“Girls” (HBO): Season 2

Season 2 of the controversial (yet unique/fascinating) show returned in JAN 2013. Lena Dunham would direct 4 eps and write 7 eps in this season. The show may NOT have always had a huge audience, BUT it was written about by many journos, pop culture critics, and haters. Zosia Mamet recalled (at The Hollywood Reporter comedy actresses roundtable in 2014) that “in S1, we were shooting in Tompkins Square Park, and nobody knew who were were. Then we go back there for S2- paparazzi everywhere! It’s not just taking pictures- they’re trying to figure out what’s going to happen in the storyline.”

You feel like you are doing something that spurs a conversation, whether it’s for good or for bad. This is the first time that this has ever happened to me. It’s an amazing thing. -Adam Driver (2013 interview, Flaunt Magazine)

E1: It’s About Time

Hannah throws a housewarming party with brand-new roommate- Elijah, but it’s hard to move on when she’s still playing nurse to Adam. Marnie gets bad news at work and a visit from her mom; Shoshanna avoids Ray at the party; and sun-kissed Jessa returns from her honeymoon.

The story takes place several weeks after the S1 finale. Hannah is seeing a young Black man, Sandy (Donald Glover- before he became famous), who she seems V excited about. As some of you may know, Dunham received a LOT of criticism for her show being “too white.” Hannah is helping Adam out (his right leg is in a cast); she does errands for him, though he wants her around a LOT more. She tells him that their relationship is over; he doesn’t take it easily. We meet Marnie’s mom, Evie (Rita Wilson- wife of Tom Hanks), for the 1st time. She’s worried b/c now Marnie isn’t w/ a bf, was let go from her gallery assistant job, and her appearance isn’t up to par (“you look 30”)- yikes! Evie had to raise Marnie on her own after her ex-husband left the family; she works/lives in New Jersey (and looks to be doing well).

E2: I Get Ideas

Hannah gets unsolicited musical attention from heartbroken Adam and displeasing opinions on her writing from Sandy. Elijah questions his sexuality; Marnie makes a career compromise when her curatorial dreams are crushed; Jessa revels in married life; Shoshanna and Ray make magic; and Elijah and Marnie harbor a secret.

This ep opens w/ Hannah and Elijah listening to songs by Adam; he is shirtless (of course) and playing a guitar. They BOTH look concerned as they hear this music, wondering IF Adam really is a “sociopath.” On my recent rewatch, I had to LOL at such a funny (yet awkward) situation. Sandy breaks up w/ Hannah after she makes some “ignorant” comments re: race; Dunham said that Glover contributed lines in this scene. Hannah spends some time w/ Jessa; they catch-up and play w/ puppies in the park. When she goes to a gallery for an interview, Marnie gets shot down by the owner, Patricia (Laurie Simmons- Dunham’s mother/a painter). Dunham joked that her mom “changed all her lines” and also “chose her own costumes.” Marnie (seeing no better option) takes a job as a hostess at a men’s club; she has to wear a skimpy uniform. She and Elijah are BOTH feeling down and lonely, so they decide to hook-up (super awkward)! Late at night, Adam comes into Hannah’s apt (he has a key for emergencies). She’s (obviously) surprised and tells him to leave; Adam refuses and she gets scared!

That scene was so fun to film b/c it was a sort of a real Adam Driver tour-de-force, going from terrifying to sweet, to about to cry, to raging out. I mean, the amount of emotional territory he covers in that scene is- to me- mind-boggling. -Dunham re: the pivotal scene (that ends w/ Hannah calling the cops on Adam)

E3: Bad Friend

Hannah gets a new freelance gig, and her editor suggests that she should try cocaine for the first time to write about her experience. In the process, she gets to know her downstairs neighbor, Laird. Meanwhile, Marnie meets her old artist flame, Booth Jonathan, who takes her home to show her his studio.

Hannah starts writing for a hip/young blog that wants content that pushes the boundaries. IF you were shocked by Hannah’s revealing clothes before- this ep MAY be too much. In the party scenes (filmed at Greenhouse- a SoHo nightclub) she wears a yellow mesh tan top. Hannah and Elijah do lines of coke off a toilet lid (ewww)! Then Hannah and Marnie have a big fight re: which on of them is a worse friend; MANY viewers commented that they related to this scene. Hannah turns to Laird (who has a BIT of a crush on her); she’s hooking up w/ him for the experience (so she can write about it). Putting herself in danger is NOT new for Hannah; this ep makes us worry about her perhaps a BIT more than usual!

E4: It’s a Shame About Ray

Elijah moves out, and Hannah invites a group including Charlie, Audrey and Marnie to dinner. Jessa meets Thomas-John’s parents, which finally prompts a confrontation between husband and wife. Shoshanna discovers that Ray may be living with her.

Hannah: You can’t just be a girl in this city and expect to get your way!

Marnie: But we are girls in this city!

Hannah: Not the right kind of girls!

Marnie: Girls none the less!

This is one of the highest-rated eps of S2; a LOT of stuff happens. At a steak dinner w/ Thomas-John’s WASP parents (played by veteran theater actors- Griffin Dunne and Deborah Rush), Jessa ends up revealing some dark facts (incl. her previous addiction to heroin). She lashes out in anger when she feels judged by these (passive aggressive) people. Back at their high-rise condo, we see that Thomas-John is NOT amused; they get into an ugly argument!

Dunham’s (real-life) BFF plays Charlie’s petite/bohemian gf, Audrey (Audrey Gelman). Marnie is upset/jealous seeing how close her ex and his new lady have gotten (in such a short time). Audrey and Marnie get into a big fight! Shosh and Ray have been gotten V close for the past few eps; she says: “I’m starting to fall in love w/ you” (as they wait for the subway). Rannells (already a Broadway star) left the series at this point to front his own comedy series- The New Normal (2012). This was canceled after one season, so he returned in the second half of S3.

E5: One Man’s Trash

A man comes to the coffee shop to complain to Ray that someone is leaving trash in his trash cans. Hannah follows him to his brownstone to confess and ends up spending the rest of the day, and the next day, with him.

This is the (much talked about) ep focused on Hannah’s weekend hookup w/ a handsome/older doctor, Joshua (Patrick Wilson- who lives w/ his fam in Greenpoint IRL). It’s basically a mini-movie starring 2 characters; many viewers loved it and others hated it (calling it implausible). There is a sort of hazy (dream-like) quality to this ep; one of the regular directors (Richard Shepard) did an esp. fine job here. According to Dunham, the idea for the ep and a great deal of the text came to her during a fever dream. While some viewers thought that this was unreal, others pointed out that some men would take the chance of a carefree hookup w/ a younger/willing woman. What happened to Joshua? Wait and see…

The relationship between Hannah and Joshua is quick, but I quite enjoyed it because of Dunham’s writing and chemistry with Wilson. Near the end of this affair we learn more about Hannah emotionally, as she breaks down in front of Joshua, because he has such a good life at his age while she seems to be stuck at her young age. […] Writing was strong and focusing on only this relationship was great to watch a big move, showing this show truly is special. -Excerpt from IMDB review

When Hannah walks away from his home at the end, all I could think was how similar this episode was to Woody Allen’s style of writing. A realistic fairytale that you relate to in a way that you can’t quite put your finger on. -Excerpt from IMDB review

E6: Boys

Hannah is hired to write an e-book, but has trouble finding inspiration. Booth asks Marnie to host a party with him for a gallery opening. Ray goes to see Adam, and they end up traveling to Staten Island to return a stolen dog.

