“Girls” (HBO): Season 2

Season 2 of the controversial (yet unique/fascinating) show returned in JAN 2013. Lena Dunham would direct 4 eps and write 7 eps in this season. The show may NOT have always had a huge audience, BUT it was written about by many journos, pop culture critics, and haters. Zosia Mamet recalled (at The Hollywood Reporter comedy actresses roundtable in 2014) that “in S1, we were shooting in Tompkins Square Park, and nobody knew who were were. Then we go back there for S2- paparazzi everywhere! It’s not just taking pictures- they’re trying to figure out what’s going to happen in the storyline.”

You feel like you are doing something that spurs a conversation, whether it’s for good or for bad. This is the first time that this has ever happened to me. It’s an amazing thing. -Adam Driver (2013 interview, Flaunt Magazine)

E1: It’s About Time

Hannah throws a housewarming party with brand-new roommate- Elijah, but it’s hard to move on when she’s still playing nurse to Adam. Marnie gets bad news at work and a visit from her mom; Shoshanna avoids Ray at the party; and sun-kissed Jessa returns from her honeymoon.

The story takes place several weeks after the S1 finale. Hannah is seeing a young Black man, Sandy (Donald Glover- before he became famous), who she seems V excited about. As some of you may know, Dunham received a LOT of criticism for her show being “too white.” Hannah is helping Adam out (his right leg is in a cast); she does errands for him, though he wants her around a LOT more. She tells him that their relationship is over; he doesn’t take it easily. We meet Marnie’s mom, Evie (Rita Wilson- wife of Tom Hanks), for the 1st time. She’s worried b/c now Marnie isn’t w/ a bf, was let go from her gallery assistant job, and her appearance isn’t up to par (“you look 30”)- yikes! Evie had to raise Marnie on her own after her ex-husband left the family; she works/lives in New Jersey (and looks to be doing well).

E2: I Get Ideas

Hannah gets unsolicited musical attention from heartbroken Adam and displeasing opinions on her writing from Sandy. Elijah questions his sexuality; Marnie makes a career compromise when her curatorial dreams are crushed; Jessa revels in married life; Shoshanna and Ray make magic; and Elijah and Marnie harbor a secret.

This ep opens w/ Hannah and Elijah listening to songs by Adam; he is shirtless (of course) and playing a guitar. They BOTH look concerned as they hear this music, wondering IF Adam really is a “sociopath.” On my recent rewatch, I had to LOL at such a funny (yet awkward) situation. Sandy breaks up w/ Hannah after she makes some “ignorant” comments re: race; Dunham said that Glover contributed lines in this scene. Hannah spends some time w/ Jessa; they catch-up and play w/ puppies in the park. When she goes to a gallery for an interview, Marnie gets shot down by the owner, Patricia (Laurie Simmons- Dunham’s mother/a painter). Dunham joked that her mom “changed all her lines” and also “chose her own costumes.” Marnie (seeing no better option) takes a job as a hostess at a men’s club; she has to wear a skimpy uniform. She and Elijah are BOTH feeling down and lonely, so they decide to hook-up (super awkward)! Late at night, Adam comes into Hannah’s apt (he has a key for emergencies). She’s (obviously) surprised and tells him to leave; Adam refuses and she gets scared!

That scene was so fun to film b/c it was a sort of a real Adam Driver tour-de-force, going from terrifying to sweet, to about to cry, to raging out. I mean, the amount of emotional territory he covers in that scene is- to me- mind-boggling. -Dunham re: the pivotal scene (that ends w/ Hannah calling the cops on Adam)

E3: Bad Friend

Hannah gets a new freelance gig, and her editor suggests that she should try cocaine for the first time to write about her experience. In the process, she gets to know her downstairs neighbor, Laird. Meanwhile, Marnie meets her old artist flame, Booth Jonathan, who takes her home to show her his studio.

Hannah starts writing for a hip/young blog that wants content that pushes the boundaries. IF you were shocked by Hannah’s revealing clothes before- this ep MAY be too much. In the party scenes (filmed at Greenhouse- a SoHo nightclub) she wears a yellow mesh tan top. Hannah and Elijah do lines of coke off a toilet lid (ewww)! Then Hannah and Marnie have a big fight re: which on of them is a worse friend; MANY viewers commented that they related to this scene. Hannah turns to Laird (who has a BIT of a crush on her); she’s hooking up w/ him for the experience (so she can write about it). Putting herself in danger is NOT new for Hannah; this ep makes us worry about her perhaps a BIT more than usual!

E4: It’s a Shame About Ray

Elijah moves out, and Hannah invites a group including Charlie, Audrey and Marnie to dinner. Jessa meets Thomas-John’s parents, which finally prompts a confrontation between husband and wife. Shoshanna discovers that Ray may be living with her.

Hannah: You can’t just be a girl in this city and expect to get your way!

Marnie: But we are girls in this city!

Hannah: Not the right kind of girls!

Marnie: Girls none the less!

This is one of the highest-rated eps of S2; a LOT of stuff happens. At a steak dinner w/ Thomas-John’s WASP parents (played by veteran theater actors- Griffin Dunne and Deborah Rush), Jessa ends up revealing some dark facts (incl. her previous addiction to heroin). She lashes out in anger when she feels judged by these (passive aggressive) people. Back at their high-rise condo, we see that Thomas-John is NOT amused; they get into an ugly argument!

