Pygmalion (1938) starring Leslie Howard & Wendy Hiller

This isn’t exactly like My Fair Lady (sorry, if you’re looking for that)! There are NO songs (plus or minus, depending on the viewer), it’s in B&W, and considered a more realistic version of George Bernard Shaw’s story (inspired by Greek myth of Pygmalion and Galatea). In contrast to Audrey Hepburn’s Eliza, Brit actress Wendy Hiller (who some of you may know from the beloved Canadian Anne of Avonlea mini-series) is more of a plain Jane, though tall and elegant in bearing (when she has to be). Leslie Howard’s Prof. Higgins is younger (a plus, IF you want to play up the romance angle) than Rex Harrison. His speech is less showy, more matter-of-fact, yet still cutting (esp. towards Eliza).

Howard also co-directed this film (as I learned from TCM); he’s much more than Ashley from Gone with the Wind.  Though his looks and usual style of acting are NOT my favorite, you have to respect a guy w/ such a long line of (mostly well-made) films. There are a few points in this film where my attention drifted (just being real- it’s a ’30s film after all). I think fans of this story (and classics in general) should give it a watch. 

There’s lots of women has to make their husbands drunk to make them fit to live with. -Eliza explains at tea (to Mrs. Higgins’ guests)

Walk? Not bloody likely. I’m going in a taxi. -Eliza declares to Freddy when he offers to walk her home 

Some Trivia re: the Film:

Shaw was the first person to have won both the Academy Award and the Nobel Prize. 

The first British film to use the word “bloody” in its dialogue; this word was an expletive , so considered extremely vulgar.

In the British version, Howard says “damn;” in the American one, he says “hang” or “confounded.” This was a year before David O. Selznick fought the Hays Office over permission for Clark Gable to say “Frankly, my dear, I don’t give a damn” at the end of Gone with the Wind (1939).

The scene in which Eliza accidentally swallows a marble during an elocution lesson does not appear in the original play. During rehearsals for this scene, a pained expression came over Hiller’s face; when she spat out the marbles she had in her mouth she said, “Leslie, I’ve swallowed one!” Howard replied: “Never mind, there are plenty more.” This caused such amusement among the crew that it was added to the film, then later to its musical version, My Fair Lady.

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Ocean’s 8 (2018) starring Sandra Bullock, Cate Blanchett, & Anne Hathaway

NOTE: This post contains MILD SPOILERS for the film (now playing in theaters).

What seems like a fun, simple heist movie (female reboot of Ocean’s franchise), has layers (when you dig deeper). The dialogue and slow-ish directing style leaves much to be desired, BUT the actors pull off a LOT w/ the strength of their personalities, FAB fashion, confidence, and (off course) charisma. These women (mostly household names) are NOT afraid to poke fun at themselves. At one point, Debbie Ocean (Sandra Bullock) says: “A he gets noticed. A she is invisible. We want to be invisible.” Oooh, if that’s NOT a direct jab at major Hollywood film studios, I don’t know what is!

I haven’t seen Bullock (who plays recent parolee/younger sis of Danny) in a while; she’s had some hits (and quite a few misses) in her career. (Fun fact: He mom was an opera singer from Germany; she speaks some German at pivotal points in the film.) Cate Blanchett (Lou) is great, as usual; her platinum bob and menswear-inspired suits look V cool. I much prefer to see Blanchett in this type of strong/independent woman role, as opposed to Blue Jasmine (saw recently on Netflix w/ my mom). Her performance is compelling in that (rather lackluster) film, BUT I just like her kicking ass! There is an enigmatic nature to the relationship between Debbie and Lou.

Anne Hathaway (who steals the show) takes on the self-obsessed Hollywood star archetype. I think even Hathaway’s haters will have to take note of this performance! She is more of an earnest theater geek/English major, a far cry from Daphne Kluger, who swings from confident to insecure in the blink of an eye. Dahne’s designer for the Met Gala is Rose Weil (Helena Bonham-Carter), a broke Irishwoman near the end of her rope (until she meets Debbie and Lou). Bonham-Carter also makes fun of herself; take note the of the quirky touches (incl. hair, gloves, Victorian-inspired outfits). It’s great to see her (on the big screen) after MANY years. 

My friends and I were excited to see Mindy Kaling (now a mom- WOW); I wanted to know a BIT more re: her diamond-expert character, Amita. Awkwafina, a young Chinese-American actress from Queens, gets laughs for her deadpan performance of Constance (a skateboarding street hustler). Catch her later this Summer on Crazy Rich Asians. And who can forget Nine Ball, a young hacker played by Rihanna!? She just has the kind of screen presence that can’t be faked, even covered in baggy ponchos and working over a laptop. Sarah Paulson is the bored suburban mom, Tammy; she should’ve gotten more to do. 

Richard Armitage fans (like myself) will be V happy to see the Brit get more exposure; he plays Claude Becker (art dealer/con man). He recently tweeted that he got the role last-minute. Another Brit I’m also fan of (Damian Lewis- starring in Showtime’s Billions) had to drop out. Claude is Daphne’s date for the Gala; he has little interest in her (as a person), BUT seems to love being in proximity to celebs. (There are MANY celeb cameos in this film- FYI.) There are little moves and expressions to show Daphne that he cares, BUT this is all a performance. Richard does a great job in his (limited) role; he gets really great outfits, too. 

Sidenote: If you want to know more re: the Met Gala, check out the doc that the characters watch- The First Monday in May (Netflix). 

Fleabag (2016)

I watched this Brit show (on Amazon Prime) last weekend; there are 6 eps (about 30 mins long). It’s NOT for everyone (TV-MA), BUT does have some interesting/unique components. We’ve ALL seen angry/unlikable/complicated men as protagonists (incl. in comedies) over the past 10 yrs or so. However, there aren’t many female characters like Fleabag (Phoebe Waller-Bridge), a 20ish working woman living in London and dealing w/ grief (incl. that of her BFF/business partner). “Fleabag” is the real-life nickname of Waller-Bridge. She also created a play on which this show is based. Fleabag breaks the fourth wall (as seen prominently on House of Cards); this brings the viewer in closer to the story.

Fleabag struggles to keep her small cafe open, breaks up w/ her sensitive/songwriter BF- Harry (Hugh Skinner), then hooks up w/ different men (one of her coping mechanisms, she admits). Waller-Bridge can be BOTH beautiful and awkward at the same time; she has a flawless face and is tall and slim. Yet she also has a somewhat long/big nose (which gives her an unique look). One of her men is played by an unusually handsome actor (Ben Aldridge). Sidenote: The way others reacted to their pairing reminded me of when Miranda (Cynthia Nixon) dated character played by Jon Hamm on SATC.

Fleabag has an awkward relationship w/ her father (Scottish actor Bill Paterson) and hates her godmother turned step-mom (Waller-Bridge’s close friend-actress Olivia Colman). Talk about step-mom from Hell- Colman portrays a self-absorbed artist and villain V well here (a departure from her usual roles)! The MOST interesting/complicated relationship is between Fleabag and her seemingly “perfect” older sister, Claire (Sian Clifford). Unlike Fleabag’s aimless approach to life, Claire (Sian Clifford) has to control everything (incl. her own “surprise” b-day party). There is deep love between these women, though they have such different personalities. Both women wonder if they sre “bad feminists”- something V rare for a TV show! Claire is married to an American art dealer, Martin (comedian Brett Gelman), who comes off as creepy and pathetic. I think Martin provides some of the more (obvious) humor.