Wife to the King. Icon to the world. Destined for more. -Tagline

When teenage Priscilla Beaulieu meets Elvis Presley, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend. -Tagline

Are any of y’all having a hard time sleeping? Well, this movie MAY be the solution- no joke! We have (another) case of style over substance. I had modest (NOT high) hopes for this biopic; it had gotten a LOT of buzz at the Venice Film Festival last Fall. The teens/20s crowd (mostly female) waiting for pics/autographs went wild for the statuesque Jacob Elordi (who plays Elvis). Priscilla Presley (whose autobiography the film was based on) was on the red carpet, along w/ Sofia Coppola (director) and petite/newcomer Cailee Spaeny (who plays the title role).

I think it would’ve been easy to make a much darker movie, especially because seeing something unfold onscreen can be so much more visceral than reading it. But I didn’t want the darker side of their relationship to completely overshadow the film, so it was a matter of trying to show the reality. It was important to Priscilla that it was still her love story and to show Elvis as a real human being instead of some two-dimensional villain. I just wanted to show her point of view and leave it to the audience to come to their own conclusions about this relationship. But it was a matter of finding some balance because I don’t want the film to seem like it’s condoning certain things, but I also wanna portray Priscilla’s experience as she says it was. It was important to me for her to feel good about the film, and that it felt truthful to her experience and how she told it. -Sofia Coppola, director

Lisa Marie Presley (before passing away suddenly) read the script and strongly disapproved; she wrote a letter to Coppola criticizing the portrayal of her father. Elvis Presley Enterprises declined approval for this film to use his songs; Coppola used music by her husband’s band (Phoenix) and cover versions of songs. As we expect from this director, the look of the film is impressive; the period details are cool to see. At nearly 2 hrs in run time, this movie seems TOO long b/c of its pacing. The tone is heavy throughout. I didn’t see much heat (romantic chemistry) btwn Elordi and Spaeny! Was this perhaps intentional (in some scenes), I had to wonder? Their acting is good for what they’re given, BUT I didn’t find depth in the dialogue or feel connection to the story. The supporting characters don’t get much to say/do, which makes the tale seem even more thin. As the Young’uns might say: “It was meh.”