Show Boat (1951) starring Kathryn Grayson, Ava Gardner, & Howard Keel

The Cotton Blossom, owned by the Hawks family, is a show boat known for musical entertainment traveling down the Mississippi River. Julie LaVerne (Ava Gardner) and her husband, Steve (Robert Sterling), are the leading actors of the show. After a jealous boat hand calls the local police on Julie (who’s father was white and mother black), they’re forced to leave; interracial marriages were forbidden (in the 1890s). Magnolia (Kathryn Grayson), Captain Andy’s (Joe E. Brown) pretty young daughter, becomes the new attraction; she has a great smile, a good voice, and learned much by watching Julie. Her leading man is Gaylord Ravenal (Howard Keel), a charming/handsome gambler, who is impressed w/ her at first sight. The two fall quickly in love and marry, w/o the approval of her mother, Parthy (Agnes Moorhead).

Nolie soon faces reality; gambling means more to her husband than anything. She confronts him after he gambles away their fortune; he leaves in the middle of the night. Nolie runs into two old friends, Ellie May and Frank (Marge and Gower Champion), who sang and danced on the show boat. They’re going to perform at a nightclub; Nolie tags along. None of them know that Julie is working at the same club; she is backstage and recognizes the song Nolie sings. Julie leaves the club abruptly, angering the manager and owner, b/c she hears that Nolie needs a job.

A few yeard later, Julie meets Gaylord on a gambling boat, and realizes that he’s Nolie’s runaway husband. Julie gives him a piece of her mind, and shows him an ad w/ the captain, Nolie, and his little daughter. Gaylord swears that he never knew he had a child. Julie begs him, if he ever sees her old friend, to never tell how low she has sunk. Gaylord decides to go to Natchez (where the show boat is docked) and seek forgiveness from his family.

I’ve seen this colorful MGM musical (written by Jerome Kern and Oscar Hammerstein II) maybe 3 times. I recall loving the songs (and having the CD); my favorite songs are “Ol’ Man River” and “Life Upon the Wicked Stage.” Looking at it today (on TCM), there are some pretty good performances (esp. from Gardner). The role of Julie (who passes as white) is tragic, though she is beautiful, talented, and loyal (esp. to Steve, who eventually leaves her). She turns to alcohol and her singing suffers. At the end, Julie is left w/ nothing, b/c this society has no place for her.

[1] Ava is, as always, ridiculously and insanely gorgeous. In fact, I would have liked to have seen more of her than I did. It’s a stretch for a white woman to play a bi-racial woman, but she did it with what seemed like such ease. She accompanies so much with a look (which is evident as she watches Gay and Nolie sail off together with Kim — you all know what I’m talking about). 

[2] Now for Marge & Gower Champion: who couldn’t love them? Gower is this sort of… fluid-like creature with a stature and grace like Fred Astaire, but instead of Astaire’s “lanky movements” that defined his style, he somehow executes the more athletic, brisk movements that defined Gene Kelly’s style. And Marge has to be just about the cutest little person I have ever seen (great facial expressions!) and one of the most talented dancers… I’ve ever seen grace a screen. “I Could Fall Back on You” and “Life Upon the Wicked Stage” are two of the most outstanding moments in the movie. You’ll love them.

[3] Musically of course, the film is a masterpiece and though my favourite tune is “Make Believe”, I was extremely impressed by the version of Ol Man River sung by the actor William Warfield who must have had one of the most brilliant voices I have ever hear! I confess to never having heard of this gentleman prior to seeing the film and had imagined the singer to be Paul Robeson. 

-Excerpts from IMDB reviews

Some Trivia Behind the Film

  • The original production of Showboat opened in the Ziegfeld Theater on December 27, 1927 and ran for 572 performances.
  • Even though the character of “Magnolia” is supposed to look up to “Julie” in an older-sister type of relationship, in reality, Kathryn Grayson and Ava Gardner were born in the same year.
  • The Breen Censorship Office tried to raise an objection against the use of the “miscegenation sequence,” but they were unable to do so because the 1936 film had already used it (setting a precedent).
  • Lena Horne mentions in her biography that she wanted to do the role of Julie badly, but only got as far as performing a single number in the “Clouds” film in the opening “Show Boat” vignette. America was still a segregated nation in 1950; interracial romance was taboo onscreen.
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A Star is Born (1937) starring Janet Gaynor & Fredric March

