This month (July) TCM has been showing Hitchcock’s films every MON & WED; Rear Window is probably my fave of his films. (Strangers on a Train would come in second, b/c WHO could resist the devilish Robert Walker!?) This is a simple story, BUT there is a LOT going on (once you watch it a few times)! Most of you know the synopsis (below from IMDB):
Professional photographer L.B. “Jeff” Jeffries breaks his leg while getting an action shot at an auto race. Confined to his New York [Chelsea] apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont and his visiting nurse Stella to investigate.
When two people love each other, they come together – WHAM – like two taxis on Broadway. -Stella tells Jeff her view of relationships
The relationship between Jeff (James Stewart) and Lisa (Grace Kelly) is a BIT complicated; they are VERY attracted to each other, BUT have different lifestyles and personalities. Jeff thinks that Lisa is TOO good for him; you can tell by the way he describes her (to others and also during their evening dates at home). Lisa is (obviously) waiting for him to settle down (note the comment about the art gallery) and ask for her hand in marriage (b/c she loves him a LOT, putting up w/ his quirks). Straight-talking Stella (Thelma Ritter- always a delight) bemoans the fact that courtships have become SO complicated (LOL- a LOT of modern/single people would agree).
Stewart gets to flex his acting muscles in this darkly comic role. You can’t help but laugh at a LOT of Jeff’s lines, the way he looks, and generally expresses himself. He doesn’t have the luxury of much movement, being confined to a wheelchair (though is still VERY effective). Lisa is willing to make their lives work together, though he has doubts. And when she faces danger, Jeff realizes just how much he loves her!
 Alfred Hitchcock is considered by most to be the master of suspense. I believe he was also a master of understanding human nature. He intuitively understood that human beings are voyeurs by nature, not in the perverted sense, but in the curious sense.
 The acting is superb in this film. Jimmy Stewart is unabashedly obsessed as the lead character. Photographers have an innate visual perceptiveness and the ability to tell a story with an image and Stewart adopts this mindset perfectly. Grace Kelly has often been accused of being the “Ice Maiden” in her films, yet in this film she is assertive and even reckless. Though cool at times, she is often playful and rambunctious.
 The main characters are wonderfully portrayed and full of life. The apparently simple setting in an apartment complex is developed into a world filled with intriguing and sometimes unsettling possibilities, and this apparently average neighborhood comes to life with a wealth of lavish visual detail and interesting minor characters.
NOTE: This review contains SPOILERS for the latest season of the streaming series. Fun fact: My dad also doesn’t like “sorry” (like Claire).
“You don’t want me to stand for something,” Frank states to the viewer late in season five. ‘You just want me to stand.” But, uh, reality would beg to differ. We increasingly want politicians to push back against the bland, corporatist kind of politics Frank and Claire represent, to elevate outsiders. House of Cards is a show about the ultimate insiders, and it can’t overcome that central fact. -Vox
Frank’s “war on terror” has deadly consequences for ICO-inspired Joshua Masterson. With a little help from Asst. Dir. Green (FBI), Underwood had stashed the homegrown terrorist in an underground/high-tech prison. Frank tells Green “to get rid of the asset.”So, did you think that Frank was upset re: the reaction of the Millers’ teen daughter at the funeral? It’s like that girl saw through Frank, though she was SO young and grief-stricken (b/c of her father’s murder).
…the name of Frank’s secret society can be traced back to Greek mythology. “Elysian Fields” is said to be a true paradise where gods who are gifted immortality are sent. Basically, only the most favored gods got to go to this place and live out their endless lives in bliss. This is especially fitting for a reference point because on House of Cards, Elysian Fields is essentially a place for important men (and only men) to hang out together in the woods. -Bustle
It was one of the most talked about ep of the season, as I learned from Twitter (and later on- few articles). Viewers wondered: “Is that real!?” once it was revealed that prominent men were behind the masks at the weekend retreat (or shall we call is “glamping?”)