This is the first ep in the series to have a solo writing credit to a man (Murray Miller); he is a problematic creative behind the show (as I noted in my S1 review). It focuses on my 2 fave characters (Adam and Ray); they’re opposites in some respects, BUT walk to their own drummer. Ray goes to Adam’s apt. (Brooklyn Hts) to get his copy of Little Women (which Hannah had left behind). There is a big/angry dog in the bathroom- yikes! Adam explains that he stole the dog b/c he thought the owner wasn’t treating him well. Ray convinces Adam to return the dog (he has tags); they travel via ferry (which I never did when I was in NYC) to Staten Island. I enjoyed seeing the (quirky) chemistry between Adam and Ray; they get to know each other, then get on each other’s nerves.

Adam: She’s like a carnival game, you know? It all seems so simple, but you can’t get the ring on the bottle, because it’s f*****g rigged so you try and try and try until you drive yourself nuts. Then, finally, when you walk away you realize you didn’t even want the crappy prize to begin with. I realize that’s what Hannah is: a giant Tweety doll I would’ve been stuck carrying around the carnival all night.

After Booth fires his assistant, Soojin, he asks Marnie to help host a party for his friends. Marnie is V happy to do this, thinking it’s a big step in their relationship. It turns out that Booth doesn’t think of her as his gf (ouch)! Of course, Marnie is NOT alone- there are MANY women who have been treated in the same way.

E7: Video Games

Hannah accompanies Jessa on a visit upstate to see Jessa’s estranged father, his new-age wife and Frank, their virginal teenage son.

We learn more about Jessa’s (troubled- no shock there) family when she and Hannah travel to upstate NY. Jessa’s estranged father, Sal, is played by Aussie actor Ben Mendelsohn (who later made a big impression on the Netflix show- Bloodline and played a villain in Rogue One: A Star Wars Story). Jessa’s hippie stepmom, Petula, is played by a veteran Hollywood actress- Rosanna Arquette. Jessa felt physically/emotionally abandoned by her father; she tells him that she needed someone on her side when a teen (and going through a difficult time w/ her mom). Hannah is hurt and angry when Jessa leaves w/o her; she calls her parents from the train station to thank them for their support (aww). This was Kirke’s final appearance in S2 (as she was pregnant w/ her second baby). It was tough to feel empathy for Jessa until I saw this ep; her father is selfish and unreliable.

E8: It’s Back

I feel like in the second series, things start to get a little deeper into that, but he’s not someone who’s willing to share. I feel like he’s guarded on it and wouldn’t allow himself to explain himself. He always has this thing going on that he doesn’t need to explain himself at any point. -Driver on Sackler being a recovering alcoholic

Hannah tries to hide mounting anxiety about her book from her visiting parents. Meanwhile, Marnie is stunned by news that Charlie has started a successful app company; Adam gets set up on a date; and Ray’s misanthropy gives Shoshanna pause.

We learn a LOT more re: Hannah and Adam here! Hannah’s OCD resurfaces; she was affected w/ it back in HS. I learned (on the Good Friend podcast hosted by Jamie Lee Curtis) that Dunham also suffers from OCD. The ep opens w/ us seeing Hannah’s various OCD behaviors (so we glimpse into her mindset)! She is having writer’s block, though she has a deadline coming up soon. Also, her parents are coming to NYC to see singer Judy Collins (who plays herself).

After several eps, Adam is back- YAY! He shares his story at an Alcoholics Anonymous (AA) meeting; he starts talking re: quitting booze, then it turns to his breakup w/ Hannah. A petite/feisty lady named Cloris (veteran comedian Carol Kane) comments to him: “I was very impressed by your honesty.” She also asks Adam how tall he is (6′ 3″). Cloris gives Adam her daughter’s phone number, much to his chagrin. The phone call scene is cute and funny; Adam describes himself as “tall and kind of dashing.” At the dinner date, Adam and Natalia (Shiri Appleby) have fun and (obvious) chemistry.

The unexpected moment of the episode for me was Hannah having OCD which, when I think back on the show, seems to be a bit obvious how she has acted in life. It showed that the Dunham is taking risks to make the character of Hannah more interesting… -Excerpt from IMDB review

E9: On All Fours

[Sackler is] someone who follows his emotions and doesn’t pause and reflect. He’s always following an impulse and is aware of something that he’s lost – it jars with how unsettled he is. The more he tries to gain control, the more things get out of control. -Driver re: his character

The episode was so awkwardly comedic and dark in nearly everything the characters did which is what I really love about the show… -Excerpt from IMDB review

Pressure from Hannah’s aggressive publisher (John Cameron Mitchell) and a looming deadline further jeopardize Hannah’s mental state. Adam and his new girlfriend have their first misunderstanding. Marnie makes an awkward step in following her dreams.

Hannah is stressed out b/c of a deadline, so she sticks a Q-tip TOO deep into her ear (yikes)! FYI: The bemused ER doc who treats her is Ranjit Chowdhury (an Indian actor/ veteran of indies). Shosh tries to be caring gf to Ray, showering him w/ attention. Marnie decides to sing at a party at Charlie’s start-up; it’s V awkward. Adam and Natalia go to her friend’s engagement party at a bar; Angie is played by Dunham’s friend IRL- Amy Schumer. When he steps out for a moment, Adam sees Hannah walking home from the hospital (wearing just a long tee, no pants); they both look affected by their awkward conversation. This is perhaps the MOST controversial ep of the series, as it brings up the issue of consent (or perhaps more accurately- dubious consent). James Poniewozik, reviewer for TIME, called it “the most uncomfortable half hour of television of the year.” We see a dark side (pardon the Star Wars connection) of Sackler! Did you see this ep, and if so, what did you think?

E10 (Season 2 Finale): Together

In order to avoid being sued by her publisher, Hannah must write her book in a single day. Marnie misinterprets Charlie’s intentions; Ray makes a career move which he hopes will impress Shoshanna.

Adam: Is this f*****g Face Space or some s**t?

