Tag: Identity

“The Last Seduction” (1994) starring Linda Fiorentino, Peter Berg, & Bill Pullman

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Most People Have a Dark Side. She Had Nothing Else. -A tagline for the film

Bridget Gregory (Lina Fiorentino) has a lot going for her: she’s beautiful, intelligent, and married to a doctor in NYC. But, as her husband Clay (Bill Pullman- in a rare sketchy role) discovers, all of this is NOT enough. After persuading Clay to sell medicinal cocaine to some drug-dealers, she takes off w/ the money ($700K) and goes undercover (calling herself Wendy Kroy) in a small town upstate. Since Clay must pay off a loan shark who will otherwise injure him, he sends private detectives after her, trying to get the money. Bridget meets Mike Swale (Peter Berg- who became a director), a naive local who works as a claims adjuster; he falls for her fast and hard. She devises a plan to get rid of Clay- once and for all.

Frank Griffith (Bridget’s lawyer): Anyone check you for a heartbeat recently?

Director John Dahl initially saw this movie as more of a dark comedy than film noir. An early draft of the script was told from Mike’s POV. According to an interview w/ screenwriter Steve Barancik in Creative Screenwriting, ITC Entertainment execs thought The Last Seduction would be a typical “Skin-e-max” movie (seen on premium cable). One exec was upset when he viewed a scene in which Fiorentino wore a pair of suspenders instead of being totally topless. When viewing the dailies of the scene, the exec asked, “Are we making an art movie?!” He demanded that the scene be cut and made the main cast/crew pledge that they had no “artistic pretensions.” LOL! There are elements that look fresh, BUT a few outdated (possibly offensive) scenes.

Bridget Gregory: You’re my designated f**k.

Mike Swale: Designated f**k? Do they make cards for that? What if I want to be more than your designated f**k?

Bridget Gregory: Then I’ll designate someone else.

What I remember most about it was we were shooting it at the end of the night. We never got a chance to talk about how we were going to do it. By the time we got outside to shoot, it was like 5AM in the morning and the sun was coming up. We had no plan and I didn’t want to do something that looked embarrassing or stupid. I didn’t want to appear to be just this designated sex-toy without some plan. I was suggesting that we maybe come back another day to shoot. John Dahl was upset because he knew he didn’t have the time to come back, and I was being all nervous, and Linda was just smoking a cigarette, watching. After about ten minutes of me rambling on, she threw down the cigarette, looked at me, told me to shut the f**k up, take my pants down, and get up against the fence. She said, “John, get a camera,” and she climbed up on me against that fence and told John Dahl to shoot it, and that was the scene. She thought of it, she conceived it, she executed it. It was awesome. -Peter Berg, on the (infamous) chain-link fence scene

Bridget is a rare lead for Hollywood, as she’s an unapologetic female baddie character. She knows how to take charge at work and in the bedroom (or wherever she hooks up w/ men). Fans of Double Indemnity (one of the most well-known noir films) will notice homages here, esp. the hairstyle (long bob) worn by Bridget and the insurance angle. This was #5 on Roger Ebert’s list of the Best Films of 1994. Fiorentino was widely praised by critics, BUT was denied an Academy Award nom b/c this movie came out on TV (HBO) before its theatrical release. In today’s media landscape, we see the lines blurring btwn TV and movies. After its theatrical releases, movies (usually) will go to a streaming platform. This movie is available on several apps, incl. Freevee and PlutoTV.

[1] It’s surprisingly funny at times. It’s all attitude and Fiorentino is dripping in it. Her dialogue is neo-noir and snappy. I love the dark turns and her glee with making those turns.

[2] The plot is intricate with many twists and turns. The dialogue sounds like it came from a 1940s noir (updated with swearing) but this isn’t anything like those movies.

[3] Pullman was great as the reaper of retribution intent on giving evil for evil. Peter Berg may have stolen the show with his total inability to say no to his own destruction. It was hard to believe the abyss of stupidity these 2 dopes had the capacity to plumb. Guess that’s what happens when the little head takes over the thought processes for the big head, eh? The picture started out a little slow, but developed into a real blowout with a jaw dropping finale.

-Excerpts from IMDb reviews

Women, Power, & Desire: “Impulse” (1990) & “Body of Evidence” (1992)

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Impact (1990) starring Theresa Russell, Jeff Fahey, & George Dzundza

She’s an undercover cop. Seduced by a fantasy. Trapped in a mystery. Led by a dangerous impulse. It’s easy to lose control. -Taglines for the film

This is a psychological thriller co-written by a woman (Leigh Chapman) and directed by a woman- Sondra Locke (who had a palimony suit against Clint Eastwood while making this film). I learned re: Locke’s and Eastwood’s (turbulent) relationship on a recent ep of the podcast You Must Remember This (hosted by Karina Longworth). Yikes, Eastwood does NOT come out looking good! It was V difficult for Locke (who worked as an actress on Eastwood’s projects) to get funding for this small-budget movie (distributed by Warner Bros). In some ways, it’s ahead of it’s time!

Lottie Mason (Russell) is an undercover cop in the LAPD; she’s tall, blonde, and tough (ONLY trusts in herself). Her boss, Lt. Joe Morgan (Dzundza), has been sexually harassing her; we learn this in an early scene. Her bills are piling up and she is TOO invested in her job. While Lottie is helping an ADA- Stan (Fahey)- set-up a drug buy w/ a witness he needs for a case, they become romantically involved. They have a love scene which is unusual for that era, as it’s mainly re: intense gazes (which build tension).

It’s rare (even today) to see a movie centered on a female cop; it has become common on TV/streaming shows. Impulse is gritty, moody, and Russell is believable as a street-smart/independent-minded woman (w/ a hidden soft side). Lottie’s nights of dealing w/ lowlifes has affected her personal life; her Vice assignments incl. impersonating streetwalkers and junkies. She has mandated therapy sessions w/ Dr. Gardner (Lynn Thigpen), where she admits to having a fantasy of losing control and acting on (darker) impulses. Though some viewers felt it was a BIT slow, I think fans of the noir genre or cop dramas may like it. Both Gene Siskel and Roger Ebert called this “a V good thriller.” You can see it on Freevee.)

Body of Evidence (1992) starring Madonna & Willem Dafoe

An act of love, or an act of murder? -Tagline for the film

An elderly millionaire in Portland is found dead of heart failure handcuffed to his bed; a home video of him and a woman is running in the background. When cocaine is found in his system, and his will leaves $8 million to this woman (his lover)- Rebecca Carlson (Madonna)- police arrest her on suspicion of murder. Her lawyer, Frank Dulaney (Dafoe), succumbs to her charms and they start a (reckless) affair. As new evidence turns up during trial, Frank begins to wonder if he’s defending a murderer. (I saw the R-rated version on Freevee; many yrs. ago, I saw it on cable.)

Frank Dulaney: It’s not a crime to be a great lay!

Robert Garrett: Well, sure. l’d have to have myself indicted.

Body of Evidence is often (negatively) compared to Basic Instinct; shooting began only 2 weeks after that film was released, so the similarities are probably coincidental. However, the huge success of Paul Verhoeven’s film could still have influenced the direction and editing. Madonna met w/ a (real-life) dominatrix, who taught her how to tie someone’s arms behind their back using a belt. Dafoe attended a criminal trial; it was interrupted when several people (incl. the judge and many jurors) recognized him and wanted to talk. This is on Roger Ebert’s 2005 list of his most hated films. If you enjoy comedy podcasts, check out the ep reviewing this movie on How Did This Get Made?

Frank Dulaney: Counsel for the Prosecution has already used this witness to establish the state of mind of the deceased. He opened the can, Your Honor.

Judge Burnham: And I do see worms crawling all around you, Mr. Garrett.

