A struggling family in Seoul, South Korea scheme to enter an upper-class/well-connected household in this genre-bending thriller from director Bong Joon-ho (Okja; Snowpiercer). As a young boy, Boon saw a (censored) version of Alfred Hitchcock’s Psycho, and was “overwhelmed” by the music and structure of the house (behind the Bates Motel). Parasite is the first Asian film to win the Palme d’Or at Cannes. It was described by Bong as “a comedy without clowns and a tragedy without villains.”
Ki-taek (Song Kang-ho) is an unemployed family man and head of the Kim family, which includes wife Chung-sook (Chang Hyae-jin), a 20-something artistic daughter Ki-jung (Park So-dam), and idealistic college-aged son Ki-woo (Choi Woo-shik). One day, a former school friend of Ki-woo’s drops by w/ a gift (and possible job opportunity). While Min is studying abroad, he wants Ki-woo (who he trusts) to take over as the English tutor for a teen girl, Da-hye. At first, Ki-woo is hesitant; Min explains that it’s fine since he has a recommendation. The Parks live in a mansion which wouldn’t be out of place in southern California. The coldly handsome father (Sun-kyun Lee) has studied abroad and works in his own tech company. Da-hye has an 8 y.o. brother, Da-song, who loves anything connected to the Boy Scouts. The mother (Yeo-jeong Jo), though still youthful and pretty, is also “simple” (gullible).
There are quick changes in tone, as the audience is taken on a journey from the Kim’s crowded sub-basement apt. to the Park’s spacious house (designed by an internationally-known architect). The musical score fits seamlessly w/ the movie; Boon recommended baroque music and works of Bernard Herrmann (one of Hollywood’s finest composers) to his own composer. It’s not only clever, it’s also suspenseful, scary, and darkly funny w/ pointed social commentary. Though all the main 10 characters get their time to shine, the heart of this tale is Woo-shik, a youthful 29 y.o. w/ a slim build who grew up partly in Toronto. The audience I saw it w/ definitely was rooting for him, esp. during the (wild) third act. The crux of this story is the relationship between the son and father (the director noted); Song Kang-ho (who is a star in his native land) gets the chance to show many different sides to being a man getting by somehow in today’s society. This is a must-see, even if you don’t get hyped for scary films! I had passes to a free screening at Landmark E St the night before opening.