This is my favorite musical, not for the dancing alone, but it is the best. The dancers, not just Ann Miller and Rall, but Bob Fosse, Bobby Van, and Carol Haney!! What more could any dance fan want? There is always something new to see, no matter how many times you have watched it. The lyrics are magnificent, tricky and intriguing. I will admit that the music is great, but folks, catch the dancing!
Keel, with his big big voice and untrained natural talent, fills the screen (and his tights!) with his masculine presence. He struts, swaggers, and yet shows his vulnerable side believably enough to make us *like* his character, ego or no ego. Grayson… really comes into her own here–she’s excellent as Lilli, swooning at the right moments, strident during the rest, and actually bites out ‘I Hate Men’ with conviction… I’m also partial to Tommy Rall, whose soaring athletic ability just crackles off the screen. It’s such a thrill to see Miller get matched with someone who can dance circles around most everyone else alongside her. They make the cutest couple in their two numbers together, with the energetic, exuberant dance to ‘Why Can’t You Behave?’ definitely making one of my favourite film dance routines of all time.
-Excerpts from IMDB reviews
I became a fan of this musical after seeing a version of it on Great Performances (PBS) several years ago; it stars Brian Stokes Mitchell and Marin Mazzie, two VERY well-respected Broadway veterans. I bought the soundtrack (released in 2006). Seriously, WHO can resist Stokes’ voice!?
I saw this movie on TCM two weeks ago; it was pretty fun, though NOT as fabulous as the Broadway version. Fred Graham (Howard Keel) and Lilli Vanessi (Kathryn Grayson) are a divorced pair of actors who are brought together by Cole Porter, who has written a musical version of The Taming of the Shrew. Lilli, recently engaged to a Texas oilman, is reluctant to act w/ Fred, who is involved w/ Lois Lane (Ann Miller). It’s obvious that the tap dancing ingenue (Lois) and more mature leading lady (Lilli) resent each other.
We soon seen that Fred and Lilli act a LOT like the mismatched lovers they play, Petruchio and Katharine. A fight between them on opening night threatens the production. Also, two thugs w/ thick New York accents (who are BIG fans of the theater) think that Fred owes their boss a LOT of money, so insist on staying next to him ALL night. Lois (who is cast as Bianca) is in love w/ another of her co-stars, Bill Calhoun (Tommy Rall), who forged that IOU.
…Keenan Wynn and James Whitmore, who get into the play and later get to sing one of Cole Porter’s best satirical numbers and a personal favorite of mine, ‘Brush Up Your Shakespeare.’ It’s their own ode to their theatrical experience and also advice to the lovelorn that if you want to win the mate of your choice, learn the classics so you can wow them with rhetoric. Wynn and Whitmore are priceless.
–Excerpt from IMDB review
If you’re a big fan of The Bard, you will definitely enjoy the thugs’ song (Brush Up Your Shakespeare); it’s a combo of high culture and naughty wordplay.
I esp. like Lois’ signature song Always True To You (In My Fashion). Here is the (updated) song from the 2006 Broadway play, sung by Amy Spanger.
Set in NYC, this film stars Cary Grant as Johnny Case, a 30 y.o. businessman working at a “financial house.” While he takes a skiing holiday to Lake Placid, he meets Julia Seton (Nolan); the two fall in love (in ONLY 10 days). They get engaged!
It turns out that Julia comes from a VERY wealthy/influential family. Johnny is surprised and bemused, BUT then finds himself taken w/ Linda (Katharine Hepburn), Julia’s free-thinking/dramatic older sister and her little brother, Ned (Lew Ayres), a musically-gifted alcoholic. (Linda Seton was loosely based on Gertrude Sanford Legendre, a former débutante who left high society to become a big-game hunter and later spied for the OSS during WWII.)
There are a lot of humorous little episodes. I tried to get Father to let me take a nursing course at a hospital. Oh yes, and I almost got arrested trying to help some strikers over in Jersey. Well, how was I to know that Father was on the board of directors at the company? You see, Case, the trouble with me is I never could decide whether I wanted to be Joan of Arc, Florence Nightingale, or John L. Lewis.-Linda talks about her past
It turns out that Julia is NOT that different from her father; at some point you wonder WHAT Johnny saw in her in the first place! Her siblings are discontented with being under their father’s thumb. Mr. Seton is NOT a bad guy, BUT has strong feelings about how things should be done to keep the family on the up and up.
You’ve got no faith in Johnny, have you, Julia? His little dream may fall flat, you think. Well, so it may, what if it should? There’ll be another. Oh, I’ve got all the faith in the world in Johnny. Whatever he does is all right with me. If he wants to dream for a while, he can dream for a while, and if he wants to come back and sell peanuts, oh, how I’ll believe in those peanuts! -Linda explains, revealing her true feelings for Johnny
[Quoting an imaginary society column] ‘Miss Linda Seton – on New Year’s Eve – entertained a small group of Very Unimportant People.’ -Nick jokes
In the original play, Nick and Susan Potter are wealthy socialites. Due to the Depression, the plot was altered so that Johnny (“the common man”) would have more ordinary, down-to-earth friends. Johnny’s friends, the Potters, were intellectuals and funny- great combo. They added a LOT of fun to this film!
 Hepburn, clearly the star of this production, acts each scene with an emotion and charm that is almost unheard of in the mainstream cinema of the present. …I found myself becoming so endeared to her character that I probably would have been completely devastated if she didn’t get some sort of happiness in the end, probably one of the highest compliments that I can give to an actor’s performance… He [Grant] is such a fresh and passionate character…
 Cukor takes a lighthearted approach to this story, which keeps it upbeat and entertaining, and he laces it with warmth and humor that’ll give you some laughs and put a smile on your face. But beyond all that, Cukor shows some real insight into human nature and the ways of the world. And it makes this film timeless.
