Tagline: The savage drama of an amazing double double-cross!
This meaty film noir is a follow-up to The Killers (1946). It reteams German director Robert Siodmak with star Burt Lancaster (age 35 here), who once again finds himself in a deadly love triangle. Lancaster, cast against type as a loser, Steve Thompson, a man who returns to his native LA after a year of wandering about the country. He doesn’t call up his ex-wife, Anna (Yvonne De Carlo), but they bump into each other. Steve still “has her in his blood,” much to the dismay of his mother. Maybe it was bad luck? Or fate?
She’s all right, she’s just young. -Steve
Hah! Some ways, she knows more than Einstein. -Mrs. Thompson
Anna and Steve rekindle their relationship for a time, but then she sneaks off to marry gangster Slim Dundee (Dan Duryea), who operates out of a local bar/nightclub. Steve almost can’t believe his ears when the sympathetic bartender breaks the news. Does Anna only care about money?
I should have been a better friend. I shoulda stopped you. I shoulda grabbed you by the neck, I shoulda kicked your teeth in. I’m sorry Steve. -Pete
This film is unusual for the genre, because Steve is not a loner, with no one to look out for his well-being. He has a loving family- mother, jovial little brother, and future sister-in-law. He has a good friend in Lt. Pete Ramirez, a cop he’s known since childhood. The many minor characters lend flavor to this film.
In time, he draws himself into Slim’s sphere, proposing an armored car heist. This heist involves a elderly co-worker who’s seeing his widowed mother. The main action scene was very well-done, as it looked quite modern.
Love… love! You’ve got to watch out for yourself! -Anna
He [Siodmark] fragments the narrative through flashbacks, counterposing the hopes of Lancaster’s return home with the desperation into which he has fallen. He also slows down for virtuosic sequences that only a great director could bring off: a long scene when the heist is being plotted, with the bored DeCarlo smoking cigarettes (“It passes the time”) while the railway criss-crosses the window behind her; and an equally long one in the hospital, involving a cranked-up bed, a tilted mirror on the bureau, and a visitor in the corridor- a good Samaritan who turns out to be his worst nightmare. -IMDB review excerpt
Anna is not like a typical femme fatale, as she’s not the planner. Steve takes agency in the robbery, though he never wanted anyone to be killed, if possible. He thinks naively, as he “wasn’t born into this” (Pete comments). He cared about love, not the money. The last quarter of the film is atmospheric, intense, and very well done. Anyone can become a fool for love, even Lancaster. Look at how young/sad/lost Steve looks when he sees Anna in the club (dancing carelessly) after so long. This is a fine performance, layered yet accessible.
Jason Brown (USA)
Did you watch Jason Brown’s (USA) SP last night? The 19 y.o. boy-next-door performed VERY well, impressing BOTH the crowd & judges at Sochi.
Here is the 2014 U.S. Nationals vid that is now almost at 4 million views:
A younger (16 y.o.) Jason talks about his daily routine to local TV station:
Patrick Chan (CAN)
23 y.o. gold-medal hopeful Patrick Chan (& fellow countrymen) discuss Canadian Men’s luck at Olympics:
One-on-one interview w/ Patrick (by then 2-time World Champion) on Canadian TV:
2013 World Championships SP:
2013 World Championships LP:
I totally fell IN LOVE w/ his skating here! A younger (19 y.o.) Patrick, mature way beyond his years (artistically), performs his SP at 2010 Vancouver Olympics:
One of Patrick’s influences is (no doubt) the great Ukranian skater Viktor Petrenko, one of my faves. The sense of romance/storytelling he creates ice is reminiscent of fellow Canadian Kurt Browning. Here is his LP at 2010 Vancouver Olympics, where he made a mark, but was out of medal contention (due to a few errors and fall on triple axel jump):