Three Must-See Classics

Daisy Kenyon (1947)

I saw this (lesser-known) film classic on Hulu a few days ago.  It’s a very smart, mature, and full-bodied movie (w/ many important themes).  Unlike some old B&W films, this one will definitely engage modern-day viewers (such as fans of Mad Men). 

 

Daisy Kenyon (Joan Crawford) is a strong,  independent-minded commercial artist living in NYC.  She has been involved for a few years w/ lawyer Dan O’Mara (Dana Andrews), who lives on Park Ave. w/ his wife and two daughters.  He’s often in the papers and travels to DC regularly to consult w/ politicians.  Dan is used to getting his own way, though he works in his father-in-law’s firm.

Daisy and Dan have broken up in the past, but they love each other.   But  Daisy refuses to live in the fancy apt. Dan has picked out for her; she wants to preserve her independence.

One night, Daisy decides to go out on a date w/ a single soldier, Peter Lapham (Henry Fonda).  He’s wondering if he should continue w/ the army or go back to designing ships.  We get the sense that Peter needs someone.  When he declares his love for Daisy, she is surprised yet intrigued.

In the meantime, Dan is off in California working on a pro-bono case. His client is a Japanese-American former GI whose farm was stolen from him while he was serving in Europe.  Daisy is very proud that Dan’s working on this case, though his father-in-law doesn’t see any merit in it.

Dan is very worried about his girls- aged 11 and 13.  His wife and his younger daughter have a very combative relationship.  Dan is appalled when he learns that his wife has hit the girl (as is Daisy).

Daisy, Dan, and Peter handle their love triangle in a very mature fashion.  There are no fistfights here!  Even after Daisy marries Peter and Dan gets a divorce, their story is not smoothed out.

 

Sunset Boulevard (1950)

I saw this film after several years and thought it had some very fine scenes ans clever/funny dialogue.  Joe Gillis (William Holden) is a Hollywood screenwriter who’s desperate for work and behind on rent.  Running from the law, he drives into the garage of a crumbling mansion owned by silent movie star Norma Desmond (Gloria Swanson).

She’s quite a character (somewhat reminiscent of Miss Favesham in Dickens’ Great Expectations),  and wants Joe to help her w/ her own screenplay.  But that’s not all she wants!  Soon, Norma is picking out new clothes for Joe, moving his meager belongings into a huge bedroom adjacent to hers, and introducing him to her old pals.

Though Norma is consumed w/ dreams of making a comeback, she’s also a very lonely woman.  Joe feels no attraction for her, but likes the cushy life she can provide.

In the meantime, Joe meets  22 y.o.  script reader- Betty (Nancy Olsen), who’s the girlfriend of an assistant director.  She’s  a pretty, smart, and optimistic woman.  Betty loved Joe’s short stories from years back and wants to adapt one into a screenplay.  She asks for Joe’s help, so he starts sneaking out of the mansion at night to write.         

 

Marty (1955)

This is a true gem of a film that viewers will be thinking/talking about for days after they see it!  Marty Piletti (Ernest Borgnine) is a stocky, unassuming, 34 y.o. Bronx butcher who’s contantly being asked (by customers and extended Italian family) why he’s not yet married.  His brothers and sisters have all married and left the family home, now shared by him and his mother.

When his mother presses him to go out on a Saturday night, Marty exclaims that he’s tired of trying to find a girl.  “Whatever girls are looking for, I don’t got it!” he concludes in frustration.  But he still goes out (to the Starlight Ballroom).     

At the ballroom, a 29 y.o. teacher from Westchester named Clara (Betsy Blair, wife of Fred Astaire) is on a date w/ a guy who’s clearly not interested.  In the course of the evening, Marty and Clara dance and chat.  Marty, who’s used “to other people telling me their problems” can’t stop talking (probably b/c he feels comfortable w/ Clara).  She keeps smiling and admits she’s having a good time, too.

Marty and Clara, though from different backgrounds, are both kind, good-hearted people.  In one particularly great scene, Marty talks about his father, who “was an ugly guy, but a great father.”  He comments that there has to be more than good looks for two people to have a long, happy marriage.  (My mom says this too!)                               

Two Reviews: “Broadcast News” & “Dr. Zhivago”

Broadcast News (1987)

This is a twist on the rom-com/inside look into the fast-paced, stressful world of news reporters and producers.  It’s smart, funny, and sensitive- a must-see!  Jane (Holly Hunter) is an energetic and passionate news producer based in DC.  Her boss, the news director, sees Jane as a rising star.  She is best friends w/ her co-worker, Aaron (Albert Brooks), a man she respects and admires for his talent and integrity.  Even though he’s a great writer/ field reporter, Aaron is underappreciated by the higher-ups at the network.  He masks his disappointment with humor.

