Master of None (Netflix): Season 2

NOTE: This review contains MILD SPOILERS for the latest season of the streaming comedy series.

Back in my NYC days, I used to hang out often w/ Bangladeshi immigrants (mainly grad students) and Bangladeshi-Americans (singles and couples aged 20 to 40). One young woman my age (raised in a Queens middle-class family) told me that her younger sister was attending college in Japan. Now, this is quite unusual for a female from an immigrant/Muslim/South Asian background. She went to Japan at age 18; she was VERY familiar w/ Japanese culture and nealry fluent in the language, thanks mainly to her best friend/neighbor.

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Aziz Ansari with his younger brother (Aniz) and parents (Shoukath and Nisha).

As a comedian, I can talk about anything, as long as I make it funny. So it’s pretty cool if I can get people thinking about immigration or feminism or the food industry at my stand- up shows. -Aziz Ansari 

In the second season of Master of None, you’ll find influences from classic Italian cinema, which Aziz Ansari (now 32 y.o.) greatly admires. Some disappointed viewers asked: “Why doesn’t he show India?” or “Why doesn’t he discuss his Indian-ness more?” or something to that regard. The actor/writer/producer is of South Indian/Muslim heritage, BUT was raised in Columbia, South Carolina. I hate to break it to you detractors, BUT one individual can’t show you ALL the sides of being South Asian, Muslim, and/or millennial in the US. (FYI: I know SOME who prefer the term “brown,” BUT I’m not a big fan of that word.) I’m VERY glad (proud even) that Ansari has achieved such a high profile at such a young age; it’s not like he had (conventional) good looks, height, or connections to get him where he is now. Like MANY other desis, he trained (NYU; The Upright Citizens’ Brigade) for several years and worked hard for his success.   

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Dev (Aziz Ansari) rides a bike in Modena, Italy in Episode 1: The Thief.

[1] Master of None does not seize the easy way out which lies ahead when it comes to comic relief, cliché plot twists or predictable character development. No, it truly touched me with its ability to pay intense attention to detail. 

[2] The second season is one of the most creative pieces I have seen for a long time. The smooth conversational style and the imaginative expressions relating to daily lives makes it easy to watch. 

[3] I love shows with this kind of humor… It doesn’t try too hard to be funny, it just is. The characters are like my own funny, silly friends! It’s also so refreshing to see a show with a main character being a POC! 

[4] Full disclosure- I’m not only brown, but Tamil, just like Aziz/ Dev, and actually was born in Chennai, so I may be a TAD biased…

…I have never written an online review- ever- but I felt I had to because I have never seen anything like this. Master of None just unassumingly starts like any other modern comedy (with a nice bang!) , but before you know it you are smiling, laughing, and all warm and fuzzy, all the while watching the characters in the show discuss and experience seemingly serious issues like racism, sexism, and modern social life. I think the beautiful thing about this show is that it doesn’t hit you over the head with messages or even try that hard. It’s just funny. The characters are just funny. It’s just natural and real.

-Various IMDB comments (re: S2)

Food is central to this season; the story picks up w/ Dev (Ansari) in small-town Italy making pasta. In Modena, Dev trains with a family, incl. Francesca (Alessandra Mastronardi), w/ whom he has great chemistry, BUT Dev is  single and Francesca has a boyfriend, Pino. In E1, Dev meets a cute British woman traveling alone on his birthday, BUT loses his phone to a thief, so is unable to contact her.

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Dev (Aziz Ansari) feeds Arnold (Eric Wareham) some freshly made pasta.
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Dev (Aziz Ansari) and Arnold (Eric Wareham) ride scooters through the countryside.

Dev’s BFF shows up in E2; Arnold (Eric Wareheim) is going to the wedding of an ex-girlfriend in the lovely countryside. The buddies chat re: dating (incl. a new app Arnold is enthralled w/), eat delicious food, and even get stuck in a VERY narrow alley w/ their rental car. Arnold convinces Dev to go to the wedding, gets angry and emotional, BUT it all works out in the end. 

