Spoiler-Free Review: “No Other Choice” (2026) directed by Park Chan-wook

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A 40-something man, Man-su (Lee Byung-hun), works at a paper factory; his managerial job provides his family w/ a comfortable life. His wife, Miri (Son Ye-jin), is SAHM of two kids (a teen boy and young girl). All of the family members have hobbies/interests which enrich their lives. Their home is lovely and spacious- a blend of French country house (preferred by South Koreans in the ’70s/’80s) and brutalist architecture. Man-su has a large greenhouse and loves gardening. Abruptly, Man-su’s entire work team is downsized; he is forced to work random jobs for many mos. Desperate to get back his livelihood and pride, he forms a plan to beat the competition when a perfect job opens up!

During the 2019 Busan International Film Festival, director Park Chan-wook confirmed that he was adapting Donald Westlake’s 1997 horror novel, The Ax. At that time, Costa-Gavras held the rights (after adapting it in French in 2005); the Greek filmmaker assisted Park during development. No Other Choice was selected as South Korea’s official submission for Best International Feature Film at the 2026 Oscars. It was submitted to the 2025 Venice Film Fest and received critical acclaim. I went to a screening w/ the DC Movie Club at Alamo Drafthouse (Bryant St) this past Spring.

If you’re NOT facing job loss, I’m guessing you have fam or friends who’ve dealt w/ it (esp. in the past yr)! This film taps into many (IRL) concerns of the modern age: economic anxiety, loss of status (public/private), crisis of identity (incl. perceived diminishment of masculinity), and the rise of AI. Here we have a dark comedy w/ absurd (yet somewhat relatable) moments rooted in the intense desperation of Mansu (as well as other male characters in his position). We see how the genders respond to uncertainty; as one astute viewer pointed out: “None of the women say ‘no other choice.'” Check this movie out on Disney+/Hulu or HBOMAX. There are few (modern) directors who can surprise (jaded) audiences, make them think, as well as entertain w/ (unique) shots/ visuals!

Spoiler-Free Review: “Nosferatu” (2024)

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A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake. -Synopsis

In Wisborg, Germany in 1838, a young/ambitious estate agent, Thomas Hutter (Nicholas Hoult), reluctantly leaves his anxious bride, Ellen (Lily-Rose Depp), in hopes of securing a lucrative deal. While her husband is away, Ellen lives in the household of their close friends, Anna (Emma Corrin) and Friedrich Harding (Aaron Taylor-Johnson). The Hardings are in a more comfortable life, having (inherited) wealth; they are raising 2 young children. After Thomas arrives at the isolated castle of mysterious/rich Count Orlok (Bill Skarsgard), an evil presence begins to haunt Ellen’s mind.

Over 100 yrs ago, F. W. Murnau made the silent classic of the same title. This kicked off how vampires (incl. Dracula) could be depicted in film. Werner Herzog’s Nosferatu the Vampyre was released 50+ yrs after Murnau’s version; I recently learned of this movie. If you are Gen X (like me), you may be most familiar w/ Francis Ford Coppola’s Dracula (1992) starring Gary Oldman, Winona Ryder, and Keanu Reeves.

American director Robert Eggers (b. 1983) is known for being fresh, well-researched, unique locations, and fine details in his (period-specific) films. This was my 1st time watching on of his movies; horror fans may be familiar w/ his debut- The Witch (2015). If you know me (online), y’all know that I went to see this b/c of Hoult. The movie’s pacing is deliberate and somber; as some viewers noted, it felt slow in the middle. You may feel a sense of dread, rather than jump scares (as used in “typical” horror movies). The snow is not CGI; Eggers used a technique (from the 1940s- shoutout to my classic film fans) where frozen potato flakes are crushed and made into snow-like particles. The exterior of Orlok’s castle was filmed at Hunedoara Castle (AKA Corvin Castle); it’s a Romanian castle located in Transylvania (one of the largest European medieval castles).

[1] …the attention to detail here is impeccable; the period costumes and sets are dazzling, and the cinematography is top-notch, with repeated uses of muted grey night-time sequences that border on black-and-white (intentional I’m sure, as an ode to the Murnau original).

