Always Be My Maybe (2019) starring Ali Wong, Randall Park, Keanu Reeves, & Daniel Dae Kim

Real-life pals, Ali Wong (check out her Netflix comedy specials: Baby Cobra and Hard Knock Wife) and Randall Park (Fresh off the Boat) wanted to make a modern-day, Asian-American version of When Harry Met Sally, the iconic 1989 rom com that paired a sweet funnyman (Billy Crystal) w/ a beautiful, yet also eccentric, girl-next-door (Meg Ryan). Wong (who is a 37 y.o. actress/writer of Chinese and Vietnamese heritage) plays ambitious celeb chef, Sasha Tran, who is on the verge of opening more restaurants, incl. in NYC, LA, and her hometown (San Francisco). She is engaged to Brandon Choi (Daniel Dae Kim from Lost), a very handsome, successful, and somewhat older real estate developer. Before they settle down, Brandon wants to travel the world for a year and live like a single man (much to Sasha’s dismay). Her assistant/best friend, Veronica (comedian Michelle Buteau), says this is crazy, but Sasha agrees to Brandon’s terms.

A few months before the San Fran restaurant is set to open, Sasha and Veronica fly to the city and set up shop (and a very nice house for Sasha). Without telling Sasha, Veronica hires Kim & Son to set up the A/C system; when they arrive, Sasha is shocked and Marcus Kim (Park) acts very awkward. Mr. Kim (veteran character actor Jamies Saito) is happy to see Veronica and Sasha; they haven’t been around since high school. It turns out that Sasha’s immigrant family lived next door to the Kims (who are second gen Korean-American) and she and Marcus were best friends all through their childhood! Mr. Kim always thought they would end up together.

There is no one way to be Asian, but you would’t know that from consuming mainstream TV shows, movies, or most media. Here we have two individuals coming from unique families: the Wongs (who speak w/ accents) worked long hours at their store to save for their future and Sasha (though she resented it); meanwhile, the Kims (who have no accents) welcomed Sasha into their home after-school and she developed her interest in cooking from Marcus’ mom, Judy (Susan Park). There are certain touches that add texture to what could’ve been a typical rom com story: kids removing their shoes when entering a home; cooking traditional dishes at home; Asians of various backgrounds as neighbors, friends and romantic partners; a New Age type of Asian woman who works w/ at-risk youth; Asians rapping about their unique experiences, and (perhaps most striking) an Asian male as a romantic lead. Oh, and fans of Keanu Reeves are in for a treat, as are his haters. This is must-see, b/c I feel that different viewers will relate to it on different levels! I recommend it to foodies, immigrants (or those who are second gen in US), rom com fans, and even those who avoid the rom com genre. My favorite thing about Always Be My Maybe was the fact that this was a love rooted in friendship (which is one of the reasons that When Harry Met Sally was so popular).

Advertisements

Alice Adams (1935) starring Katharine Hepburn

[1] …it’s a low-key, genteel film about the problems of small-town people who are moving up in the social world and the one family that gets left behind.

[2] If you’ve ever felt (at a job, a party, a family gathering) that there was nothing you could do – no matter how hard you tried – to fit in – yet it was important that you did, you’ll feel so much for this charming girl.

I love how the movie does not show a saintly Alice… Yet her warmth toward her family – her essential sweetness, her strong frustrated yearning – are completely captivating.

[3] The awkwardness of the social situations are exploited–and the high point has to be the warm dinner served on a hot evening, complete with maid service (by Hattie McDaniel) in one of the movie’s most amusing, if uncomfortable, scenes.

[4] Although Hepburn and Fred MacMurray are the stars of this romance-comedy, Fred Stone almost steals the show. Playing Hepburn’s dad in the film, he was both hilarious at times and very sad….and always interesting.

-Excerpts from IMDB reviews

Katharine Hepburn (28 y.o. in this film) who plays the title character, Alice Adams, credited director George Stevens for changing her public image. He helped her portray more warmth and vulnerability than she had ever shown previously onscreen. Alice comes from a working class background (her father is a clerk at a factory), yet she desperately wants to fit in w/ the upper class. Alice’s mother blames her husband (who has fallen ill) for their low social standing, despite his working hard for nearly 30 yrs. However, Alice doesn’t blaming him for anything; she’s a “Daddy’s Girl.”

