Game of Thrones: Season 8, Episode 2 (“A Knight of the Seven Kingdoms”)

WARNING: This post is dark and full of spoilers.

Let’s face it, Jon and Dany are one of the MOST boring couples in GoT (at least on the TV show; I haven’t read the books). There is no chemistry between the actors, thought I heard they were close friends in real life. One of my fave pairs (NOT a typically romantic couple) are Jaime (Nicolaj Coster-Waldau) and Brienne (Gwedolyn Christie); they get some meaty scenes in this ep- YAY! Jaime has to face Dany, Jon, and Sansa after riding into Winterfell; of course, Cersei has NOT sent her army. As MANY critics (and dedicated viewers) have commented, Jaime and Cersei are “officially broken up” after being emotionally (and ethically) distanced from each other for quite some time. Jaime is NOT apologetic in front of his (would be) allies, so Brienne (in a rare move), walks over to his side and offers her support. I think Sansa, who trusts Brienne w/ her life, is quite moved by her words and Jaime’s little trial ends.

Later in the ep, in the fireside chat scene, several characters chat, share jokes, and Pod sings (VERY well). Tormund has some funny lines here; I’m slowly beginning to like his character. He also comments that it’s stupid that woman can’t be knights in this society; he has a big crush on Brienne, we know from a few previous eps. Jaime decides to forget tradition in the case of Brienne, since ANY knight can make another knight. Of all the knights (men) in this show, Brienne is the MOST honorable. The big and unguarded smile (rare for this show) after the brief ceremony on Brienne’s face is SO wonderful!

The moment was also an acknowledgment of the ludicrousness of the chivalric traditions of Westeros, which had elevated him to godlike status while largely ignoring or marginalizing her. Jaime, even in his diminished state, is a legend walking into the halls of Winterfell… In knighting Brienne, he not only acknowledged his obvious love for her, but also nodded at a potentially bright future if everyone can make it through this darkest night. -David Sims (Vulture)

MANY people were surprised (OK, some were shocked) by Arya and Gendry’s love scene! Sure, we watched Maisie Williams grow up on this show, BUT she’s now 22 y.o. (her costar Joe Dempsie is 32 y.o.) It wasn’t THAT unexpected (IMO); they have a history, are close friends, and are both getting prepped for the biggest battle of their lives. When they were on the road MANY seasons ago, Arya said: “I could be your family.” He commented: “You wouldn’t be my family. You’d be milady” (assuming that he would serve the Starks). Now, he knows he’s the bastard son of Robert Baratheon, and a valuable player in this battle. Gendry created MANY daggers out of dragonglass, a new weapon for The Hound, and (eventually) a new spear for Arya. They had some cute/awkward moments where you saw their chemistry. Let these young people be happy before they face death!

From where Arya’s standing, she’s an older teenager whose formative years have been spent balanced on the knife’s edge of survival. Her entire purpose has been to avenge her family’s deaths; she knows death intimately, and she is more than capable of caring for herself. But Arya has had no time to behave like a teenager. -Kathryn VanArendonk (Vulture)

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Game of Thrones: Season 8, Episode 1 (“Winterfell”)

WARNING: This post is dark and full of spoilers!

1.Winterfell is yours, Your Grace. -Sansa says to Daenerys

Sansa is cold (& unimpressed) by Dany and her crew, incl. the 2 dragons. As the Lady of Winterfell, she’s worried about the management of her household (incl. these new allies). Of course, we know that the Starks and Targayens have a difficult history- Aerys (The Mad King) killed Brandon (Ned’s older brother) and their father more than 20 yrs ago. Did you notice the little moment between Grey Worm and Missendei? They shared a look as the common people of the North stared coldly at them; these are probably the first POC they’ve ever seen. Been there, honey!