[2] The story, adapted from both Dracula and Nosferatu… but mostly Nosferatu, was very well written. With dialog that felt natural and authentic to the time period, another one of Eggers specialty, the film flowed rather nicely and almost transports you to that time and place.

[3] And despite how good some of the acting is in this film, it failed completely to connect with me on an emotional level. […]

-Excerpts from IMDb reviews



Spoiler-Free Review: “Sinners” (2025)

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From Ryan Coogler-director of “Black Panther” and “Creed”-and starring Michael B. Jordan comes a new vision of fear: “Sinners.” Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. -Synopsis (Warner Bros.)

I think it’s his greatest acting challenge yet. I say that having been there to see him level up each time. Fruitvale (Station) was his first time in a movie. -Ryan Coogler re: Michael B. Jordan

I got a free pass to a pre-screening of Sinners at my (local/Regal IMAX) theater in April 2025. The theater was packed; it reminded me of the excitement during the “Barbenheimer” era! As I guessed, this was a must-see/mulit-layered movie. Check it out soon (Netflix)!

The writer/director, Ryan Coogler, said that his biggest influences were  Salem’s Lot (1979), From Dusk Till Dawn (1996) and The Faculty (1998). Another inspo was an ep of Rod Serling’s The Twilight Zone (1959). The Last Rites of Jeff Myrtlebank (in S3) centers on a young man from a small Midwestern town who returns to life at his own funeral. This shocks his loved ones and pastor. Despite their trepidation, the townspeople call it a miracle, until rumors swirl re: minor (yet noticeable) shifts in Jeff’s behavior.

The newcomer (breakout star) of the film, Miles Caton (Sammie), learned to play the resonator blues guitar to prep for his role. He recently turned 21, started out as singer, yet is a natural at acting. Just a breath of fresh air (in this time of nepo babies)! Jack O’Connell (Remmick) sings and dances; he is Irish and always wanted to jig in a movie. The large scoring orchestra has a number of talented musicians.

He was just in the dark–like he didn’t turn his lights on. Something about that was, like, so intriguing. This kid looked like he was in his basement, like in between homework assignments. But he had this voice–a once-in-a-lifetime voice. -Ryan Coogler on Miles Caton

Documentary filmmaker, Dolly Li, noted that Coogler’s father-in-law had Chinese Delta ancestors, like the Chows: Grace (Li Jun Li- recently seen in Babylon) and Bo (Yao- a Chinese-Singaporean actor). Sinners was set in Clarksdale during the Jim Crow era (the height of Chinese grocery stores’ popularity in the region). Li is listed in the end credits as a consultant.

[1] The acting across the board is full of nuance, expression, and authenticity.

[2] There’s a dark humour running beneath it all, and the music is incredible – bluesy, moody, full of soul. It’s a film that takes risks with tone and style, but it all comes together. Vicious, vibey, and unlike anything else in the genre.

[3] What separates (and elevates) this film from your standard supernatural horror flick is the fact that the director chose to spend more time in the first act developing our and exploring our characters.

-Excerpts from IMDb reviews

Spoiler-Free Review: “Nuremberg” (2025) starring Russell Crowe, Rami Malek, Michael Shannon, & Leo Woodall

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JUDGEMENT IS COMING. -Tagline

Hermann Göring: Just because someone is your ally, does not mean they are on your side.

In mid-1945, France, the Soviet Union, the UK, and the US convened a joint tribunal in Nuremberg (occupied Germany) w/ the Nuremberg Charter as its legal instrument. The charter upended the traditional view of international law by holding individuals, rather than states, responsible for breaches. Btwn November 20, 1945 and October 1,1946, the International Military Tribunal (IMT) tried 22 of the most important surviving Nazis leaders (in political, military, and economic spheres), as well as 6 German orgs. The charges were crimes against peace, crimes against humanity, and war crimes. The purpose of the trial was NOT just to convict the defendants, but also to assemble irrefutable evidence of Nazi crimes, offer a history lesson to the Germans, and delegitimize their elite.

Dr. Douglas Kelley: I’m curious what the attraction was. There’s a failed painter, not a very good soldier, yet he was worshipped and revered.