Dunham’s (real-life) BFF plays Charlie’s petite/bohemian gf, Audrey (Audrey Gelman). Marnie is upset/jealous seeing how close her ex and his new lady have gotten (in such a short time). Audrey and Marnie get into a big fight! Shosh and Ray have been gotten V close for the past few eps; she says: “I’m starting to fall in love w/ you” (as they wait for the subway). Rannells (already a Broadway star) left the series at this point to front his own comedy series- The New Normal (2012). This was canceled after one season, so he returned in the second half of S3.

E5: One Man’s Trash

A man comes to the coffee shop to complain to Ray that someone is leaving trash in his trash cans. Hannah follows him to his brownstone to confess and ends up spending the rest of the day, and the next day, with him.

This is the (much talked about) ep focused on Hannah’s weekend hookup w/ a handsome/older doctor, Joshua (Patrick Wilson- who lives w/ his fam in Greenpoint IRL). It’s basically a mini-movie starring 2 characters; many viewers loved it and others hated it (calling it implausible). There is a sort of hazy (dream-like) quality to this ep; one of the regular directors (Richard Shepard) did an esp. fine job here. According to Dunham, the idea for the ep and a great deal of the text came to her during a fever dream. While some viewers thought that this was unreal, others pointed out that some men would take the chance of a carefree hookup w/ a younger/willing woman. What happened to Joshua? Wait and see…

The relationship between Hannah and Joshua is quick, but I quite enjoyed it because of Dunham’s writing and chemistry with Wilson. Near the end of this affair we learn more about Hannah emotionally, as she breaks down in front of Joshua, because he has such a good life at his age while she seems to be stuck at her young age. […] Writing was strong and focusing on only this relationship was great to watch a big move, showing this show truly is special. -Excerpt from IMDB review

When Hannah walks away from his home at the end, all I could think was how similar this episode was to Woody Allen’s style of writing. A realistic fairytale that you relate to in a way that you can’t quite put your finger on. -Excerpt from IMDB review

E6: Boys

Hannah is hired to write an e-book, but has trouble finding inspiration. Booth asks Marnie to host a party with him for a gallery opening. Ray goes to see Adam, and they end up traveling to Staten Island to return a stolen dog.

This is the first ep in the series to have a solo writing credit to a man (Murray Miller); he is a problematic creative behind the show (as I noted in my S1 review). It focuses on my 2 fave characters (Adam and Ray); they’re opposites in some respects, BUT walk to their own drummer. Ray goes to Adam’s apt. (Brooklyn Hts) to get his copy of Little Women (which Hannah had left behind). There is a big/angry dog in the bathroom- yikes! Adam explains that he stole the dog b/c he thought the owner wasn’t treating him well. Ray convinces Adam to return the dog (he has tags); they travel via ferry (which I never did when I was in NYC) to Staten Island. I enjoyed seeing the (quirky) chemistry between Adam and Ray; they get to know each other, then get on each other’s nerves.

Adam: She’s like a carnival game, you know? It all seems so simple, but you can’t get the ring on the bottle, because it’s f*****g rigged so you try and try and try until you drive yourself nuts. Then, finally, when you walk away you realize you didn’t even want the crappy prize to begin with. I realize that’s what Hannah is: a giant Tweety doll I would’ve been stuck carrying around the carnival all night.

After Booth fires his assistant, Soojin, he asks Marnie to help host a party for his friends. Marnie is V happy to do this, thinking it’s a big step in their relationship. It turns out that Booth doesn’t think of her as his gf (ouch)! Of course, Marnie is NOT alone- there are MANY women who have been treated in the same way.

E7: Video Games

Hannah accompanies Jessa on a visit upstate to see Jessa’s estranged father, his new-age wife and Frank, their virginal teenage son.

We learn more about Jessa’s (troubled- no shock there) family when she and Hannah travel to upstate NY. Jessa’s estranged father, Sal, is played by Aussie actor Ben Mendelsohn (who later made a big impression on the Netflix show- Bloodline and played a villain in Rogue One: A Star Wars Story). Jessa’s hippie stepmom, Petula, is played by a veteran Hollywood actress- Rosanna Arquette. Jessa felt physically/emotionally abandoned by her father; she tells him that she needed someone on her side when a teen (and going through a difficult time w/ her mom). Hannah is hurt and angry when Jessa leaves w/o her; she calls her parents from the train station to thank them for their support (aww). This was Kirke’s final appearance in S2 (as she was pregnant w/ her second baby). It was tough to feel empathy for Jessa until I saw this ep; her father is selfish and unreliable.

E8: It’s Back

I feel like in the second series, things start to get a little deeper into that, but he’s not someone who’s willing to share. I feel like he’s guarded on it and wouldn’t allow himself to explain himself. He always has this thing going on that he doesn’t need to explain himself at any point. -Driver on Sackler being a recovering alcoholic

Hannah tries to hide mounting anxiety about her book from her visiting parents. Meanwhile, Marnie is stunned by news that Charlie has started a successful app company; Adam gets set up on a date; and Ray’s misanthropy gives Shoshanna pause.

We learn a LOT more re: Hannah and Adam here! Hannah’s OCD resurfaces; she was affected w/ it back in HS. I learned (on the Good Friend podcast hosted by Jamie Lee Curtis) that Dunham also suffers from OCD. The ep opens w/ us seeing Hannah’s various OCD behaviors (so we glimpse into her mindset)! She is having writer’s block, though she has a deadline coming up soon. Also, her parents are coming to NYC to see singer Judy Collins (who plays herself).

