destroyed, two armed Kellerun enter the lab and start shooting! Bashir and O’Brien are the only ones able to escape down to the planet. O’Brien starts repairing a transmitter; he feels cold and gets sick. Meanwhile, the T’Lani and Kellerun ambassadors travel to DS9, bringing news that Bashir and O’Brien died in an accident.
Chief O’Brien: Listen to me, Julian! You’re the one who’s always talking about adventure. Huh… adventure… Oh… marriage is the greatest adventure of them all. It’s filled with pitfalls and setbacks and mistakes and… But it’s a journey worth taking… ’cause you take it together.
This ep (also written by Gendel) is generally seen as the beginning of the O’Brien/Bashir friendship which would become important over the seasons. Bashir helps O’Brien w/ the transmitter, as he took some Engineering classed in the Academy. They get into talking about some personal stuff; we learn that Bashir chose Starfleet over love (a ballerina he met while in med school). This was a very good ep which kept my interest; the convo between O’Brien and Keiko (Rosalind Chao) is the best part (last scene)!
Episode 14: Whispers
O’Brien is on his way to the planet Parada to warn them about something and is chased by the crew of DS9 through the wormhole. In his log, he tells what happened. DS9 was supposed to host peace talks between the Paradans and a rebel faction; O’Brien was supposed to make sure the security was taken care of. He noticed something strange when Keiko and Molly didn’t seem to be themselves. He found out another engineer was ordered by Sisko (Avery Brooks) to work on the security measures. Sisko told him to concentrate on the repair of the upper pylons and ordered him to undergo a medical exam.
[Dr. Bashir is carrying out a physical check-up on O’Brien]
O’Brien: Are you nearly finished? I believe you’ve poked into every orifice in my body – and created a few new ones!
This ep (written by Paul Robert Coyle) may remind some viewers of the 1982 movie Blade Runner; we even hear the term “replicant.” It also has many similarities to Philip K. Dick’s 1953 story Impostor. There are a few funny moments w/ O’Brien and Bashir. The sense of paranoia is created by the directing style, as well as the acting and music.