New Series Trailers: Turn Up Charlie, Delhi Crime, & Ramy

Turn Up Charlie (Netflix) – This show is now streaming!

This show stars British actor Idris Elba; he worked as a DJ in London & NYC for years in his 20s & 30s.

Delhi Crime (Netflix): March 22nd

NYC-based writer/media critic Aseem Chhabra (who I’ve been following since 2005) posted re: this show on IG. He “loved the first two episodes,” which were directed by his Canadian friend (Richie Mehta). The cast includes Rasika Dugal (Bombay Talkies) and Shefali Shah (who some of you will recognize from her memorable co-starring role in Monsoon Wedding). The show focuses on the Nirbhaya rape case of Jyoti Singh. I’m guessing that most of the actors in this show are theater veterans.

Ramy (Hulu): April 19th

You may have seen Ramy Youssef’s stand-up before. In his 1st series, he plays a young man (NOT unlike himself) who is a first generation Egyptian-American exploring the challenges of being a Muslim in today’s world. His mother is played by internationally-acclaimed Israeli Arab actress, Hiam Abbass (The Visitor; Blade Runner 2049). Mo Amer (another stand-up comic) who is a Palestinian-American/refugee is part of the cast; he has a Netflix special (The Vagabond) that is funny and educational. Dave Merheje, a Canadian-Lebanese stand-up featured in Comedians of the World (Netflix), also has a role; he just won a Juno award this week. Indian-American actress Poorna Jagannathan (The Night Of; Gypsy) is also listed in IMDB for 3 eps; she is a friend of one of my writer friends (from my NYC days).

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More Movie Trailers

The Aftermath (in theaters this FRI, March 15th) – Starring Keira Knightley, Alexander Skarsgard, & Jason Clarke

Set in postwar Germany in 1946, Rachael Morgan (Keira Knightley) arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis (Jason Clarke), a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower (Alexander Skarsgård) and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal. -Synopsis by Fox Searchlight Pictures

Long Shot (in theaters May 3rd) – Starring Charlize Theron, Seth Rogen, Alexander Skarsgard, Andy Serkis, Bob Odenkirk, Randall Park, & June Diane Raphael

Fred Flarsky (Seth Rogen) is a gifted and free-spirited journalist with an affinity for trouble. Charlotte Field (Charlize Theron) is one of the most influential women in the world. Smart, sophisticated, and accomplished, she’s a powerhouse diplomat with a talent for…well, mostly everything. The two have nothing in common, except that she was his babysitter and childhood crush. When Fred unexpectedly reconnects with Charlotte, he charms her with his self-deprecating humor and his memories of her youthful idealism. As she prepares to make a run for the Presidency, Charlotte impulsively hires Fred as her speechwriter, much to the dismay of her trusted advisors. A fish out of water on Charlotte’s elite team, Fred is unprepared for her glamourous lifestyle in the limelight. However, sparks fly as their unmistakable chemistry leads to a round-the-world romance and a series of unexpected and dangerous incidents.

The Sun is Also a Star (in theaters May 17th) – Starring Yara Shahidi & Charles Melton

College-bound romantic Daniel Bae and Jamaica-born pragmatist Natasha Kingsley meet—and fall for each other—over one magical day amidst the fervor and flurry of New York City. Sparks immediately fly between these two strangers, who might never have met had fate not given them a little push. But will fate be enough to take these teens from star-crossed to lucky in love? With just hours left on the clock in what looks to be her last day in the U.S., Natasha is fighting against her family’s deportation as fiercely as she’s fighting her budding feelings for Daniel, who is working just as hard to convince her they are destined to be together.

Aladdin (in theaters May 24th) – Starring Will Smith, Mena Massoud, Naomi Scott, Marwan Kenzari, & Nasim Pedrad. Directed by Guy Ritchie.

Actor Will Smith released the final full movie trailer (after mos. of speculation & waiting) today on his YouTube channel!

Nothing to Hide, or Le Jeu (2018) starring Berenice Bejo

It featured truly interesting characters, and dealt with a subject that most of us wonder about, but generally never act in…

Funny, realistic, well acted, emotional, and passionate in equal measure.

-Excerpts from IMDB reviews

To enjoy Nothing to Hide, you have to suspend your belief to enjoy the scenario. There is no way on God’s earth that a group of couples would agree to this game. -Daniel Hart (Ready Steady Cut)

Nothing to Hide certainly grows more and more compelling as the aforementioned game adopts progressively salacious qualities – which ensures that the picture’s midsection boasts a sporadically spellbinding quality that proves impossible to resist. –Reel Film Reviews

Le Jeu (“the game”) is a French film (on Netflix); it’s a remake of an Italian film. One of the ensemble cast is Berenice Bejo, the talented and gorgeous co-lead of The Artist (2015). FYI: The director of that Oscar-winning film is Bejo’s husband, Michel Hazanavicius. There is also a Mexican version of this movie- Perfectos Desconocitos (Perfect Strangers)- currently playing in limited release at U.S. theaters. To play the game, 7 close friends (3 couples) put their cell phones in the middle of the table during dinner party, and when an email, text, or call pops up, they MUST reveal who and what it was. Yikes!

The couple hosting the dinner party are a well-to-do/sophisticated professional couple in their 40s- a plastic surgeon named Vincent (Stephane De Groodt) and his psychologist wife Marie (Bejo). They have a 17 y.o. daughter- Margot (Fleur Fitoussi)- who is going to a party w/ her friends. Their marriage seems to have grown cold/distant. Somewhat neurotic businessman Marco (Roschdy Zem) and his (heavy drinking) wife Charlotte (Suzanne Clement) have been married 15 yrs; Marco’s mother lives w/ them and helps w/ their two young kids. Charlotte resents her MIL who is critical of her choices. A handsome taxi driver, Thomas (Vincent Elbaz), and his bubbly hairdresser wife, Lea (Doria Tillier), are newly married and seem VERY much in love. They can’t keep their hands off each other- it’s somewhat awkward for the others. The one single friend, Ben (Gregory Gadebois), is a gym teacher who recently lost his job and is dating for the first time (after his divorce). Though everyone was looking forward to meeting his new lady, Ben didn’t bring her (saying she had stomach flu).

We learn that the men have been friends since childhood (35 yrs); their wives seem to be close also. They drink wine, tell jokes (incl. insulting each other), and eat foie gras (which is a luxury food made from liver of fattened duck or goose) and different types of cheese. Marie proposes they play the game, which brings out secrets (big and small), lies, and drama! Ben, for a while, tries to be the peacemaker among the group. He hopes to get some photos of the gang (w/ the eclipse moon occurring that night).

This movie poses MANY questions! Are cell phones ruining interpersonal relationships? Should we accept out bodies as they are, or work to improve them (incl. w/ plastic surgery)? How well do you know your spouse/partner? If something is left unsaid, is it just as bad as a lie? How well do we relate to our children? In one (particularly touching scene), after Margot calls Vincent, he gives his daughter some GREAT advice re: her personal life.

Lured (1947) starring Lucille Ball & George Sanders

In this film noir (directed by Douglas Sirk), a serial killer in London is murdering young women he meets through personals columns of newspapers. He announces each murder to the police by sending them a poem. Research carried out by Inspector Harley Temple (Charles Coburn) reveal that the killer’s verses are strongly influenced by Baudelaire who saw a link between beauty and death. After a taxi dancer disappears, her concerned American friend/co-worker, Sandra Carpenter (Lucille Ball), comes to Scotland Yard (the police), looking for answers. Sandra came from NYC to dance in the chorus of a London show (which closed early). After speaking w/ Sandra (a fiesty, sarcastic, and pretty young woman), Inspector Temple is impressed. He quickly enlists her to answer personal ads, in hopes of luring the killer. Sandra is given a police ID and a small handgun!

There are moments of humor in this movie (which is a remake of a French film). Boris Karloff adds humor to this (rather dark) tale, giving a brief performance as an insane dress designer. Officer H.R. Barrett (George Zucco) is the veteran cop assigned as back-up for Sandra; he and Ball make a fun team w/ good chemistry. While waiting for her mystery date at the opera, Sandra meets sauve and wealthy Robert Fleming (George Sanders). I think Sanders is fun to watch in ALL his roles, MOST notably in All About Eve. In no time, Robert and Sandra develop feelings for each other; she becomes less guarded and he drops his playboy ways. The streets are NOT safe; Sandra is put in danger more than once. Who is the killer? Could it be Robert?

[1] This is a very enjoyable film. What you get here is a lot of talk and character studies. Lured is a good, old-fashioned mystery yarn. The killer is painfully obvious about halfway through, but the actors go through the motions with obvious relish. 

[2] For a serial killer film, this one must rank as the most reserved and dignified ever made. No blood nor gore, just urbane and sophisticated dialogue throughout, and especially from the killer…

[3] The emphasis in making this film was clearly on producing an upbeat thriller which has many of the characteristics of a routine whodunit (e.g. numerous red herrings) and judged purely on this basis, it is very successful and entertaining.