After several eps, Adam is back- YAY! He shares his story at an Alcoholics Anonymous (AA) meeting; he starts talking re: quitting booze, then it turns to his breakup w/ Hannah. A petite/feisty lady named Cloris (veteran comedian Carol Kane) comments to him: “I was very impressed by your honesty.” She also asks Adam how tall he is (6′ 3″). Cloris gives Adam her daughter’s phone number, much to his chagrin. The phone call scene is cute and funny; Adam describes himself as “tall and kind of dashing.” At the dinner date, Adam and Natalia (Shiri Appleby) have fun and (obvious) chemistry.

The unexpected moment of the episode for me was Hannah having OCD which, when I think back on the show, seems to be a bit obvious how she has acted in life. It showed that the Dunham is taking risks to make the character of Hannah more interesting… -Excerpt from IMDB review

E9: On All Fours

[Sackler is] someone who follows his emotions and doesn’t pause and reflect. He’s always following an impulse and is aware of something that he’s lost – it jars with how unsettled he is. The more he tries to gain control, the more things get out of control. -Driver re: his character

The episode was so awkwardly comedic and dark in nearly everything the characters did which is what I really love about the show… -Excerpt from IMDB review

Pressure from Hannah’s aggressive publisher (John Cameron Mitchell) and a looming deadline further jeopardize Hannah’s mental state. Adam and his new girlfriend have their first misunderstanding. Marnie makes an awkward step in following her dreams.

Hannah is stressed out b/c of a deadline, so she sticks a Q-tip TOO deep into her ear (yikes)! FYI: The bemused ER doc who treats her is Ranjit Chowdhury (an Indian actor/ veteran of indies). Shosh tries to be caring gf to Ray, showering him w/ attention. Marnie decides to sing at a party at Charlie’s start-up; it’s V awkward. Adam and Natalia go to her friend’s engagement party at a bar; Angie is played by Dunham’s friend IRL- Amy Schumer. When he steps out for a moment, Adam sees Hannah walking home from the hospital (wearing just a long tee, no pants); they both look affected by their awkward conversation. This is perhaps the MOST controversial ep of the series, as it brings up the issue of consent (or perhaps more accurately- dubious consent). James Poniewozik, reviewer for TIME, called it “the most uncomfortable half hour of television of the year.” We see a dark side (pardon the Star Wars connection) of Sackler! Did you see this ep, and if so, what did you think?

E10 (Season 2 Finale): Together

In order to avoid being sued by her publisher, Hannah must write her book in a single day. Marnie misinterprets Charlie’s intentions; Ray makes a career move which he hopes will impress Shoshanna.

Adam: Is this f*****g Face Space or some s**t?

Many of Hannah’s friends and acquaintances are at a crossroads. Marnie and Charlie will find out if they’re on the same page (after several casual hookups together). Shosh isn’t sure if she can handle Ray’s negativity anymore; he sees this as critical thinking. Ray decides to be more ambitious; Hermie says he can manage the 2nd branch of Grumpy’s in Brooklyn Hts. Adam and Natalia are still together, BUT Adam is trying too hard to fit in w/ what she wants (can’t be himself). Hannah’s life is getting out of control; David threatens to sue, if she doesn’t produce her e-book (after getting an advance). Unable to reach Jessa, Hannah leaves a sad/angry voicemail. Finally, she gives Adam a call; he is breaking down some stuff (angrily) at his apt. Adam notices her OCD behavior and the (uneven) haircut she gave herself. He runs (shirtless- of course) to Hannah’s apt, kicks open the door (after she hides under the covers), and picks her up in his arms. When I saw this the first time, I thought it was quite a rom com type of ending. On my rewatch, I realized that maybe they aren’t good for each other (BUT need each other in this difficult moment).

Maybe not as good as last season’s finale, but still a great episode of TV’s best comedy. The season was less strong then the first season but still great, funny and even more dramatic as this women really faced real life problems. Dunham really showed this season she is a great actress, as well as everything she does for the show. All the women were strong… -Excerpt from IMDB review

“Girls”: Season 2 – Guys On “Girls”
Lena Dunham at Golden Globes (2013)
Dunham and cast at Golden Globes (2013) Q&A

“Girls” (HBO): Introduction & Season 1

Introduction

They’re definitely based on me, my circle of friends, and combined with the lives of my staff writers.

-Lena Dunham re: the characters

“Girls” premiered exactly 10 yrs ago today (April 15, 2012)! In the last 5 mos. of the pandemic, I’ve been watching the work of Adam Driver off/on; the actor (now 38 y.o.) was a regular cast member on this HBO show. Lena Dunham’s self-financed 2010 indie Tiny Furniture (2010) served as the template for the series, which also featured two of her close friends- Alex Karpovsky and Jemima Kirke. Judd Apatow (an experienced screenwriter/director/producer) emailed Dunham after becoming V impressed w/ her movie. He later stated that he “hoped the show would provide men w/ an insight into realistic females.” Apatow’s (Executive Producer) teen daughter (Maude) w/ wife (actress Leslie Mann) appears in S5.

