The Bad and the Beautiful (1952)

Lana Turner
Georgia Lorrison (Lana Turner)

NOTE: This review contains MAJOR spoilers! 

This film takes some time to get going, but when it gains momentum- yowza!  Near the start of the film, ambitious movie producer Jonathan Shields (Kirk Douglas) notices potential in young actress Georgia Lorrison (Lana Turner).  Boldly, he goes over to her ratty apartment very late at night.  Georgia stumbles home drunkenly and finds him just sitting in her armchair.  Georgia is a bit shocked, but then hits on Jonathan.  (That’s how she gets parts, after all.)  He’s disgusted, letting her know that she needs to quit drinking and sleeping around, if she ever hopes for a real career.

Kirk Douglas and Lana Turner
Jonathan talks (show) biz w/ Georgia

It turns out that both of them had successful fathers.  Georgia keeps a little shrine to her father, a Hollywood legend, in one corner of her place.  At first, it’s all (show) business: Jonathan boosts up Georgia’s confidence by standing up to her detractors,  believing in her potential, and promoting her for a juicy part. 

Jonathan and Georgia have a falling out
Jonathan and Georgia have a falling out

Georgia falls deeply in love with Jonathan, but he can’t return her feelings.  They have a tremendous fight instead of celebrating their mutual success.  Georgia never works with Jonathan again, but she becomes one of Hollywood’s most sought after leading ladies.

The professor (Dick Powell) and his wife (Gloria Grahame)
The professor (Dick Powell) and his wife (Gloria Grahame)

A Southern academic, James Lee Bartlow (Dick Powell) writes a novel which becomes very popular.  Jonathan wants the author to write the screenplay for a feature film, so he invites the unassuming professor and his devoted/lovely wife, Rosemary (Gloria Grahame) to Hollywood.  To ensure that Bartlow has time to write, Jonathan plans a weekend getaway for Rosemary and a suave actor.  It goes tragically wrong, but compels Bartlow to write a book about Rosemary.  Bartlow feels that only Georgia Lorrison is capable of bringing his wife to life onscreen. 

b&b_final

In the last scene, we see a director (one of Jonathan’s business partners), actress (Georgia), and writer (Bartlow) come close to the phone to listen in on Jonathan and a studio head. They all want to be in his light (literally) once more.  Jonathan used them to get ahead in his career, but their own careers were improved because of him

Kirk Douglas is impressive as a complicated anti-hero.  Jonathan feels alive when he’s working, but after that, he goes through a troubling time.  Douglas is more than up for the challenge of this role- you can’t see the acting!  Lana Turner is much more than a (very) pretty face.  Her character goes through a transformation- from troubled B-movie actress to headliner.  Gloria Grahame’s role is small, yet pivotal.  She’s a Southern belle who loves her husband, believes in his talent, yet is awed by the glamor of Hollywood.   

Green Dolphin Street (1947)

MGM wanted June Allison to play Marguerite opposite Lana Turner.  She turned the role down because she didn’t think anybody would believe that William could prefer her to Lana.  MGM then essentially drafted Donna Reed into the role, whose misgivings were also strong (but she had no clout at the studio). 

Doona Reed as Marguerite
Donna Reed as Marguerite

On the island of St. Pierre in 1847, young adult sisters Marianne (Turner) and Marguerite (Reed) lead happy, comfortable lives as the daughters of shipping magnate Octavius Patourel (Edmund Gwenn, who played Kris Kringle in Miracle on 34th Street) and his wife Sophie (Gladys Cooper).  Marianne has a sharp mind and knows a lot about her father’s work, which he thinks is not quite ladylike.  Marguerite is more reserved and dreamy.  From afar, Marianne is loved by a young local man, Tim Haslam (Van Heflin), much to the dismay of his girlfriend.   

When new neighbors move in next door, the sisters rush over to welcome the family: Dr. Edmund Ozanne (Frank Morgan, who played the wizard in The Wizard of Oz) and his handsome son William (Roger Hart).  At first, William is not that impressed with the girls, but thinks they’re very pretty.  But in no time, the three become good friends.  

William and Marianne dream of adventure
William and Marianne dream of adventure

One day, Marianne insists on taking William out to see a large shipping vessel, The Green Dolphin.  It’s under the command of a gruff, yet kind-hearted Irishman, Captain O’Hara (Reginald Owen, who played Scrooge in A Christmas Carol).  He proudly shows the young people around his ship, and tells them a bit about his adventures.  He’s been as far away as New Zealand!  Both Marianne and William are fascinated by the thought of such a life.

Marianne with her father
Marianne with her father

Since William wants to be a sailor, Marianne convinces her father to provide the funds.  (Being a man, he can do the things she’s always dreamed of doing.)  William goes off to London for 2 years. Their families don’t realize that William and Marguerite have fallen in love; they decide to keep it a secret.  They do, however, write letters to each other.    