2. We don’t have time for this! -Bran to all (re: niceties) 

This moment was funny, yet also very real! As the Three-Eyed Raven, Bran knows what’s up (as well as what has been). Even when Jon kissed Bran’s forehead upon arrival to Winterfell (call-back to S1 again), Bran showed no emotion. He ain’t got time for that!

3. I’m standing up for our family. -Arya to Jon (when he’s surprised by her standing up for Sansa)

This was a fine (& touching) moment; Arya and Jon hugged and compared swords. They last saw each other in S1 (when he gave her Needle, her little sword). Jon and Arya both felt like outsiders in the Stark family; they were very close as kids. Arya and Sansa now have a mutual respect for each other (unlike in S1); recall the moment in S7 E7 when they talk re: supporting each other (as Ned taught them growing up).

4. You want a whore, buy one. You want a queen, earn her. -Cersei declares to Euron (when he asks for some affection)

I know this will probably be the most popular line of the ep! However, Cersei (now queen) does get together w/ Euron in the next scene; I was expecting her to keep him at a distance. Now that Jaime is gone (to fight w/ the Northerners), perhaps she is a bit lonely. Or this is her way of thanking him for bringing The Golden Company to Kings Landing.

5. Respect is how the young keep us at a distance, so we don’t remind them of the truth. Nothing lasts. -Varys explains to Tyrion & Davos

This was a nice little scene where the three men talk matchmaking (rather unexpected, but I liked it). They all think that Jon and Dany would make “a handsome couple” and also “just” and “honorable” rulers. Awww, why cant I find anyone to fix me up?

6. You’ve completely ruined horses for me! -Jon to Dany (after riding the dragon)

I liked this (funny) line after the (cool) dragon riding scene. These actors have “playful chemistry” (as Joanna Robinson commented on A Cast of Kings podcast). The dialogue was rather cheesy though- yikes! It reminded some viewers of A Whole New World (Aladdin); others were missing Ygritte (Jon’s first love).

7. As you wish, m’lady. -Gendry says to Arya (when she tells him not to call her Lady Stark).

Arya and Gendry are older now, so they’re a bit awkward around each other, yet still cute. These two actors have great chemistry- hope there is more to their story! Arya presents him w/ a drawing of a weapon she has designed; Gendry can forge it from dragonglass. Joanna Robinson really liked this part of their “courtship.”

8. I’m waiting for an old friend. -Bran tells Sam (the night before Jaime arrives at Winterfell)

In the last scene, we realize that the “old friend” is Jaime (who pushed Bran out of the tower in S1 E1)! This time, Jamie is dressed in dark, simple clothes, and under his black hood has short/dark hair. When he was last in Winterfell, he was wearing the ornate gold armor of the Kingsguard w/ blonde hair.

9. You’ve never been a bastard. You’re the true heir to the Iron Throne. -Sam explains to Jon 

Finally, Jon learns the truth of his parentage (thanks to the book Sam read, as well as Bran’s knowledge)! Jon didn’t believe it at first, b/c Ned was the kind of man who never lied. He has more of a claim to the throne than Dany (who is his aunt). Sam is no fan of Dany (after learning about what she did to his father and younger brother, Dickon); he thinks Jon will be a better ruler. Who hasn’t has a pal who didn’t like their significant other?

10. I’ve always had blue eyes! -Tormund yells at Ed & Rangers (running into them in the dark).

This is a funny moment before the creepy scene (w/ the young Lord Umber at the Last Hearth). Recall (also creepy little girl) in S1 E1; she scared the Night’s Watch guys who ran into her in the woods. One of these men escaped alive, but was executed by Ned.

