Tag: Drama

SATC: 20 Years Later

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Who hasn’t wondered if they’re a Carrie, Charlotte, Miranda, or Samantha!? The iconic HBO show (which was later shown on TBS- where I saw MOST of it) has MANY fans (incl. Beyonce- listen to lyrics in Me and My Boyfriend) and haters. Though it deals w/ modern-day dating (casual/serious), careers (high-powdered/stressful), and (eventually) LTRs and marriage, it’s anchored in something MORE solid than any of these topics- female friendship. No matter what, these four women had each other’s backs (unlike the younger/less mature ones we later saw on Girls). Michael Patrick King admitted that he intentionally limited the family members, since the four gal pals and how they relate to each other was the main focus.

From a distance, Carrie Bradshaw (Sarah Jessica Parker) had a glam life- working as a freelance writer, living in a (rent-controlled) Manhattan apt, w/ a closet filled w/ designer shoes (as well as quirky clothes). The fictional stand-in for author Candace Bushnell, Carrie (32 y.o. in the first season), was focused on her writing and finding love. She was petite, curly-haired, a bit clumsy, BUT also funny/charming. UES art curator Charlotte York (Kristin Davis) always had the dream of a traditional family. In a revealing character moment (early in S1), she incredulously asks: “How do you forget a guy you’ve slept with!?” Charlotte was V conventionally pretty/WASP and more conservative when it came to clothing, demeanor, and men. Miranda Hobbs (Cynthia Nixon- now running for governor of NY) was the litigator looking to make partner at her law firm. She was V independent, funny (in a sarcastic way), and NOT focused much on romance (some viewers call her jaded). In one ep, a senior partner assumed she was gay, so set her up w/ another woman (who turned out to be a pal). Samantha (Kim Cattral) was the publicist who boldly stated that she’d try anything once. Though the oldest of this group, she was (arguably) the MOST beautiful, confident, and adventurous (incl. w/ men). Creator Darren Star solely wanted Cattral (an icon from ’80s B-movies) for this role, though she was V reluctant. Some haters feel that Samantha “acted like a man” (whatever that means) and wasn’t “realistic.” Hmmm… that doesn’t mean real “Samanthas” don’t exist.

Though the men take a back seat on SATC, many fine (and fine looking- just being real) actors (from world of movies, TV, & theater) have been involved w/ the women. Carrie’s Achilles heel was Mr. Big (Law & Order alum Chris Noth), the emotionally distant, successful businessman she couldn’t forget… and finally married (in a movie). Frustration was the most common feeling when Carrie broke up w/ furniture-builder Aiden (John Corbett), who MANY thought was her “perfect guy.” Unlike Big, Aiden was expressive, warm, and V willing to share his life. And who can forget Jack Berger (Ron Livingston from Office Space)!? Berger (as she called him) was Carrie’s intellectual equal- a humor writer she met at their publisher’s office. They share witty banter, common thoughts, and honesty. Berger’s advice to Miranda when she questions the lack of a phone call after a first date, “He’s just not that into you,” became a part of pop culture. Berger’s and Carrie’s relationship is strained by career problems; a book deal of his falls through just as she gets a book deal to publish her columns. He breaks up with her on a Post-It (yikes).

It wasn’t a smooth road for the other gals either. Charlotte’s “knight in shining armor” Dr. Trey MacDougal (Kyle MacLachlan of Twin Peaks fame) turned out to be NOT what she expected. They met when Trey’s cab nearly missed hitting Charlotte on the street. She did what MANY women (raised w/ conservative values) have done- married in short time b/c the man was handsome, of similar heritage, w/ a successful career. After her divorce from (still a “mama’s boy”) Trey, Charlotte (unexpectedly) grew close to her attorney, Harry Goldenblatt (Evan Handler). Harry was the antithesis of what Charlotte looked for in a man: bald, pudgy, messy, sweaty, w/ blunt manners and TOO much body hair. But Charlotte fell in love w/ him, and decided to convert to Judaism, b/c it meant that she’d get to be the wife of such a good man. Miranda (perhaps an aspirational figure to young women) turned out to have a great life; she became partner, had a baby boy, bought a brownstone in Brooklyn (before it was cool) and (eventually) married Queens-raised bartender- Steve (David Eigenberg). It came as NO shock to viewers when Samantha ended up single, though she did have two LTRs w/ wealthy industrialist, Richard (James Remar), and much younger actor/waiter Smith (Jason Lewis). She also managed Smith’s acting career for a time.