Girls has sometimes been referred to as the “Millennial take on Sex and the City” (SATC). The stories are (mainly) set in/around Greenpoint, Brooklyn. The apts. of the main girls are NOT spacious or decorated w/ matching furnishings. Don’t expect to see many designer shoes (i.e. Manolos), clothes, or accessories here. The show subverts traditional rom com cliches, for the most part. The twists in the interpersonal connections are sometimes quite surprising. With time, romance becomes a key part of the show. In S5, the girls are caught up in their love lives, even if their choices are NOT working out. Music is integral to the show; Dunham wanted it to “complement the show w/o being a commentary.”

TV is usually the producer’s/writer’s medium; often showrunners write the eps. HBO teamed Dunham (then only 24 y.o.) w/ the more experienced- Jenni Konner- who became the co-showrunner. Konner directed 2 eps and wrote 17 eps; the two women became close friends and even started a production company (A Casual Romance). Dunham herself directed 19 eps. In 2017, Konner and Dunham put out a joint statement to The Hollywood Reporter, defending a staff writer (Murray Miller) against sexual assault allegations and claiming to have “insider knowledge” of his situation. Dunham later apologized for this statement and admitted that she and Konner had no “insider information” (so the claim had been a lie). Dunham issued a public apology to Aurora Perrineau (the alleged victim/daughter of actor Harold Perrineau); Konner has never issued a public apology.

The Women of “Girls”

I see some of you wondering: Am I supposed to like (or relate to) these upper middle-class/white girls? No, you don’t have to like a character for them to be interesting! They often act immature, narcissistic, and entitled. While the women on SATC (in their early 30s when that show began) were looking for husbands, dream jobs, etc, these characters don’t know what they want. Dunham plays Hannah Horvath, an aspiring writer who works as an editorial intern and lives in Greenpoint. Hannah was raised by parents who are academics in Michigan. Allison Williams (daughter of newsman Brian Williams) plays her roommate/best friend Marnie Michaels. She is tall/conventionally beautiful, wants to be an art curator, and has a serious boyfriend of several yrs. If you’ve seen SATC, you’ll no doubt find resemblance to Charlotte. Dunham explained that Hannah and Marnie’s V strong (yet complicated) friendship is based on her real-life experiences w/ her BFF- Audrey Gelman. Marnie was envisioned to have a different look than Williams, BUT she and Dunham got along from the first audition.

Jemima Kirke (who met Dunham in HS) plays Jessa Johansson; she’s British, bohemian, and beautiful. Jessa also attended Oberlin, but she left w/o graduating. Dunham had to convince Kirke (who had no intention to act) to take this role; she was a new mom and working as a painter. Jessa is the cousin of Shoshanna Shapiro (a senior at NYU); they live together as Jessa looks for a job. Dunham liked Zosia Mamet’s performance so much that kept her as a regular. She is typically “girly” (w/ a poster for SATC hung in her apt), loves fashion, and struggles w/ social anxiety. Many young/female viewers connected w/ Shosh. Zosia (fit/petite) is the daughter of filmmaker/playwright David Mamet and his ex-wife- actress Lindsay Crouse. “In a way, she is the most naive character, but in another way, she’s also the wisest,” Dunham explained.

The Men of Girls

I know people come up to Adam say “you’re a jerk” on the street all the time. I feel bad for him b/c he cannot hide. There is one person on the planet who looks like that… -Dunham

One of the first things I noticed on my (re-watch) was just how tall ALL the men were- LOL! Adam Sackler (Driver- who is 6’3″) is complicated, angry, weird, and seems to have little respect for Hannah (when we meet him in S1). He works w/ his hands (carpentry), wants to be an actor, and gets some money from his grandma. Dunham originally envisioned this character to be a handsome leading man type (w/ the looks of Taylor Kitsch from Friday Night Lights). Adam Sackler was based on one of her ex-bfs from her early 20s; Dunham thought he’d appear on a few eps in S1 as Hannah’s love interest. That all changed when she met 27 y.o. Driver at his audition; they instantly had great chemistry together (and were conversing like they’d known each other for years)! Driver (the first of the cast to gain fame) was flying back and forth between NYC and London between S3 and S4 to film Star Wars: The Force Awakens (2015).

Ray Ploshansky (Karpovsky- also 6’3″) is 33 y.o. (almost 10 yrs. older than the girls) and the manager of a coffee shop- Grumpy’s. He’s the “voice of reason” (as many critics have commented) in the show; he becomes interested in Shosh (who is just 21 y.o. and has a personality which intrigues him). Elijah Krantz (Andrew Rannells- 6’2″) is Hannah’s ex-bf who she reconnects w/ in S1 E3; they met in college and have a LOT of shared history. He also aspires to be an actor, BUT isn’t doing much about it. Rannells (33 y.o. when the show premiered, but looked much younger) had already appeared (along w/ Josh Gad) in the hit Broadway musical- The Book of Mormon. Dunham and Konner had loved him on stage and were V excited when he came to audition. More men will be appearing as prominent guest starts as the show goes on.

Season 1

Living the dream. One mistake at a time. -Tagline for the show

E1: Pilot

Hannah is a mix of natural intelligence and improbable stupidity. …an interesting mix of complete confidence and no self-worth. -Dunham

Hannah declares to her parents at dinner: “I could be the voice of my generation, or at least a voice of my generation.” They say the can’t financially support her anymore; her mom explains: “We can’t keep bankrolling your groovy lifestyle.” The more soft-hearted Tad (Peter Scolari, who passed away in 2020) and his stricter wife- Loreen (Becky Ann Baker)- will appear in 20 eps; these experienced actors really brought a LOT to the show. Hannah (3 yrs out of college; former English major) and Marnie wake up together in their humble apt. They discuss texting on the way to the subway; Marnie thinks is “the lowest form of communication.” Hannah is let go from being an intern; the small publishing company can’t afford to hire her F/T.