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Dev (Aziz Ansari) at the BBQ festival with the Tickler’s mascot.

Dev returns home to NYC and we get reintroduced to his (hilarious) father, Ramesh (Shoukath Ansari- Aziz’s father). In the much-discussed E3, his dad and mom (Nisha Ansari- Aziz’s mother) tell Dev that he needs to pretend to be a pious Muslim while an uncle and aunt are visiting. Dev’s love of food clashes w/ the religion he eschews. Dev introduces his younger cousin (played by Ansari’s college-aged cousin, Haris) to pork and they end up going to a famous BBQ festival. What I esp. liked about this ep was that the religious elders were NOT one-dimensional. Sure, they planned to go to Mecca, BUT they were also big basketball fans. Dev (finally) read the Koran that his mom has given him when he went away from home! This ep was co-written by Ansari’s younger brother, Aniz. 

…“Religion” took me away from the Islam I see on TV and back to the Islam I’ve lived my whole life. The episode opens on a mother warning her son to abstain from finishing the bacon he’s holding: “Bacon is pork. We are Muslim. We are not allowed to eat pork,” she warns, adding, “That is our religion.” I can’t tell you how many times I heard this exact same phrase growing up. Pop-Tarts, Jell-O, gummy bears, marshmallows, almost anything at a Korean or Italian restaurant…

-Aymann Ismail (Slate)

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A young African immigrant cabbie and Dev (Aziz Ansari) watch Death Castle in Episode 6.

[1] Aziz presents us an episode so unique and incredible, yet barely involves him and his co-stars. It explores in a fantastic and diverse way the city of NYC through perspectives that we don’t take the time to appreciate and understand. The creative use of silence during the deaf portion of the episode was absolutely incredible and has such a powerful meaning.

[2] This was an especially excellent episode, I really loved the way it showed the views of different characters, really made you empathize with them. I really loved the minimalist approach, where you guys let the situations speak for themselves and did not overdo it at all. Achieved levels of empathy I have not seen in many other TV shows/movies.

-IMDB comments (re: S2, E6)

E6 is titled (like the 2008 film)- New York, I Love You. The film Death Castle is based on a rejected script written by Nicolas Cage, who also played the imaginary lead role. This is Ansari’s love letter to working-class immigrants and POCs (incl. a young deaf woman). If you loved this ep, check out the HBO film Everyday People.

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Episode 8: Thanksgiving is a must-see!

E8 is probably the crowning jewel of this season; it features a Hollywood titan (Angela Bassett) and a prolific comic/character actress (Kym Whitley). Much of Denise’s coming out story came from actress Lena Waithe’s real life; she co-wrote this ep w/ Ansari.  Do the Right Thing (1989) is the Spike Lee movie that Dev, Denise, and Nikki are watching during Thanksgiving 2016.  It features the scene where police kill Radio Raheem, paralleling their dinner conversation about Sandra Bland and Sureshbhai Patel.

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Francesca (Alessandra Mastronardi) and Dev (Aziz Ansari) on a NYC rooftop.

…even though Dev is a adult in his late 20s, this feels more or less like a high school girl next door crush. She is sweet, charming, beautiful and you guys have awesome chemistry together and you enjoy each others company, BUT… she is NOT available. -A viewer’s thoughts on Dev’s relationship w/ Francesca (the main love interest in S2)

The ladies Dev dates (thanks to a Tinder-like app) in E4 (First Date) are ALL different/interesting/unique! They include gorgeous Condola Rashad (daughter of Ahmad and Phylicia), quirky ramen blogger Stephanie (VA-raised comic Aparna Nancherla), and adorable/straight-laced lawyer, Priya (Tiya Sircar). These are ALL women of color who are coming up in Hollywood- VERY cool to see. Check out this show for yourself ASAP! 

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La La Land (2016) starring Ryan Gosling & Emma Stone

NOTE: This review contains MILD SPOILERS for the film.

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Mia (Emma Stone) and Sebastian (Ryan Gosling) dance in Griffith Park.

