She’s Gotta Have It (2017)

WARNING: This review contains SPOILERS for the Netflix comedy series. 

[1] The soundtrack to this series is amazing! Spike really did his thing with the song selection. Second, the shots and cinematography were great. Spike and his crew really make Brooklyn come alive in this series. 

[2] Nola is getting a steep discount from her godmother to stay in the gentrified neighborhood she grew up in, and she still doesn’t manage to get the rent on time. They constantly talk about her hustle, yet she really isn’t ever truly desperate or truly hustling.

Gentrification is a legitimate issue, and I see the commentary Spike was going for, but it fell quite short. 

[3] The characters remain mostly undeveloped and the story, while it has its high points, is largely pointless and unresolved. 

[4] The infamous American director and producer always stood strong by telling the stories of minorities in all his films. Nola Darling doesn’t like labels and she doesn’t like to be owned…

-Excerpts from IMDB reviews

Do you remember the black and white 1986 film of the same title directed by 29 y.o. unknown Spike Lee? I saw it about 10 yrs ago, and wasn’t that impressed; lead actress (Tracy Camilla Johns) looked rather uncomfortable in front of the camera. Lee (who also played Mars Blackmon- to save money on actors) was memorable; he had the catchy phrase: “Please baby, baby, baby, please!” Lee refers to Mars as “the original sneakerhead” (someone who collects, trades, or admires sneakers as a hobby). Critics complained that the film was too much from a man’s POV (which Lee admitted; he was inspired by male friends who dated several women at the same time).

As a more mature man, as well as a husband and father, Lee re-imagined the story of Brooklyn artist Nola Darling (the gorgeous DeWanda Wise, recently seen on Shots Fired and Underground). Lee is aided by a cadre of strong, successful African-American women: his wife Tonya (a producer), his sister Joie (who plays Nola’s supportive mom), Pulitzer Prize winner Lynn Nottage, as well as other female writers and directors. Wow, this is an impressive group! And I MUST note how well Joie Lee is aging, too. 

The three men in Nola’s life (NOT to be referred to as “boyfriends!”) are played by some fine (and fine looking- LOL) up-and-coming actors, most notably Anthony Ramos (Mars), who was in the original cast of Broadway’s Hamilton. Ramos (who is of Puerto Rican heritage) brings an innocence, sense of fun, and lightheartedness to his part of the story.  Though he still lives w/ his older sis in the projects, Mars has a job fixing bikes at a hipster coffee/bike place. I was also impressed by Lyriq Bent (who plays the slightly older/wealthy/married father- Jamie Overstreet); this actor hails from Canada and is very believable in the heavier/emotional scenes. Without Jamie’s (financial) support, Nola wouldn’t be able to support herself as well as she does. We also get a sense that Jamie is the one that will fall for Nola in the end; he’s in a (now loveless) marriage, but a good role model for his preteen son.  Rounding out the main male leads is Cleo Anthony (biracial, French-speaking, model/photographer Greer Childs). This seems like the man that gets Nola’s lifestyle the best; he is focused more on his career and playing the field, not finding a serious relationship (unlike Mars and Jamie). But wait, there aren’t ONLY men involved w/ Nola!

Opal Gilstrap (Ilfenesh Hadera) plays a slightly older woman, who is also an entrepreneur (running a nursery) and single mom (by choice). Nola (who is in her late 20s) looks up to Opal, feels close to her emotionally, and is very attracted to her as a person. As their relationship goes on, we see how Opal has her life together; Nola is a BIT of a mess in many regards. They make a great couple, though ONLY for a short time. The other women in Nola’s life are her close friends: artists’ rep/yuppie Clorinda Bradford (Margot Bingham), cocktail waitress/single mom Shemekka Epps (Chyna Lane). and the redheaded/Afrocentric white woman Rachel (Elise Hudson).

Nola decides to go to therapy w/ Dr. Jamison (Tony winner Heather Headley); this is someone who can be objective re: Nola’s (complicated) life. Not ONLY does Nola juggle lovers, she has several jobs (incl. a dog-walker and part-time art teacher at a junior high school). I esp. liked the scenes w/ the school kids and their no-nonsense/loving principal, Raqueletta Moss (De’Adre Aziza); I used to sub in NYC area. She has to hustle (though some viewers felt NOT too much) b/c she doesn’t want to end up like her high school friend/war vet, Papo (Elvis Nolasco). This man also grew up in Fort Greene, had a LOT of potential, and fought in the Middle East for Uncle Sam. Papo was never the same after he came back; he still creates art, BUT out of trash (which annoys Nola’s gentrifying/new white neighbors). The long-time residents of the block call him “The Mayor” of the neighborhood (this is a call-back to the iconic Ossie Davis’ role in Do The Right Thing).  Nola’s understanding landlady/godmother is played by Pauletta Washington (wife of Denzel); I can’t believe that it took me a few mins to figure that out! 