Madonna was the 1st choice to play Rebecca; producer Dino De Laurentiis purchased the script b/c he believed it was the perfect role for her. She has short/platinum hair, V pale (unflattering) makeup, red lipstick, and designer clothes. Madonna personally selected Dafoe as her co-star, BUT they have no romantic chemistry together! As many filmmakers have noted over the yrs, casting is V important. Also, where is the development of the characters!? Frank seems eager (quite early on) to do what Rebecca prefers. In one of the (later) steamy scenes, Dafoe looks hesitant (as if performing a chore). Madonna’s acting coach quit just before production began, claiming that “she thinks she knows everything.” As this movie will show, she is a V limited actress. The dialogue given to her is NO help at all! The movie’s (German) director, Uli Edel, said Madonna refused to be directed in the sex scenes. She insisted on pouring (real/hot) wax on Dafoe’s chest in (perhaps the most controversial) scene- ouch! To y’all younger gen viewers, little of this content will look daring.

I was too young to know better. It was the first time I’d been asked to get naked and it turned out to be completely extraneous and gratuitous. Ugh. It was a terrible film and a terrible performance by me. It was about nothing, and I didn’t need to be doing it. -Julianne Moore

Joe Mantegna (who plays prosecutor Robert Garrett) said filming the courtroom scenes was so tedious that 2 extras (jurors) fell asleep during Dafoe’s closing statement. Mantegna (always reliable) yelled at them to wake them up- LOL! The director doesn’t know how to make the trial visually interesting. The judge has lines which (in retrospect) are sassy/funny. Anne Archer does OK what little she is given. A young Julianne Moore plays Sharon (Frank’s wife); she runs a successful restaurant and is mom to a preteen son (seen in just one scene). Moore (who can tackle any role) later said she regretted taking this on; she was then new to movies. Frank Langella has a small/pivotal role as a man from Rebecca’s past. One of Madonna’s besties (actress Sandra Bernhard) was heard laughing at the premiere, commenting: “This is not a serious movie!”

[1] It is both as bad as you remember it, but somehow endlessly entertaining.

[2] The movie goes from the ridiculous to the sublime and every thing else in between, and by the time the movie is over, you feel like you went over Niagara Falls on a surf board.

[3] The courtroom and crime scenes is just background to what the movie is, Madonna in the bedroom.

[4] …might have been much more fun had it the slightest sense of humor. Alas, all the laughs here are unintentional, and the straight-faced actors just end up looking foolish. […] For camp-addicts, a hoot; all others beware.

-Excerpts from IMDb reviews

“The Outsider” (2002) starring Naomi Watts & Tim Daly

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Have y’all seen anything on Freevee? A few weekends ago, I came across this movie (which originally aired on Showtime). The Outsider (based on the novel by Penelope Williamson) is a Western/drama/romance set in the late 1880s; it was filmed in Australia. It is centered on the (forbidden) love btwn a widowed mother, Rebecca Yoder (Naomi Watts), from a (Mennonite-like) group and a gunslinger, Johnny Gault (Tim Daly), who she takes into her house after he is shot. Noah (Keth Carradine) is Rebecca’s friend/neighbor; he is a widower w/ a teen son. The community’s doctor is played by his (real-life) older brother, David Carradine. Fans of the LOTR trilogy will recognize the main villain, Mr. Hunter (John Noble- a veteran Aussie actor). The director (Randa Haines) has worked on several critically-acclaimed films.

This is NOT the typical (shoot ’em up) Western, though there are scenes of action. The scenery is V nice, though the sets, costumes, etc. are simple. Rebecca’s community members are called “the plain people” and they avoid confrontation and violence. In an early scene, we see what lead to the death of her husband. The townspeople try to take advantage of this peaceful community sometimes. The worst one of all is Mr. Hunter, a powerful/feared man who wants to expand his land holdings. About a year later, a man dressed in dusty/dark clothes stumbles onto her land w/ a bullet lodged in his gut. Quickly, Rebecca and her young son (Benjo) take him into their log cabin. Rebecca is shocked when she unwraps the guns, knives, and bullets that this man carried on his person. We wonder if this is a good man or one that is a criminal (who could cause her harm)! The doctor removes the bullet and predicts that the outsider will die soon. However, Rebecca is NOT convinced; she prays for his life and helps him recover (going out of her way).