Lana captured Marianne’s pragmatic, incisive, ambitious nature which veils a deep-seeded vulnerability and need to be loved.  And Donna Reed was certainly lovely even next to Lana, and did well with Marguerite, who is sweet-tempered, feminine and agreeable, but not as intellectually captivating as her sister.  Marguerite is more like William.  They are both indolent, romantic and playful.  But Marianne has the drive, savvy and fortitude…  –Comment on IMDB

I’m not going to reveal too much, because I want you all to check it out!  I recommend this movie to anyone who enjoys large-scale, old-fashioned epics (such as Gone with the Wind).  However, because of its few main leads and focused theme (first love vs. love that grows over time), it seems like a small picture.  There is fine acting, sharp dialogue, and lots of character development.  I especially liked Heflin’s anti-hero character. 

Kiss the Sky (1998)

NOTE: This film is intended for mature audiences (MPAA rating: R – Restricted for audiences under the age of 17). 

I learned about this little-known film (on Amazon) when I was searching for William Petersen’s DVDs.  He’s best known for his work on the CBS hit drama, CSI: Crime Scene Investigation.  I saw him first in Young Guns II.  Petersen starred in Manhunter (1986); in To Live and Die in L.A. (1985), he worked with noted director Michael Mann.  Why didn’t he become a big star back then?  He turned down lead roles in Platoon, Goodfellas, and Heat so that he could be near his kids.

Jeff (William Petersen) and Marty (Gary Cole) Jeff (William Petersen) and Marty (Gary Cole)

Jeff, an architect (Petersen) and Marty (Gary Cole), a lawyer, are lifelong friends from L.A.  They’re both going through a mid-life crisis, feeling discontent w/ their careers (though very lucrative) and marriages.  Both also have children.  “The American Dream” has left them feeling empty.  Jeff was in an institution a while back, but is now worried for Marty’s sanity.  Marty, who studied Eastern Philosophy as an undergrad, is taking anti-depressants.  Jeff decides that they should have an adventure (like in their 20s).  He convinces Marty’s wife, Beth, to let him go.

The two men head to the city of Manila in the Philippines, then eventually to a stunning secluded island.  They meet a young Australian woman, Andy (Sheryl Lee), and a Dutchman living as a Buddhist monk, Kosen (Terence Stamp).  But even in “paradise,” they can’t escape themselves or their problems! 

Don’t read more, unless you want to know more details from, and analysis of, this film.  Comments in blue come from IMDB users. 

In the opium den In the opium den

In Manila, the men check out a manufacturing plant.  Then they party- indulging in wine, women, and… opium (whoa!)  While lying in the opium den, they hear about a very special island from an older Filipino man.  Notice how the director had them keep their heads very close together?  (Someone commented that this film is an early “bromance.”)  The two pals function more like brothers.  Jeff is charming, confident, and a fast-talker.  (His wife, Frannie, knows he’s a player.  He flirts openly with women.)  Marty is a straight-arrow; he never cheated on his wife in 20+ years.

The seduction conversation between Sheryl Lee and William Petersen has some of the best dialogue I’ve ever heard.

When Ilsa and Andy arrive at the resort, the men notice Ilsa first.  (After all, she’s Swedish and wearing a skimpy dress.)  At dinner, it’s obvious that Jeff is intrigued more by Andy.  She’s intelligent (went to Oxford and works in publishing in London), attractive (but not in a cheap/obvious fashion), and gives off that mysterious vibe.  He follows her to the night markets and they have a very interesting conversation.  Poor Marty is stuck with Ilsa, who complains all night long.

Jeff purposely guarded against falling too deeply for Andy.  He wanted to leave after their first night together because he saw in her the type of woman he could fall for.  The thing that attracted her to Jeff was his ability to detach himself.  She could see decency in him, but another part of him proved to be a challenge to her.  He tapped into that part of a woman that wants the unattainable. 

After Jeff leaves, Andy gets to know more about Marty.  He’s a good listener, unlike his buddy.  Jeff gives snappy retorts instead.  When Jeff returns, he’s surprised (and a bit angered) to know that they got together.  Then, he thinks up a solution- they can both share Andy!  She agrees to this unique arrangement, seeing it as another adventure.  The threesome frolic on the beach and swim in the gorgeous blue ocean.  Eventually, they are joined by one of her old loves, Kosen, who has been living 30 years as a Buddhist monk.  He’s composed, wise, yet humble.

This film showed how women gravitate towards Alpha males like Jeff, while though she had affection for Marty, she wasn’t drawn to him the same way…  it really rang true to me regarding relationships between men and women, expectations, how we communicate (or don’t communicate).