Looking back, fans and critics alike MAY cringe at the lack of diversity (esp. in a show set in NYC and filmed partly at Silvercup Studios in Astoria, Queens). In S1, Samantha had an elegant/older girlfriend, Maria (played by iconic Brazilian actress Sonia Braga). Later, she dated a young hip hop mogul, Marcus, whose older sister strongly disapproved of interracial relationships. Miranda briefly dated her sports doc neighbor (played by Blair Underwood, an alum of L.A. Law). The two (recurring) gay men on the show, Carrie’s literary agent/friend Stanford (Willie Garson) and Charlotte’s event planner/friend Anthony (Mario Cantone) were drawn w/ a broad brush. At one point, the ladies set them up on a date, though they didn’t have much in common (yeah, that happens to other minorities, too).

Pygmalion (1938) starring Leslie Howard & Wendy Hiller

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This isn’t exactly like My Fair Lady (sorry, if you’re looking for that)! There are NO songs (plus or minus, depending on the viewer), it’s in B&W, and considered a more realistic version of George Bernard Shaw’s story (inspired by Greek myth of Pygmalion and Galatea). In contrast to Audrey Hepburn’s Eliza, Brit actress Wendy Hiller (who some of you may know from the beloved Canadian Anne of Avonlea mini-series) is more of a plain Jane, though tall and elegant in bearing (when she has to be). Leslie Howard’s Prof. Higgins is younger (a plus, IF you want to play up the romance angle) than Rex Harrison. His speech is less showy, more matter-of-fact, yet still cutting (esp. towards Eliza).

Howard also co-directed this film (as I learned from TCM); he’s much more than Ashley from Gone with the Wind.  Though his looks and usual style of acting are NOT my favorite, you have to respect a guy w/ such a long line of (mostly well-made) films. There are a few points in this film where my attention drifted (just being real- it’s a ’30s film after all). I think fans of this story (and classics in general) should give it a watch. 

There’s lots of women has to make their husbands drunk to make them fit to live with. -Eliza explains at tea (to Mrs. Higgins’ guests)

Walk? Not bloody likely. I’m going in a taxi. -Eliza declares to Freddy when he offers to walk her home 

Some Trivia re: the Film:

Shaw was the first person to have won both the Academy Award and the Nobel Prize. 

The first British film to use the word “bloody” in its dialogue; this word was an expletive , so considered extremely vulgar.

In the British version, Howard says “damn;” in the American one, he says “hang” or “confounded.” This was a year before David O. Selznick fought the Hays Office over permission for Clark Gable to say “Frankly, my dear, I don’t give a damn” at the end of Gone with the Wind (1939).

The scene in which Eliza accidentally swallows a marble during an elocution lesson does not appear in the original play. During rehearsals for this scene, a pained expression came over Hiller’s face; when she spat out the marbles she had in her mouth she said, “Leslie, I’ve swallowed one!” Howard replied: “Never mind, there are plenty more.” This caused such amusement among the crew that it was added to the film, then later to its musical version, My Fair Lady.

Heaven Knows, Mr. Allison (1957) starring Robert Mitchum & Deborah Kerr

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I watched his film (w/ my mom) this past week at AFI in Silver Spring, MD (theater across the street from my current apt). I’d seen it before (on TCM), BUT let’s face it- Mitchum is a big man meant for the big screen. This film was shot on location in the Caribbean (Trinidad and Tobago) in Cinemascope. This film is rightly compared to The African Queen w/ a female being a religious missionary and a hell-raising male thrown together in wartime. The African Queen was set during WWI; this film is set on a small Pacific island in WWII.

John Wayne, Kirk Douglas, Clark Gable and Marlon Brando all wanted to play, or were sought for, the part of Mr. Allison before Robert Mitchum was cast. Mitchum worried that Kerr would be like the prim characters she often played; after she swore at director John Huston during one take, Mitchum (who was in the water) almost drowned laughing. The two actors were friends until Mitchum’s death in 1997.

Deborah Kerr is a nun who hasn’t yet taken her final vows.  Being alone on the island with Mitchum is a temptation, no doubt- LOL! At that time, the Catholic church imposed strict censorship laws on films dealing with religious situations/characters. In the original book by Charles Shaw (inspiration for this film), the marine and the nun fell in love. Huston created a resolution in which the marine and nun gain strength, hope and determination from each other. There’s a great parallel between Cpl. Allison and the Sister. Each dedicated themselves to their respective vocations- he is dedicated to the Marines; she is dedicated to the Catholic Church. Mitchum shows what depth and sensitivity he could bring to a part. Kerr earned an Oscar nom! 