There are MANY things to admire, such as the color (the hairstyles, costumes, and accessories are really cool), diversity (of black individuals and their experiences), and the tacking of MANY timely issues (hmmm, maybe too much?) Yet, there are also disjointed things, such as the use of hashtags for ep titles (after all, Nola is NOT much of a social media user or internet dater, unlike MANY millennials). This is NOT a show for everyone, BUT I’d recommend it for Spike Lee fans.

Advertisements

The Problem with Apu (2017) starring Hari Kondabolu

Last WED night, Hari Kondabolu was in DC (Baird Auditorium at The Smithsonian Natural History Museum) to discuss his first documentary film w/ NPR reporter Elizabeth Blair and a diverse audience (which included MANY South Asian immigrants and 1st gen adults in their 20s-40s). This was a free event; I signed up 2 weeks ahead of time (and got a kick out of seeing /chatting w/ MANY familiar faces attending). This film is NOT only funny, it’s smart and thought-provoking (delving into issue of South Asian representation in the media). You can watch this film on truTV  tonight (SUN, 11/19). 

So, what’s the big deal re: Apu here? Well, he’s a stereotype of an immigrant Indian man who runs a convenience store, and voiced by a white actor (Hank Azaria, who refused to appear in the film). The Simpsons is a nearly 30 y.o show on the FOX network which is watched/loved by millions. As Maryland-raised actor/musician Utkarsh Ambudkar (Pitch Perfect; The Mindy Project) summed it up: “The problem is- we didn’t have any other type of representation.” Hari interviewed MANY people incl: his parents, Aziz Ansari (Master of None), Kal Penn (Designated Survivor), Hasan Minhaj (Homecoming King), Aasif Mandvi (best known from The Daily Show), Maulik Pancholy (Star Trek: Discovery),  Aparna Nancherla (stand-up comic/actor/writer from Virginia), Sakina Jaffrey (House of Cards), Noureen DeWulf (Anger Management), Dr. Vivek Murthy (former Surgeon General under Pres. Obama), W. Kamau Bell (Hari’s friend/collaborator on various projects), Dana Gould (a producer of The Simpsons) and Hollywood trail-brazer Whoopi Goldberg (who speaks on America’s minstrel era, featuring “blackface”).

The audience was laughing all through the film. They were pleasantly surprised to see Whoopi and Dr. Murthy (a trailblazer in his own right). I esp. enjoyed the Q&A afterwards; Hari mentioned his idea for a future doc- focusing on Bengali filmmaker Satyjit Ray. 

Watch the trailer for The Problem with Apu below:

 

 

 

Mudbound (2017) starring Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, & Mary J. Blige

NOTE: This review contains MILD spoilers for the film (which opens in theaters on NOV 17th).

I was lucky enough to attend a pre-screening of this film (produced by Netflix Studios) at Landmark E St in DC last week. I ran into two friends/movie fans there; we ALL liked it (though it contains some dark, gritty, and violent moments). It will stay in your mind for some time, no doubt. The director is Dee Rees, an openly gay African-American woman, who made the critical indie coming-of-age drama, Pariah. (I read about this film, BUT haven’t seen yet.) At Sundance, Mudbound received a standing ovation. 

The story is one part fiction (based on a novel w/ a white female protagonist) and one part fact (based on real events in the life of a black family). In the hands of another screenwriter, two different films would’ve been made from this material- one focusing on genteel/educated Tennessee spinster turned wife/mother, Laura McAllan (British actress Carey Mulligan) and her straight-talking/stubborn husband, Henry (Jason Clarke, an Aussie); the other on the African-American family farming part of the McAllan’s ancestral land in Mississippi, headed by Hap Jackson (Rob Morgan) and his wife, Florence, Mary J. Blige (the R&B singer). What ties these two threads together is the unlikely (and potentially dangerous) friendship between Laura’s charming/handsome brother-in-law, Jamie (Garrett Hedlund, giving a strong/layered performance), and the Jackson’s eldest son, Ronsel (Jason Mitchell, a fresh/compelling young actor recently in Straight Outta Compton).

Both Jamie and Ronsel, though of different ages and races, are WWII vets suffering through symptoms of PTSD after returning home to rural America. Jamie takes to drinking and wasting time, which greatly disappoints Henry, the responsible older brother and family man. Laura has strong feelings for Jamie, though she has long repressed them. Unlike his father, Ronsel can’t quietly acquiesce to the white people in town (whether it be Henry, his blatantly racist father- Pappy, shop owners, or even the sheriff). Hap and Florence worry about their son, who quietly seethes upon realizing the (very limited) role he will have as an adult black man in the segregated South. 

Watch the trailer for the film here: