Viceroy’s House (2017) starring Hugh Bonneville, Gillian Anderson, Michael Gambon, Simon Callow, Om Puri, Manish Dayal, & Huma Qureshi

SPOILERS: Don’t read this post if you haven’t seen, or don’t want to know, details from this movie (now showing in wide release in the US).

[1] If you saw something similar in a high school world history class it would be interesting and effective. As a theatrical movie it misses the mark.

[2] ...as history, it is inevitably selective. Most glaring is the benign portrait of a compassionate departing colonial power.

[3] It’s interesting to see, but it’s by no means a cinematic masterclass.

[4] What could have been an epic, ends up being too pedestrian. It is this failure in character development which pulls the film down harder than all the other negative factors combined.

[5] A special mention needs to go to Gillian Anderson. Her performance as Lady Mountbatten is wonderful. The received pronunciation was perfect. Her character adds heart, she adds a moral core, to both Lord Mountbatten, and in my eyes, to the film in general.

-Excerpts from reviews on IMDB

I saw this movie (ONLY available in SD- ugh) last night on FIOS On Demand. I had been anticipating it for almost 3 mos, so was VERY excited. (American actor Manish Dayal was posting bits about it on his social media.) I was a big fan of Bend it Like Beckham, British director Gurinder Chadha’s breakout indie hit. I thought her Thanksgiving-themed film (What’s Cooking?) was pretty good. The posters didn’t appeal to me- TOO slick and stereotypical of a historical drama. I liked the trailers that I saw; the high production value was evident (which viewers expect from this caliber of film).

Sadly, Viceroy’s House was NOT what I expected. After it ended, I wondered: “There MUST have been MORE to this film!” It seems edited down (to a mere 1 hr 46 mins); however, it seems longer b/c of it’s plodding nature (at least in the first half). Maybe it needs to be seen on the big screen (for its sheer scope and spectacle)? Or maybe it would’ve been better as a miniseries or movie on HBO (where directors and writers have more creative control)? MANY critics/viewers felt that Hugh Bonneville was miscast as Lord Louis Mountbatten. Hmmm… maybe it’s TOO close to his role as head of Downton Abbey? Gillian Anderson (who plays Lady Edwina) is given some of the best lines in the movie; she does well w/ in her role. (You should check Anderson out in British work, incl. The Fall on Netflix.)

The veteran actors who play Nehru (Tanveer Ghani), Jinnah (Denzil Smith), and Gandhi (Neeraj Kabi) do what they can w/ what they are given. Basically, they sit around and debate w/ the Brits on if and how to divide India and the new Muslim majority nation- Pakistan. Some of you know that Gandhi didn’t want India divided; he imagined a land where ALL religions live together in peace (as before the Brits arrived and used their “divide and conquer” strategy to rule). Some Pakistanis were NOT pleased w/ the portrayal of Jinnah, who comes off as duplicitous.

Michael Gambon plays Gen. Ismay, a cold/intimidating man who doesn’t care what happens to the Indian people. He wants to get the boundaries created ASAP and get back to England. Simon Callow ‘s overwhelmed character, Radcliffe, says that it’s impossible to make these decisions in such a short time frame. Ismay finally shows him a plan from 1945 which already lays out exactly how India and Pakistan should be divided (NOT sure how accurate this is in reality)!

The recently deceased international Indian actor, Om Puri, has a small, yet effective/touching role. (He played Dayal’s father in The Hundred-Foot Journey). In this film, Puri plays Ali Rahim Noor, the blind/elderly father of Aalia (Pakistani actress Huma Qureshi), the Muslim woman who has captured the heart of Dayal’s character, Jeet Kumar. Ali Rahim was a political prisoner in the jail where Jeet worked for 2 yrs as a guard. Now, Jeet is a manservant (alongside his Sikh friend, Duleep Singh) for Mountbatten. As Dayal has said, Jeet represents the Hindu perspective in the film. He is an earnest/optimistic young man who feels that his destiny is to marry Aalia.

