Tag: Identity

Quick Reviews of the Indiana Jones Movies

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Indiana Jones and the Raiders of the Lost Ark (1981) starring Harrison Ford & Karen Allen

Indiana Jones – the new hero from the creators of JAWS and STAR WARS. -Tagline

In 1936, archaeologist and adventurer Indiana Jones is hired by the U.S. government to find the Ark of the Covenant before the Nazis can obtain its awesome powers. -Synopsis

This past month, I’ve been binge-listening to The Fordcast, a V fun/informative podcast re: career of actor Harrison Ford. I have been (re-watching) some of his (’80s & ’90s) movies. The 1st of the Indiana Jones movies is considered “one of the 1st Summer blockbusters” (after Jaws); it was directed by Steven Spielberg and story is credited to his friends/frequent collaborators (George Lucas- who created Indy, Lawrence Kasdan, and Phillip Kaufman). The music (which suits the action/adventure V well) was composed by John Williams. Long-time fans (according to what I’ve read online) consider it to be the best (or 2nd) best of the franchise. I saw this movie (on network TV) many yrs ago; I didn’t recall much about the plot. I re-watched it last month and had a LOT of fun! In the title role, Ford has a LOT more to do than in the (also iconic) Star Wars franchise. Indy’s (buttoned-up) professor is almost like a different man from his (risk-taking) adventurer; I was reminded of the Clark Kent/Superman dichotomy. Ford was NOT considered “conventionally handsome” (when he went to auditions early in his career). I’m guessing that he was the (rare) male actor who wasn’t vain.

Marion: You’re not the man I knew ten years ago.

Indy: It’s not the years, honey, it’s the mileage.

Indy’s line to Marion (smart, independent, and sassy) when they are on the ship (see above) was ad-libbed by Ford. Marion (Karen Allen) returns in a later film; she’s considered to be the “true love” of Indy’s life. In the opening of the story, we see a (young/slim) Alfred Molina. Indy’s Egyptian friend, Sallah (John Rhys-Davies), will be seen in later movies also; many know him from the LOTR trilogy. The posh/British dean at Indy’s college, Marcus Brody (Denholm Elliott), will be recognizable to period drama fans; he appeared in A Room with a View (1985) and Maurice (1986). The famous scene in which Indy shoots the swordsman was NOT in the script. Ford was supposed to use his whip to get the sword out of his attacker’s hands, BUT the food poisoning he (and the rest of the crew) had gotten made him too sick to perform the stunt. After several tries, Ford suggested “shooting the sucker;” Spielberg liked the idea!

Indiana Jones and the Temple of Doom (1984) starring Harrison Ford, Kate Capshaw, & Ke Huy Quan

In 1935, Indiana Jones is tasked by Indian villagers with reclaiming a rock stolen from them by a secret cult beneath the catacombs of an ancient palace. -Synopsis

Indy: [groping desperately down Willie’s dress] Where’s the antidote?
Willie: Oh, listen, I just met you! Oh, I’m not that kind of girl…
Short Round: Hey, Dr. Jones, no time for love. We’ve got company.

A LOT of (younger) ppl are discussing this movie lately; Ke Huy Quan (Short Round), has received many awards for his role in Everything Everywhere All At Once (2022). His mom saw an ad in the newspaper looking for child actors; Quan (aged 12 in this movie) got an audition! The Chinese-American actor (who worked mostly as a stuntman) appeared in another famous movie- The Goonies (1985). Spielberg and his wife, Kate Capshaw (Willie), met and fell in love during production. Quan does a good job w/ what he is given (though he never acted before); he later said “I was just a kid having fun.”

This is NOT a V effective film (aside from a few scenes of action and humor). The pacing is NOT good; it drags in many places. Worst of all, there are stereotypes and MANY problematic elements involving POC (most notable those playing Indians). I don’t know what the co-writers (William Huyck and Gloria Katz) or producers were thinking! Indie film fans may recognize Roshan Seth; he is a fine character actor known internationally. Amrish Puri shaved his head for the role of Mola Ram (the main baddie here); he kept that look and became one of India’s most popular film villains. Women/girls will NOT be amused; Willie (the singer) is characterized as a shallow, nearly helpless, and complaining re: everything; Capshaw later admitted that the role was “mostly screeching.” For the bug chamber scene, Capshaw was covered w/ over 2,000 insects; she took sedatives to get over her initial fear, and said “they definitely worked.” There is a shirtless scene in the cave; Ford (who is looking esp. fit) worked out using the Body by Jake program. Y’all remember all the exercise crazes we had in the ’80s!?

