Fourth Estate Film Series (AFI): All the President’s Men, Broadcast News, Network, The Front Page, & His Girl Friday

AFI Silver and Washington Monthly magazine presented a series of films that investigated the world of journalism recently (May-June 2019). Below are my thoughts.

All the President’s Men (1976)

“Follow the money.” Deep Throat’s (Hal Holbrook) words have guided reporters in the 40+ yrs since Robert Redford and Dustin Hoffman starred as “hungry” young Washington Post reporters Bob Woodward and Carl Bernstein, uncovering the Watergate scandal. The all-star cast also includes Jack Warden, Martin Balsam (12 Angry Men), Jason Robards (then in his waning yrs battling alcoholism), Jane Alexander, and Ned Beatty.

There was a post-screening Q&A with Bob Woodward (it was a full house, of course) moderated by Washington Monthly Editor-in-Chief Paul Glastris. There are a lot of phone calls, knocking on doors, as well as research depicted in this film. Though journalism has changed over the years (along w/ technology), Woodward pointed out that nothing beats in-person interviews where reporters can build trust w/ their subjects. Woodward is still going strong; in fact, he recently interviewed individuals who haven’t even spoken to Robert Mueller- WOW!

Broadcast News (1987)

This is one of my favorite films, as I’ve written before. It’s set in a DC TV network news bureau where the lives of three individuals are intertwined: ambitious producer Jane (Holly Hunter), telegenic anchorman Tom (William Hurt), and brainy field reporter Aaron (Albert Brooks). All three are fully fledged out characters, no one is a typical bad guy, and there is sparkling chemistry between both pairs- Jane/Aaron and Jane/Tom. Jack Nicholson (not billed) has a cameo as a powerful anchorman based in NYC. It launched the career of Hunter and was nominated for seven Oscars, incl. Best Picture.

There was a panel discussion with Academy Award-winning filmmaker James L. Brooks (Terms of Endearment, As Good As It Gets, The Simpsons, etc.) and New Yorker Staff Writer Jane Mayer, moderated by Washington Monthly Digital Editor Eric Cortellessa. Though the work life/personality of Jane was based more on Susan Zirinski (who now heads CBS News), the love triangle was inspired by incidents in Mayer’s personal life; she had trouble choosing between a man who was “like a schlubby best friend type” (like Aaron) and another guy. Neither one was right, she admitted (LOL)! This film is more of a workplace comedy, not a rom com, as it puts career over romance. Albert Brooks (who plays Aaron and also worked on the screenplay) was the first one cast; they waited 6 mos to get Hurt; Hunter was cast a few days before filming started.

James L. Brooks considers this one of the best-written scenes:

There is also an alternate (happy) ending to the Jane/Tom romance:

Here is my earlier review: https://knightleyemma.com/2010/11/14/two-movies-ive-seen-recently/

Network (1976)

“I’m as mad as hell, and I’m not going to take this anymore!” When Howard Beale (Peter Finch), a veteran news anchor w/ slipping ratings, is informed that he is being let go, he launches into a rant (on live TV) proclaiming his intention to commit suicide on his next broadcast. The network’s execs (incl. Robert Duvall) decide to keep Beale on and exploit the ratings boost. Beale’s closest/oldest friend, Max Schumacher (William Holden), thinks that he may truly be ill (going mad); he tries to care for Beale. Director Sidney Lumet’s examination of the news media depicts a cruel, ratings-obsessed world, in which populist sentiment is exploited for profit. One of the must-see films of the ’70s, Network earned 10 Oscar noms, incl. acting wins for Finch, Faye Dunaway and Beatrice Straight, and the screenplay by Paddy Chayefsky.

There was a panel discussion with Chicago Tribune columnist Clarence Page, Pulitzer Prize-winning Washington Post reporter Beth Reinhard, a local veteran film critic, and moderated by Glastris. I used to see Page on the PBS commentary show- The MacLaughlin Group– along w/ other TV journos; he appears on MSNBC these days. The rise of Trump (UGH) was compared to what happened w/ Beale. Dunaway’s character would also fit in w/ the people making policy around Trump. Page also recommended another film, A Face in the Crowd, for those who enjoyed this one.