I’d say Adam is a friend w/ benefits, although the friendship part of that is not always clear. -Dunham

Hannah goes to see Adam at his apt; he was a Comp Lit major, but is trying to be an actor. He’s shirtless, wearing only jeans, and talking re: carpentry (“it’s more honest” than other work). They have a (awkward) hookup and we learn that Adam is the one who takes charge. (The partial nudity here is shot from the side.) Marnie looks bored in her relationship (of 4 yrs.) w/ Charlie (Christopher Abbott); the spark seems to have gone out (at least on her side). Later that night, Hannah’s friends are chatting and having a dinner party at her apt. Jessa arrived from her travels; she confides in Marnie that she’s pregnant. Hannah drinks a tea w/ opium pods, then goes to her parents’ hotel.

E2: Vagina Panic

When we’re together, he’s so there and so present. And then he disappears for 2 wks. and doesn’t answer any text messages, and I feel as though I invented him. -Hannah re: Adam

This ep opens w/ two scenes (shot in partly darkened rooms) which are NOT for (easily offended) viewers: Adam is saying “dirty talk” in bed (which Hannah doesn’t enjoy); Charlie is gentle/respectful (Marnie is turned off). Marnie had set up an appointment for Jessa to have an abortion at a clinic; Hannah (saying she has been w/ 2 1/2 men) wonders if she could have an STD. At her job interview, Hannah has great rapport w/ Brian (Mike Birbiglia) until she makes a V problematic joke; he is NOT amused. The girls have Froyo and talk re: men/relationships; Shosh pulls out a dating advice book (this reminded me of when Charlotte was reading The Rules early in S1 of SATC). The gynecologist who sees Hannah is played by Sakina Jaffrey (daughter of veteran actress Madhur Jaffrey- recently seen on And Just Like That). Jessa goes to a bar, hits on a young man, and learns that she’s NOT pregnant (anymore).

E3: All Adventurous Women Do

Hannah contracted HPV (which is quite common); it’s NOT from Adam (as she’d assumed). It turns out that Elijah (her bf during the last 2 yrs at college) gave that to her. Hannah meets him for a drink and learns that he’s gay- whoa! Marnie becomes interested in an up-and-coming artist, Booth Jonathan (Jorma Taccone), maybe b/c he’s SO different from that Charlie. (FYI: Taccone comes from an artistic family from California; he was once in a comedy trio w/ Andy Samberg.) Jessa starts work as a babysitter for the Lavoyts (who have 2 young daughters); the mom- Katherine (Kathryn Hahn)- is a fashion photographer and the dad- Jeff (James LeGros)- doesn’t seem to have much going on. Jessa treats her job in a laissez-faire attitude (as she does w/ everything in life).

E4: Hannah’s Diary

After getting a (shocking) photo from Adam, Hannah takes up “sexting” (though she feels weird about it). It turns out that Adam’s NSFW pic was for another girl! Marnie and Charlie are shocked and wonder what kind of weirdo would do that!? Shosh runs into a popular guy, Matt Kornstein (Skylar Astin), from their summer camp days. (FYI: Astin studied at NYU Tisch and was in the cast of Spring Awakening on Broadway.) Jessa gets distracted at her babysitting job. Ray and Charlie find and read Hannah’s diary- yikes!

E5: Hard Being Easy

Hannah pays a (surprise) visit to Adam’s apt, but he’s NOT amused. He wants his own space and time to work on whatever furniture he’s building. Jessa decides to meet w/ one of her ex-bfs; he has a new gf now, yet she has the need to run her game on him. (Their hookup scene reminded me more to what’d happen w/ Samantha in SATC.) Years later, Dunham said that it wasn’t the right scene for this show. Charlie reconsiders his relationship w/ Marnie after seeing what was in that diary.

E6: The Return

Hannah goes home to Michigan for her parents’ anniversary. She runs into one of her HS friends, Heather Travis (Vanessa Ray), who is planning to move to LA to become an actress. (FYI: Ray co-starred in the indie Not Waving, But Drowning w/ Driver- his 1st feature film.) Hannah decides to go on a to a charity benefit w/ an eager/young pharmacist, Eric (Lou Tyler Pucci). This is a view into how life could’ve been for Hannah if she’d stayed close to home.

E7: Welcome to Bushwick a.k.a. The Crackcident

The girls go to a warehouse party where Marnie discovers Charlie has a new gf, Audrey (played by Dunham’s best friend- Audrey Gelman). Wait, Adam owns a shirt? LOL- this is the 1st time we see him wearing a shirt on the show! Hannah sees Adam dancing w/ a group of his lesbian BFFs; she learns that he’s in AA from one woman- Tako (Roberta Colindrez). We get to see some wacky dance moves from the cast/extras. Jeff comes to see Jessa (dressed in an unique outfit) at this party, but ends up in the ER. Shosh accidentally smokes crack (yikes); Ray keeps watch over her.

Hannah and Adam ride off on his bike; she admits that does want him to be her bf. Adam thinks she’s too self-involved; she doesn’t ask about his life. Suddenly, he stops the bike, and she falls off. Marnie is pissed off at Adam when she comes up in a cab, BUT they all three end up riding together. Hannah has a small smile on her face.

E8: Weirdos Need Girlfriends Too

Hannah is spending more time w/ Adam than ever. She goes to the “tech” (technical rehearsal) of a play Adam is doing w/ Gavin (Henry Zebrowski). Then, Adam acts out a scene where he’s quite vulnerable; we learn something from his youth. After Gavin makes some choices Adam doesn’t like, he suddenly quits. He declares that he doesn’t want to do anything that he doesn’t believe in fully. Marnie is miserable after learning (via Facebook) that Charlie went to Rome w/ Audrey. She wonders how he can recover SO fast!? Marnie and Jessa go to a classy-looking bar to talk; they meet a lonely venture capitalist, Thomas John (Chris O’Dowd- an Aussie actor).

E9: Leave Me Alone

The girls attend a book launch for Hannah’s college nemesis, Tally Schifrin (Jenny Slate). Hannah can’t help but feel jealous; Tally passive aggressively puts her down. Hannah sees one of her former writing profs, Powell Goldman (Michael Imperioli), at this party. He praises her talent and invites her to a “salon” (reading). Hannah also tries out for a job at Grumpy’s. She and Marnie get into a huge fight!

E10: She Did

Marnie moves out of the apt- wow! She finally admits that maybe NOT having a plan is a good thing for now. Hannah considers the idea of Adam moving in; he may even be open to it. Jessa (who has been out of touch for weeks) suddenly invites them to a surprise event- her wedding to Thomas John! Their vows are unusual, yet they look V happy. Look at the friends’ reactions at the ceremony/reception; each person is feeling something different. Marnie is trying to be chill/non-judgmental. She even acts nice to Elijah, who has a new relationship w/ an older man and seems more calm. Ray decides to tell Shosh how much he likes her; they get together.

Adam (who had watched the ceremony intently) looks full of strong emotions. Then he and Hannah act playful and have a slow dance. However, after the cake is cut and it’s almost time to leave, Adam and Hannah get into a fight. He thinks his love is being rejected now, after 6 mos. of Hannah chasing after him. Suddenly, a van drives by and side-swipes Adam (who’d been standing on the street)! When the ambulance comes, he tells the EMT to NOT let Hannah get onboard b/c she’s a “monster.” Hannah gets on the subway, falls asleep, and winds up at the end of the line (Coney Island). Her purse is gone- no surprise there. Hannah walks to the beach and eats a piece of the wedding cake in the quiet of early morning.

Connery Returns: “Diamonds are Forever” (1971)

James Bond (Sean Connery- at 40 y.o. w/ bushier eyebrows) has a new mission- find out who has been smuggling diamonds. He takes on the identity of “transport consultant” Peter Franks and joins up w/ Tiffany Case (Jill St. John), an American diamond smuggler. Mr. Wint (Bruce Glover- father of Crispin) and Mr. Kidd (Putter Smith) are the dangerous/eccentric duo tailing Bond. Ernst Stavro Blofeld (Charles Gray- who played a British ally in You Only Live Twice) also has his hand in this game; he has changed his looks (again). Can Bond finally defeat his ultimate enemy?

M: We do function in your absence, Commander.

George Lazenby was asked to make a second Bond movie, but declined. Burt Reynolds was the first choice to replace him, but was unavailable. Roger Moore was offered the role of Bond, but he was unavailable due to his commitment to a TV series. Tall/handsome Mexican-American actor John Gavin (best known for his supporting role in Psycho) was signed to play Bond in this movie. Adam West turned down the role b/c felt that Bond should be a British actor. Michael Gambon turned down the role because he was “in terrible shape.” At the last minute, Connery agreed to return as Bond; Connery was paid $1.25M (a figure unheard of in those days); he donated it to the Scottish Education Fund (which is awesome)! Albert R. Broccoli insisted that Gavin be paid the full salary, for which his contract called.

[Tiffany Case opens the door almost nude]

Bond: That’s quite a nice little nothing you’re almost wearing. I approve.

Tiffany: I don’t dress for the hired help. Let’s see your passport, Franks.

[Bond gives her his passport. She looks it over]

Tiffany: Occupation: Transport Consultant? It’s a little cute isn’t it? I’ll finish dressing.

Bond: Oh, please don’t, not on my account.

Tiffany (the first American Bond Girl) is argumentative, loud, and brash when compared to previous Bond girls; she was meant to be a commentary on American women. Actresses considered for the role of Tiffany included Raquel Welch, Jane Fonda and Faye Dunaway. Jill St. John had originally been offered the part of Plenty O’Toole, but landed the lead after impressing director Guy Hamilton during screentests. Tiffany’s home was actually owned by Kirk Douglas- how cool!

[Mr. Kidd spots Bond and Tiffany at the airplane. He returns to his seat]

Mr. Kidd: [to Mr. Wint] They’re both aboard. I must say Miss Case seems quite attractive…

[pause]

Mr. Kidd: …for a lady.

[Mr. Wint glares at Mr. Kidd]

Mr. Kidd: Heh heh heh heh!