Many of Hannah’s friends and acquaintances are at a crossroads. Marnie and Charlie will find out if they’re on the same page (after several casual hookups together). Shosh isn’t sure if she can handle Ray’s negativity anymore; he sees this as critical thinking. Ray decides to be more ambitious; Hermie says he can manage the 2nd branch of Grumpy’s in Brooklyn Hts. Adam and Natalia are still together, BUT Adam is trying too hard to fit in w/ what she wants (can’t be himself). Hannah’s life is getting out of control; David threatens to sue, if she doesn’t produce her e-book (after getting an advance). Unable to reach Jessa, Hannah leaves a sad/angry voicemail. Finally, she gives Adam a call; he is breaking down some stuff (angrily) at his apt. Adam notices her OCD behavior and the (uneven) haircut she gave herself. He runs (shirtless- of course) to Hannah’s apt, kicks open the door (after she hides under the covers), and picks her up in his arms. When I saw this the first time, I thought it was quite a rom com type of ending. On my rewatch, I realized that maybe they aren’t good for each other (BUT need each other in this difficult moment).

Maybe not as good as last season’s finale, but still a great episode of TV’s best comedy. The season was less strong then the first season but still great, funny and even more dramatic as this women really faced real life problems. Dunham really showed this season she is a great actress, as well as everything she does for the show. All the women were strong… -Excerpt from IMDB review

“Girls”: Season 2 – Guys On “Girls”
Lena Dunham at Golden Globes (2013)
Dunham and cast at Golden Globes (2013) Q&A

Quick Reviews of Recent Views (2021-2022)

And Just Like That (2021): HBO Max

This is the much-talked about (and criticized) sequel to SATC; writer Carrie Bradshaw (Sarah Jessica Parker), lawyer Miranda Hobbes (Cynthia Nixon), and stay-at-home mom Charlotte York-Goldenblatt (Kristin Davis) are now in their mid-50s. Of course, publicist Samantha Jones (Kim Cattrall) is NOT on the show; many fans objected to how her character was handled. At the start of the show, ALL the pals seem happily married; we see John AKA Mr. Big (Chris Noth), Steve (David Eigenberg), and Harry (Evan Handler). Anthony (Mario Cantone) and Stanford Blatch (Willie Garson) are married, BUT don’t look too happy. As for the teens, they’re annoying AF; Miranda’s 17 y.o. son Brady behaves V disrespectfully; Charlotte’s kids- 14 y.o. Lily and 12 y.o. Rose- are spoiled and uncompromising. Why spend SO much time on kids- it’s supposed to be about adults!? Carrie is one of the regular guests on a podcast hosted by a bisexual/non-binary comedian, Che Diaz (Sarah Ramirez).

I mainly tuned in to see Carrie’s realtor-turned-friend, Seema (Sarita Choudhury) who appears starting in E4; she’s mainly a theater/indie film actor; I saw her at a play reading in NYC in 2008 (and she is gorgeous IRL). Choudhury starred opposite a young Denzel Washington in Mira Nair’s indie/drama/romance Mississippi Masala. Seema’s mom is played by veteran/international actor/chef/author- Madhur Jaffrey. Miranda’s prof, Dr. Nya Wallace (Karen Pittman), and her jazz musician hubby, Andre (LeRoy McClain), are trying to have a baby w/ IVF. Lisa Todd Wexley AKA LTW (Nicole Ari Parker) is the mom of 3 young kids; Charlotte becomes her friend (after they meet while organizing school events). LTW’s hubby Herbert is played by Hamilton actor Chris Jackson; he (sadly) doesn’t have much to do. Where is the fun (I barely cracked a smile; don’t recall LOLs), fashion (Miranda’s wig and outfits don’t suit her at all), and romance!? IF you’re a fan of the original series, I suggest avoiding this one!

Bridgerton (Season 2): Netflix

Everybody (and their mom) has an opinion on the show- LOL! Almost ALL my friends (IRL/online) were talking/messaging/tweeting about it (some more than 2 wks before S2 dropped). Since I’ve gotten a LOT more active on Twitter lately (and have some new connections), I couldn’t avoid the jokes, memes, etc. You have to shut-off your brain to enjoy shows like this (NO offense); it’s been compared to Jane Austen fan fiction and an alternate universe (AU) of Regency era England. MANY women of color (of all ages) esp. liked seeing the Indian (South Asian) representation in the Sharma sisters (played by Brits: statuesque Simone Ashley and petite Charithra Chandran)! I liked the “slow burn” romance (Anthony and Kate), the fam scenes of the Bridgertons (who all have great chemistry together), and (light-hearted/funny) scenes w/ the artist/bohemian bro, Benedict (Luke Thompson). I think the acting is stronger in this season; S1 didn’t impress me that much. There is one V powerful/emotional scene (S2 E3) that is unlike ANY I’ve seen in a period drama!

The Chair (2021): Netflix

This show was tweeted about by MANY women/POC/academics I follow, so I watched it when it came out last Fall. Dr. Ji-Yoon Kim (Sandra Oh) is the new Chair of Humanities at a small/fictional university (Pembroke); she is the 1st woman and person of color (POC) to hold this post. Ji-Yoon is single (by choice) and the adoptive mom to a bright/challenging young daughter, Ju-Hee. The “old guard” at this school are played by veteran actors: Bob Balaban, Holland Taylor, and David Morse. Ji-Yoon’s closest friend/potential love interest, Bill Dobson (Jay Duplass), lost his wife a few years ago and his 18 y.o. daughter leaves for college in the 1st ep.

This comedy/drama series (6 eps; 30 mins/ea.) was filmed on-location in Pittsburgh and nearby areas. To create Pembroke’s campus, the show used Washington & Jefferson College and Chatham University. Annie Wyman (co-creator/co-writer) was actually an academic in an English department; she earned a PhD in English Lit from Harvard). David Duchovny (playing a version of himself) earned a Master’s in English Lit (Yale); he started (but didn’t complete) his PhD. If you (or your fam/pals) have connections to academia, you’ll esp. relate to this show!

The Gilded Age (2022): HBO Max

This is the show for ALL you Downton Abbey fans; it was also created by Julian Fellows, BUT he had several others collaborating w/ him (incl. prof/historian/co-executive producer- Erica Armstrong Dunbar). Another producer (who also directed some eps) is Salli Richardson-Whitfield; most will know her from her acting days. The setting is NYC in the 1880s where “old money” (the Van Rijans/Brooks) and “nouveaux riche” (the Russells) are nabes, BUT def NOT pals! There are MANY theater actresses (over the age of 40) who appear on this show: Cynthia Nixon, Christine Baranski, Audra McDonald (who I saw once on Broadway), Celia Keegan-Bolger, Debra Monk, Kelli O’Hara, and Donna Murphy. We also see more well-known movie actors (incl. Jeanne Tripplehorn and Nathan Lane) in small (yet pivotal) roles.

