Orange is the New Black (Season 4)

NOTE: This post contains SPOILERS for the latest season of the Netflix original series.

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The promo poster for Season 4

What Piper does is try on identities. -Taylor Schilling 

In Season 3, Piper (sometimes dubbed “a clueless white girl”) was using the Whispers work assignment to her advantage; she got a big ego (as we see at the start of THIS season). Well, Maria is NOT going to put up w/ that attitude! Also, the Dominican (who was disowned by her gang leader dad for falling in love w/ a Mexican man) has plans of her own to profit HER girls, the latinas. The numbers work in her advantage, as the prison (now managed by MCC, a private corp.) gets an addition of MOSTLY latina women. 

It’s all grounded in the reality that they DO love each other… -Laura Prepon (Alex) on the (love-hate; complicated; manipulative) relationship between her character and Piper

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Maria (who starts running drugs) gets in Piper’s face in the Season premiere.
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The latinas hold down Piper before Maria brands her with a swastika.

What did YOU think of Piper’s comeuppance (for joining w/ the White Power women)? Yes, she needed allies, BUT (as she often does) Piper didn’t realize the consequences of such an (unholy) alliance! 

When you know something [drug addiction] firsthand, there’s a sort of responsibility, which (for me) can often feel like… you know… too much pressure. -Natasha Lyonne (Nicky)

The relationship between Red and Nicky has been fraught w/ tension b/c of Nicky’s reluctance to get (and stay) sober. As we know from real-life statistics, MANY women (and men) are in jail b/c of drug-related issues; others get into drugs while imprisoned. 

I have my “daughters.” That is my way of surviving w/ my morality- and what I hope to consider- my integrity- intact. The tough side is, there’s a line. If you cross it, you are out. And that costs me as much as it costs them, but there has to be a moral compass. And I adhere to it very strongly. -Kate Mulgrew on the maternal and tough sides of her character (Red)

Red has been one of my favorites from the start; she doesn’t have much to do until later in the season. She’s back in charge of the kitchen- good to see. Mr. Healy seems to have fallen in love w/ her (yeah, we saw that coming); she sternly tells him that “no relationship between a prisoner and a guard is consensual”).

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Pennsatucky/Doggett and Big Boo have one of the most interesting friendships on the show.

Season four has some of the most explicit and complex discussions of consent I’ve ever seen on television. And in a time when there is still so much confusion surrounding consent and anger when it’s violated.

It’s significant that OITNB doesn’t just show Pennsatucky’s reaction to her rape. Instead, it forces Coates to reconsider everything he thought was true, to confront the ugliness inside him and surrounding him that pushed him to a place where he could ignore a woman’s needs for his own basic pleasure. He didn’t think he was raping her, but that doesn’t matter.

And now he knows it.

-Caroline Famke, Vox 

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Lolly and Alex in the greenhouse
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Lolly and Mr. Healy have a talk in the yard.

We see what Alex is capable of when she kills the man (disguised as a new guard) in the greenhouse. Lolly (who becomes more and more unhinged in S4) and Frida (a convicted murderer) knows about this crime; they handle it in VERY different ways. Frida helps Alex bury the dead body in the garden. Alex has trouble sleeping, goes to hang out w/ Piper, and (in time)- they are a couple again. 

Mr. Healy tries to help Lolly, who starts spouting paranoid stories. We learn more re: his backstory; his mother had mental problems when he was a young boy, then was put in a psychiatric hospital. THAT gets to the root of WHY Mr. Healy want to help troubled women. He falls short (of course)!

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Three of the new guards: Dixon, Humphrey, and Capt. Pescatella
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Bayley and his high school friend in jail (flashback)- talk about white privilege.

The new guards (former war vets) are NOT only working at Litchfield, they’re also living in the (built by prison labor) cabins on the property. They have issues and secrets of their own! Humphrey  forced Maritza, at gunpoint, to swallow a live baby mouse and pushed Crazy Eyes/Suzanne into a bloody brawl with Kukudio.

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Poussey (RIP) assists Judy King, her TV idol, during a cooking class.

When I heard that Judy was a cooking show celebrity and she was going to prison for some financial mischief, you think of Martha Stewart right away. [In the book on which it’s based, author Piper Kerman said Stewart was almost sent to Danbury, the inspiration for Litchfield.] She’s Paula Deen-like, because she’s Southern, but Judy King is another entity altogether. It’s just that those two are the ones that spring to mind.” -Blair Brown, Hollywood Reporter

We see how Judy King (veteran actress Blair Brown) is treated better, given her own room, etc. (being a rich and powerful celeb). I esp. liked her friendships w/ Poussey and Cindy. Do YOU think that these were real friendships? 

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Alison (a Muslim) and Cindy (a Jew) are roommates.

Alison (who is Cindy’s bunk mate) wears a hijab (black scarf in this case) as a sign of modesty, due to her being Muslim. She also uses her hijab to hide a cell, which she uses to secretly communicate with her child via text. Cindy (a convert to Judaism) is suspicious of Alison at first, BUT in time, they get to know each other and become allies.

Speaking of unlikely allies… Figueroa dropped a sly bomb on Caputo when she asked him if he knew re: more inmates coming to his prison when he visited her house. Caputo, my the middle of the season, knows that his girlfriend (Linda) does NOT want the best for his inmates. Were YOU a bit shocked to learn that Linda had NEVER even visited Litchfield (though she worked for MCC)? 

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Daya points a gun at Humphrey while the other inmates look on (some cheering).

It’s war. Taystee has nothing to lose; she’s lost everything that she cared so deeply about. It’s time to fight. I think that’s where we will see Taystee go. -Danielle Brooks on what she sees next for her character

The season four finale of Netflix’s prison dramedy OITNB capped a season that explored the Black Lives Matter movement and the injustice that exists in the prison system. 