Birds of Passage (2018): Shortlisted for Academy Award – Best Foreign Language Film

It’s set in a community that doesn’t belong to you, but it speaks about us. This is a family film… We talk about the conflicts between the traditional community and modernity. We also talk about the conflicts between women and men, and the real and the spiritual world, and this is something that touched us in a very deep way. -Cristina Gallego, co-director/co-writer

We wanted to make a genre film, but this gave us the opportunity to put a twist on the genre film- a genre like the gangster film or noir film… which has developed into the glorification of criminals, a celebration of violence. -Cirro Guerra, co-director/co-writer

Few films have captured quite so powerfully the tension between the old and new worlds — a feat “Birds of Passage” accomplishes while simultaneously allowing audiences to channel the Wayuu’s surrealistic view of their surroundings, where spirits walk the earth, and wise women interpret their dreams. -Peter Debrige (Variety)

What first comes to mind when you think of Colombia? Aside from the actors and beauty pageant winners turned models, I bet it’s the drug trade! This movie, set between 1968 and 1980, is mostly spoken in the Wayuu language of the indigenous people of Colombia’s northern Guajira peninsula. Spanish is also spoken, as well as bits of English. The filmmakers are a young (under 40 y.o.) formerly married pair from Colombia, Cristina Gallego and Cirro Guerra. They worked with a team of about 80, incl. 30% of Wayuu actors, non-actors, and crew.

We are first introduced to Zaida (Natalia Reyes), a beautiful young woman of a high-standing Wayuu clan (which is a matrilineal society). When Zaida leaves her traditional one-year seclusion and is ready for marriage, she catches the eye of Rapayet (Jose Acosta). He’s a confident young man who has been working among the alijunas (outsiders, incl. those who speak Spanish and are non-indigenous) and comes from a less prominent family. He was raised by his highly respected uncle, Peregrino (Jose Vicente), a “word messenger.” In this society, it is forbidden to cause harm to a messenger. Rapayet and Zaida do a fast-paced mating dance; he declares: “You are my woman” at the end. We suppose that he could be thinking of family prestige and also genuine attraction.

Ursula (Carmina Martinez), Zaida’s formidable mother, explains that Zaida’s hand will only be available w/ a large dowry (incl. cattle, goats, and 5 necklaces). Ursula looks down on Rapayet, thinking he can’t come up with it. Rapayet sees the chance to get the dowry fast by selling marijuana to a drug-dealing American, Bill (who may or may not be connected to the Peace Corps). Rapayet’s business partner/best friend is a jovial, hard-partying Afro-Latin man, Moises; previously, they smuggled alcohol and cigarettes only. It turns out that (high in the hills) is a big crop of marijuana; the land is owned by a cousin of Rapayet’s, Anibal. When he sees just how much money can be made from the gringos, he’s up for the (dangerous) business.

[1] The landscapes of the film are stunning, and I particularly appreciated the cinematography. But perhaps my favourite thing about the film was it’s heavy use of spirituality and what I can only describe as “magical realism” transposed into film. I thought it was brilliantly done.

[2] It is very easy to look at cultures in real danger of extinction and place them in a pedestal, but “Birds of Passage” very intelligently avoids this by portraying these Wayuu people as greedy, ambitious, lustful and definitely not above using their cultural norms to get their own sinful way, as any other group.

[3] It is gripping and intense and handles its subject material in the best of ways. It is obvious that the creator of the film did everything he could so that the movie feels realistic and interesting to the viewer. Its beautiful and colorful visuals, the exceptional sound design and the strong and immersive soundtrack made you feel as a part of a whole and the film never felt boring or cliche. It is masterfully crafted and really well-paced.

-Excerpts from IMDB comments

 

Glory (1989) starring Matthew Broderick, Denzel Washington, Cary Elwes, Morgan Freeman, & Andre Braugher

I re-watched this Civil War drama on TCM recently; it’s one of my fave (and most-watched) films! The music is used very well; each scene is enhanced by it, incl. the battles. It was originally released in the Summer of 1989; Fathom Events will be having its 30th anniversary screening later this year in select cities/theaters. Kevin Jarre (a white man) was inspired to write the screenplay when he saw monument to Shaw on Boston Common (shown in the closing credits). Jarre’s inspiration came from two books: (1) One Gallant Rush: Robert Gould Shaw and His Brave Black Regiment (1989) by Peter Burchard, a novel that itself was based on letters written by Shaw and (2) Lay This Laurel (1973), a photographic tribute to the Civil War sculpture of Augustus Saint-Gaudens with text by American writer/arts patron Lincoln Kirstein. Jarre has a brief (yet notable) cameo as the white Union soldier who shouts “Give ’em hell, 54!”