Here are my reviews:

https://knightleyemma.com/2018/07/31/network/

https://knightleyemma.com/2016/10/09/a-face-in-the-crowd/

Mr. Jensen (the scene-stealing Ned Beatty) explains to Beale how money makes the world go around in one of the iconic scenes from this movie:

The Front Page (1931)

Newspapermen-turned-playwrights Ben Hecht and Charles MacArthur made their names with the 1928 Broadway play The Front Page. Adapted for the screen in 1931, this is the story of star crime reporter Hildy Johnson (Pat O’Brien), fed up with his manipulative editor Walter Burns (Adolphe Menjou), and about to quit his job to marry his sweetheart Peggy (Mary Brian). But when a big story breaks, Hildy can’t resist covering it, even if it means putting his honeymoon on hold. The play was expertly re-arranged by director Howard Hawks and screenwriter Charles Lederer in 1940 with their adaptation- His Girl Friday (see below). I watched it last year, but will check it out again (see the link to YouTube below).

His Girl Friday (1940)

This Howard Hawks’ remake of The Front Page (see above) with reporter Hildy Johnson (Rosalind Russell) recast as a woman, her love-hate relationship with hard-driving editor Walter Burns (Cary Grant) now complicated by the fact that they were formerly married. These were career-defining roles for the actors in one of Hollywood’s greatest screwball comedies. There was a panel discussion with The Atlantic’s Film Critic Christopher Orr, New Yorker Staff Writer Margaret Talbot, and Washington Post Media Reporter Paul Farhi, moderated by Cortellessa. They touched on topics ranging from the rom com genre, portrayal of journos, Chicago history/politics, feminism (as it pertains to smart/clever/career woman Hildy), casual racism (at least in two scenes), and the enduring popularity on this film (the theater was nearly full, yet again).

Here is my earlier review: https://knightleyemma.com/2019/01/11/awfultruth-girlfriday/

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New African Film Festival: Selected Trailers

NOTE: This film festival (now in its 15th year) runs from March 7-17 at AFI in Silver Spring, MD. Click here for more info!

Deep End (FRI, 3/8: 5PM & SUN, 3/10: 5:15PM)

This South African spin on Bend it Like Beckham substitutes surfing for soccer to explore the coming-of-age journey of Sunitha Patel (Carishma Basday), a young woman from a traditional Gujarat family in Durban who aspires to be a surf champion.

Nigerian Prince (FRI, 3/8: 8PM)

When troubled Nigerian-American teenager Eze (Antonio J. Bell) is sent away to his mother’s native Nigeria against his will, he quickly finds himself entangled in a dangerous web of scams and corruption…

The Mercy of the Jungle (SAT, 3/9: 3PM)

Set in 1998 at the outset of the Second Congo War, this movie (2018 TIFF Official Selection) about a pair of Rwandan soldiers lost behind enemy lines between the Democratic Republic of Congo and Rwanda. When experienced soldier Sergeant Xavier (Marc Zinga, DHEEPAN, THE UNKNOWN GIRL) and fresh recruit Private Faustin (Stéphane Bak, ELLE) are accidentally left behind by their battalion just as Congolese militia begin swarming the area, they only have each other.

Pili (SUN, 3/17: 11AM)

In this BAFTA-nominated first feature, Pili (Bello Rashid) lives in rural Tanzania, working in the fields for less than $1 a day to feed her two children and struggling to manage her HIV-positive status in secret. When she is offered the chance to rent a sought-after market stall, Pili is desperate to have it.

Movies, Theater… & More Around DC (NOV/DEC)

FRI, NOV 10 & weekends (NOV 11-12 & 18-19)

FotoWeek DC 2017

Whether through fine art photography, photojournalism, or the work of emerging artists, FotoDC provides a dynamic, evocative, engaging experience for photographers, cultural institutions, galleries, curators, schools, area residents, and tens of thousands of viewers.  