[1] What has been thrown, hurled and heaved at this film is Oscar-seeking acting, Oscar-seeking direction and Oscar-seeking technical twiddling. And hey ho and guess what? It got Oscars.

[2] No legit Broadway-style singing technique. I cannot imagine what real Broadway singers and dancers must be thinking about this travesty.

[3] The big red flag with the story is that the music simply is not very good. There is not one memorable song or dance in the entire film! 

[4] The biggest fault with the movie is the complete lack of supporting actors to flesh out the story. The two main characters are just not strong enough to carry the movie for more than two hours without help. 

-Excerpts from various IMDB reviews

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Director Damien Chazelle (just 32 years old) and Gosling on the set of Sebastian’s apartment.

I find L.A. kind of romantic, actually. As a movie junkie, it’s a city that was built by the movies. There’s something really weird and surreal about it that I find energizing. -Damien Chazelle, director

Ugh, what to say re: this movie… My mom wanted to watch it (it’s on Fios On Demand) when we were hanging out at my parents’ house last SAT. We got through it… somehow. My dad and I saw it together (pausing here and there), then my mom saw it the next day; none of us liked it (as I’d guessed). “What kind of movie is this!?” Mom commented, confused and disappointed. She wanted to see what the fuss was about this Oscar-winning film, like many of you out there (who didn’t see it in theaters). A FEW of my friends saw it on the big screen; their opinions went from “I hated it” or “It wasn’t that great.” 

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Mia (Stone) talks with one of her roommates in her colorful bedroom.

People love what other people are passionate about. -Mia explains to Sebastian

Um, you CAN be passionate re: something, BUT that doesn’t mean other people will be invested in it- sorry, that’s reality! Speaking of passion, WHERE is the chemistry between Stone and Gosling? Also, where is the interesting dialogue (which is something that makes or breaks a movie for me)? The script could’ve been written by an idealistic, sensitive, above-average 16 y.o. kid! 

How are you gonna be a revolutionary if you’re such a traditionalist? You hold onto the past, but jazz is about the future. -Keith comments to Sebastian

If Sebastian is SO crazy re: jazz music, then WHY don’t we hear any of it (such as the greats mentioned or something new)? I mean, I’m crazy re: Shakespeare, and those who know me will definitely get an earful! LOL… I think John Legend (who also acts here) worked on ONLY one song. What a waste! 

 

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Sebastian (Gosling) and Mia (Stone) walk over a bridge.

You could just write your own rules. You know, write something that’s as interesting as you are. -Sebastian says to Mia 

Mia is more interesting than Sebastian; she’s also more likable. She suffers through a variety of demoralizing auditions (like a LOT of aspiring actors), has a nice boyfriend (what was wrong w/ him, anyway?), and is on the verge of quitting L.A. I DO like the fact that she writes her OWN story (trying to be a BIT positive here). Why don’t we get to see some of her play? Well, if you have 2 hrs to waste, check it out for yourself. If you’re a fan of classic musicals, smart/snappy dialogue, and effective acting- don’t bother. 

Shots Fired (FOX): Starting March 22, 8PM EST

This 10-part series examines the aftermath of racially charged shootings in a small North Carolina town. It was produced by the successful/critically-acclaimed husband-wife team of Gina Prince-Bythewood (Beyond the Lights, The Secret Life of Bees, Love & Basketball) and Reggie Rock Bythewood (Beyond the Lights, Notorious). Aside from the timely/controversial topic, the supporting cast could be a big draw (incl. Oscar winners Richard Dreyfuss and Helen Hunt, as well as Law and Order‘s Jill Hennessey). The leads are two black actors- film veteran Sanaa Lathan (who plays investigator Ashe Akino) and up-and-comer Stephan James (federal prosecutor Preston Terry). James hails from Canada and notably played the young John Lewis in Selma. 

First Look: A Murder Myster (FOX)

 

Actors Sanaa Lathan and Mack Wilds on The View (ABC)