[Mr. Wint, unamused, still glares at Mr. Kidd]

Producers cast Lana Wood (sister of Natalie) as Plenty O’Toole after seeing her in Playboy. Her voice was dubbed and she is standing on a box for some of her scenes w/ Connery (b/c even in high heels, she was too small to fit into the frame w/ him). Unlike her sister, Lana is a very wooden (pardon the pun). Willard Whyte (Jimmy Dean- best known for his sausage commercials) was based on Howard Hughes. Whyte owned the Whyte House in this movie; Hughes owned a real Las Vegas hotel (the Desert Inn). Dean was an employee of Hughes at the Desert Inn; he later confessed that he was uneasy portraying a fictional version of his boss. Shady Tree (Leonard Barr) is based on veteran Vegas comedian Shecky Greene.

[while fumbling inside the pipeline, Bond sees a rat]

Bond: Well, one of us smells like a tart’s handkerchief. [sniffs] I’m afraid it’s me. Sorry, old boy.

One of the first things I noticed re: this movie- it looks a BIT cheap (and NOT only b/c it’s set mainly in Vegas). Because of Connery’s high fee, the special effects budget was scaled back. Bond’s escape through a moon landing “movie set” refers to the popular conspiracy theory of the time that the real moon landings were faked. This may be confusing to some (younger) viewers- LOL! The Moon Buggy was inspired by an actual N.A.S.A. vehicle, but w/ additions like flailing arms (as the producers thought it didn’t look “outrageous” enough). It was capable of road speeds; the fiberglass tires had to be replaced during the chase sequence b/c the heat and desert soil ruined them.

Some scenes here have NOT aged well! Plenty is caught by some thugs, wearing nothing but her underwear and high heels, and tossed into the pool. Some fans/critics noted that this has misogynistic undertones. The same can be said of the opening teaser scene where Bond interrogates a woman by pulling up her bikini top and nearly strangling her w/ it. Wint and Kidd hold hands in one scene and banter like a romantic couple; some viewers felt this portrayal wasn’t so bad, but others called it homophobic.

[1] …Sean Connery is back–too bad the film, in many ways, sucked. That’s because by now, the plots seemed more like comic books and the character of Bond seemed more like self-parody than anything else. While in the past Connery played his character rather straight, here he was playing a smirking and smug guy–as if he was looking at the camera and saying “ain’t I cute?”

[2] …we have a tacky script that relies too much on slapstick and unfocused direction. And the acting is not great, Sean Connery is my favourite Bond mainly due to his suavity and charisma but he seems bored and uninterested here and gives an unusually flat performance in the role…

[3] The globe-trotting action takes in Amsterdam and Las Vegas this time around, culminating with an explosive action set-piece on an oil rig in the Atlantic. There are many varied locations used, from action in hotel rooms, circuses, gambling halls and even the desert. There are only two chase scenes in the movie but both are goodies… […] Finally, the action set-pieces are also rather good. The standout is a fight to the death in an old-fashioned lift, of all places, featuring Connery going fist-to-fist with boxer Joe Robinson.

[4] When he first showed up on screen I was taken aback by his aged appearance, looking quite much older than his forty years at the time. […] Story wise, the diamond smuggling concept started out strong but seemed to get frittered away as the film progressed.

-Excerpts from IMBD reviews

“I May Destroy You” (2020) created by/starring Michaela Coel

The question of sexual consent in contemporary life and how, in the new landscape of dating and relationships, we make the distinction between liberation and exploitation. -Tagline for the HBO TV series

[1] Sexual assault story has never been told this way before. Groundbreaking stuff. A must see.

[2] It’s not meant to be Girlfriends or SATC and it doesn’t pretend to be. It’s not a sitcom or light comedy, it’s devastating at times, yet humorous.

[3] …this show is honest, heart-breaking, uplifting, funny and sad all at once.

[4] It’s definitely a hard show to watch but worth every moment. Love seeing a largely Black cast in a big network series too.

[5] To me, what it strikes similarity with is the Black Mirror. Almost each episode opens a certain problematic topic of the modern western world.

-Excerpts from IMDB reviews

There is much to discover in this HBO show (consisting of 12 eps, 30 mins. long). It’s dark (perhaps too much for sensitive viewers), multi-layered, and has some of the most unique characters you’ll see on modern TV. I esp. liked the scenes w/ the literary crowd, some of whom are quite problematic. Michaela Coel (now 32 y.o.) was sexually assaulted when she was making the second season of her comedy series Chewing Gum (2015) which provided the inspiration for this show. She turned down a $1M deal w/ Netflix for the series, as she would’ve lost ownership of the rights. Coel (named Michaela Boakye-Collinson) was born to Ghanaian parents and raised in Tower Hamlets by a single mother, a cleaner who became a NHS nurse. She attended the Guildhall School of Music and Drama (where she was awarded a scholarship named for Olivier). In 2013, Coel made her stage debut in Chewing Gum Dreams; in 2015, her sitcom Chewing Gum began on Channel 4 TV in the UK.

Arabella (Coel) is a 20ish writer in London working on her second book; her first book (comprised of her popular tweets re: millennial life) was published online. There are several fans who approach her on the streets, asking for a selfie and/or giving out praise. She lives in a humble flat w/ her friend, Ben (Stephen Wight), a quiet/white man who enjoys gardening. Arabella’s best friends are an aspiring actress, Terry (Weruche Opia), and an aerobics instructor, Kwame (Paapa Essiedu- the lead in Hamlet at RSC in 2016). These three pals (all of Ghanian heritage) have known each other for many years and talk about (almost) everything together a la SATC. Another old friend, Simon (Alm Ameen), works at a bank and lives in a fancy apt. w/ his gf of 8 yrs. Simon has a wild side; he plans a three-some and carries drugs (coke). Arabella is known for her partying ways, incl. sometimes using drugs. Some viewers were suspicious of Simon, guessing that he wasn’t going to be a good friend.