In his January 2022 NYT article The Gilded Age’ Finally Arrives on HBO, Dave Itzkoff reported that the long filming hiatus caused by the COVID-19 pandemic allowed actress Denée Benton (who plays Peggy Scott) “to seek refinements of [her role] to better reflect [her] understanding of history. Benton said she urged the creative team to provide more ways to show that there were Black people like her character, Peggy, who lived in their own affluent and educated communities. I didn’t find Louisa Jacobson (who plays Marian Brook; one of Meryl Streep’s daughters) that compelling; MANY viewers agreed w/ me on this point. Peggy is much MORE interesting than Marian. I thought that George Russell (Morgan Spector- husband of actress Rebecca Hall) was better written than his wife Bertha (Carrie Coon). Coon was written as TOO strident (as some viewers noted online). George’s full beard was quite popular on Twitter- LOL! This is a period/costume drama, BUT it also has some brains (and is somewhat educational also).

Mare of Easttown (2021): HBO Max

If you like domestic drama mixed w/ a cop/mystery show (such as Happy Valley or Broadchurch), then check this out! A detective, Mare Sheehan (Kate Winslet in an Emmy-winning role), in a small Pennsylvania town investigates a murder of a teen girl while trying to keep her fam/personal life from falling apart. I thought almost ALL of the actors did a terrific job; they seemed like real/unglamorous/flawed people. There was even a (spot-on) sketch about the show on SNL. Much has been talked about re: the complicated relationship between Mare and her funny/acerbic mom (played by veteran actress Jean Smart); these ladies had great chemistry together! I was also impressed by Evan Peters (who plays the naive/younger cop- Colin Zabel); it’s rare to see a police officer w/ doubt and vulnerability. You can also check him out in S1 of Pose. Guy Pearce (who acted w/ Winslet in HBO’s take on Mildred Pierce in 2011) plays Mare’s love interest; he is a writer-turned-prof who is in town as an adjunct. The creator/writer of this show, Craig Zobel, also wrote the recent movie The Way Back (starring Ben Affleck); it received some critical acclaim also.

Adam Driver’s “Law & Order” Episodes

Law & Order (S20, E15): Brilliant Disguise (March 8, 2010)

After a young woman, Justine, is found brutally murdered in a hotel and her body stashed away on a food service cart, evidence leads Detectives Cyrus Lupo and Kevin Bernard to a young med student. When a crafty lawyer, Ray Backlund, becomes involved, the detectives realize that it is going to take more than superficial evidence to put the murderer behind bars. This quickly becomes a case of mind over matter. -Synopsis from NBC

This ep (which I saw for the 1st time last month) is based on the Craigslist Killer (Philip Markoff) who targeted escorts in hotel rooms in 2009; like his fictional counterpart, he also was engaged. This appears to borrow elements of the 2009 murder of Yale graduate student Annie Le. A suspect and coworker of hers, Ray Clark, was convicted of the homicide. Clark was a lab tech who became extremely angry when his colleagues left mouse and rat cages filthy. He also had a fiancee who was possessive/bossy. This is an interesting story about a perpetrator who thinks he’s much smarter than anyone else. I haven’t seen many eps which paired Det. Lupo (Jeremy Sisto) w/ Det. Bernard (Anthony Anderson); I’m a fan of Anderson from other series (he can do BOTH drama and comedy well).

It turns out that Justine had a secret life as an escort which her mom in Richmond, VA, knew nothing about. Initially, the detectives get it wrong when they arrest Robby Vickery (Adam Driver), a lab tech at Chelsea University who lets women assume that he’s a med student. In fact, other evidence points to Alex Conway (Daniel Eric Gold), an arrogant grad student w/ gambling addiction. To Alex, the escorts he picks up are like the lab rats Robby works w/- scary! Alex is clever, as is his defense attorney, Ray Backlund (Timothy Busfield). Also, Alex’s wealthy fiancee, Carrie Newton (Jess Weixler), is willing to do anything to help his case.

Getting a job on the L&O series was a rite of passage for up-and-coming/NYC-based actors. Driver does well in his role; this show originally aired several mos. after he graduated from Julliard in 2009. He shows Robby’s unassuming/charming side (in the opener w/ Justine); she gives him her number and wants to go out to brunch w/ him over the weekend. Then, we see Robby’s insecurity/vulnerability when detectives come to his lab. When they question him at the precinct, we see the creepy behavior he has engaged in (though exclaiming “I respect women”). As the evidence against him is circumstantial, it was the smart move to ask for a lawyer. It took me a few weeks, BUT I learned that this is where “feed the rats on time” comes from (in the Driver fan community)- LOL!

Law & Order: SVU (S13, E11): Theater Tricks (January 11, 2012)


SVU tries to figure out who was responsible for the real-life rape of an actress during an interactive theater performance that everybody just assumed was part of the show.
-Synopsis

This is a weird/shocking case (even by SVU standards- IF you’re familiar w/ the series); I didn’t remember seeing it when it originally aired. There are several notable guest stars (along w/ Driver): Gibert Gottfried (a police computer expert), Grant Shaud (a theater critic), Kevin Pollak (a judge w/ a secret love life), and Fisher Stevens (a controlling director). The victim is Meghan Weller (Jenn Proske), a V pretty/eager-to-please young woman who moved to NYC 6 mos. ago from a small town in Minnesota. She is stunned that such a horrible thing could happen; she was so happy/excited to get her 1st role. The men around Meghan ALL seem to be problematic in some way, BUT who is the ultimate villain!?

Jason Roberts (Adam Driver) isn’t the rapist here, BUT he is a creepy stalker. Meghan calls him her “computer guy” who “seemed harmless.” Jason is obsessed w/ Meghan, has pics of her all over his bedroom, has seen her play 12 times, and installed hidden cameras in her apt. Now some of you L&O diehards (or those studying law) will realize that everything found in that room is inadmissible as evidence. Det. Rollins didn’t have Estelle Roberts’ permission to enter her son’s room; also his door was closed (violating the plain view doctrine), so they had no probable cause or warrant. Meghan (using her acting skills) convinces Jason to meet her at a cafe; Det. Nick Amaro (Danny Pino) and Det. Rollins (Kelli Giddish) can arrest him.

Jason: If I was gonna set up Meghan, I’ve got images that are a lot hotter. See?

[shows the detectives the images]

Det. Rollins: Really? Jason, you just made bail on a surveillance charge.

When Jason is initially questioned in the interrogation room, we see the (twisted) “love” he has for Meghan. He looks shocked to learn of what exactly happened to her during the play; his eyes are full of concern (almost as if going to cry). In Jason’s mind, the cameras were “for her protection,” as she’s “naive” and “trusting.” It turns out that the video footage he captured from the play (and other instances) could be helpful in solving the case! This is a bigger/more interesting role for Driver than in his previous L&O ep. I was impressed by how he made this character (somewhat) sympathetic and even a BIT humorous (see Ice T’s reactions). You also see his quirky physicality. It would’ve been great IF he’d gotten to have a scene w/ Lt. Benson (Mariska Hargitay).