The script called for several Japanese-speaking officers and a company of troops to be on the island. There were no Japanese men on the islands of Trinidad and Tobago; a few who spoke the language were eventually found in an emigrant community in Brazil. For the non-speaking Japanese troops, 50 Chinese men (who worked in the restaurants and laundries of T&T) were hired. Some locals were upset b/c work didn’t get done while these men had their 15 mins of fame.

[1] If you are looking for a movie with heart and real content, this could be perfect. The acting is top-notch, as is the cinematography. The plot flows beautifully and holds your attention to the very end. 

[2] It’s the subtlety that makes this film work they way it does. 

[3] Mitchum- an actor who only really has one persona, and yet is a good actor all the same. It didn’t matter whether he was playing… he was still the same sturdy, laconic Robert Mitchum. But within that one persona, he has a full range of expressiveness and credibility. This is among his best performances.

[4] Kerr- she conveys every thought and emotion through tiny gestures, facial twitches and changes in posture. Above all, she brings a very warm and believable character out beyond the stereotype.

-Viewer comments from IMDB

The Heiress (1949) starring Olivia de Havilland & Montgomery Clift

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In the late 1800’s, the wealthy Sloper family- surgeon Dr. Austin Sloper (Ralph Richardson), his daughter Catherine (Olivia de Havilland), and the doc’s recently widowed sister- Lavinia Penniman (Miriam Hopkins)- live in a spacious house at Washington Square in Manhattan. Despite lessons in various social graces, Catherine is awkward and shy; in contrast, her deceased mother had a LOT of charm and beauty, as her father and their social circle often comment. Lavinia attempts to get her niece to be more social and hopefully meet the a suitable man to marry. Enter handsome, smooth-talking Morris Townsend (Montgomery Clift), recently returned from Europe.

Morris dances w/ Catherine at a party, NOT minding her clumsy feet, and manages to put her at ease briefly. He comes to call for several days in a row; she is surprised and nervous, even skipping out one morning hoping to avoid him. In no time, Morris declares his love to Catherine and asks to for her hand in marriage. She is thrilled, b/c she NEVER expected anything like this to happen to her. The air-headed/hopeful Lavinia (who serves as chaperone) greatly approves of the man, though cold/aloof Dr. Sloper is suspicious of Morris’ motives. The young man has potential, BUT doesn’t have a job. Above all, the father can’t fathom that a man would want the daughter that he continually puts down. Dr. Sloper, after learning more re: Morris’ character, refuses to give his permission for the marriage. Catherine, angry yet determined, forms a plan to elope ASAP. 

As one viewer wrote:

There are no easy answers in this movie. You can think Dr. Sloper is right about Morris and only wants to protect his daughter, or you can see his actions as those of a vindictive man who blames her for the death of his beloved wife (in childbirth). Morris could be a fortune hunter, or he could be a man who does care for Catherine, in his own way, and would make her happy. Or all of the above. 

After seeing The Heiress on Broadway, de Havilland approached William Wyler about directing her in a screen adaptation (which won 4 Oscars). He agreed and encouraged Paramount execs to purchase the rights from the playwrights (Ruth and Augustus Goetz) and have them also write the screenplay. They were asked to make Morris less of a villain than in the play and the original novel (Washington Square by Henry James); the studio wanted to capitalize on Clift’s reputation as a romantic lead. Wyler’s idea was to pair de Havilland with frequent co-star Errol Flynn, but studio execs favored Clift (w/ a more subtle acting style). Though Flynn and de Havilland had great chemistry, execs felt that the actor’s real-life womanizer rep would’ve worked against him.

 

 

Top 5 Shakespeare Films (or Best of The Bard Onscreen)

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1) Much Ado About Nothing (1993)

If there was just one word to describe this film, it would be “luminous.” Filmed during a Summer in Italy, the FAB cast includes Kenneth Branagh (who directed), Emma Thompson, Denzel Washington, Michael Keaton, and Keanu Reeves (whose presence is odd, yet doesn’t spoil the movie). You have the innocent/fresh-faced lovers: Hero (Kate Beckinsale- SO adorable and young) and Claudio (Robert Sean Leonard- who ages quite slowly), In contrast to this hopeful pair, there is the sharp-tongued/witty older couple: Beatrice (Thompson) and Benedick (Branagh). Her father fears that her sharp tongue will render her single for life. Benedick declares that he’ll die a bachelor, BUT his jovial friend/lord Don Perdo (Denzel- looking esp. FAB in leather pants) has other plans. Who doesn’t LOVE Denzel doing light-hearted roles!? Almost everyone (aside from Keanu- DUH!) does well w/ the (complicated) words, incl. the newbie Beckinsale. The veterans (all Brits) in the cast add authenticity and Keaton brings in eccentric humor. Aside from the gorgeous scenery, the music (composed by Patrick Doyle) is amazing (I had the CD back in the day).