I MAY have heard of this event before, BUT have never gone! You can also volunteer during this event; I sent in an application (via Google doc). 

http://www.fotodc.org/events-fotoweekdc-2017

FRI, NOV 10 (5:30-8:30PM), National Press Club

2017 Book Fair & Authors’ Night

Authors will talk to fans and sign books at this literary event (now in its 40th yr). Tickets are $5 for NPC and Politics & Prose members; $10 for the public. Tickets will also be sold online and at the door.

http://www.press.org/bookfair

WED, NOV 15 (7PM), Smithsonian Natl Museum of Natural History (Baird Auditorium)

The Problem with Apu (w/ Hari Kondabolu)

In the new documentary, Kondabolu confronts his long-standing nemesis Apu Nahasapeemapetilon—better known as the Indian convenience store owner on The Simpsons.

Creator and star Kondabolu discusses how this controversial caricature came about, burrowed its way into the hearts and minds of Americans, and continues to exist—intact—nearly three decades later. The film features interviews with Aziz Ansari, Kal Penn, Whoopi, W. Kamau Bell, Aasif Mandvi, Hasan Minhaj, Utkarsh Ambudkar, and Aparna Nancherla, as well as Simpsons writer Dana Gould and others. -Synopsis from Smithsonian web site

This is FREE y’all, so you just need to RSVP (after setting up a free Smithsonian account)! After the screening, Hari will be having a discussion w/ Elizabeth Blair (NPR). If you know me, you know I’m a BIG fan of his- YAY!

FYI: This doc will also be shown on SUN, NOV 19th on truTV.

https://smithsonianassociates.org/ticketing/Tickets/Reserve.aspx?id=240875

THURS, NOV 16 (7:15PM), AFI Silver

Big in Bollywood (w/ intro & Q&A w/ actor Omi Vaidya)

California-born, NYU-educated Omi Vaidya had been struggling to make it in Hollywood as an Indian-American actor when he was suddenly offered a role in Mumbai. The film was 3 IDIOTS, and when it turned out to be an overwhelming critical and box office success, Omi — who hardly spoke any Hindi — woke up to overnight stardom in India. His unlikely story is told in this creative documentary, made by Vaidya’s college friends: just like 3 IDIOTS, this is a film about camaraderie and success, but told from behind the scenes. -Synopsis from AFI web site

You gotta LOVE living in/near downtown Silver Spring (DTSS), esp. when you hear about events like this! I’m inviting ALL my local gal pals to come out; hopefully, some of them can make it. I also think this will make a V interesting (future) blog post.

FYI: Vaidya is one of the ensemble cast of Brown Nation (Netflix).

https://silver.afi.com/Browsing/Movies/Details/m-0100001643

WED, NOV 29 (7:30PM) & SAT, DEC 2 (2PM): Round House Theatre (Bethesda)

The Book of Will (Pay-What-You-Can)

What if Shakespeare’s works had been lost forever? After the death of their friend and mentor, two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. 

I used to work a block away from this theater, so I usually noticed what was going on (thanks to posters hanging outside and convos of some Bethesda residents). My parents BOTH liked Miss Bennett last holiday season, which was also written by Lauren Gunderson. PWYC events are great, as long as you plan ahead (b/c you need to wait in line) and bring some cash ($15 is suggested donation, but you can give whatever amount fits your budget). Don’t be embarrassed if you’re (temporarily) broke! I usually take along a friend or my parents (if it’s a weekend).

http://www.roundhousetheatre.org/performances/book-of-will

SAT, DEC 9 & SUN, DEC 10: Walter E. White Convention Center

MetroCooking DC 2017

Shop. Sip. Sample! Spend the day experiencing the many culinary highlights of MetroCooking DC. Restock your pantry and shop for holiday gifts at our exhibitor marketplace, featuring select vendors selling and sampling specialty foods, confections, utensils, appliances, and many other unique kitchen wares. Enjoy watching your favorite celebrity chef whip up delicious dishes live on the James Beard Foundation Cooking Stage. Learn useful tips, tricks, and trends geared toward cooking, home entertaining and healthy living at the Taste Talks Workshops. Plus, give the gift of cooking this season and pick up an autographed cookbook in our bookstore. Grab your friends for a fun, food filled day out! 