At a conference, Jane meets Tom (William Hurt), a handsome anchorman  who fears not living up to his position.  Tom used to report on sports, but was promoted to anchor before he was ready.   Tom looks to Jane for guidance, and she’s attracted to him.  However, they have VERY different views about how to report a story!              

Working closely with Jane, Tom realizes that he has a LOT to learn.  Sure, he can present himself well, but that isn’t ALL he needs.  He quickly grows to appreciate and respect Jane for her skills. 

Tom comes up with a GREAT story (on a highly sensitive topic) on his own, impressing the entire newsroom.  Aaron is surprised, and perhaps also a little jealous, when praise is heaped upon Tom.  When rumors of budget cut-backs and firings hit the newsroom, who will come out on top? 

http://www.imdb.com/title/tt0092699/

 

Dr. Zhivago (BBC – 2002)

Even a revolution can’t keep two people apart, if they are destined to be together!  Like I wrote before, there is (usually) NOTHING better than a story about young love, IF it’s done well.  You may already be familiar with Dr. Zhivago (from the book and/or classic film); however, this BBC version is quite well done, too.  

Casting unknown actors is the right decision when remaking a classic; there is no baggage to get in the way.  Did you know Keira Knightley was only 17 y.o. when this was shot?  This is an impressive effort from her!  She expresses a LOT with just her eyes- determination, disappointment, resignation.  Hans Matheson (Tess of the D’Urbervilles; The Tudors) hits just the right notes as Yuri- an idealistic doctor/poet who yearns to do good.      

Aside from being a compelling romance, Dr. Zhivago is also about the loss of innocence.  The teenage Lara is seduced by the same powerful and wealthy man (played by Sam Neill) who spent time with her mother.  When Yuri meets Lara for the first time, she senses that he wants to protect her.  But she forlornly tells him “you are too late.”  Yet they are somehow bound, then torn apart, by forces beyond their control.

 

http://www.imdb.com/title/tt0324937/

“Design for Living” (1933)

I saw this sly, funny, and and maybe a BIT naughty (for its time) comic film recently on TCM.  It stars Gary Cooper (a TOTAL hottie as a young man- check it out), Fredric March, and Miriam Hopkins.  Two lifelong pals, a painter named George (Cooper) and a playwright named Tom (March), meet a pretty, charming blonde named Gilda (Hopkins) on a streetcar in Paris.  The buddies are BOTH instantly attracted to and intrigued by Gilda, who has a free-spirited and lively air. 

George and Tom separately get dates with Gilda, who lives in a spacious apartment and wears cute/stylish clothes.  It turns out that her former boss, the wealthy owner of an ad agency named Mr. Plunkett, is noticeably jealous of these guys.  After their respective dates, he lectures the wooers sternly.

Immorality may be fun, but it isn’t fun enough to take the place of one hundred percent virtue and three square meals a day.

Mr. Plunkett plays the role of Gilda’s “concerned friend and kind of protector,” but he’s just waiting (and spending his cash) hoping to win her himself.

George (the quick-tempered one) and Tom (the brainy one) quickly realize that they are BOTH in love with Gilda, putting their friendship at risk.  Can they just ingore her?  They try, but it DOES NOT work!   

Gilda comes over to their humble attic flat and admits that she likes them BOTH!  She can’t imagine one without the other being there, too.   

A thing happened to me that usually happens to men. You see, a man can meet two, three or four women and fall in love with all of them, and then, by a process of interesting elimination, he is able to decide which he prefers. But a woman must decide purely on instinct, guesswork, if she wants to be considered nice.

Gilda proposes a solution- they’ll live together platonically.  She can advise them about their work; she’s an art lover.  Comedy ensues out of this (unusual) relationship!

Recent views and more…

Films I’ve watched recently:

Leave Her To Heaven (1945)

This drama about obsessive love (starring one of Hollywood’s most beautiful leading ladies, Gene Tierney) was considered controversial for its time.  Novelist Richard meets a socialite (daughter of a famous chemist) on the train to New Mexico.  He is instantly struck by her beauty.  Ellen (Tierney) is in New Mexico to meet-up w/ her mother and sister, then scatter the ashes of her beloved father.  Her family invites the well-mannered/charming Richard to spend time on their spacious vacation home. 

Ellen, a strong-willed/mysterious young woman, doesn’t hide her keen interest in Richard.  In the span of a few days, they fall deeply in love.  One night, her  former fiance (Vincent Price) drops in.  Russell is a self-assured prosecutor with his eye on politics; Ellen is very cold towards him.  Her family is surprised when Ellen suddenly proposes to Richard! 