The final moments of the season see Daya picking up CO Humphrey’s loose gun and aiming it back at him during a prison-wide riot, Attica-style. …After being abandoned by fiance Bennett, losing her daughter and seeing her mom released from prison, Daya has so much pent-up anger and frustration, she might just shoot.  -Jackie Strause, The Hollywood Reporter

Short/petite Poussey is killed by baby-faced guard, Bayley- VERY unexpected/shocking scene! Taystee, who was probably her closest friend, is heartbroken. Soso tries to drink away some of her sadness. Judy King has the star power to right at least some of the wrongs she witnessed in prison. Will she tell the truth about Poussey’s murder?

 

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Singin’ in the Rain (1952)

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A poster for the film.

This is a FUN (which we REALLY need these days) Technicolor musical full of dancing, singing (duh), and witty humor!  The tale centers on a trio: Don Lockwood (Gene Kelly)- popular star of MANY silent films, Cosmo Brown (Donald O’Conner)- Don’s comical accompanist/best pal, and Kathy Selden (Debbie Reynolds)- a unknown talent that Don meets by chance.  He brags about his work, BUT she is NOT impressed, calling herself a serious actress who works on the stage (NOT film).

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Kathy Selden (Debbie Reynolds) performs at a party, along with other dancers.

At a big studio party one night, Don is amused to discover Kathy popping out of a false cake and performing w/ a troupe of dancers. Don’s co-star/wannabe fiancee, Lina Lamont (Jean Hagen), is VERY jealous when she sees him chatting w/ Kathy. Don has NO romantic interest in Lina, who is a self-centered bimbo, BUT the magazines have linked them together (w/ help from their studio).

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A director talks to Lina Lamont (Jean Hagen) while Don Lockwood (Gene Kelly) watches.

The studio head insists that Don and Lina make a talkie next; silent films are on the out (audiences are crazy for sound). The MAIN problem: Lina, though familiar to moviegoers, has a terrible voice (screechy w/ an unrefined New York accent)! Hmmm… HOW will this get solved? 

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Cosmo (Donald O’Conner), Kathy (Debbie Reynolds), and Don (Gene Kelly) perform “Good Morning”- an impromptu song.

Don and Cosmo realize (after spending some time w/ Kathy) that she has MANY talents, incl. her lovely voice.  SHE can do the talking for Lina in the new film; after that, she will get HER own work.  What could go wrong?

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Cyd Charisse (famed dancer/choreographer) with Don (Gene Kelly) during a number.

There is some VERY interesting trivia re: this film.  In 2007, the American Film Institute (AFI) ranked this as the #5 Greatest Movie of All Time. Reynolds (only 19 y.o. when filming began) was NOT a trained dancer; Fred Astaire saw her crying on the set (after Kelly insulted her), and decided to help her prepare.  After the “Good Morning” number, Reynolds had to be carried to her dressing room b/c she had burst some blood vessels in her feet- OUCH!  Are you a fan of Star Trek: Deep Space Nine?  Cyd Charisse is the maternal aunt of Major Kira Nerys (Nana Visitor); you’ll see the obvious resemblance.

Piku (2015) starring Amitabh Bachchan, Deepika Padukone & Irrfan Khan

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Piku (Deepika Padukone) gets ready to clean the house; the maid was fired by her father.

I heard about this film from MANY young (20s/30s) desi people.  It was released in the Spring of 2015; it’s NOT a typical Bollywood film, though the stars hail from mainstream Indian cinema. Amitabh Bachchan (Bhashkor Banerjee) and Deepika Padukone (Piku) play Delhi-based Bengali father and daughter respectively. One of my favorite actors- Irrfan Khan (Rana) plays the driver who takes them from Delhi to Calcutta.   

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Father (Amitabh Bachchan) and daughter (Deepika Padkone) share a hug.

General Thoughts about the Film:

‘Piku’ is about relationships and responsibility. You feel for the characters & that kind of connect, is a huge bonus for any film. 

what is wrong with movies that are mostly dialogue and the interactions of close knit families? I found it realistic and I am not from India. Seemed kind of representative of one of the elements of the universal human experiences to me.

Excerpts from IMDB reviews

If you’re a sensitive viewer who takes offense to toilet humor, this is film is NOT for you!  In fact, there is NOT much to the story, aside from the road trip that this trio (along w/ a loyal manservant) go on.  Piku is a very concerned, stressed-out young architect who lives w/ her 70 y.o. cranky and constipated father.  She is a partner in a small architecture firm w/ her friend, Syed (Jishu Sengupta).  Though Piku is nearing 30 and not yet married, her father isn’t concerned.  Syed sets her up w/ a single guy he knows, BUT Piku has nothing in common w/ him.

Marriage without purpose is for the low IQ.  -Bhaskor’s philosophy on marraige 

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Rana (Irrfan Khan) and Piku (Deepika Padukone) share a snack on the road

Opinions re: Irrfan Khan’s performance

Irrfan is fabulous. He’s given some of the film’s best moments and the talented actor only elevates those moments with his superior act.

Irrfan Khan is known for his gifted talent of never disappointing his viewers. With this film, once again, he proves how worthy his presence is.

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Rana (Irrfan Khan) and Piku (Deepika Padukone) seeing the sights of Kolkata.

The MAIN reason I wanted to see this film (now streaming on Netflix) was Irrfan Khan.  Though Rana now runs his family’s car rental business, he had planned for in a different life.  He is a decent, hardworking man w/ family obligations of his own.  Rana has a LOT of patience- he’ll need that on the road w/ Piku and her father!