In rural North Dakota, a petite redheaded young woman, Esther Blodgett (Janet Gaynor), goes often to the movies; she also wants to be in them. When she admits this to her family, her little brother laughs, her father is confused, and her aunt considers it foolish (saying Esther needs a husband). Her 70-something grandmother, Lettie (May Robson), is the only one supports her, even giving Esther her own life savings. 
Esther, everyone in this world who has ever dreamed about better things has been laughed at, don’t you know that? But there’s a difference between dreaming and doing. The dreamers just sit around and moon about how wonderful it would be if only things were different. And the years roll on and by and by they grow and they forget everything, even about their dreams. -Grandmother (Lettie) explains to Esther
After a month, Esther still has no job, but makes a new pal who also lives in her hotel- Danny (Andy Devine)- an aspiring director. In a few more months, Danny gets an assistant director job. One night, he recommends Esther for a waitress gig at the home of a studio head, Oliver Niles (Adolphe Menjou). Norman Maine (Fredric March), a handsome/successful/middle-aged actor, can’t take his eyes off her; this is the same man she watched growing up! 
Do you mind if I take just one more look? -Norman asks Esther (after dropping her off after the studio party)
With some prodding from Norman, Oliver prepares a contract for Esther (AKA Vicki Lester). It turns out that her artless personality and girl-next-door looks appeal to audiences. After they marry, the couple go on a honeymoon out West, and Norman even gives up alcohol. And the rest is what dreams are made of, right? Well, it’s not that easy… and Esther discovers the reality behind the glamour quick enough.
His work is beginning to interfere with his drinking. -A reporter comments re: Norman
Norman’s previous heavy drinking, as well as late-night practical jokes, have put off many directors. Though he brought the studio success for many years, Oliver explains that it’s no longer profitable to keep on Norman. The actor says he understands, yet finds it increasingly difficult (on his ego) to be a house husband. Alas, Esther’s love is not enough for Norman! 
[1] March displays just the right degree of brashness, of knowingness, and a combination of ego and a real actor’s almost complete lack of ego. It’s a miraculous piece of work. The script for this version was partly written by Dorothy Parker and Alan Campbell and it shows. It’s an acerbic and, at times, savage movie about the movies, quite cynical for a major studio picture of it’s day.
[2] March… strikes just the right balance between Norman’s vulnerability and his pomposity. You never doubt that he loves Esther.  
[3] I guess Hollywood knows itself better than anyone else and films about the industry can be scathing. The star is a creature with a fragile ego, one moment a whim can move mountains, a slip in public affections and no one wants to know you. March as Maine has been slipping for some time and he catches on, way too late. But as March is going down, Gaynor is on the up escalator and they meet mid point and fall in love. How they deal with their joint careers or lack thereof in one case is what A Star is Born is all about. 
[4] This movie has been done three times: this one in 1937, then in 1954 and finally 1976. Of course, this story – rags to riches in the acting business – was done first by others – principally Katharine Hepburn in Morning Glory (1933) and, oddly enough, again in Stage Door (1937), and again with Hepburn ably assisted by a host of well-known Hollywood actors… The difference with Star, of course, is it’s maybe the first movie to dig into Hollywood screen acting and make an attempt to lay it bare.
-Excerpts from IMDB reviews
Some Trivia Behind the Film
  • The first all-color film nominated for an Academy Award for Best Picture.
  • The movie got its story-line from What Price Hollywood? (1932).
  • It has been speculated that the story was inspired by the real-life marriage of Barbara Stanwyck and her first husband, Frank Fay.
  • The character of Norman Maine was based on several real actors, including John Barrymore, who was considered for the role.
  • During Esther’s screen test, she is dressed in an antebellum costume and surrounded by other actors in Civil War uniforms. This is an in-joke reference to the fact that the producer of A Star is Born, David O. Selznick, had recently bought the rights to adapt Margaret Mitchell’s novel Gone With the Wind and was undergoing a highly publicized national search for an actress to play the lead role, Scarlett O’Hara. 

What To Watch Next (OCT 2018)?

Colette (now playing in limited release) starring Keira Knightley, Dominic West, & Eleanor Tomlinson

After marrying a successful Parisian writer known commonly as “Willy” (West), Sidonie-Gabrielle Colette (Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette’s fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression. -Summary from Bleecker Street 

First Man (opening OCT 12th) starring Ryan Gosling, Claire Foy, Kyle Chandler, Corey Stoll, Jason Clarke, Pablo Schreiber & Ciaran Hinds

This is a biopic of astronaut Neil Armstrong (Gosling), a Midwestern family man and former pilot, and the legendary space mission that led him to become the first man to walk on the moon. Though it’s directed by La La Land’s Damien Chazelle, there are NO songs or dances (no worries- LOL)! Critics are suggesting that you watch this in IMAX (if possible). 

Museo (now playing) starring Gael Garcia Bernal

Two 30-something slacker pals (living w/ parents in Mexico City) decide to pull an art heist. This is based on a true story- WOW! This film has been getting good buzz, and I’m a big fan of GGB.

The Hate U Give (opening OCT 19th) starring Amandla Stenberg, Common, Regina Hall, Issa Rae & Russell Hornsby

This looks to be an unique twist on the coming-of-age story (already being praised highly by critics). It was based on best-selling novel by a young black woman, Angie Thomas. A working-class black teen girl from the inner-city, Starr (attending a mostly white private school), experiences the awakening of her racial consciousness after witnessing the killing of her childhood best friend, a black boy, by a police officer.

Venom (opening OCT 5th) starring Tom Hardy, Michelle Williams, Riz Ahmed, Woody Harrelson, & Jenny Slate

I learned that Venom was in Spider-Man 3, though this movie is considered to be outside the Marvel universe. Mild-mannered investigative reporter, Eddie Brock (Hardy), uncovers a secret government experiment and eventually merges w/ a symbiote called Venom. I’m curious to see it mainly for Riz Ahmed (who plays villainous scientist Carlton Drake).