Lady Bird (2017) starring Saoirse Ronan, Laurie Metcalf, Tracy Letts, Timothee Chalamet, & Lucas Hedges

WARNING: This review contains SPOILERS for the film.

In 2002, an artistically inclined seventeen-year-old girl comes of age in Sacramento, California. IMDB synopsis

This (must-see) film was written and directed by indie actress Greta Gerwig (who is in her early 30s) and the long-time girlfriend/collaborater of writer/director Noah Baumbach. In interviews, Gerwig has referred to her protagonist, Christine (Lady Bird) McPherson, as a much more rebellious teenager than herself. Like Lady Bird (Saoirse Ronan- 24 y.o. yet able to create a VERY convincing 17 y.o.) Gerwig was raised in Sacramento and attended Catholic school. This film is tightly-edited, thoughtful, complicated, yet VERY easy to relate to on many levels. The mother-daughter relationship is what’s being stressed in trailers and reviews; it’s also about friendships, dating, identity, and learning to appreciate what you already have in life.

Lady Bird (“the name I gave myself”) says she comes from “the wrong side of the tracks,” but lives in a warm, colorful, modest house w/ two loving parents, psychiatric nurse Marion (Laurie Metcalf- famous for her role as Jackie on Roseanne) and recently laid-off computer programmer, Larry (actor/playwright Tracy Letts- also seen in The Post). Her older brother, Miguel (Jordan Rodrigues- an Australian of Malaysian heritage), and his girlfriend Shelly (Marielle Scott) live at home also; they’re recent college grads working at a local grocery store. There is a thread if economic uncertainty and unemployment/underemployment in this film. Marion works double shifts at her hospital to make ends meet.

To enhance her college applications, Lady Bird decides to go try out for the school play, along w/ her best friend Julie (Beanie Feldstein- younger sister of actor Jonah Hill). Unlike the waif-like Lady Bird, Julie is a bigger girl who is somewhat insecure, yet VERY supportive/warm. Julie gets the lead in the play; Lady Bird gets a role, BUT is more excited about one of the boys who in the theater program, Danny (Lucas Hedges from Manchester by the Sea). Danny is sweet and respectful; he and Lady Bird spend a LOT time together, meet each others’ families, and say “I love you” to each other. It’s a BIT of a shock (yet NOT improbable) when their relationship comes to an end.

Though Lady Bird is disappointed and hurt, she finds interest in another boy at school, Kyle (Timothee Chalamet from Call Me By Your Name), who plays in a band and enjoys reading. Unlike Danny, Kyle is mysterious and perhaps a too selfish/full of himself. Lady Bird grows distant from Julie (too bad) and becomes friends w/ a popular/pretty girl, Jenna (Odeya Rush), who dates one of Kyle’s friends. Lady Bird puts on a different image/attitude in front of her rich clique of friends.

Marion worries re: her daughter’s future; Lady Bird’s grades aren’t that great, though she dreams of going to a East Coast college (or anywhere to escape Sacramento). Also, her attitude is changing (NOT for the better), as she stands on the edge of adulthood. BOTH women are tough, strong-willed, yet love each other VERY much (though they can’t always express it well). Lady Bird’s soft-spoken dad is willing to listen to her concerns, BUT he’s also going through his own struggles, too.

 

Advertisements

The Dinner (2016) starring Richard Gere, Laura Linney, Steve Coogan, & Rebecca Hall

[1] Nobody can accuse The Dinner of being unambitious, but I would like to accuse it of being an ambitious mess. 

[2] What happens when your are face to face with a clear moral dilemma? Can you bury your integrity in lies? Surely, such a deception will haunt you if you have a conscience. Self interest makes it harder to do the right thing, and this test will be faced by everyone at some point in their life.

[3] The enablers… are not helpful. They help perpetuate the problem via denial and/or self-interest. Unfortunately, this is how many families deal with mental illness: by winging it and not bothering to look up symptoms of abnormal and/or destructive behavior, and/or to consult with experts when these behaviors emerge.

-Excerpts from IMDB reviews

A former high school history teacher, Paul Lohman (Steve Coogan- an Englishman I’d only seen in Philomena) and his wife/cancer survivor, Claire (Laura Linney- one of my faves), meet at an exclusive restaurant w/ his older brother/congressman, Stan (Richard Gere), and his much younger wife, Kate (Rebecca Hall). Paul (who sees the negative side of life) obviously doesn’t want to be there; he has a very strained relationship w/ Stan and thinks that this food is extravagant. The plan is to discuss over dinner how to handle a crime committed by their teenage sons, Mike and Rick. We see in flashbacks the teens harassing a homeless woman, throwing garbage at her, then setting an ATM building on fire (w/ her inside). This was filmed, uploaded online (by Stan’s adopted black son- Beau), and made the local news. The boys have not been identified yet; the parents are very anxious about how this will affect their future.

Stan’s tireless assistant, Nina (Adepero Oduyo from 12 Years a Slave) is in the sitting room, holding his calls. Stan is a very busy man, running for governor and trying to pass a mental heath bill (partly b/c his own family has been affected by this issue). Kate is the one who truly knows Stan’s kids, as she has time for them (his ex-wife Barbara, played by Chloe Sevigny, has run away to India). We learn that the brothers’ mother was abusive, esp. to Paul. Stan was favored and had to be “the man of the house” (since their father was “checked out” emotionally). Paul lost his job after he lost his cool (in front of his class), cursing and insulting them. He was placed on meds, though stopped taking them (wanting to “feel like my old self”). Claire noticed that he was hiding the pills, yet didn’t say anything. 

This film has an interesting premise and tries to tackle big issues: morality, loyalty, mental illness, family dysfunction, and different fears (losing a spouse to illness, losing a child to jail, etc.) It’s not effectively put together, unfortunately. The sound design is bad (at times), the camera moves around (for no reason), and the editing is choppy. The characters turn out to be unlikable, yet not in an entertaining way. (A few viewers mentioned that the play Carnage tackles some of the same issues, but in a more interesting way.) The ending of the film is very abrupt- it’s as if the producers ran out of money! 

The author of the book “The Dinner” (Herman Koch) walked away from the European premiere of this film in early 2017. The Dutchman did not wish to stay for the after-party to talk to the director (Owen Moverman), cast members, or audience. Koch thought the scriptwriter had transferred his cynical story into a moral tale. He esp. disliked the movie’s reference to themes like American violence and the stigma of mental illness. A Dutch film came out in 2013, then an Italian one in 2014; both were well received and nominated for many awards.

I think it needed to be trimmed down. I loved the performances, esp. Rebecca Hall; I think she’s great in everything. I wasn’t bored. I was exasperated on some occasions. 

-Comments from Mark Kermode’s review (see below)

 

MUST-SEE for ANY Shakespeare Fan: A Presentation by Author/Actor Ben Crystal

Breakdown of segments in this video:

0:00-5:00 – Introduction & Ben’s own challenges with studying, then performing, Shakespeare. 

5:00-10:00 – What exactly is iambic pentameter? (Ben shows us how it’s part of everyday life!) Discussion of sonnet form, poetry, and prose.

10:00-39:00 – Ben breaks down, in a fresh new way, 3 famous scenes from Romeo & Juliet, Macbeth, Hamlet, and King Lear (w/ the help of two actors from his theater company and his linguist father). Ben speaks in Shakespeare’re original pronunciation (OP)- it’s a mix of different accents from Elizabethan England (“a melting pot”). 

39:00- 58:00 – Ben talks about how Shakespeare “directs the actors” w/ his writing, his own eclectic accent, then reveals to us the original pronunciation (OP) from the Bard’s day- a mix of different accents from Elizabethan England (“a melting pot”). Ben looks at the (bawdy) humor in a scene from As You Like It and the almost-military cadence to one of the monologues in Richard III.

58:00 – 1:02:00 – Suggestions of how to teach Shakespeare in schools (incl. to young children).

1:03:00 – end – Q&A w/ the audience (as well as others watching ALL over the world).