Edward Zwick was initially apprehensive about how his African-American cast would feel about this telling of a crucial part of their history by a young Jewish director. To his delight and relief, he found his cast to be very affable and good-humored towards him, some of them even grateful that he was brave enough to tackle such an important subject. Zwick and Denzel Washington (here in his breakout role) would continue to work together on other (successful) movies. The director later commented (during a promo tour for Courage Under Fire) that “Denzel is always doing something interesting. I don’t want to take the camera off him.”

Several of the extracts from Shaw’s supposed letters to his mother (in voice-over narration) were taken from Army Life in a Black Regiment, an 1870 book by Thomas Wentworth Higginson (who commanded the 1st South Carolina Regiment). The historical figures in this movie are: 1) Francis George Shaw, Sarah Blake Sturgis Shaw, and Ellen Shaw (direct relatives of Robert Gould Shaw), 2) John Albion Andrew, the governor of Massachusetts, 3) Charles Garrison Harker and George Crockett Strong, Union generals, 4) Charlotte Forten Grimké, an antislavery activist, 5) James Montgomery, Union colonel, and (6) Frederick Douglas, former slave turned abolitionist, speaker/activist.

Any negro taken in arms against the Confederacy will immediately be returned to a state of slavery. Any negro taken in Federal uniform will be summarily put to death. Any white officer taken in command of negro troops shall be deemed as inciting servile insurrection and shall likewise be put to death.” Full discharges will be granted in the morning to all those who apply. Dismissed. -Shaw reads a proclamation sent from the Confederate Congress

Zwick explained that, for the flogging scene of Trip (Washington in his Best Supporting Actor Oscar winning role), the actor was lashed at full contact, with a special whip, that would not cut his back, but still stung. For the final take, Zwick hesitated calling “Cut!” to signal the flogging to stop, and the result was Washington’s spontaneous tear down his cheek. The deep scars on Trip’s back were Washington’s idea; they showed how Trip was already a survivor of many lashings (being a runaway slave w/ a willful nature).

That Col. Shaw- he a hard man! -Jupiter Sharts comments, tired after a tough day of drills

He’s a boy. A scared white boy. -Trip quickly retorts with disgust

At first, the regiment is only given manual labor; this was a fact w/ the “colored” soldiers. They were also given less pay; in real life, Shaw was the one who protested this matter. As my A.P. American Government teacher commented, Shaw used his class privilege (incl. his sense of entitlement and rank) to get what is needed for his men (shoes, uniforms, and rifles); we see this in the scene in the Quartermaster’s office. Shaw is surprised at how quickly his men learn (even under their tough, racist Irish drill sergeant). Broderick’s small, youthful face and micro-expressions (when Shaw was uncertain, nervous, or looked in over his head) were played so well. Andre Braugher (currently on the comedy series Brooklyn Nine-Nine) has perhaps the most interesting role; Thomas is an educated, free man who has never before had to fight for his survival. Trip takes an instant disliking to Thomas; they come from such different backgrounds, though both are young black men yearning to prove their worth. Thomas was partly based on a successful freedman who owned a shop in Boston.

