In rural North Dakota, a petite redheaded young woman, Esther Blodgett (Janet Gaynor), goes often to the movies; she also wants to be in them. When she admits this to her family, her little brother laughs, her father is confused, and her aunt considers it foolish (saying Esther needs a husband). Her 70-something grandmother, Lettie (May Robson), is the only one supports her, even giving Esther her own life savings.
Esther, everyone in this world who has ever dreamed about better things has been laughed at, don’t you know that? But there’s a difference between dreaming and doing. The dreamers just sit around and moon about how wonderful it would be if only things were different. And the years roll on and by and by they grow and they forget everything, even about their dreams. -Grandmother (Lettie) explains to Esther
After a month, Esther still has no job, but makes a new pal who also lives in her hotel- Danny (Andy Devine)- an aspiring director. In a few more months, Danny gets an assistant director job. One night, he recommends Esther for a waitress gig at the home of a studio head, Oliver Niles (Adolphe Menjou). Norman Maine (Fredric March), a handsome/successful/middle-aged actor, can’t take his eyes off her; this is the same man she watched growing up!
Do you mind if I take just one more look? -Norman asks Esther (after dropping her off after the studio party)
With some prodding from Norman, Oliver prepares a contract for Esther (AKA Vicki Lester). It turns out that her artless personality and girl-next-door looks appeal to audiences. After they marry, the couple go on a honeymoon out West, and Norman even gives up alcohol. And the rest is what dreams are made of, right? Well, it’s not that easy… and Esther discovers the reality behind the glamour quick enough.
His work is beginning to interfere with his drinking. -A reporter comments re: Norman
Norman’s previous heavy drinking, as well as late-night practical jokes, have put off many directors. Though he brought the studio success for many years, Oliver explains that it’s no longer profitable to keep on Norman. The actor says he understands, yet finds it increasingly difficult (on his ego) to be a house husband. Alas, Esther’s love is not enough for Norman!
 March displays just the right degree of brashness, of knowingness, and a combination of ego and a real actor’s almost complete lack of ego. It’s a miraculous piece of work. The script for this version was partly written by Dorothy Parker and Alan Campbell and it shows. It’s an acerbic and, at times, savage movie about the movies, quite cynical for a major studio picture of it’s day.
 March… strikes just the right balance between Norman’s vulnerability and his pomposity. You never doubt that he loves Esther.
 I guess Hollywood knows itself better than anyone else and films about the industry can be scathing. The star is a creature with a fragile ego, one moment a whim can move mountains, a slip in public affections and no one wants to know you. March as Maine has been slipping for some time and he catches on, way too late. But as March is going down, Gaynor is on the up escalator and they meet mid point and fall in love. How they deal with their joint careers or lack thereof in one case is what A Star is Born is all about.
 This movie has been done three times: this one in 1937, then in 1954 and finally 1976. Of course, this story – rags to riches in the acting business – was done first by others – principally Katharine Hepburn in Morning Glory (1933) and, oddly enough, again in Stage Door (1937), and again with Hepburn ably assisted by a host of well-known Hollywood actors… The difference with Star, of course, is it’s maybe the first movie to dig into Hollywood screen acting and make an attempt to lay it bare.
-Excerpts from IMDB reviews
Some Trivia Behind the Film
- The first all-color film nominated for an Academy Award for Best Picture.
- The movie got its story-line from What Price Hollywood? (1932).
It has been speculated that the story was inspired by the real-life marriage of Barbara Stanwyck and her first husband, Frank Fay.
The character of Norman Maine was based on several real actors, including John Barrymore, who was considered for the role.
- During Esther’s screen test, she is dressed in an antebellum costume and surrounded by other actors in Civil War uniforms. This is an in-joke reference to the fact that the producer of A Star is Born, David O. Selznick, had recently bought the rights to adapt Margaret Mitchell’s novel Gone With the Wind and was undergoing a highly publicized national search for an actress to play the lead role, Scarlett O’Hara.