-Excerpts from IMDB reviews


The Awful Truth (1937) starring Cary Grant & Irene Dunne/His Girl Friday (1940) starring Cary Grant & Rosalind Russell

The Awful Truth

Before their divorce becomes final, Jerry (Cary Grant) and Lucy Warriner (Irene Dunne) BOTH do their best to ruin each other’s plans for remarriage. They divorced (hastily) b/c they suspected that cheating was going on; Lucy learns that he lied re: going away to Florida and Jerry is VERY disturbed upon learning that she was stuck (overnight) w/ her (suave/French) music teacher. It’s up to the audience to decide IF they actually cheated! Lucy meets an earnest Okie oilman- Daniel Leeson (Ralph Bellamy)- while living w/ her outgoing auntie at a fancy hotel. Jerry visits their pet dog (a fox terrier), Mr. Smith, as was decreed by the judge; the dog (obviously) doesn’t like the couple being apart. One night, while Lucy and Daniel are out at a fancy club, they run into Jerry and his date- a wanna-be actress named “Dixie Belle Lee.” She is young, blonde, and Southern; she reveals that she changed her name (b/c her family disapproves of show business). They all watch (w/ bemusement) as Dixie Belle happily screeches out a song; at certain points, her skirt blows up (a la Marilyn Monroe in The Seven Year Itch). One day, BOTH the music teacher and Jerry show up at Lucy’s hotel and confusion ensues! Jerry seriously begins seeing a socialite- Barbara Vance- who is covered in the society pages. Jerry tells Lucy that he’s going to meet the parents; she barges in on them, calling herself Jerry’s “sister.” The Vances, a humorless bunch, look on w/ horror as Lucy does her own impression of Dixie Belle, complete w/ a burlesque-style dance.

Much of the film (adapted from a Broadway play) was improvised by its director, Leo McCarey, and the cast each day. This caused Grant much anxiety, BUT it became a big hit. After a time, Grant realized that McCarey was deliberately creating nervous tension in him to enhance the performance. By keeping the cast slightly off balance, the director was building scenes from spontaneous moments between the actors. There is clever/fast dialogue, physical humor (incl. w/ the energetic dog), and great chemistry between the leads. The supporting actors do a good job, too; they add to this screwball comedy.

His Girl Friday

It all happened in the “Dark Ages” of the Newspaper game- When to a reporter “Getting That Story” justified anything short of murder. Incidentally you will see in this picture no resemblance to the men and women of the press of Today. Ready? Well, once upon a time… –Opening title card for the film

Having been away 4 mos, Hildy Johnson (Rosalind Russell), walks into the offices of The Morning Post, where she is a star reporter; her purpose is to tell her boss/editor, Walter Burns (Grant), that she is quitting. She got a divorce in Reno (from Walter- who admits he “wasn’t much of a husband”) and had a vacation in Bermuda. Hildy wants to “have a home” and “live like a real human being,” instead of chasing after stories. She plans to take the 4PM train to Albany, where she will be getting married the next day to an earnest/doting insurance agent, Bruce Baldwin (Bellamy- yet again the guy who doesn’t get the girl). Walter doesn’t want to lose Hildy, as a reporter or a wife, so he does whatever he can to delay her trip and convince her that she belongs w/ the paper- and him!

You’ve got an old fashioned idea divorce is something that lasts forever, ’til death do us part.’ Why divorce doesn’t mean anything nowadays, Hildy, just a few words mumbled over you by a judge. -Walter explains to Hildy

What were you when you came here five years ago – a little college girl from a school of journalism. I took a doll-faced hick... -Walter says

Well, you wouldn’t take me if I hadn’t been doll-faced. -Hildy retorts

Well, why should I? I thought it would be a novelty to have a face around here a man could look at without shuddering. -Walter replies

He forgets the office when he’s with me. He doesn’t treat me like an errand boy, either, Walter. He treats me like a woman. -Hildy comments re: her fiance, Bruce

This (fast-talking) screwball comedy influenced MANY films that came after it, from rom coms to workplace comedies. There are jokes aimed at the behavior, looks, and speech of journos (who were almost ALL men that time). I’ve seen this film several times over the years; I recently learned that Hildy was first written as a man (in the play- The Front Page). For the film, the studio (producers) decided to change it to a woman, so there could be a romance (instead of bromance) element. In the middle section of the film, Hildy is at the helm of the story, and we see things from her POV. The other reporters covering the case admire Hildy for her talent (writing); they even bet on how long she’ll last as a housewife! The female Hildy was a rarity for Hollywood; she had a career, was confident, smart, and independent-minded. She wears cool hats, coats, and (menswear-inspired) skirt suits. Grant (then in his 30s) looks great (as usual); he projects charm, humor, and mischievousness in his scenes. Walter (who rarely shows vulnerability, BUT is still easy to relate to) is one of Grant’s MOST known/loved characters.