Will Conway, the Republican presidential candidate was clearly modeled on Obama (w/ a side of Kardashian-level status on social media, as we saw in S4). We learn that he has PTSD, which he keeps hidden from even Marc Usher (Campbell Scott- still slim and handsome) and retired Gen. Brockhart (Colm Feore- one of Canada’s best theater actors). The CEO from Pollyhop, also Conway’s old pal, knows about the PTSD.
Marc finds out what’s up when Conway loses his cool on a small jet, demanding that pilots let him fly (“I’m going to be the president and you’re going to flip me those motherf****ing controls!”) This rant is caught on tape, then later leaked to the Underwoods. The tall telegenic family man is a damaged individual (after serving in Afghanistan after 9/11).
At the peak of Frank’s unpopularity, it seems that Eric [who role plays Confederate soldier Augustus Underwood- Frank’s grandfather] is just about the only person left who truly believes that the man could make a great president… -BustleEric never openly states why he thinks Frank could be a good president; I think it’s his youthful naiveté. Eric and Frank get closer over his visits; he starts working as a personal trainer (his day job). Over talking about the world and laughing about how Eric actually made up Augustus’ backstory, the two become fast friends (something rare/unexpected for Frank). Things eventually get VERY intimate (which I expected) and also a BIT scary (nope, did NOT see that). Secretary of State Catherine Durant (Jayne Atkinson) decides to testify to the senatorial investigation into the President’s misdeeds. She goes to the White House and delivers the news to her frenemy Frank (VERY bad idea). “You need to take a fall,” he says, before pushing Cathy down a flight of steps. She’s alive, but won’t be testifying any time soon. Poor Cathy- she was one of the FEW good characters on this series!
Something terrible always happens when I go to a party.-Jane tells Claire
…I’m more interested now, going forward, with how this murder [Tom Yates’] will wind up compromising Claire since Mark Usher knows about it and – perhaps Jane Davis too! The two people Claire’s now relying on to steer her forward have a big advantage over her, and she doesn’t fully trust them. -Mark Fowler (IGN)
Some of you on Twitter thought that Miss Davis was NOT a believable character. Is she a war profiteer? She has created this unassuming personality, BUT under it all, is a force to be reckoned w/, no doubt.
Claire turns more to Jane over time, shutting out LeeAnn (Neve Campbell), who is worried re: her old friend Aiden Macallan (Damian Young). It took me a BIT of time to figure out what was going on w/ Mac! I felt bad for the guy, even though he was NOT the most exciting character.
Stamper has never made peace with killing Rachel Posner – shouldering the responsibility for Barnes’ death is his penitence. –The Telegraph
Lisa (Rachel Posner’s girlfriend) turned to drugs, and also became a threat, BUT Doug (Michael Kelly) decided NOT to kill her. The story of Anthony Moretti being bumped off the organ donor list, then dying to save Frank, is found out by Sean, Seth, and Claire. Back in S2, then VP Underwood murdered Washington Herald reporter, Zoe Barnes, by shoving her in front of a metro train. Over dinner, Claire and Frank share their plan w/ the ever-loyal Doug: “We need you to implicate yourself in the death of Zoe Barnes.”
Tom, don’t cheat on my wife. –Frank tells Yates (after seeing photos of him w/ a White House tour guide)
Yates’ death cannot be considered a surprise. He had persisted in writing thinly-disguised accounts of the Underwood’s double-dealings and, as his ill-considered interview with a journalist early in the season confirmed, had a big mouth to boot. Applying patented Underwood logic, he had to go. -The Telegraph
Now, I was NO fan of Tom Yates (Paul Sparks), BUT I was troubled by his death. Claire poisoned him; like Lady Macbeth, there is “blood” on her hands now. Did she ever love Tom? We see that Tom became possessive over time, which she was turned off by (duh).
Hauled before young/upstart Arizona Congressman Romero (James Martinez) and his House Intelligence Committee, Underwood snaps and says he is resigning- WHOA!