Hermann Göring: He made us feel German again.

Dr. Kelley: How?

Göring: First of all, I had seen Germany crushed. And along comes a man who says “We can reclaim our former glory.” Would you not follow a man like this?

Dr. Kelley: Depends what else you were willing to do.

On THURS (last NOV 7th), I was among the early viewers of this historical drama written/directed by James Vanderbilt. I’d never hear of this filmmaker before; he was one of the screenwriters of Scream (2022) and Zodiac (2007). After seeing several promos and teaser trailers (on IG), I was V curious. FYI: I was a History minor in undergrad. There are several films/series re: the Nuremberg trials, BUT I haven’t watched them yet. I’d assumed that this story would be focused on the law, BUT it is told from a psychological (mental health) perspective. Dr. Douglas Kelley (Rami Malek) wrote the book 22 Cells in Nuremberg which detailed his personal accounts of interactions w/ Nuremberg trial persons. The final chapter details how he could see the events of pre-WWII Germany occurring in (modern day) U.S.

Justice Robert H. Jackson: We are able to do away with domestic tyranny only when we make all men answerable to the law, so that it can never happen again.

As one critic wrote on Letterboxd: “This movie couldn’t be more timely!” I suggest that ppl check it out (at least on streaming, IF unable to see in theaters). As I was at a matinee on a weekday, there were only a handful of ppl in my audience. I was moved and learned some things also! Justice Jackson (Michael Shannon) took leave from his day job (SCOTUS) to be lead prosecutor in the trials. After WWII, popular opinion (among Allies) was that captured Nazis should be hanged w/o trial. Russell Crowe is in his villain era, and it works for him!

[1] The “cat and mouse” relationship between Malek and Crowe is ever changing and complex. Very timeless story of the ascent of evil rings very true today. 

[2] This really worked for me. It felt electric, which seems crazy for the subject matter. It had a palpable energy, and so stylish.

[3] Overall a great cast, but for me the other standout was Woodall, the translator for the doctor. I wish younger people would see it including in high school, but I doubt they ever will in the US.

Parallels with 2025 events in the USA are very real plus now anti-semitism is worldwide.

-Excerpts from IMDb reviews

Noir City DC 2025: “Inferno” (1953) starring Robert Ryan, Rhonda Fleming, & William Lundigan

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The studio (20th C. Fox) put a LOT into this noir: 3-D and stereophonic sound for the few theatres equipped for that sound system. The early ’50s was a time of 3-D craze, as film historians noted. The plot is simple: An ill-tempered/hard-drinking oil millionaire, Donald Whitley Carson III (Robert Ryan), breaks his leg falling off his horse in the desert. He is left to die by his cheating wife, Geraldine (Rhonda Fleming- w/ NOT much to do) and her lover, Joseph Duncan (William Lundigan). This film (directed by Roy Wood Baker) was distributed on a double bill w/ Rawhide (1951), a Western starring Tyrone Power and Susan Hayward.

Ryan though that his performance here was one of his finest. It must’ve been a challenge to be acting (mostly) alone in such a harsh environment; we hear (in voiceover) his inner thoughts/fears. The original script had Duncan walking off to Mexico, never to be seen again, and Carson picking up his wife and heading to divorce court. Studio head Darryl F. Zanuck wanted more action, so the fight scene btwn Carson and Duncan was added at the end. There a few moments where the 3-D does makes the movie a BIT exciting. It’s NOT going to wow modern audiences much- LOL!

[1] The fascination of the story was the way in which all the characteristics which, at the start, had made Ryan so unlikeable gradually became sympathetic and, after a while, we became identified with the tense struggle to survive of this man whom we had begun by disliking and despising…

This was some achievement by writer, director and actor… Identification is essential to suspense… You must care about the character to share his dangers, and suspense vanishes the moment the tiny thought enters your mind: “He deserves what he gets.”

[2] ... this is Ryan’s film, and he’s top-notch. His thoughts come over as voice-over, and you’re pulling for him every step of the way, despite everyone describing him as unpleasant.

-Excerpts from IMDb reviews