 

The Last Time I Saw Paris (1954)

This drama, focusing on the joys and sorrows of marriage and sudden wealth, stars Van Johnson, Elizabeth Taylor, Walter Pidgeon, and Donna Reed.  In the exciting aftermath of WWII, a likeable/optimistic Midwestern GI named Charles (Johnson) shares a passionate kiss with a gorgeous young woman in a Paris crowd.  At a cafe, he meets a sophisticated woman, an American named Marion (Donna Reed).  It turns out that Marion is dating one of Charles’ old friends, a Frenchman named Claude.  Marion, who’s obviously interested in Charles, invites him to her house for a party.  

At the party, Charles is happily surprised to see the woman he kissed, Marion’s fun-loving younger sister, Helen (Taylor).  Though they seem like opposites, he’s down-to-earth while she lives for parties, they quickly fall in love.  The only problem is money; Helen’s father lives above his means and Charles is merely a struggling journalist/aspiring novelist.                 

I’m currently watching:

Equal Justice

This is an early ’90s courtroom drama deaing w/ ambitious/young Pittsburgh ADAs.  You can see it on Hulu; it ran for two seasons.  The cast includes a young Sarah Jessica Parker (then just 25 y.o.), former model Debrah Farentino, and several fine character actors: Jane Kaczmarek, Jon Tenney, and Joe Morton. 

The Tudors (Season 3)

I have watched the first two episodes so far.  Henry (Jonathan Rhys Meyers) has started his married life (again) w/ Jane Seymour (Annabelle Wallis), a beautiful noblewoman who seems beyond reproach at first (b/c of her virginity, good breeding, and and mild personality).  Jane surprises and angers Henry when she speaks up for the banished Princess Mary (Sarah Bolger).  Jane quietly seeks to help women, who are “often put upon in this world.” 

There is unrest in the North (Yorkshire; Lincolnshire) as abbeys and churches (Catholic) continue to be looted and destroyed.  The clergy are disrespected and beaten, in many cases.  A group of “commons” (farmers, laborers, etc.) organize to voice their discontent.  A few nobles take on the cause.  Henry goes off on Cromwell (James Frain) when he realizes just how big the group has become.  These “pilgrims” starts marching to London, gathering more and more of supporters along the way. 

I’m currently reading:

How Starbucks Saved My Life – Michael Gates Gill

Fired after 25 yrs at one of NYC’s biggest ad agencies, the author (then in his early 60s) wonders what to do w/ his life while sitting at a Starbucks (78th & Lexington) near his childhood home.  He’s in dire need of health insurance.  Suddenly, a confident young black woman named Crystal, the manager of another Starbucks store (96th & Broadway) offers him a job.  With no other option at hand, he agrees! 

 

Three Reviews: “Paris Blues” (1961), “He Knew He Was Right” (2004), & “Two Lovers” (2008)

Paris Blues (1961)

This is a TERRIFIC, though lesser-known, Paul Newman-Joanne Woodward film.  (It was made after their marriage and birth of their first child.)  Trombone player Ram Bowen (Newman) and saxophonist Eddie Cook (Sidney Poitier) are expatriate American jazz musicians living in Paris.  They have a regular gig at a small/artsy/popular club, though Ram has a dream of being a serious composer.  Also, Ram is in a (friends w/ benefits) relationship w/ the singer/owner of the club, Marie.

The guys meet two beautiful American tourists- straight-talking jazz lover Lilian (Woodward) and socially-conscious teacher Connie (Diahann Carroll).  After Ram meets his old friend “Wild Man” Moore (Louis Armstrong) on a train, he confidantly approaches Connie.  This must’ve raised some eyebrows in ’61- a white man hitting on a black woman.  Of course, it was no big deal in France.  Ram invites her to hear him play at the club.  Connie brushes off his come-on and comments that she has a white friend with her.  Soon Lilian arrives to meet Connie; we see her keen interest in Ram.

Though Connie is suspicious of guys like Ram (“I know these jazz musicians…”), Lilian convinces her to go to the club that night.  When she hears Ram play, Lilian is visibly moved by the music.

Aside from romance, this film deals head-on with serious issues- ambition, racism, and drug abuse (one of the musicians at the club is addicted to cocaine).  The costumes, scenery, lighting, music, and dialogue are pitch perfect.  Newman and Poitier seem like two old friends; the chemistry between the two couples is almost palpable.  (As you may know, Poitier and Carroll were romantically involved at this time.)

Newman, who plays an anti-hero here, has some very good lines.  “Look, you don’t want me for what you want,” he tells Lilian directly when she shows interest in going out after a gig.  Lilian calmly comments that she’ll decide what she wants.  This is a grown-up look at love, not a fairy-tale story.  Check it out ASAP!