Alice tries to put on the appearances of wealth and social standing, despite everyone in town knowing who she is, and so mostly ignoring her. At a party at the Palmer house, Alice surprisingly catches the eye of young businessman Arthur Russell (Fred MacMurray). He is rumored to be engaged to Mildred Palmer; even Alice’s unconcerned brother (Walter) says so. After some disappointing moments, Arthur asks Alice to dance, and she is (suddenly) quiet. He is tall, confident, and good dancer- she can’t believe that he could be interested in her!

There was a disagreement among Hepburn and Stevens about the post-party scene. The script called for Alice to fall onto the bed and break into sobs after coming back from the Palmer’s party, but Stevens wanted her to walk to the window and cry, w/ rain falling outside. Hepburn couldn’t cry, so she asked Stevens if she could do the scene as scripted. The director yelled at her and the scene was filmed his way (and Alice’s tears were real).

It turns out that Arthur is interested in courting Alice. He wants to come to her house and meet the family after a few dates. This causes Alice great anxiety- she doesn’t think her home or family will measure up. Also, she wonders if Arthur really likes her for herself (unlike the other men she went out with before). It’s rare to see Hepburn as an insecure woman; many viewers on #TCMParty commented on this (while we were live-tweeting the movie). Check out this movie if you can- it’s quite a treat!

JxJ Film Festival: Abe (starring Noah Schnapp)

Abe (Noah Schnapp who plays Will Byers on the popular Netflix show, Stranger Things) is a quiet, sensitive, 12-year-old half-Israeli and half- Palestinian kid living in Brooklyn who loves cooking. He has a food blog, IG account, and many (online) friends who follow his progress in the kitchen. One side of the family prefers to call him “Avraham” (in Hebrew), the other side “Ibrahim” (in Arabic), while his atheist parents call him “Abraham.” But he prefers Abe. A few boys in school are turning 13 y.o. and planning big bashes for their bar mitzvah; Abe admits that he’s curious about the Jewish religion. This is music to his (maternal) grandfather’s (Mark Margolis) ears. Abe also wants to know more re: Islam; he tries fasting for a day (like his paternal grandparents).

Abe’s parents, Rebecca (Dagmara Dominczyk, wife of Patrick Wilson and 1st gen Polish-American) and Amir (Arian Moayed, a Tony nominee of Palestinian heritage) want him to make more (real-life) friends, so suggest he go to a summer cooking camp. It’s too easy for Abe, so he decides to bail w/o consulting his parents. He seeks out an experienced Afro-Brazilian chef, Chico, who specializes in fusion food at local pop ups. At first, Chico is reluctant to let a kid work in his kitchen, but then he sees the passion and potential in Abe. He rides the subway on his own, starts working at Chico’s kitchen, and eventually creates some recipes of his own (combining the ingredients used by both sides of his conflicted family).

This is such a well-made, timely, and unique film; I hope it comes out on a streaming service soon (so can get a wider audience)! Abe is just one representative of the many kids in modern society w/ families from different races, cultures, religions, etc. He’s not sure if he wants to be atheist, like his parents, b/c the traditions of his grandparents appeal to him. His maternal grandmother left a box of family recipes; his mom gives these to Abe. He does some research and discovers that Jews and Palestinians, who have a contentious past, use many of the same ingredients in cooking.