One night, Arabella takes a break from her novel to go out w/ Simon and a few others (on his b-day). It turns out that someone spiked her drink and assaulted her that night! The details are few and hazy; at first, she doesn’t want to admit something so terrible happened. Though disoriented, injured (w/ a forehead gash), and lacking sleep, Arabella goes to a meeting w/ her two literary agents. They’re worried re: her falling behind on providing chapters; they’re portrayed as typical white yuppie/liberals. Later, she goes to the local police station to report the crime; we see a few scenes not unlike those in Law & Order: SVU. The two cops on her case are considerate and professional women; they don’t act judgmental of Arabella.

The locations, sets, clothes, and accessories seemed true to life. Many critics and viewers commented that the city scenes looked like “the real London.” The scenes in Ostia, Italy were esp. shot well; Arabella is drawn to her on/off bf Biagio (Marouane Zotti). Though Biagio sells drugs, he seems to be supportive of Arabella (at first). (Coel said she took a vacation to Firenze after her assault and fell in love w/ the place and people.) Arabella wears a pink wig in the first few eps; this was purposefully chosen and dyed not suit Coel’s face/skin color. As the series progresses, the wig frays (symbolizing Arabella’s mental state). Casting directors question Terry about her hair (a wig) in a rather blunt manner; you can tell she is uncomfortable. Almost all of the characters are constantly on their smartphones. Later in the show, Arabella becomes huge on social media; her therapist asks if she really needs it. Kwame may or may not be addicted to a popular gay dating app (Grindr). One of his old friends (who is questioning his own sexual identity) worries about Kwame’s behavior. Kwame nonchalantly says that this isn’t Ghana, so he won’t be thrown off a building. This show is laced w/ dark humor (another element which sets it apart from US shows).

There are some flashback scenes where we see Arabella and Terry as H.S. kids (age 14); the casting of the kids was done very well. They support a male friend after he is (falsely) accused of attacking a white girl, Theo. In the present time, Theo is the head of survivors’ support group; though Arabella wants to know her better, Terry is still suspicious. Terry isn’t a “perfect” friend either, as we eventually discover. No one is totally a good or bad guy in this show! Kwame faces a difficult situation in the middle of the series; he’s not sure if this qualifies as sexual assault (so he Googles it). At first, he consented to hookup w/ a man, but then was forced into something else (w/o his consent). Arabella (thanks to a podcast) learns that her writing partner Zain (Hardip Gill) was “stealthing” when they slept together. She also didn’t give her consent; in fact, she hadn’t experienced this before. What did you think about Terry’s “wild” night w/ the two Italians- could that also be considered non-consensual? There isn’t always an easy answer!

Suburban Life Can Be Murder: “Crime of Passion” (1956) starring Barbara Stanwyck, Sterling Hayden, & Raymond Burr

A successful advice columnist at The San Francisco Post, Kathy Ferguson (Barbara Stanwyck- 50 and looking fab), is an independent woman w/ no intention of ever getting married. She meets LAPD detective, Lt. Bill Doyle (Sterling Hayden- age 40), during the investigation of a prominent case (which is resolved w/ her help). Sparks fly, they fall in love, and decide to get married (too fast). Kathy quits her job and moves to LA to be a housewife.

Bill is close to his colleagues and their wives; they have regular dinner parties at his home. The banal conversations of these women are almost unbearable for Kathy, who has worked mainly around men and (perhaps) prefers their company. The cops’ wives seem frivolous; she’d feel more comfortable playing cards w/ the men rather than trading recipes with the women. The lack of ambition on Bill’s part push Kathy to a scheme to improve his prospects in the police dept. Kathy “accidentally” has a fender bender on the street where Inspector Anthony Pope (Raymond Burr- also 40 and slimmed down) and his wife Alice (Fay Wray of King Kong fame) live. Social climbing, scheming, and more ensue!

Some women should just not get married; nowadays, there are other routes to follow. This unique movie combines elements of film noir and domestic melodrama. Some viewers have called it “proto-feminist” and “ahead of its time.” I thought that writing was intelligent and also witty at times; the screenplay was by a woman- Jo Eisinger. This is the last film noir for both Stanwyck and Burr; they’d transition to working primarily in TV and appearing only occasionally in movies. Burr moved from the “heavy” (shady/villainous) types he played in films to heroic defense attorney in Perry Mason.

[1] …turns out to be a fairly interesting, sexually frank, compact little noir, featuring a once-in-a-lifetime cast. Stanwyck… is as intense as ever (she always gave her all in every picture); Hayden is his typically macho, upright self; Raymond Burr, playing Hayden’s boss, is a tad less sleazy than usual but still not to be trusted…

[2] Sharper socially than even Fritz Lang’s late noirs, “Crime of Passion” reminds us of the “nostalgia” for the “happy family values” of the 1950’s for the wishful (?) thinking that it is. Stanwyck’s slow descent into middle-class torpor and madness (she’s a sharp, witty, intelligent woman who saddles herself with a maddeningly boring and conventional cop husband, played nicely against type by Sterling Hayden) lays bare the social nightmare presented to women desiring anything but the conventional patriarchal lifestyle…

-Excerpts from IMDB reviews