Why would anyone want to cover up something so beautiful? -Johnny asks Rebecca (who covers her hair)

After a rocky start, Rebecca and Johnny get to know each other as he heals. She’s pleasantly surprised to know that he knows the Bible. Johnny appreciates her humor and humanity. Rebecca is more of a spiritual person; her view of religion consists of everything around her. When Johnny is chastised for playing music, he is playful/teasing w/ Rebecca, not angry. It turns out that Rebecca loves music, BUT it’s not allowed by her people. Rebecca is attracted to Johnny b/c he appreciates who she is. Yes, there are (typical) tropes you find in romance novels, BUT there are scenes that feel fresh and non-cliched. Even today, there are NOT many movies that focus on women’s desire! Watts (who is an Aussie) would go on to some big roles; she always gives a fine performance. Daly (an American; then known for light/comedic roles) gets to show his versatility. They have great chemistry together!

[1] Every so often, a movie comes along with an inspiring cast, a beautiful setting, dialogue that sounds like people talking, foreshadow that makes sense and characters that emote deep sympathy.

[2] For anyone that loves reading a good romance novel, this is the movie for you. […] Sexy, intelligent, believable characters, and a smoldering chemistry…

Tim Daly is fantastic in this film. …his character has a variety of facets which are explored in a realistic way.

[3] Tim Daly – who I had always considered as an actor in light comedy – was extremely impressive as a dark, possibly evil, character. In a movie that could have been just a mixture of Shane/Witness, it brought something new and impelling. It made you care…

-Excerpts from IMDb reviews

April 2023: Three Upcoming Streaming Series

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April 13th: Obsession (Netflix) starring Richard Armitage, Charlie Murphy, Rish Shah, & Indira Varma

A man’s desperate obsession and scandalous love affair. He is a man who appears to have everything: wealth, a beautiful wife and children, and a prestigious career. But his life lacks passion, and his aching emptiness drives him to an all-consuming, and ultimately catastrophic, relationship with his son’s fiancée.

I have been hearing re: this miniseries (total of 4 eps) on Twitter for several wks. now. As some of you may know, I’m a long-time fan of Richard Armitage. This show is based on the novel Damage by Josephine Hart. If you’re interested to know more, check out the 1992 Louis Malle film Damage starring two FAB actors- Jeremy Irons and Juliette Binoche. Miranda Richardson and Rupert Graves have strong supporting roles. In Obsession, William, is a medical doctor (surgeon); Irons played a PhD/politician. William’s 20-something son, Jay (Rish Shah), has a South Asian (or British Asian) mother played by Varma. Jay’s fiancee Anna (Murphy) is British; Binoche was French. I read an article which noted that BDSM elements (found in the novel) will be explored in this miniseries; you won’t find that in Malle’s movie (perhaps due to the more conservative nature of entertainment in the early 90s). You can watch the trailer here.

April 21st: Dead Ringers (Amazon Prime) starring Rachel Weisz

The Mantle twins, identical from head to toe, are on a mission to change the way women give birth, starting in Manhattan.

Wow, an international star (Weisz) is doing a streaming show! This is a 6 ep series which centered on twin sisters (Beverley and Lesley) who are M.D.s (gynecologists) in NYC. They have a codependent relationship and quite different personalities. In the 1988 David Cronenberg movie of the same name, the characters were male (played by Jeremy Irons). From what I’ve seen, this may NOT be the show for more sensitive viewers. You can watch the trailer here.

April 30th: Fatal Attraction (Paramount+; Amazon Prime) starring Joshua Jackson, Lizzy Caplan, & Amanda Peet

A deep-dive reimagining of the classic 80’s thriller, exploring timeless themes of marriage and infidelity through the lens of modern attitudes toward strong women, personality disorders and coercive control.

