Set on a remote island off the west coast of Ireland in 1923, THE BANSHEES OF INISHERIN follows lifelong friends, Padraic (Colin Farrell) and Colm (Brendan Gleeson), who find themselves at an impasse when Colm unexpectedly puts an end to their friendship. A stunned Padraic, aided by his sister Siobhan (Kerry Condon) and troubled/young neighbor, Dominic (Barry Keoghan), endeavours to repair the relationship, refusing to take no for an answer. But Padraic’s repeated efforts only strengthen his former friend’s resolve and when Colm delivers a desperate ultimatum, events swiftly escalate, with shocking consequences. -Synopsis
“Banshee” is the anglicized term for “bean sí” from old Irish meaning “woman of the fairy mound” or “fairy woman.” She is a spirit in Irish folklore who heralds the death of a family member, usually by screaming, wailing, shrieking, or keening. The Banshees of Inisherin, original title The Banshees of Inisheer, was intended to be the 3rd installment in a series of writer/director Martin McDonagh’s plays dubbed the Aran Islands Trilogy, which incl. The Cripple of Inishmaan and The Lieutenant of Inishmore. This is Farrell’s 3rd project w/ McDonagh (after In Bruges (2008) and Seven Psychopaths (2012)). Gleeson was also in In Bruges; he and Farrell are close pals IRL This is Farrell’s 3rd project w/ Keoghan (after The Killing of a Sacred Deer (2017) and The Batman (2022)). Keoghan and Farrell lived in the same apt while shooting in Ireland; Keoghan admits he drove Farrell crazy by leaving messes and eating all of Farrell’s favorite cereal. Farrell, who Keoghan calls an older brother figure, said the experience was like “living in the episode of The Real World.” LOL! When this film premiered at the 2022 Venice International Film Festival, it received a 15-minute standing ovation.
Pádraic Súilleabháin: Do you know what you used to be?
Colm Doherty: No, what did I used to be?
Pádraic: Nice! You used to be nice! And now, do you know what you are? Not nice.
Colm: Ah, well, I suppose niceness doesn’t last then, does it?
In the Irish culture, comedy is usually also mixed w/ tragedy; this film is an example! It opens up w/ a rainbow (no joke) behind a smiling Padraic, who is planning to meet Colin for a beer at the pub; this is their ritual almost everyday at 2PM. The settings are gorgeous, the production design is spot-on (creating a lived-in world), and the acting is great all-around. Colm’s home was shot on the island of Achill in County Mayo, which is craggy/rugged, to reflect his moral quandary. However, Padraig’s scenes were filmed on the flatter, more uninteresting island of Inishmore. The J.J. Devine Public House (the bar) was built for the film on Achill; since a planning permit had NOT been acquired, it had to be demolished when the film wrapped. All of the main characters’ sweaters were made by the same elderly man, who knitted them by hand.
Pádraic: I am not putting me donkey outside when I’m sad, okay?
Padraic (a simple man) has animals, Colin (who is more complex/troubled) has music (violin/composing), and Siobhan (practical/lonely) has books. Jenny, the miniature donkey- also named Jenny- had never been in a movie before. She was NOT a trained animal actor and seemed to hate the experience. Farrell joked: “She was the biggest diva on set.” There is a brief shot of Siobhan’s books: Northanger Abbey by Jane Austen, Irish idylls by Jane Barlow, Waverley by Walter Scott, and The Golden Dream by RM Ballantyne. Dominic doesn’t seem to have anything to look forward to, though he is NOT as “dim” as people think. He comments: “faint heart and all that” after irritating Siobhan; this is a referral to the proverb: “A faint heart never won a fair lady.”
Dominic: Me, I pay no attention to wars. I’m again’ ’em. Wars and soap.
Even in such open spaces, viewers noted feeling the claustrophobia of the characters. The loss of one friend could be a tragedy, some viewers commented, as there aren’t many people around to know! There is no romance (or even potential for some romance) in this story, as one critic sadly noted. The elderly (perhaps witch-like) woman frightens the community w/ her premonitions. The priest is only around on Sundays and doesn’t know how to deal w/ Colm’s “despair.” The local policeman is often drunk and V abusive, esp. to his son Dominic (perhaps the most tragic character).
 At first, I was relating to Gleeson’s character, because I’ve felt like him. Life is too short to spend on relationships that don’t add value. But as his behavior gets more and more extreme… […] we start to realize how unwell he is and sympathies shift to Farrell’s character. Until we start to realize how selfish he actually is and how much his own actions are driven more by wanting to be liked than by concern for his friend. […]
The standout of the cast is Kerry Condon as Farrell’s sister. She’s an antidote to the male angst pervading this little Irish village.
 Reflecting the friction and war taking place over the water, and the reasons for it, with four outstanding performances, although Barry Keoghan absolutely knocks it out of the park, a film to get you thinking about what it means to get along, and the repercussions when two tribes don’t, even over the most trivial of torments.
 It is a well told dark comedy that keeps you wanting more, in a time when Ireland was full of despair, not long after the war of Independence and a long-suffering period that brought about a post-colonial inferiority complex (still hasn’t been addressed to this day), a struggle for an identity, a repressive church, superstitions, isolation, mass emigration, poverty and to top it all off- a brutal civil war.
-Excerpts from IMDb reviews