I ain’t fightin’ this war for you, sir. -Trip quietly explains to Shaw (after being praised for his skill in battle)

Unfortunately, most of Elwes’ scenes were cut from the film. He and Broderick did not get along, according to Zwick; I think they also had differing acting styles and personalities. Many scenes/subplots were cut from both the theatrical version and DVD; these include Shaw and Forbes attending school together and fencing one another. Nearly all of the scenes of veteran actress Jane Alexander (Shaw’s mother) were cut. Freeman (who brings gravitas to this film, being older and more experienced than his co-stars) did his own stunts, as Zwick asked of all his actors. He used his own experience (Air Force) to inform how relationships would be formed in the unit.

At the end of the film, Shaw is thrown into the mass grave with the black soldiers. Normally, officers were given formal burials, but the Confederacy had such contempt for the black regiment, that the officers were thrown in with the regular soldiers (w/ no honors). After the war, Shaw’s parents visited the site where their son had died. When asked if they wished to have his body exhumed, so they could take it home to Boston for burial, they declined. “We would not have his body removed from where it lies, surrounded by his brave and devoted soldiers,” explained his father, Francis George Shaw. “We can imagine no holier place than that in which he lies, among his brave and devoted followers, nor wish for him better company. What a bodyguard he has!”

Related Links

Article by historian (a consultant on the film):

Fathom Events: Glory

 

Mary Queen of Scots (NOW PLAYING) starring Saoirse Ronan & Margot Robbie

NOTE: This review contains MAJOR spoilers for the film.

Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her “sister” in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones – and change the course of history. -Summary from Focus Features

While cannot highly recommend this film, it does have it’s strengths: a very fine cast, enriching music, lush set design, and gorgeous costumes.

The film is a well-intended historical drama that nevertheless falls short of expectations for a couple of reasons: first and foremost, what should be palace drama that raises the hairs on your arms, plays out meekly for much of the movie. Second, the movie’s pacing is too slow… Lastly… the movie tries to set it up as “Mary vs. Elizabeth”, yet then forgets to provide an in-depth charter for Elizabeth.

There is no clarity in why one was either Protestant or Roman would be such an insurmountable issue, partly because John Knox was so poorly written (despite having hidden the very talented and capable David Tennant behind all the hair).

-Excerpts from IMDB reviews

Mary (Saoirse Ronan) and Elizabeth (Margot Robbie) were cousins and BOTH concerned w/ marriage (or avoiding it), as well as children (or succession). Mary ALSO wants the throne of England b/c she is a Stuart; Elizabeth is the (illegitimate to Catholics) daughter of Henry VIII and his 2nd wife, Anne Boleyn. Ronan (NOT yet 25 y.o.) is a FAB actress, thus capable of playing the regal/powerful Mary. The talent is NOT in question; she tries to rise above the (mostly mediocre, sometimes laughable) dialogue. The screenplay is by Beau Willimon (House of Cards) and John Guy, author of the biography- Queen of Scots: The True Life of Mary Stuart. Many critics/viewers have commented on her Irish accent; it’s VERY noticeable in this film. Why did the director NOT have Ronan modify her accent to reflect Mary!? She could’ve done a Scottish accent or a French one (since Mary grew up in France). Samantha Morton (Elizabeth: The Golden Age) used a Scottish accent.

Ronan has zero chemistry w/ her love interest, Henry Darnley (Jack Lowden- a 28 y.o. from Scotland). Lowden is just TOO much of a lightweight (lacking screen presence, aside from conventional good looks- IF that’s your thing) for the role. Even in the emotional scenes, I was bored by his acting! During MOST of his romantic scenes w/ Ronan, the two desi 20-something gals sitting next to me giggled (perhaps they felt the awkwardness). Though we start out thinking that Mary and Hadley could be happy together, it’s NOT the case. Then the plot veers off the rails- MORE unexpected (and ludicrous) than I ever imagined!