Indiana Jones and the Last Crusade (1989) starring Harrison Ford, Sean Connery, & Alison Doody

Have the adventure of your life keeping up with the Joneses. -Tagline

In 1938, after his father goes missing while pursuing the Holy Grail, Indiana Jones finds himself up against the Nazis again to stop them from obtaining its powers. -Synopsis

I consider this to the best of the franchise; it was enjoyable from start to finish! The opening (flashback) is terrific; we see a teenaged Boy Scout, Indy (River Phoenix), facing off against some big/tough men attempting to steal artifacts in a cave. Phoenix (older brother to Joaquin who died in ’93) played Ford’s son in The Mosquito Coast (1986); the older actor recommended him for young Indy. Though they are NOT that far off in age, Ford and Connery make a great duo. If you weren’t impressed w/ Connery much before, check this movie out! Did anyone recall the 23 y.o. actress Alison Doody (Elsa)? She’s Irish, worked as a model in the ’80s, and went on to work as a painter. Doody recently had a baddie role in the Indian hit movie RRR (2022).

Prof. Henry Jones: [accidentally shoots their own plane with the machine gun]
Indy: Dad, are we hit?
Prof. Henry Jones: More or less. Son, I’m sorry. They got us.

Ford cut his chin in a car accident in SoCal when he was 20 y.o. This cut is explained by young Indy cutting his chin w/ a whip. As w/ the other movies in this franchise, Ford did many of his own stunts. According to his stunt double, Vic Armstrong, he had to pull Ford to one side and ask him to let him “do some work”- LOL! Armstrong commented: “If he wasn’t such a great actor, he would have made a really great stuntman.” Most of the uniforms worn by the Nazis in the Berlin book-burning scene are real WWII uniforms, not copies. I learned that 2,000 rats were bred for this production; this was necessary, as ordinary rats would have been riddled w/ disease- wow!

Indiana Jones and the Kingdom of the Crystal Skull (2008) starring Harrison Ford, Cate Blanchett, Shia LaBeouf, Ray Winstone, & Karen Allen

In 1957, Indiana Jones becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls. -Synopsis

Indy: What’s your mom’s name again?

Mutt: Mary. Mary Williams. You remember her?

Indy: There’ve been a lot of Marys, kid.

Mutt: [jolts up from chair] Shut up! That’s my mother you’re talking about! All right? That’s my mother.

Indy: You don’t have to get sore all the time just to prove how tough you are.

I heard that it was (mostly) bad- and yup- those critics/viewers were right! Here we see that even the FAB Cate Blanchett (who plays an Eastern European villain) didn’t “hit it out of the park” every time. Of course, some ppl will be avoiding this movie b/c of (the problematic IRL) LaBeouf. The CGI looks dated, too. Ford convinced David Koepp (co-writer) to incl. some jokes re: Indy’s age in the script, believing they’d help reduce the “American paranoia about aging.” He also refused to dye his hair for the role, arguing Indy’s appeal wasn’t in his youth, BUT in his imagination and resourcefulness. I had assumed (when I was younger) that The Last Crusade would be the final of this franchise.

Spoiler-Free Reviews of Two Indies (2023): “Polite Society” & “Joyland”

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Polite Society

A merry mash up of sisterly affection, parental disappointment and bold action, Polite Society follows martial artist-in-training Ria Khan who believes she must save her older sister Lena from her impending marriage. After enlisting the help of her friends, Ria attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood.

-Synopsis (Focus Features)

Are you a fan of the (genre-defying) indie hit Everything Everywhere All at Once (2022) directed by the Daniels? Then, THIS is the next film (written/directed by a young woman- Nida Manzoor) is for you! Polite Society is an unique blend of action (incl. martial arts) and comedy w/ domestic drama and horror elements mixed in. A modern-day British Pakistani teen, Ria (Priya Kansara), aspires to be a stuntwoman like her idol Eunice Huthart (recently a stunt coordinator on Star Wars and Marvel movies IRL). Her parents, teachers, and peers are skeptical about her ambition. However, Ria is supported by her older sister, Lena (Ritu Arya), who left art school and is back home wondering what to do next. In their community of British Asians, there is a wealthy woman w/ a (single/doctor) son named Salim; when he meets Lena, they quickly hit it off. Ria is NOT so happy to see her sis dating (and maybe falling for) this man.