Who doesn’t know something re: the (iconic) 1987 erotic thriller!? This is an 8 ep series which expands upon the movie (starring Michael Douglas and Glenn Close). Dan Gallagher (Jackson) is a middle-aged man married to Ellen (Peet); they have a young daughter and have a V comfy life near NYC. Alexandra Forrest (Caplan; recently seen in the Hulu series Fleishman is in Trouble) is a slightly younger single/career woman in NYC. Dan and Alex meet (via work) and decide to have an affair; this will (of course) have serious consequences. The series will delve NOT only into Dan’s POV, but also that of Alex (who is possibly struggling w/ mental health issues). The same title font is used here as in the original film; we hear a few of the (famous) lines in the trailers. Here is the teaser trailer. You can watch the full trailer here.

“Gunshy” (1998) starring William Petersen, Michael Wincott, & Diane Lane

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Jake Bridges: [narrating] I always wanted to be close to dangerous guys. Even wanted to be a dangerous guy. Truth is, didn’t know what I wanted.

After losing his job at a NYC magazine and finding his gf in bed w/ a younger man, a depressed writer named Jake Bridges (William Petersen) goes on a drinking spree in Atlantic City, NJ. At a seedy-looking bar, Jake gets argumentative w/ a tough/beefy patron (played by singer Meat Loaf). The fight turns violent fast and continues out on the street. Suddenly, a stranger comes to Jake’s rescue! This man is an enforcer named Frankie (Michael Wincott); he takes Jake to his house. Luckily for Jake, Frankie’s gf Melissa (Diane Lane) is a nurse. Frankie wants to become book-smart; in return, he’ll teach Jake how to be street-smart. Jake even gets a bit of a makeover (w/ a tailored suit). Soon, Jake feels himself drawn into Frankie’s (criminal) world and falls in love w/ Melissa. Jake also gets inspo to write- again!

Frankie: A man once told me that the only thing you really own is a piece of ground the size of your shoes.

Perhaps you are fans of the 3 leads, who were NOT then big stars at that time. Petersen (best known as the lead on the CBS drama CSI) had appeared in 2 big films- To Live and Die in L.A. (1985) and Manhunter (1986). Those of you (near my age) may know him from Young Guns II or as Reese Witherspoon’s dad in the teen drama/thriller Fear (1996). Lane was having a lull in her career (which I don’t understand); I think she does a good job w/ what she is given here. She’d soon receive critical acclaim for roles in A Walk on the Moon (1999) and Unfaithful (2002). A character actor (playing tough guys/villains), Wincott had a key supporting role in Jordan Peele’s latest movie- Nope (2022). Wincott plays a cinematographer obsessed w/ getting the perfect shot.

Melissa: What can I tell you about men? They want you to be their daughter, their mother, their addiction. They want you to want them, and then they don’t want you anymore.

This is for those of y’all who want to dive deep into the film noir genre. You can see this low-budget indie for free (Crackle or Plex). The video was pausing for me on those apps, so I rented it (Amazon). There are tropes found in noirs of the ’40s and ’50s, BUT w/ ’90s attitudes and modern language. The locations/sets are (usually) bleak and darkly lit. Some of the dialogue is predictable, BUT some of it still comes off as fresh. From what I read/heard, viewers esp. liked the scenes btwn. Petersen and Wincott (where they read/discuss the classic book- Moby Dick). We see that Frankie possesses some good qualities that Jake lacks. The movie blurs the distinction btwn hero and villain. There is also a plot twist after the hour mark.

[1] Well acted and with solid dialogue, the film has a few cliched moments, but they are ultimately forgivable in the end.

[2] The plot, too seems somewhat contrived in bringing together Petersen and Wincott as friends, but somehow the whole is better than the sum of it’s parts. Once Wincott enters, it is an engaging though flawed piece with good action sequences. With more care in the scripting, this could have been a really good film but as it is, well worth a watch.

[3] The film may seem dated at the beginning, but follow the story and you’ll be surprised, and pleased. The editing is clearly 1998; if it were shot and edited today, it would probably be smoother, and a bit more coherent. There are pieces of the soundtrack that are very pleasing, but mostly too 90’s in style. The movie probably would be a terrific re-make…

-Excerpts from IMDb reviews