Adam Driver behind them scenes of “SVU.”

Happy New Year (2022)!

Hey to ALL my wonderful readers,

Can you believe that it has been almost 22 mos. since the start of the COVID-19 pandemic (March 13, 2020)!? A few wks. ago, someone on my Twitter feed wrote: “Your reward for surviving the pandemic is more pandemic” (TOO real- also a BIT funny). My 2nd nephew was born- V cool! I became permanent at my job at GWU (after a long wait). I got a holiday bonus (rare in past jobs). Most importantly, I was able to get vaccinated in a timely manner (and later got the booster); I stayed healthy all year (luckily)! I cut way back on the news after the past Summer; I was a MSNBC watcher for several yrs. I don’t know how I’d have made it through this (crazy) time w/o my neighbors/friends, podcasts, and this blog (which helped me feel less anxious- NO joke).

Thanks for reading, subscribing, and sharing my blog posts!

You can also follow me on IG and/or Twitter: knightleyemma.

-Emma

UPCOMING REVIEWS:

Movies w/ Adam Driver:

Silence (2016)

The Man Who Killed Don Quixote (2018)

The Dead Don’t Die (2019)

The Report (2019)

The Last Duel (2021)

Star Trek Universe:

Star Trek IV: The Voyage Home (1986)

Star Trek VI: The Undiscovered Country (1991) – This is the final TOS movie.

Star Trek: Voyager (S7) – This is the final season.

Star Trek: Deep Space Nine (S4-7)

CURRENTLY WATCHING:

And Just Like That… – This is the SATC reboot; 5 eps are available on HBO Max. I’m most interested to see what happens w/ Seema (Sarita Choudhury), who is Carrie’s realtor and new friend.

Girls (S4) – I’m re-watching the series on HBO Max (b/c Driver is part of the ensemble).

“Star Trek: DS9” (Season 3)

Introduction

This season is a must-see for fans of Trek (Trekkies, Trekkers, or whatever you prefer)! S3 has some of my fave eps of the entire series (so far I’ve watched 6 seasons). When DS9 originally aired, I saw most of the eps in S3; my faves then were Bashir (Alexander Siddig) and Dax (Terry Farrell). Now, I’d say that Odo and Kira are my faves. There are a few eps which you can skip (check out the IMDB ratings), but this is the transitional season which will lead us to the (exciting) S4.

Episodes 1 & 2: “The Search, Parts I & 11”

Episode 3: The House Of Quark

Quark: Now I know we’re doomed.

Rom: Why, brother?

Quark: Rule of Acquisition 286: When Morn leaves, it’s all over.

Rom: There is no such rule.

Quark: There should be.

“War is good for business” is the 34th Rule of Acquisition, but the bar is almost empty; people are leaving b/c they fear the Dominion. A drunk Klingon, Kozak, refuses to pay, assaults Quark (Armin Shimerman), and dies falling on his knife! When Quark sees curious crowds outside the bar, he decides to tell everyone he killed the Klingon to increase business. He soon gets a visit from Kozak’s brother, D’Ghor, seeking confirmation he died an honorable death. Quark has to tell the truth to Kozak’s widow, Grilka (Mary Kay Adams); she kidnaps him and forces him to marry her to save the House of Kozak. Keiko has to close the station’s school b/c all the kids left.

[Quark is looking over the financial records of Kozak and D’Ghor]

Quark: Very clever… Very clever, indeed… D’Ghor has manipulated your family’s holdings, devalued the lands you hold… and he is the principal creditor on Kozak’s outstanding gambling debts. It’s no accident that your family is getting weaker and D’Ghor’s family is getting stronger, he has been systematically attacking your family’s assets for over five years now.

Grilka: [outraged] You mean D’Ghor has been scheming and plotting like a…

Quark: …Like a Ferengi.

Stephen Hawking visited the set during the filming of this ep. We see the Klingon homeworld (Qo’noS); Chancellor Gowron (Robert O’Reilly) appears for the first time in this series. Veteran ST actor Joseph Ruskin plays another Klingon- Tumek. Some astute viewers will notice that the scenes in the Great Hall echo the TNG ep Sins of The Father (1990), but w/ a comedic twist; Ronald D. Moore also wrote the teleplay for that ep. This is a fun ep, which is must-see esp. for those who are fans of the Klingons!

Quark [facing a fight to the death w/ D’Ghor]: Having me fight D’Ghor is nothing more than an execution. So, if that’s what you want, that’s what you’ll get – an execution. No honor, no glory. And when you tell your children and your grandchildren the glorious story of how you rose to power and took Grilka’s house from her, I hope you remember to tell them how you heroically killed an unarmed Ferengi half your size.

Episode 5: Second Skin

Kira (Nana Visitor) is contacted by a Alenis Grem from the Bajoran Central Archives, who’s doing research on the former Elemspur detention center. Grem has proof Kira was once detained there; also, the last remaining former inmate recognizes her, so Kira decides to travel to the Archives. She never arrives, but awakes on Cardassia looking like her enemy! She is told that she was sent as a spy to Bajor many years ago; her long-term memory was altered to avoid being found out. She is called Iliana Ghemor, daughter of legate Tekeny Ghemor (Lawrence Pressman). Though Kira rejects all this, she starts having serious doubts when Entek (Gregory Sierra) from the Obisidian Order provides convincing proof.

Garak: I’ll go along on your fool’s errand, but I want one thing to be perfectly clear: I have no intention of sacrificing my life to save yours. If it looks like we’re in danger of being captured, if there’s any sign of trouble at all, you’re on your own!

Cmdr. Sisko: Mr. Garak, I believe that’s the first completely honest thing you’ve ever said to me.

The teleplay is by Robert Hewitt Wolfe (I wrote to him on Twitter- he replied), who came over from TNG. Wolfe started writing on DS9 at age 31 (as he said in an interview on The 7th Rule YT channel); he also served as a producer. I think this is one the the best eps of S3; it’s intelligent, mysterious, and touching. We get to learn more re: the Cardassians (considered to be one of Trek’s most interesting/well-developed aliens). Garak (guest star Andrew Robinson) plays a pivotal role. There is the father-daughter story, which is very well-played by Visitor and Pressman (a veteran character actor). For perhaps the first time in her life, Kira sees that NOT all Cardassians are evil!