NOTE: This post contains SPOILERS for the latest season of the Netflix original series.
What Piper does is try on identities. -Taylor Schilling
In Season 3, Piper (sometimes dubbed “a clueless white girl”) was using the Whispers work assignment to her advantage; she got a big ego (as we see at the start of THIS season). Well, Maria is NOT going to put up w/ that attitude! Also, the Dominican (who was disowned by her gang leader dad for falling in love w/ a Mexican man) has plans of her own to profit HER girls, the latinas. The numbers work in her advantage, as the prison (now managed by MCC, a private corp.) gets an addition of MOSTLY latina women.
It’s all grounded in the reality that they DO love each other…-Laura Prepon (Alex) on the (love-hate; complicated; manipulative) relationship between her character and Piper
What did YOU think of Piper’s comeuppance (for joining w/ the White Power women)? Yes, she needed allies, BUT (as she often does) Piper didn’t realize the consequences of such an (unholy) alliance!
When you know something [drug addiction] firsthand, there’s a sort of responsibility, which (for me) can often feel like… you know… too much pressure. -Natasha Lyonne (Nicky)
The relationship between Red and Nicky has been fraught w/ tension b/c of Nicky’s reluctance to get (and stay) sober. As we know from real-life statistics, MANY women (and men) are in jail b/c of drug-related issues; others get into drugs while imprisoned.
I have my “daughters.” That is my way of surviving w/ my morality- and what I hope to consider- my integrity- intact. The tough side is, there’s a line. If you cross it, you are out. And that costs me as much as it costs them, but there has to be a moral compass. And I adhere to it very strongly. -Kate Mulgrew on the maternal and tough sides of her character (Red)
Red has been one of my favorites from the start; she doesn’t have much to do until later in the season. She’s back in charge of the kitchen- good to see. Mr. Healy seems to have fallen in love w/ her (yeah, we saw that coming); she sternly tells him that “no relationship between a prisoner and a guard is consensual”).
Season four has some of the most explicit and complex discussions of consent I’ve ever seen on television. And in a time when there is still so much confusion surrounding consent and anger when it’s violated.
It’s significant that OITNB doesn’t just show Pennsatucky’s reaction to her rape. Instead, it forces Coates to reconsider everything he thought was true, to confront the ugliness inside him and surrounding him that pushed him to a place where he could ignore a woman’s needs for his own basic pleasure. He didn’t think he was raping her, but that doesn’t matter.
And now he knows it.
-Caroline Famke, Vox
We see what Alex is capable of when she kills the man (disguised as a new guard) in the greenhouse. Lolly (who becomes more and more unhinged in S4) and Frida (a convicted murderer) knows about this crime; they handle it in VERY different ways. Frida helps Alex bury the dead body in the garden. Alex has trouble sleeping, goes to hang out w/ Piper, and (in time)- they are a couple again.
Mr. Healy tries to help Lolly, who starts spouting paranoid stories. We learn more re: his backstory; his mother had mental problems when he was a young boy, then was put in a psychiatric hospital. THAT gets to the root of WHY Mr. Healy want to help troubled women. He falls short (of course)!
The new guards (former war vets) are NOT only working at Litchfield, they’re also living in the (built by prison labor) cabins on the property. They have issues and secrets of their own! Humphrey forced Maritza, at gunpoint, to swallow a live baby mouse and pushed Crazy Eyes/Suzanne into a bloody brawl with Kukudio.
When I heard that Judy was a cooking show celebrity and she was going to prison for some financial mischief, you think of Martha Stewart right away. [In the book on which it’s based, author Piper Kerman said Stewart was almost sent to Danbury, the inspiration for Litchfield.] She’s Paula Deen-like, because she’s Southern, but Judy King is another entity altogether. It’s just that those two are the ones that spring to mind.” -Blair Brown, Hollywood Reporter
We see how Judy King (veteran actress Blair Brown) is treated better, given her own room, etc. (being a rich and powerful celeb). I esp. liked her friendships w/ Poussey and Cindy. Do YOU think that these were real friendships?
Alison (who is Cindy’s bunk mate) wears a hijab (black scarf in this case) as a sign of modesty, due to her being Muslim. She also uses her hijab to hide a cell, which she uses to secretly communicate with her child via text. Cindy (a convert to Judaism) is suspicious of Alison at first, BUT in time, they get to know each other and become allies.
Speaking of unlikely allies… Figueroa dropped a sly bomb on Caputo when she asked him if he knew re: more inmates coming to his prison when he visited her house. Caputo, my the middle of the season, knows that his girlfriend (Linda) does NOT want the best for his inmates. Were YOU a bit shocked to learn that Linda had NEVER even visited Litchfield (though she worked for MCC)?
It’s war. Taystee has nothing to lose; she’s lost everything that she cared so deeply about. It’s time to fight. I think that’s where we will see Taystee go.-Danielle Brooks on what she sees next for her character
The season four finale of Netflix’s prison dramedy OITNB capped a season that explored the Black Lives Matter movement and the injustice that exists in the prison system.
The final moments of the season see Daya picking up CO Humphrey’s loose gun and aiming it back at him during a prison-wide riot, Attica-style. …After being abandoned by fiance Bennett, losing her daughter and seeing her mom released from prison, Daya has so much pent-up anger and frustration, she might just shoot. -Jackie Strause, The Hollywood Reporter
Short/petite Poussey is killed by baby-faced guard, Bayley- VERY unexpected/shocking scene! Taystee, who was probably her closest friend, is heartbroken. Soso tries to drink away some of her sadness. Judy King has the star power to right at least some of the wrongs she witnessed in prison. Will she tell the truth about Poussey’s murder?