In real American politics, the Congressional Progressive Caucus is composed of 75 representatives, led by co-chairs Rep. Raúl Grijalva (a Democrat from Arizona) and Rep. Mark Pocan (a Democrat from Wisconsin). There’s a good chance Alex could be loosely based on either of the co-chairs of the caucus or any of the 75 representatives who are members, though the the House Of Cards showrunners have not indicated that there’s any real inspiration behind the character. -Bustle
What is this job?-Angela asks her boss
Not what it used to be. –Tom Hammerschmidt replies
Perhaps the biggest surprise in this is that Frank has himself become a leak to Tom Hammerschmidt as the Washington Herald, revealing insider secrets to add press interest on the crumbling administration and justify monitoring of the entire White House and its staff… –Screenrant
Frank will walk away from it all, so that Claire will step in as the new President, and pardon him for his crimes. Then, in the private sector, Underwood will become a source of power, working in tandem with his wife, to “own this house.” It turns out that Claire will NOT be pardoning him too soon!
If she doesn’t pardon me, I’ll kill her. -Frank states in his last monologue
But while he’s thought of every possibility, like the constitutional loopholes he took advantage of to get here, there’s one eventuality not accounted for; while Frank is functioning on a higher sociopathic level than seemingly anyone else in Washington D.C. and able to connive his resignation and transition of power, he doesn’t consider his wife’s fury. –Screenrant
Claire also breaks the fourth wall (NOT a total surprise, as it had been hinted at before). I think MANY of you enjoyed those moments. Did you notice how Claire’s outfits became more conservative, buttoned, and (somewhat) militaristic as the season went on?
 Great art transcends time, but The Night of the Hunter has not lost an iota of relevance (or quality).
 Whoa. Lighting, framing, performances, all so unsettling…
 Robert Mitchum is fantastic, but Lilian Gish steals it for me.
#TCMParty (from recent live-tweeting session)
A good tree cannot bring forth evil fruit. Neither can a corrupt tree bring forth good fruit. Wherefore by their fruits, ye shall know them.-Rachel Cooper (in the prologue to the film)
I saw this VERY effective (and a BIT scary, even for adults) film for the first time recently on TCM. It was directed by actor Charles Laughton, who hit it out of the ballpark on his first (and only) try. It was a box office failure, perhaps b/c it seems way ahead of its time (as several critics/viewers have written).
Spike Lee paid homage to this film, which is one of his faves, in Do The Right Thing; Radio Raheem wears love-hate on his knuckles.
 Mitchum is tremendous in the title role, his role is larger than life and was also slightly playing with fire in it’s portrayal as a reverend as corrupt or evil. Chapin is really wonderful as young John and has a much better character than some of the others in the cast. Winters is good in her performance.
Lillian Gish is another luminous presence in the film because she projects no-nonsense kindness and sweetness toward the children she takes into her home.
-Excerpt from IMDB review
Later on in life, Mitchum said that Laughton was his favorite director and this was his favorite role. Laughton originally offered the role of Harry Powell to Gary Cooper, who turned it down as being possibly detrimental to his career.
In this parable of good and evil, Harry Powell is the ultimate boogeyman – a relentless, nightmarish force who preys on children and it is even suggested by John that he doesn’t even sleep. …he often casts imposing shadows and is sometimes seen as a lone figure in the fog, almost a mythical force of terror.
-Excerpt from blog post (Plain, Simple Tom Reviews)
It’s the time of the Great Depression somewhere in the Midwestern U.S. In the process of robbing a bank of $10,000, Ben Harper (Peter Graves) kills two people. Before he is captured, he is able to convince his son, John, and very young daughter, Pearl, not to tell anyone, including their mother, Willa (Shelley Winters), where he hid the money (inside Pearl’s cloth doll). Ben is captured, tried and convicted. Before he is executed, Ben is put in the state penitentiary with a cellmate, Harry Powell (Robert Mitchum), who calls himself a preacher (and dresses as such). However, he is really a con man and murderer, swindling rich/lonely widows before he killing them. Harry does whatever he can to find out the location of the $10,000 from Ben, but is unsuccessful. After Ben’s execution, Harry decides that Willa will be his next mark, figuring that someone in the family knows where the money is hidden. Despite vowing not to remarry, Willa ends up being easy prey for Harry’s outward charms. Her gullible older friends/neighbors (The Spoons) help convince her that a husband is a MUST to help raise kids.