2) A Midsummer Night’s Dream (1999)

This is another visually gorgeous film (w/ a talented cast from BOTH sides of the pond), though NOT as seamless as Much Ado (also a popular comedy). There are several pairs of lovers, incl. fairies: Oberon (Rupert Everett) and Titania (Michelle Pfeiffer) and humans: Lysander (Dominic West- famed for The Wire) and Hermia (Anna Friel- Brit stage actress); Demetrius (the FAB Christian Bale) and Helena (American TV darling Calista Flockhart); Theseus (character actor David Strathairn) and Hippolyta (Frenchwoman Sophie Marceau). The naughty fairy, Puck, is played by the always great Stanley Tucci (FYI: he even published an Italian-American cookbook a few yrs back- WOW!) I really liked Kevin Kline’s portrayal of Bottom (the weaver who wants to play every part in the play- LOL). Kline is a theater pro, just like Denzel (and it shows). Pfeiffer admitted that she never understood Shakespeare, BUT hey, she does a good job (w/ the best costumes/hair).   

3) Titus (1999)

This movie is NOT for the faint of heart- it’s one of The Bard’s bloodiest tales come alive (thanks to Broadway’s Julie Taymor). Come for the spectacle, BUT stay for the (terrific) acting from a cast that includes Americans, Canadians, Brits, and Scots. Anthony Hopkins is in the title role of the war-weary Roman general, Titus Andronicus, who has captured the queen of the Goths, Tamora (Jessica Lange), her three sons, and her secret/Moorish lover, Aaron (Harry Lennix). Though Tamora begs for his life, her eldest son is slaughtered; Titus, who lost MANY sons of his own during years of battle, shows no mercy.

Tamora vows revenge against Titus and his kin, along w/ her other sons: Demetrius (Matthew Rhys) and Chiron (Jonathan Rhys Meyers). Titus’ household includes his kind-hearted brother, Marcus (Colm Feore), his remaining sons: the grown-up/practical Lucius (Angus MacFadyen) and a pre-teen boy, and his only daughter-sweet/innocent- Lavinia (Laura Fraser). She is in love w/ Bassanius (James Frain), an honorable young man running to become ruler of this city against the vain Saturninus (Alan Cumming). Titus’ family become outcasts when Tamora (who is BOTH smart & gorgeous) convinces the new/gullible emperor, Saturninus (Alan Cumming), to marry and ally w/ her family. Who knew that Lange could be SO wonderfully evil!? I loved her chemistry w/ everyone, incl. Lennix (who worked as a teacher before getting into film). Fraser impressed me a LOT also; you hear NO hint of her (real-life) thick Scottish accent.

4) Romeo & Juliet (1996)

The actor who really sells this Baz Luhrmann adaptation is Claire Danes (great at ANY age)! Sure, Leo was the draw for the younger gen, BUT she is the one who raises the game w/ her interpretation of an innocent teen girl in love for the first time. Even is you’re NOT a fan of modernized Shakespeare, give this one a chance (IF you already haven’t). I know MANY high schools are using it to appeal to teens. 

5) Twelfth Night, or What You Will (1996)

Some of you may NOT have seen this film from Brit director Trevor Nunn (which is shot in Ireland and England), BUT it features two strong female performances. A young foreign noblewoman disguised as servant boy, Viola (Imogen Stubbs), unwittingly sparks the interest of a noblewoman from Illyria, Olivia (Helena Bonham Carter). Gender confusion is a common theme in Shakespeare; in The Merchant of Venice, a woman even disguises herself as a male lawyer and wins a court case for the man she wishes to marry. Viola finds herself falling for her boss, Duke Orsino (Tody Stephens- still looking cute w/ quirky facial hair) who pursues Olivia, though she spurns all men (b/c mourning her brother). Look out for Sir Ben Kingsley in the supporting role of Feste, the fool in Orsino’s court.