Joyland

The youngest son in a traditional Pakistani family takes a job as a backup dancer in a Bollywood-style burlesque and quickly becomes infatuated with the strong-willed trans woman who runs the show.

-Synopsis

I heard re: this film while watching the Independent Spirit Awards (which streamed on YT this Spring). The young director/co-writer, Saim Siddiq, was applauded for Joyland (his 1st feature film). The movie was originally banned in Pakistan, but the censors later cleared it; a ban remains in Punjab, (where the story is set). During an interview at Cannes w/ an Indian film critic, Siddiq said that he edited parts out for his native country: “though most directors would not allow it, I wanted this to be seen by a broad audience.” The film got an 8 min. long standing ovation at Cannes. It is Pakistan’s submission to the 95th Academy Awards. As one of the programmers at TIFF (a Canadian Indian young man) commented, this is “a story of family, desire, and who gets to express that desire.” It is the type of restrained story that is rare to see today; there isn’t much music (therefore no pushing to elicit emotions from the audience). Siddiq chose to use silence a LOT, as he felt that was more powerful.

In modern-day Lahore, a quiet/unassuming young man, Haider (Ali Junejo), serves the (unofficial) caretaker in his “joint family.” At first, you may think of him as a bystander in his own life. His wife, Mumtaz (Rasti Farooq- close friend/classmate of Siddiq), works at a beauty salon. The head of the household is Haider’s elderly father; he is a widower who uses a wheelchair. Haider’s older brother (Saleem) and his wife (Nucchi) have 3 young daughters; they’re expecting another baby soon (perhaps a son). After several yrs. w/o a job, Haider gets an interview at an “erotic theatre” (part of an amusement park- “Joyland”). A confident/fast-talking trans woman, Biba (Alina Khan), is one of the dancers; she also choreographs the routines. Biba needs 6 men to be her back-up dancers; Haider is NOT naturally a dancer, BUT the pay is V good.

“The Last Seduction” (1994) starring Linda Fiorentino, Peter Berg, & Bill Pullman

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Most People Have a Dark Side. She Had Nothing Else. -A tagline for the film

Bridget Gregory (Lina Fiorentino) has a lot going for her: she’s beautiful, intelligent, and married to a doctor in NYC. But, as her husband Clay (Bill Pullman- in a rare sketchy role) discovers, all of this is NOT enough. After persuading Clay to sell medicinal cocaine to some drug-dealers, she takes off w/ the money ($700K) and goes undercover (calling herself Wendy Kroy) in a small town upstate. Since Clay must pay off a loan shark who will otherwise injure him, he sends private detectives after her, trying to get the money. Bridget meets Mike Swale (Peter Berg- who became a director), a naive local who works as a claims adjuster; he falls for her fast and hard. She devises a plan to get rid of Clay- once and for all.

Frank Griffith (Bridget’s lawyer): Anyone check you for a heartbeat recently?

Director John Dahl initially saw this movie as more of a dark comedy than film noir. An early draft of the script was told from Mike’s POV. According to an interview w/ screenwriter Steve Barancik in Creative Screenwriting, ITC Entertainment execs thought The Last Seduction would be a typical “Skin-e-max” movie (seen on premium cable). One exec was upset when he viewed a scene in which Fiorentino wore a pair of suspenders instead of being totally topless. When viewing the dailies of the scene, the exec asked, “Are we making an art movie?!” He demanded that the scene be cut and made the main cast/crew pledge that they had no “artistic pretensions.” LOL! There are elements that look fresh, BUT a few outdated (possibly offensive) scenes.

Bridget Gregory: You’re my designated f**k.

Mike Swale: Designated f**k? Do they make cards for that? What if I want to be more than your designated f**k?

Bridget Gregory: Then I’ll designate someone else.

What I remember most about it was we were shooting it at the end of the night. We never got a chance to talk about how we were going to do it. By the time we got outside to shoot, it was like 5AM in the morning and the sun was coming up. We had no plan and I didn’t want to do something that looked embarrassing or stupid. I didn’t want to appear to be just this designated sex-toy without some plan. I was suggesting that we maybe come back another day to shoot. John Dahl was upset because he knew he didn’t have the time to come back, and I was being all nervous, and Linda was just smoking a cigarette, watching. After about ten minutes of me rambling on, she threw down the cigarette, looked at me, told me to shut the f**k up, take my pants down, and get up against the fence. She said, “John, get a camera,” and she climbed up on me against that fence and told John Dahl to shoot it, and that was the scene. She thought of it, she conceived it, she executed it. It was awesome. -Peter Berg, on the (infamous) chain-link fence scene