JxJ Film Festival: Fiddler: A Miracle of Miracles

The origin story behind one of Broadway’s most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when “tradition” was on the wane as gender roles, sexuality, race relations and religion were evolving. -IMDB synopsis

In the early 20th century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia (when Czars ruled). The poor milkman Reb Tevye has been married for 25 yrs to Golde and they have five daughters . When the local matchmaker, Yente, arranges the match between his eldest daughter Tzeitel and the old widowed butcher Lazar Wolf, Tevye agrees to the wedding. However, Tzeitel is in love with the poor tailor Motel Kamzoil; they “gave each other a pledge” to someday get married. After seeing the couple so happy, Tevye begins to rethink some of the traditions he assumed would continue…

This was my favorite film (of the six that I saw) of this year’s festival; it’s a funny, educational, and touching doc (featuring Hamilton creator Lin Manuel Miranda, veteran actor Austin Pendelton, cultural critic Fran Lebowitz, and many others influenced by the beloved and timeless musical). The theater was full (or nearly full) during the two showings. Did you know that several of the team who came up with the lyrics, music, dances, etc. are still alive?

We get to hear from theater greats like Harold Prince (producer), Sheldon Harnick (songwriter), and Calvin Trillin (writer). Several discuss the innovation, as well as the emotional/verbal abuse, of Jerome Robbins (the very talented choreographer). Robbins was a “conflicted Jew” and controversial figure because he revealed names to the HUAC. It turns out that he was a closeted gay man seeking to protect his privacy.

A youthful Norman Jewison (who directed the very popular 1971 movie) is seen directing a scene featuring Tevye (Chaim Topol, an actor from Israel who worked mainly on the London stage). Did you know that Jewison (who worked on many socially-conscious films) isn’t Jewish? Though Tevye is the center of the story, dreaming of being a rich man, talking to God, and trying to be the breadwinner, his three (independent-minded) daughters propel the story forward.

Stage/film actresses from different generations talk re: portraying Tevye’s practical wife (Golda), eldest daughter (Tzeitel), witty middle daughter (Hodel), and the gentle/shy one (Chava). Each daughter has (what we call these days) a love marriage. It was shocking to the family when Chava ran off to marry a Russian (not Jewish) boy; this action had more serious consequences in that time period and community.

The (timeless) themes of Fiddler on the Roof have made the play popular worldwide; we get to see clips from a professional performance in Japan and one from school kids in Brooklyn and Thailand. Non-Jewish creative types, including Gurinder Chada (best known for the British indie hit Bend it Like Beckham), talk about how the tale has influenced their works. Miranda even used the song “To Life” in his wedding reception; he, his father-in-law, and members of the wedding party surprised his wife! The doc wraps up w/ how the plight of (modern) refugees is not unlike Tevye’s family.

JxJ Film Festival: Seder-Masochism

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director’s own father. But there’s another side to this story: that of the Goddesses, humanity’s earliest deities. “Seder-Masochism” resurrects the Great Mother in a tragic struggle against the forces of patriarchy. -IMDB synopsis

…filled with tap-dancing Moses, the ten plagues, the visage of God (speaking in the voice of her late father), and swaying, cartwheeling, singing and spiraling Goddesses. Set to popular blues, rock, soul and spirituals, this film is an emotional, searing indictment of violence… -Excerpt from IMDB review

Wow, the world (esp. of creative ppl, or those who follow their work) is SO small! I met this filmmaker, Nina Paley, in NYC at a small Meetup event for the (now archived) blog, Sepia Mutiny. I followed several of that blog’s contributors; she was friends w/ members of this group (consisting of South Asians from around the US and world). Paley’s first animated film was Sita Sings the Blues; it focused partly on her relationship w/ her former husband (who transferred to India for his job) and also on the trials faced by the goddess Sita in the Hindu religion. This film is more closer to home for Paley (a secular Jewish woman); it’s about the Seder meal story, as well as her relationship w/ her (recently deceased) father.

The animation here is much more sophisticated; I’m not sure how to describe this type of graphic art. In the dialogues, there are humorous moments, along w/ very touching ones (giving us a glimpse into the dynamics of the filmmaker’s family). Paley’s father plays the Voice of God; he had an ambivalent relationship to his religion, though was proud to be of Jewish heritage. This film also has a big musical component; I think 3 of the songs she chose were new to me. These songs include spirituals, which are most often attributed to African-Americans. Since Paley believes in “free use,” you can download and view it yourself! Follow this link: https://sedermasochism.com/