Spoiler-Free Review: “Sinners” (2025)

I think it’s his greatest acting challenge yet. I say that having been there to see him level up each time. Fruitvale (Station) was his first time in a movie. -Ryan Coogler re: Michael B. Jordan

I got a free pass to a pre-screening of Sinners at my (local/Regal IMAX) theater in April 2025. The theater was packed; it reminded me of the excitement during the “Barbenheimer” era! As I guessed, this was a must-see/mulit-layered movie. Check it out soon (Netflix)!

The writer/director, Ryan Coogler, said that his biggest influences were  Salem’s Lot (1979), From Dusk Till Dawn (1996) and The Faculty (1998). Another inspo was an ep of Rod Serling’s The Twilight Zone (1959). The Last Rites of Jeff Myrtlebank (in S3) centers on a young man from a small Midwestern town who returns to life at his own funeral. This shocks his loved ones and pastor. Despite their trepidation, the townspeople call it a miracle, until rumors swirl re: minor (yet noticeable) shifts in Jeff’s behavior.

The newcomer (breakout star) of the film, Miles Caton (Sammie), learned to play the resonator blues guitar to prep for his role. He recently turned 21, started out as singer, yet is a natural at acting. Just a breath of fresh air (in this time of nepo babies)! Jack O’Connell (Remmick) sings and dances; he is Irish and always wanted to jig in a movie. The large scoring orchestra has a number of talented musicians.

He was just in the dark–like he didn’t turn his lights on. Something about that was, like, so intriguing. This kid looked like he was in his basement, like in between homework assignments. But he had this voice–a once-in-a-lifetime voice. -Ryan Coogler on Miles Caton

Documentary filmmaker, Dolly Li, noted that Coogler’s father-in-law had Chinese Delta ancestors, like the Chows: Grace (Li Jun Li- recently seen in Babylon) and Bo (Yao- a Chinese-Singaporean actor). Sinners was set in Clarksdale during the Jim Crow era (the height of Chinese grocery stores’ popularity in the region). Li is listed in the end credits as a consultant.

[1] The acting across the board is full of nuance, expression, and authenticity.

[2] There’s a dark humour running beneath it all, and the music is incredible – bluesy, moody, full of soul. It’s a film that takes risks with tone and style, but it all comes together. Vicious, vibey, and unlike anything else in the genre.

[3] What separates (and elevates) this film from your standard supernatural horror flick is the fact that the director chose to spend more time in the first act developing our and exploring our characters.

-Excerpts from IMDb reviews

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