Jeff smiles on the beach Jeff smiles on the beach

Jeff gets an idea to build a type of getaway on the island- a haven where people can just be themselves.  They decide to cut ties with their families; Marty provides the cash ($200,000).  The local people think this is a crazy idea, but they work on it for one month.  Frannie (Patricia Charbonneau) air mails an order of separation to Jeff.  He’s quite affected to see the letters and photos of his two daughters.

Andy gets very hurt/angry after Jeff has a one-night stand with a Filipino photographer.  In the pivotal scene, Andy and Jeff have a huge falling out.  By this point, we know that Marty has fallen in love with Andy.  But she’s in love with Jeff!  Andy didn’t want to get so deeply involved, she admits in tears.  She goes back to London. 

We have to wonder: Did Jeff truly love Andy?  Andy is only 29 and has much more of life to live; she’s not in the same situation as these middle-aged men (w/ a lot of baggage).  Neither of them would’ve been right for her, anyway.

The monsoons come early- everything comes crashing down!  Jeff, who’s been living at the construction site, is devastated.  Then, he makes a decision that will surprise the audience.

Jeff hugs Marty goodbye Jeff hugs Marty goodbye

The character of Jeff, who never finishes anything, always full of doubts, is very human.

I was surprised to see that Marty was the one who went with Kosen to the monastery.  He walked away from his family, just as Buddha did as a young prince.  Cole proved that he’s not just a one-note actor, like in some of his other films.  Jeff chose to go back to his family, but the last scene showed that he was always going to be conflicted about wanting something different.  Jeff was a multi-faceted character, not a clichéd jerk.  Petersen’s acting is subtle, but it draws the viewer in!

Before Midnight, Man of Steel, & ST: Into Darkness

Before Midnight

Jesse (Ethan Hawke) & Celine (Julie Delpy)
Jesse (Ethan Hawke) & Celine (Julie Delpy)

It’s almost impossible to talk about this film w/o giving things away, but I highly recommend it (as w/ the previous 2 films)!  Jesse (Ethan Hawke) and Celine (Julie Delpy) are now a middle-aged (WOW!) couple raising 2 adorable young daughters (twins) in Paris.  This film takes place in Greece, where they’ve been vacationing.  Jesse is feeling bad after his son from his marriage, Hank, leaves to go back to Chicago.  

It takes three: Richard Linklater, Delpy, & Hawke at 2013 Tribeca Film Festival
It takes three: Richard Linklater, Delpy, & Hawke at 2013 Tribeca Film Festival

There are other actors (playing their friends/acquaintances) here, too, who are pitch perfect in their roles.  “They got serious!”  The young lady sitting beside my friend commented.   This is a film about grown-up life and real situations, and it’s refreshing to see (for a change). 

Man of Steel

Jor-El (Russell Crowe) with his baby son Kal-El
Jor-El (Russell Crowe) with his baby son Kal-El

First of all, this film is much better than Superman Returns (a debacle of a film I saw while visiting some cousins).  I don’t remember much that happened.  Secondly, that’s not high praise.  This film is about 75% action/special effects and 25% acting/dialogue.  Russell Crowe (an actor I usually love watching) does as well as he can w/ what he’s given. 

SVU fans (like me) were pleased to see Chris Meloni
SVU fans (like me) were pleased to see Chris Meloni

I also felt bad for Kevin Costner and Diane Lane, who’ve been out of the spotlight for several years now.  They barely have anything to do in this film- what a waste of talent.  Hey, Hollywood, if you want viewers to care about characters (esp. iconic ones), you need to put in more development.  We’re not all 12 y.o. old boys! 

Jonathan (Kevin Costner) & Martha Kent (Diane Lane)
Jonathan (Kevin Costner) & Martha Kent (Diane Lane)

Star Trek: Into Darkness

Spock (Zachary Quinto)
Spock (Zachary Quinto)

There’s something about Zachary Quinto (and it’s not just his large, expressive eyes)!  I noticed him first in Margin Call (a movie about Wall St. that I didn’t fully understand) a few months back.  He created a very well-rounded character- a young analyst (w/ a science background) who was bright, ambitious, yet honest.  I haven’t seen the first ST reboot film, but hope to in the near future.      

Benedict Cumberbatch
Benedict Cumberbatch

I was VERY excited to see Benedict Cumberbatch (one of my fave Brit actors) on the big screen again.  (He was in Atonement, playing another sort of villain, but that wasn’t a meaty role.)  This film was pretty good (exceeded my expectations).  Cumberbatch has some great dialogue, and just makes you feel for him/his people.  (Our “enemies” are NOT one-dimensional, after all.)  As for the action stuff, I esp. liked the scene where they navigate the asteroid field.  Check this film out.   

A critical piece on the casting of Cumberbatch