I saw an ad for this event (NEVER been before) on the metro this evening… and got V excited. Sure, I LOVE movies, the theater, BUT my love of food is above ALL that! This year, celeb chefs- Guy Fieri and Jose Andres (whose restaurants are FAB)- will be appearing. General Admission for either day (10AM-5PM) is $21.50; there is also a Groupon deal ($14) that you can buy. 

http://www.metrocookingdc.com

https://www.groupon.com/deals/gl-metro-cooking-dc-7

 

The Manchurian Candidate (1962) starring Frank Sinatra, Laurence Harvey, Janet Leigh & Angela Lansbury

TMC_poster
A poster for the film

…it feels as if it were made yesterday. Not a moment of “The Manchurian Candidate” lacks edge and tension and a cynical spin. And what’s even more surprising is how the film now plays as a political comedy, as well as a thriller.

-Roger Ebert

I love this movie & find it disturbing. It’s a thriller but at times it even seems a satire.

Sinatra is so great here, you hardly notice how good Laurence Harvey is.

#TCMParty (selected tweets)

I keep telling you not to think! You’re very, very good at a great many things, but thinking, hon’, just simply isn’t one of them. -Mrs. Iselin explains to her husband

There is something timeless, yet also eerily timely about this classic film (in Trump’s America). Though it was released in 1962, it is set in 1952 in New York and DC; the use of black and white makes it look older. I think the novelist (Richard Condon) was influenced by Hamlet; note Sgt. Raymond Shaw’s (Laurence Harvey) deep hatred for his stepfather, Senator John Iselin (James Greogory), who married his domineering mother, Eleanor Shaw Iselin (Angela Lansbury). We are NOT told anything re: Raymond’s birth father; I imagine that he was a wealthy/intelligent/influential man. In the youthful romance of Raymond and Jocelyn Jordan (Leslie Parrish), there is an echo of the feud between noble families as in Romeo & Juliet

TMC_train_mtg
Maj. Bennett Marco and Rosie chat on the train in a mysterious manner.

Janet (Psycho) Leigh plays a shady, Robert Walker-like femme fatale whose cryptic language may or may not indicate she’s a member of the Communist Ring… The most celebrated (and widely discussed) meet-cute in film history occurs aboard a train, as Janet Leigh and Sinatra whisper sweet-somethings in the most roundabout, I’ve-never-heard-people-talk-like-this way imaginable. 

-Stanford Arts Review

Women are (in several scenes) depicted as capable, smart, and active agents in their romantic lives. Obviously, Mrs. Iselin is the power behind her loud-mouthed/dim-witted husband. A young Josie comes to Raymond’s rescue after he’s bitten by a snake. Rosie (Janet Leigh) approaches Maj. Bennett Marco (Frank Sinatra) during their train ride, shows him that she’s VERY interested, then tells him her address and phone number.

TMC_raymond_mother
Mrs. Iselin (Angela Lansbury) and Raymond (Laurence Harvey)

It’s a terrible thing to hate your mother. But I didn’t always hate her. When I was a child, I only kind of disliked her. -Raymond explains to Bennett Marco 

This is the type of film that you MUST pay attention to, or you’ll miss something! It showcases Sinatra’s acting range; many critics/classic movie fans consider this performance to be the best of his career. The Manchurian Candidate proves us just how scary Lansbury can be, if the script calls for it; I wished there was more of her performance. The way that she controlled Raymond’s life has contributed to how his life is like at that start of the story: humorless, friendless, and loveless. He attempts to get away by taking a job w/ a newspaper editor he admires, BUT alas, his life is NOT his own. 

