A railroad worker in New York forms a close bond with his African American coworker while they both endure harassment from their hostile supervisor. -Synopsis

A brooding/down-on-his luck man, Axel North (John Cassavetes- best known later as an indie director), comes to NYC and spends one night sleeping on the streets. In the morning, he runs into Tommy Tyler (Sydney Poitier), a Black man w/ a friendly personality, who helps him get a job. The men work on the docks as stevedores; the word comes from estivador (Portuguese) or estibador (Spanish)- a man who loads ships/stows cargo. Axel and Tommy (though of differing personalities) quickly become friends, though Axel is hesitant about opening up. Tommy, a family man, says that his neighborhood welcomes all backgrounds (as renters). A bitter/racist co-worker, Charles Malik (Jack Warden), manages to make their life difficult whenever he can!

Y’all ever seen this movie? It’s a hidden gem which tackles real issues in a naturalistic manner. I learned about it from a movie group on Fb. This was the debut of director Martin Ritt; he was best known for collabs w/ close pal Paul Newman (The Long Hot Summer, Paris Blues, and Hud). As classic film fans may recall, Paris Blues is also centered on an interracial friendship. Lucy (Tommy’s wife) is played by Ruby Dee; you can see her again as Poitier’s wife in A Raisin in the Sun (1961). Lucy and her (white) friend, Ellen (Kathleen Maguire), are both educated/progressive-minded women.

As an artist, I feel that we must try many things – but above all we must dare to fail. -John Cassavetes

John Nicholas Cassavetes was born in NYC in 1929; his father was an immigrant from Greece and his mother was 1st gen Greek-American. The family moved back to Greece in the early 1930s; young Cassavetes spoke Greek as his 1st language. The family moved back to the U.S. in 1936. As a teen, he wrote for his H.S. paper, and then attended college briefly in Vermont (before being expelled for bad grades). Soon after, Cassavetes enrolled at the American Academy of Dramatic Arts (AADA); several of his friends were already attending. After graduating, he began to perform on stage; he also appeared in minor roles in films/TV. After appearing in Edge of the City, Cassavetes gained critical acclaim; critics compared him to Marlon Brando. He then became a contract player for MGM.

[1] Martin Ritt’s first film offers an exceptional existentialist answer (three years later) to Elia Kazan’s more conservative “On The Waterfront.” […]

“Edge of the City” boldly dives into this (then) unknown territory… the courageous struggle against thinly-veiled bigotry and violence has hardly aged at all.

[2] The film’s low budget does show, but you’re so impressed with the ensemble cast you don’t really care. […]

…my personal favorite in this film is Ruby Dee. She should have gotten some award for her performance, her final scene with Cassavetes is outstanding.

[3] Cassavetes, always an intense actor, shows grit in his portrayal of a film. Am surprised that Montgomery Clift didn’t get this part.