One of the servants (among 500+ in the viceroy’s household) who stirs up trouble is Mohsin (Samrat Chakraborti, an American actor/musician whose career I’ve been following since 2005). He also has a crucial role in Midnight’s Children (check Netflix to see if it’s still available). Another pleasant surprise is the original music by A.R. Rahman, an internationally recognized composer. I thought he did a esp. fine job in the last section of the film, when we see large crowds of refugees streaming into the palatial estate.

Related Videos

Two (differing) reviews of the film

BBC interview w/ Chadha (12:16)

BUILD Series interview w/ Chadha & Ghani (34:29)

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AFI LAFF: You’re Killing Me Susana (2016) starring Gael Garcia Bernal

This movie ((a blend of comedy, romance, and drama) is part of AFI’s Latin American Film Festival (Silver Spring, MD); it is in Spanish and English w/ English subtitles. The star is ageless hottie (he’s 39 now- whoa) Gael Garcia Bernal (GGB). If you have Netflix, you can see him in Mozart of the Jungle (highly recommended by friends, both online and offline). 

After working on his soap opera, Eligio (GGB) comes home late to party at his apartment w/ some buddies. He discovers that his wife, Susana (Veronica Echegui), has left him w/o a word or note. Clueless as to why she left, he goes on a quest to find her, as he loves her deeply. Eligio travels from Mexico City to an university town in Iowa (actual shooting location: Canada) where Susana is attending a conference of international writers. Susana may have moved on (for good this time); she is no longer willing to accept Eligio’s behavior (incl. cheating w/ other women). She has become involved w/ a Polish poet who is silent, imposing, and very tall (esp. in comparison to Eligio). Eligio eventually changes his macho attitude and realizes that he can’t always get by on charm! 

It just doesn’t know what it is. The character arc is completely absent; it has an uneven tone; the laughs are cheap and spread too far between each other… It sort of glosses over the subjects which the movie promised to tackle in zero-effective way. The way this movie was marketed has nothing to do with the movie at all, and created expectations that, probably, ruined the whole experience for me (which is becoming a common problem with movies nowadays). 

-A female viewer from Mexico

The procedures of the TSA, being in a foreign land (incl. driving in a snowy blizzard), and the culture/people of rural America add bits of humor and danger to the story. However, it’s a (mostly) awkward movie. I learned that it was based on a novel when the credits rolled; maybe the filmmakers should’ve let the author have input. The rural folks w/ a love of guns and beer come off as hokey. There is an (obvious) scene where the cute blonde American (w/ a crush on Eligio) proves to be a bit of a stereotype, too. I wondered why Susana didn’t get many lines of dialogue; she should’ve had more to say/do. This is another example of a movie that can’t rely on just one actor (albeit a big name w/ a lot of talent) to carry the story! 

MUST-SEE for ANY Shakespeare Fan: A Presentation by Author/Actor Ben Crystal

Breakdown of segments in this video:

0:00-5:00 – Introduction & Ben’s own challenges with studying, then performing, Shakespeare. 

5:00-10:00 – What exactly is iambic pentameter? (Ben shows us how it’s part of everyday life!) Discussion of sonnet form, poetry, and prose.

10:00-39:00 – Ben breaks down, in a fresh new way, 3 famous scenes from Romeo & Juliet, Macbeth, Hamlet, and King Lear (w/ the help of two actors from his theater company and his linguist father). Ben speaks in Shakespeare’re original pronunciation (OP)- it’s a mix of different accents from Elizabethan England (“a melting pot”). 

39:00- 58:00 – Ben talks about how Shakespeare “directs the actors” w/ his writing, his own eclectic accent, then reveals to us the original pronunciation (OP) from the Bard’s day- a mix of different accents from Elizabethan England (“a melting pot”). Ben looks at the (bawdy) humor in a scene from As You Like It and the almost-military cadence to one of the monologues in Richard III.

58:00 – 1:02:00 – Suggestions of how to teach Shakespeare in schools (incl. to young children).

1:03:00 – end – Q&A w/ the audience (as well as others watching ALL over the world).