 

He Knew He Was Right (2004)

 

I watched this BBC miniseries for the second time recently.  Novelist Anthony Trollope was inspired to write the book by Shakespeare’s tragedy, Othello.  The main character, irrationally jealous husband Louis Trevelyan is also based on the author’s (often temperamental) father.

Louis (young Brit Oliver Dimsdale), a posh London gentleman, goes to the Canary Islands and falls quickly in love with Emily (Scotswoman Laura Fraser), the lovely daughter of the governor.  Though she is young and has never been in British society, he proposes marriage.  “He looks like a man who likes to have his way,” her father comments, though he feels it will be a very good match.  “Emily likes to have her way, too,” her concerned mother adds.

Emily and Louis settle in London and have a son.  Emily’s gorgeous young sis, Nora (Christina Cole) lives w/ them; she’s much admired by the bachelors in their circle.  But she falls for Louis’ best pal- young journalist Hugh Stanbury (Stephen Campbell Moore).  They can’t marry right away, as Hugh doesn’t come from money, is just getting started in his career, and has a mom and sisters to support out in the country.

To their friends, the Trevelyans seem to be the perfect marrieds.  But things start to go sour when Emily’s father’s old friend, and reputed playa, Colonel Osborne (Bill Nighy) enters the picture.  At a party, an older lady comments on his bad boy ways, alerting Louis.  Osborne visits Emily at the house; Louis doesn’t like this, as it could expose his wife to rumor and innuendo.  Emily, who is innocent/unspoiled like Desdemona, wonders why she shouldn’t see an old family friend.  “But I won’t see him if you forbid me to,” she eventually promises.

Osborne is refused entry to the house, but he approaches the couple while they’re out on a stroll in the park.  When the older man calls Emily by her first name, Louis gets visibly angry.  (In Victorian society, if a man called a woman by her first name, it could be inferred that he had intimate knowledge of her.)  Emily pulls Louis away, rushing towards home.  Finally, Louis decides to send Emily, his boy, and Nora to live in the country w/ the Stanbury ladies.  He rationalizes this decision by saying they’ll be “safe” there from Osborne.  Emily is stunned, but goes along w/ the plan.  (What other choice does she have?)  Her friends and family believe that Louis will soon come to his senses.

Aside from the main (dark/serious) storyline, there are several lighter ones to keep you entertained.  Nora and Hugh share a very tender love.  The eligible, soon to be titled Mr. Glascock (Raymond Coulthard), is intrigued by a forthwright American woman he meets while traveling in Italy.  Hugh’s sister, plain/serious Priscilla Stanbury (Amy Marston) doesn’t expect any beaus to come her way, but wants her kindly younger sis Dorothy (Caroline Martin) to marry.  When their rich/elderly aunt (Anna Massey) asks Dottie to become her companion, the world opens up for the good-hearted girl.

The flirtatious Reverend Gibson (Scotsman David Tennant) can’t seem to choose between three women in his town- Dottie and two vain, eager-to-marry sisters (character actresses Claudie Blakely and Fennella Woolgar).  Hilarity ensues when he decides on the wrong woman.

 

Two Lovers (2008)

Leonard Kraditor (Joaquin Phoenix), having survived heartbreak and suicide attempts, lives with his watchful (yet kindly) parents in the predominantly Russian Jewish ‘hood of Brighton Beach, Brooklyn.  He also helps out at the family laundromat, though he’s not very interested in his work; photography is his passion.  Though Leonard takes medication, we don’t know his exact illness.

One night, Michael Cohen, the man who’s going to buy the Kraditor’s business, comes over for dinner with his family.  When they are left alone, the elegant/single daughter, Sandra (Vinessa Shaw), confesses that she wanted to meet Leonard.  When she explains that she works for Pfizer, Leonard jokes that he “knows all about that.”  Sandra admires his photos; we can also tell that she’s very interested in him.  She comes across as a capable woman who could take care of the sensitive Leonard.

Leonard also happens upon his  new neighbor Michelle (Gwenyth Paltrow), who ducks into his place to escape the rebuke of her angry father.  What was he mad about?  It turns out that Michelle has an older, married lover (played by Elias Koteas).  Though we (and his observant mom, played by Isabella Rosselini) can see that Leonard has an instant crush on her, Michelle quickly comes to rely upon him.  It turns out that Michelle need a good friend- she’s battling tremendous insecurity and a drug habit.  When she calls or texts, Leonard goes running.

Leonard, Sandra, and even the troubled/rootless Michelle, will seem quite real to viewers.  They are not stereotypical Hollywood versions of people.  Often, the demons within us are worse that those found in the outside world.  We have to choose to be happy, as my mom says.