In contrast to Lowden, Joe Alwyn (also in The Favourite opposite Emma Stone) as Elizabeth’s “special friend” Sir Robert Dudley seems a BIT more interesting. He also has V conventional good looks, BUT is brooding and believable. As you may recall, other Dudleys were been played by the powerhouse veteran actor- Jeremy Irons (HBO’s Elizabeth I w/ Helen Mirren)- and the dark/enigmatic Joseph Fiennes (Elizabeth w/ Cate Blanchett). Alwyn and Margot Robbie (who I hadn’t seen before) have a few moments; they relate well to each other. The main question I have: Did Elizabeth really send Dudley to the Scottish court as a (potential) husband for Mary?

Aside from Ronan, I just came away feeling V bad for the (older/experienced) actors; this includes Guy Pierce (Lord Cecil- Elizabeth’s loyal counselor), the FAB at nearly 50 y.o. Adrian Lester (ambassador Lord Randolph), David Tennant (John Knox- anti-Catholic leader), and Brendan Coyle (Earl of Lennox- Darnley’s father). Actually, Pierce does get a FEW nice moments, incl. one scene alone w/ Elizabeth. Lester (best known here in the U.S. for Primary Colors) is a tall/handsome/British theater actor who happens to be black. As in theater world (where director Josie Rourke hails from), this film uses colorblind casting for several supporting and MANY background roles. My good friend thought that was strange; it doesn’t fit w/ the historical period. I’m NOT saying there were zero POC in these royal courts. I wouldn’t have a problem IF there was a basis for it OR if the movie worked well! After all, one of my fave films- Much Ado About Nothing– has Denzel Washington as a Spanish nobleman and Keanu Reeves as his younger brother. Also, Lester has a FAB smile, BUT no smiles here!

It took me a few mins. to recognize Tennant (Doctor Who); he is nearly hidden under a long wig, heavy beard, and dark robe. His character is SO one note- it’s laughable (which is what a few in my audience did); he is TOO good for such a role! There was a LOT of anti-Catholic sentiment in court of Elizabeth (and perhaps also among MANY of the commoners), BUT why make Knox a cartoonish villain!? Even Jordi Molla’s King Phillip II (Elizabeth: The Golden Age) was more nuanced. Coyle (beloved as Mr. Bates in Downton Abbey) doesn’t have much to do, aside from looking disgusted/disappointed (w/ his son) or smirking (as he’s plotting the overthrow of Mary). Sure, it MAY be fun to be a baddie for a change, BUT this is just a waste!

The scenery is quite lovely to look at and the costumes look historically accurate, though FEW students of history objected to the use of black cloth. MOST of the men, incl. the Scottish nobles, wear black. The ladies in waiting to Mary wear black, too. Bess (Gemma Chan from Crazy Rich Asians) as Elizabeth’s confidante/lady-in-waiting wears shades of gray. Where is the tartan cloth which prominent in the Stuart family? The thick makeup and bright red wig worn by Elizabeth in the (pivotal) meeting scene reminded some viewers of a clown. We know that Elizabeth used white powder to cover up her pox scars (after being stricken w/ the disease in her late 20s). As for the action- that’s ALSO a disappointment. The military battle, where Mary’s soldiers face her older half-brother’s men, is more like a small skirmish.

Speaking of the half-brother, the actor has some potential. The men in this film are mostly drunk/useless/jokes or plotting/power-hungry; aside from Dudley and Cecil, none are loyal, thoughtful, or kind-hearted! Even Mary’s long-time ally, Lord Bothwell (Martin Compston), turns against her in the end; this is shocking/sudden. OK, that was a BIT interesting; this actor (who appeared on many TV series, incl. Monarch of the Glen) did well w/ his role. The ladies-in-waiting (incl. Chan) are a physically diverse group; they get almost zero character development. In real life, these were noblewomen who had personalities and lives of their own (aside from attending to their queens). In the eyes of MANY critics, Cate Blanchett is the ultimate Queen Elizabeth. I expected to see a BIT more of Elizabeth; Robbie did a decent job (and her English accent was good). Unless you really LOVE historical fiction, skip this film. Luckily, I saw it for free (w/ my Regal Club points)!