Episode 6: The Abandoned

Quark buys the rights to a ship from the Gamma Quadrant; a crying baby is discovered among the items! Bashir notices the boy has a V fast metabolic rate, so is growing quickly. In a few hours, he’s a teen who starts fighting on the promenade. Odo (Rene Auberjonois) is the ONLY one who is able to calm him down; Jadzia realizes he’s Jem’Hadar! When Odo hears the boy is to be examined in a Federation lab, he convinces Sisko to let him be in charge of the young man. Odo wants to try to change his nature, so he can live as a normal humanoid. Meanwhile, Sisko (Avery Brooks) invites Jake’s (Cirroc Lofton) girlfriend, Mardah, over for dinner. Since Mardah is 4 yrs older than Jake and works as a Dabo girl at Quark’s bar, Sisko is opposed to their relationship.

Director/actor Brooks saw this ep as something of a metaphorical study of racial tension and gang culture: “For me, it was very much a story about young brown men, and, to some extent, a story about a society that is responsible for the creation of a generation of young men who are feared, who are addicted, who are potential killers.” This is the first ep to refer to Jake’s literary talents; this is also the first appearance of Ketracel-white (the “missing enzyme” to which the Jem’Hadar are “addicted”). Some viewers were reminded of Hugh who had been separated from the Borg collective on TNG. I thought the A story w/ the Jem’Hadar was rather engaging; I liked the alien make-up and the action scenes.

Episode 7: Civil Defense

Rule of Acquisition #75: Home is where the heart is, but the stars are made of latinum.

O’Brien (Colm Meaney) and Jake (who has been assisting him w/ Engineering tasks) are preparing one of the ore processing units to convert it into a deuterium refinery. Sisko checks up on them, just as Jake finds a strange file in the database which can’t be deleted. O’Brien accidentally trips a Cardassian security alert, and must enter a password, but fails. Suddenly, the room’s locked down, and a recorded message from Gul Dukat (Marc Alaimo) appears on view screens, warning the “Bajoran workers” to surrender! This resembles the VOY ep Worst Case Scenario (1997); in both stories the crew trigger a computer program which they can’t to shut down which proves life-threatening.

We see Dukat express a desire for Kira, something that would return many times in the future. Here his attempt to impress her is treated as comedy. This is something which displeased Nana Visitor, who commented: “I would have liked my character to make the point that only a few years earlier, Dukat’s wanting me would have meant that he could have had me, and I wouldn’t have been able to do a thing about it. So it shouldn’t have been seen as a ‘cute’ moment. It was actually a horrifying moment, one that would make Kira feel disgust and panic. To Kira, Dukat is Hitler. She’s not ever going to get over that. She can never forgive him, and that is important to me. Kira may have started to see Cardassians as individuals, but she will always hate Dukat.”  

We also hear the first mention Quark’s cousin, Gaila (Josh Pais), who Quark is always jealous of for this wealth/status. This ep also builds upon the antagonism between Gul Dukat and Garak which was first hinted at in S2 E5 (Cardassians).

Episode 9: Defiant

Riker: Looks like you got your evening all planned. Hope you’ve got room for the unexpected.

It’s V busy on the station and Kira hasn’t even got time to read reports. Then, Starfleet requests a complete report on the computer calibration subroutine. When Bashir asks for a runabout to get medical supplies, she snaps! Bashir says Kira is overworked and orders her to rest. At Quark’s bar, she meets Cmdr. Will Riker (Jonathan Frakes) who is on his way to the pleasure planet (Risa). They chat and she seems to like him. At the end of the next day, she runs into him again; Riker asks to have a look at the Defiant. Sisko assists Gul Dukat on Cardassia Prime to prevent the ship from entering Cardassian territory.

If you’re a fan of Riker (like me), this is the story for you; even if you’re not, it’s a compelling story (written by Moore). It turns out that this is Thomas Riker; he quickly/cleverly takes over the warship! Romance (potentially) wasn’t only in the cards for Kira and Riker; two of Maquis crew- Kalita (Shannon Cochran) and Tamal (Michael Canavan) met on the DS9 set and got married a few years later. Cochran played Gen. Martok’s formidable wife (Sirella) in S6, E7 (“You Are Cordially Invited.”) TNG fans may also recognize the Obsidian Order officer Korinas (Tricia O’Neill); this actress played Capt. Garrett in S3, E5: “Yesterday’s Enterprise.” I liked how Korinas swiftly cut down Dukat. This ep really builds up tension well; we get to learn more re: the Cardassians.

Episodes 11 & 12: “Past Tense, Parts I & II”

Episode 14: Heart of Stone

Olivia [to Viola disguised as Sebastian]: I have said too much unto a heart of stone. And laid mine honor too unchary on ’t. There’s something in me that reproves my fault. But such a headstrong potent fault it is, that it but mocks reproof. -Twelfth Night (Act 3, Scene 4)

Kira and Odo are returning to DS9 in a runabout. They are coming from Prophet’s Landing (a colony close to the Cardassian border) to review security procedures. They receive a distress call from a Lissepian supply ship that was attacked by a Maquis vessel. They start to follow the Maquis; the ship lands on a moon and Kira and Odo follow the man into a V unstable cave. Kira’s foot gets stuck inside a strange crystal. While the crystal slowly encapsulates her, Odo tries to free her. Meanwhile, Nog makes a special request to Sisko. As an adult, he is compelled by Ferengi by-laws to purchase an apprenticeship from a role model. Nog wants to be the first Ferengi in Starfleet, so he asks Sisko to write a recommendation for Starfleet Academy.

I think that was an interesting direction. Somehow, Captain Nog sounds cool. -Ron Moore

Rules of Acquisition #18: A Ferengi without profit is no Ferengi at all.

It is revealed that a non-Federation citizen, in order to be admitted to the Academy, needs a reference from a command-level officer. This is the first ep in which Rom openly defies his brother Quark; this would continue in S3-4. We learn the origin of the name “Odo;” this is also the first time that he is seen handling a weapon. The ep title is taken from the Shakespeare play Twelfth Night, which also has themes of disguise and mistaken identity. Odo’s revelation that he loves Kira had been hinted at in several eps (The Collaborator and Meridian); Lwaxana Troi (who is Betazoid and telepathic) had guessed it in Fascination. Odo himself had never admitted it before! Both the A and B stories are terrific; I think I’ve seen this ep (written by Behr and Wolfe) 3x so far. I always liked the chemistry between Odo and Kira; the actors had much in common and became close friends while working on the series.

Episode 15: Destiny

A team of Cardassian scientists (incl. Tracy Scoggins; one of top contenders for Capt. Janeway on ST: VOY) comes to visit DS9 to help set up a subspace communications relay in the Gamma Quadrant. Suddenly, Vedek Yarka (Erick Avari), wants to speak with Sisko; he has a warning from the prophets. According to Trakor’s 3rd prophecy, 3 vipers (Cardassians) will return to their nest in the sky (DS9) which ultimately leads to the destruction of the Celestial Temple (the wormhole). Sisko and Kira dismiss it at first, since only 2 Cardassians scientists are coming. But, when a 3rd scientist arrives, Kira begins to worry. With more predictions coming true, Sisko must make a choice: between his Federation duties and his role as Emissary.