TMC_costumeball
Mrs. Iselin (Angela Lansbury) faces off against Senator Tom Jordan (James McGiver).

There are people who think of Johnny as a clown and a buffoon, but I do not. I despise John Iselin and everything that Iselinism has come to stand for. I think, if John Iselin were a paid Soviet agent, he could not do more to harm this country than he’s doing now. -Senator Jordan says to Mrs. Iselin

Little details add to the richness of the story. There is a scene where an African-American soldier is having a nightmare/flashback (VERY similar to that of Marco), BUT we see that the ladies in the tea party are African-American. That’s b/c it’s happening w/in the context of his life, NOT that of a white man. There are two supporting East Asian characters, including Dr. Yen Lo (Khigh Dhiegh) and Korean translator-turned-cook, Chunjin (Henry Silva- of Puerto Rican heritage). In one exciting scene, Marco and Chunjin fight using karate. 

Undercurrent (1947) starring Katharine Hepburn, Robert Taylor, & Robert Mitchum

Undercurrent-1946.jpg
A poster for the film

This is a film I’d NEVER heard of, BUT was curious to see (since it has both Hepburn and Mitchum). It was shown on TCM last week and is directed by the famed Vincente Minnelli (husband of Judy Garland and father to Liza). Minnelli does a VERY good job w/ a domestic drama mixed w/ film noir, which is NOT something you’d expect if you know his more well-known works (Meet Me in St. Louis, Father of the Bride, Gigi). He also directed The Bad and the Beautiful, which shows the dark side of Hollywood. 

Hepburn is cast against type here, which fans (like me) may enjoy, and even some haters will be pleasantly surprised to see. She plays Ann Hamilton, the quirky/single daughter of small-town professor, Dink (Edmund Gwenn from Miracle on 34th Street). Ann prefers playing w/ her dog and tinkering in her home chemistry lab, eschewing ideas of marriage pushed upon her by cranky housekeeper, Lucy (Marjorie Main) and eager academic, Prof. Bangs (Dan Tobin).

Hepburn_Taylor_fireside_Undercurrent
Alan Garroway (Robert Taylor) chats with Ann Hamilton (Katharine Hepburn) at her home.

[1] Call it Film-Noir. Call it Mystery/Suspense. Call it Psychological Thriller. Call it what you may…I call it: absorbing drama.

It moves very deliberately… and the facts are revealed one by one, in true mystery fashion, until the fantastic, thrilling ending.

[2] Hepburn gives her usual intelligent performance, showing a vulnerable, feminine side that is very appealing. There is a scene in a fitting room where she is absolutely stunning. The scenes between her and her father, played by Edmund Gwenn, are delightful and realistic…

[3] As others have noted, the plot has “Rebecca-esque” qualities, but a character completely its own.

-Various IMDB comments

One night, Ann’s life is changed when she meets Alan Garroway (Robert Taylor), a suave/dapper inventor who was meeting w/ Dink. It turns out that his company helped win WWII w/ a cutting-edge missile guidance system. Ann is struck by him at first sight; it’s obvious that he is interested, too. Soon, they’re married and off to DC! Ann meets his (high society) friends, gets a new/stylish wardrobe, and learns that her new husband is more complicated than she thought. 

Hepburn_Gwenn_Undercurrent
Her father (Edmundf Gwenn) looks on as Ann (Katharine Hepburn) receives roses.

Film Trivia:

BOTH Taylor and Mitchum were younger than Hepburn. 

In Minnelli‘s autobiography, he says that Mitchum was very uncomfortable in the role of the sensitive Michael.

Katharine Hepburn and Robert Mitchum did NOT get along during the filming. One day, Hepburn told Mitchum, “You know you can’t act, and if you hadn’t been good looking you would never have got a picture at all. I’m tired of working with people like you who have nothing to offer.” (OUCH!)