Gilora: It has been my experience that it…

Chief O’Brien: What? That Humans aren’t good engineers?

Gilora: No, not Humans. Males.

Chief O’Brien: I beg your pardon?

Gilora: Men just don’t seem to have a head for this sort of thing. That’s why women dominate the sciences.

Chief O’Brien: Maybe on Cardassia. But on this station, this man is Chief of Operations, and I know more about these systems than anyone, including you.

Sisko is (once again) tackling two roles- Starfleet officer and Emissary; he is not yet comfortable being a religious figure. This is the ep where we get to see “regular” Cardassians out there; two of these women (Ulani and Gilora) are scientists- professional, friendly, and have distinct personalities. The third woman (Dejar) is tough and judgmental to the others; she’s a member of the secretive spy group- the Obsidian Order!

Episode 19: Through the Looking Glass

A man looking exactly like O’Brien suddenly pokes a phaser in Sisko’s back and disappears w/ the captain through the transporter. He is taken to the Mirror Universe, where Kira and Bashir got stuck in S2. O’Brien (AKA Smiley) tells how the Mirror Sisko was the leader of a rebellion against the Klingon-Cardassian-Bajoran alliance, but he recently died. Sisko tells Smiley he’s not interested in replacing him, but his interest is piqued when he learns that a “Jennifer Sisko” (Felicia M. Bell) is alive and working for the alliance.

[Mirror Jadzia kisses Sisko]

Mirror Jadzia: That’s to let you know I missed you. [slaps him] And that’s for letting me think you were dead!

As fans know, in the Mirror Universe, clothes are more risque, the acting is over-the-top, and violence can break out anytime. Brooks was esp. happy when he read the teleplay, b/c Sisko has sex for the first time since the show began (w/ Mirror Dax and The Intendant). However, this is problematic (to our modern sensibilities) b/c Mirror Dax doesn’t know that he is a different man than her Sisko!

The raider’s corridor, transporter room, and turbolift, are redresses of the USS Defiant sets, using computer graphics from Star Trek VI: The Undiscovered Country. The lighting department had a harsh red light to make contrast to the bright white lights of “our” universe. The raider’s bridge was a redress of the runabout cockpit which served as the Maquis raider Val Jean in VOY series pilot (Caretaker). This is the second role for Tim Russ on DS9, the played the Klingon, T’Kar, in Invasive Procedures. His character role of Tuvok is a crossover from the role he played in VOY.

Episode 20: Improbable Cause & Episode 21: The Die is Cast

Garak: Never tell the same lie twice.

Garak’s shop explodes, but the tailor isn’t hurt badly; Odo immediately expects foul play. Odo asks Garak if he can think of possible suspects, but the Cardassian seems uninterested, and frustrates Odo’s investigation. Evidence of a pheromonic sensor in the bomb is found; this is a method favored by Flaxian assassins. A Flaxian had just arrived on DS9 prior to the explosion, so Odo decides to interrogate him.

Cmdr. Sisko: The question still remains, why would the Romulans want to have Garak killed?

Odo: I don’t know. Considering those uniforms of theirs, you’d think they’d appreciate a decent tailor.

I loved this joke from Odo, didn’t you? We see a new style of Tal Shiar uniform; this was Moore’s idea. After Visionary, Moore came to feel that the old style Romulan uniforms were unacceptable; he had Robert Blackman (costume designer) give the design an overhaul. Moore said: “I hated, underline hated, the Romulan costumes. Big shoulder pads, the quilting, I just loathed it. I begged, insisted, screamed, pleaded.” This was the first Star Trek two-part ep w/ different names for Part I and Part II. (There had been a 3-parter with different titles: The Homecoming, The Circle, and The Siege.)

Informant: Garak isn’t the only former operative in the Order who had an “unfortunate incident” yesterday, but he’s the luckiest. The other five didn’t survive.

Odo: Five operatives were killed yesterday?

Informant: Killed? No. Three died from “natural causes”, the other two perished in “accidents”.

Odo: Quite a coincidence.

Informant: If you believe in coincidence.

Robert Lederman and David R. Long’s original idea for this ep revolved around the punishment exacted upon Garak by the Obsidian Order for his killing of Entek in Second Skin. Garak realizes that someone is planning on assassinating him, so he blows up his own shop to ensure Odo gets involved. The producers decided to connect the ep to Defiant (to reveal what the Obsidian Order was up to in the Orias system). Joseph Ruskin (who plays The Informant who meets w/ Odo) has played the roles of Galt in TOS: The Gamesters of Triskelion, Tumek in The House of Quark and Looking for Par’Mach in all the Wrong Places, a Son’a officer in the TNG movie Star Trek Insurrection, a Vulcan master in VOY: Gravity, and an alien doctor on ENT: Broken Bow. Another veteran actor (Paul Dooley) plays Enabran Tain, the former head of the Obsidian Order and a mentor to Garak.

Enabran Tain: Always burn your bridges behind you. You never know who might be trying to follow.

The (imposing) joint Romulan-Cardassian fleet approaches DS9; Sisko is ready for a fight, but the fleet flies goes through the wormhole. We meet Col. Lovok (Leland Orser); he doesn’t seem to respect or fully trust Tain. The Tal Shiar and Obisidian Order ships are on a renegade mission to destroy the Founders’ home planet! Sisko (perhaps taking a cue from Kirk) decides to pursue them, defying Adm. Toddman’s (Leon Russom) orders to guard Bajor. Tain gives Garak his first assignment: interrogate Odo to find out more re: the Founders. Garak is given a device created by the Romulans which prevents Changelings from altering their form (yikes)!

Garak: We both value our privacy, our secrets. That’s why I know there’s something about the Founders you haven’t told anyone, something you didn’t even share with Starfleet and Commander Sisko. Hm? But you are going to tell *me*, Odo.

There are references to ancient Roman dictator Julius Caesar in this ep. The title The Die is Cast is taken from the words reportedly said by Caesar in 49 BC, as he led a legion of troops across the Rubicon River (an illegal act that started the Great Roman Civil War). Garak also quotes Shakespeare’s Julius Caesar to Tain (“I’m afraid the fault, dear Tain, is not in our stars but in ourselves”). The Changeling says to Odo at the end that the Dominion already has plans for the Klingon Empire and the Federation. This line is foreshadowing of the story arc in S4.

Odo: They’re still my people. I tried to deny it, I tried to forget. But I can’t! They’re my people, and I want to be with them, in the Great Link!

E21 is the first w/ Behr as EP; one of the major changes he made to the show was in action sequences. Space battles had to be shown onscreen more, not just referred to (as TNG had repeatedly done). We see the most number of ships (so far) in any of Trek. We see (again) that Garak isn’t a typical good guy; he’s capable of shady deeds (incl. torture). We see another side of Eddington (who reports directly to Toddman, not Sisko); he sabotages the cloaking device! The stakes are high here, the writing is very good, and also the directing is interesting (w/ some shots reminiscent of film noir).

Lovok: [just as Odo and Garak are to make their escape, Col. Lovok arrives armed with a disruptor, but he then hands Odo a PADD] You will need this in order to gain access to your Runabout.

Odo: [surprised] Why are you doing this?

Lovok: Because no Changeling has ever harmed another.

Episode 24: Shakaar

Odo: It has been my observation that one of the prices of giving people freedom of choice… is that sometimes, they make the wrong choice.

Sisko gets an urgent message from Bajor and delivers some bad news to Kira. Kalem Aprem, First Minister of the Provisional Government, has died from a heart attack. Kira is V upset to hear spiritual leader Kai Winn (Louise Fletcher) has already been appointed as successor. Kira can’t shake the feeling that giving Winn control is a mistake. Suddenly, Winn visits the station to see Kira; she has a favor to ask. Shakaar (Duncan Reghr), the leader of Kira’s resistance cell during the Cardassian occupation, refuses to return some government-loaned soil reclamators (used to detoxify soil poisoned by the Cardassians). Winn wants to use them in the Rakantha province, which was once Bajor’s most productive farmland. She thinks this will once again make export possible, increasing Bajor’s chances of being accepted into the Federation. Kira agrees to talk to Shakaar, who is now a farmer.

Shakaar: I didn’t fight the Cardassians for 25 years just so I can start shooting other Bajorans.

This ep serves as a sequel of sorts to Life Support; it contains references to the death of Vedek Bareil and the signing of the Bajoran-Cardassian Treaty. We meet Kira’s friends Furel (William Lucking) and Lupaza (Diane Salinger) for the first time; they have also become farmers and jokingly bicker like a long-term couple. We also see the Bajoran phaser rifle for the first time. Lenaris Holem (John Doman) is a leader in the civil police; he was also a freedom fighter in his day (and doesn’t want to fire on his own people).

I have met people who are obsessive and I find it fascinating to watch Kia Winn throughout the DS9 run. Her obsession over power is a cautionary tale about the power of fanaticism and watching her slow march into insanity is intriguing. -Excerpt from IMDB review

Episode 26: The Adversary

Major Kira: Well, now that you have another pip on your collar, does that mean I can’t disagree with you anymore?

Capt. Sisko: No. It just means, I’m never wrong.

Major Kira: Ah – we’ll see about that.

Sisko is (finally) promoted to captain; we see him for the last time w/ a full head of hair! We have the first appearance of several new sets on the Defiant, incl. main engineering, the mess hall and the extended corridor. This ep also has the first mention of the Tzenkethi, who fought a war against the Federation that Sisko participated in. They’re mentioned again later, but never seen onscreen. Sisko takes the Defiant to Tzenkethi space to prevent a coup-de-etat, which Ambassador Krajensky (Lawrence Pressman) said could be problematic. While working on the ship, O’Brien hears strange sounds; soon, breakdowns and mishaps start occurring. Sisko believes someone on-board is the cause of these acts of sabotage. This ep is the last time Alexander Siddig is credited as Siddig El Fadil as an actor.

Before things get quite serious/risky, I liked the light-hearted scene where Dax playfully questions Sisko re: Kasidy, who he recently met and went on a date w/ (thanks to Jake). Suddenly, there is a message (w/ heavy static) from a planet (Barisa Prime) saying they are under fire; Sisko assumes that war w/ Tzenkethi has broken out. They try to contact a nearby Federation ship (USS Ulysses), but it turns out that the communications relay isn’t working. O’Brien and Dax find parasites (w/ force fields protecting them) growing inside all the major systems of the Defiant.

Moore really liked this story b/c he considers it to be very un-Star Trek. Krajensky morphs into his true form as a Changeling and escapes into the conduits! You can’t trust anyone, since the enemy could be disguised as anyone. The non-essential crewmen are locked into their quarters. Then, Dax is knocked out, so O’Brien has more work to do. Control of the ship is gone; it’s cloaked, armed, and flying to the Tzenjethi border at high warp. Sisko declares to Kira that if O’Brien can’t regain control, he’ll have to destroy the ship (to prevent a war)!

Odo: [on using a phaser on a fellow Changeling] In the history of my people, no Changeling has ever harmed another. I’d hate to be the first.

Eddington: Apparently that Changeling doesn’t feel the same way. If we don’t stop him, no one on board will escape unharmed, including you.

Odo: You may be right. But I’ve been a Security officer most of my humanoid existence; and in all that time, I’ve never found it necessary to fire a weapon, or take a life. I don’t intend to start now.

They break off into teams of 2, armed w/ phaser rifles (modified NOT to damage equipment), and sweep the ship. The Changeling attacks a security officer (stunt coordinator Dennis Madalone) and strangles him inside a Jeffries tube! Sisko tries to follow it, then comes across a stand-off between a Bolian security officer and Kira in the corridor. Odo and Eddington come upon the scene also. Odo punches out the Bolian who was refusing to drop his phaser. Sisko decides that Bashir will test everyone’s blood to reveal who is the Changeling. Unlike humanoids, they revert to their natural gelatinous state when injured. Though we think Eddington is the one, it turns out the Changeling has morphed into Bashir (trapping the real doctor in the brig)! The Changeling escapes again inside the conduits- Odo follows him.

We learn that the ship has changed course and it heading to a Tzenkethi colony just 12 mins away. On the bridge, Sisko initiates the auto-destruct sequence, then Kira follows up; it’s set to a 10 min. counter. While O’Brien and a crewman work to get the force fields down around the Changeling, two versions of Odo appear in Engineering! Kira says that shuttlebay doors are closed and evacuation pods are locked also. Whoa, this is as tense as things can get!

The fight between Odo and the Changeling was very complicated to put together b/c of many morphing effects. There were more morphing effects in this scene than in the the rest of S3, producer Steve Oster noted. The writers decided to use the line “no changeling has ever harmed another” as an important element; this line had been heard before (The Search, Part II, Heart of Stone and The Die is Cast). Odo is very affected by the other Changeling’s death.

Odo: Captain, there’s something you need to know. The Changeling, before he… died – he whispered something to me.

Capt. Sisko: Go on.

Odo: He said…”You’re too late. We are everywhere.”

[1] This is a very tense episode with lots of surprises and twists. I also appreciated the ending when you see Odo do something you’d never expect! All in all, one of the better episodes- which is true of all the Changeling episodes.

[2] As the crew start to distrust each other and the sense of paranoia increases the atmosphere becomes more tense.

[3] Good story, good action, and good performances combine to make an open-ended season finale without a contrived or over-the-top cliffhanger.

Deep Space Nine can be great Trek when it wants to be…

-Excerpts from IMDB comments