Bridget is a rare lead for Hollywood, as she’s an unapologetic female baddie character. She knows how to take charge at work and in the bedroom (or wherever she hooks up w/ men). Fans of Double Indemnity (one of the most well-known noir films) will notice homages here, esp. the hairstyle (long bob) worn by Bridget and the insurance angle. This was #5 on Roger Ebert’s list of the Best Films of 1994. Fiorentino was widely praised by critics, BUT was denied an Academy Award nom b/c this movie came out on TV (HBO) before its theatrical release. In today’s media landscape, we see the lines blurring btwn TV and movies. After its theatrical releases, movies (usually) will go to a streaming platform. This movie is available on several apps, incl. Freevee and PlutoTV.

[1] It’s surprisingly funny at times. It’s all attitude and Fiorentino is dripping in it. Her dialogue is neo-noir and snappy. I love the dark turns and her glee with making those turns.

[2] The plot is intricate with many twists and turns. The dialogue sounds like it came from a 1940s noir (updated with swearing) but this isn’t anything like those movies.

[3] Pullman was great as the reaper of retribution intent on giving evil for evil. Peter Berg may have stolen the show with his total inability to say no to his own destruction. It was hard to believe the abyss of stupidity these 2 dopes had the capacity to plumb. Guess that’s what happens when the little head takes over the thought processes for the big head, eh? The picture started out a little slow, but developed into a real blowout with a jaw dropping finale.

-Excerpts from IMDb reviews

Women, Power, & Desire: “Impulse” (1990) & “Body of Evidence” (1992)

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Impact (1990) starring Theresa Russell, Jeff Fahey, & George Dzundza

She’s an undercover cop. Seduced by a fantasy. Trapped in a mystery. Led by a dangerous impulse. It’s easy to lose control. -Taglines for the film

This is a psychological thriller co-written by a woman (Leigh Chapman) and directed by a woman- Sondra Locke (who had a palimony suit against Clint Eastwood while making this film). I learned re: Locke’s and Eastwood’s (turbulent) relationship on a recent ep of the podcast You Must Remember This (hosted by Karina Longworth). Yikes, Eastwood does NOT come out looking good! It was V difficult for Locke (who worked as an actress on Eastwood’s projects) to get funding for this small-budget movie (distributed by Warner Bros). In some ways, it’s ahead of it’s time!

Lottie Mason (Russell) is an undercover cop in the LAPD; she’s tall, blonde, and tough (ONLY trusts in herself). Her boss, Lt. Joe Morgan (Dzundza), has been sexually harassing her; we learn this in an early scene. Her bills are piling up and she is TOO invested in her job. While Lottie is helping an ADA- Stan (Fahey)- set-up a drug buy w/ a witness he needs for a case, they become romantically involved. They have a love scene which is unusual for that era, as it’s mainly re: intense gazes (which build tension).

It’s rare (even today) to see a movie centered on a female cop; it has become common on TV/streaming shows. Impulse is gritty, moody, and Russell is believable as a street-smart/independent-minded woman (w/ a hidden soft side). Lottie’s nights of dealing w/ lowlifes has affected her personal life; her Vice assignments incl. impersonating streetwalkers and junkies. She has mandated therapy sessions w/ Dr. Gardner (Lynn Thigpen), where she admits to having a fantasy of losing control and acting on (darker) impulses. Though some viewers felt it was a BIT slow, I think fans of the noir genre or cop dramas may like it. Both Gene Siskel and Roger Ebert called this “a V good thriller.” You can see it on Freevee.)

Body of Evidence (1992) starring Madonna & Willem Dafoe

An act of love, or an act of murder? -Tagline for the film

An elderly millionaire in Portland is found dead of heart failure handcuffed to his bed; a home video of him and a woman is running in the background. When cocaine is found in his system, and his will leaves $8 million to this woman (his lover)- Rebecca Carlson (Madonna)- police arrest her on suspicion of murder. Her lawyer, Frank Dulaney (Dafoe), succumbs to her charms and they start a (reckless) affair. As new evidence turns up during trial, Frank begins to wonder if he’s defending a murderer. (I saw the R-rated version on Freevee; many yrs. ago, I saw it on cable.)

Frank Dulaney: It’s not a crime to be a great lay!

Robert Garrett: Well, sure. l’d have to have myself indicted.

Body of Evidence is often (negatively) compared to Basic Instinct; shooting began only 2 weeks after that film was released, so the similarities are probably coincidental. However, the huge success of Paul Verhoeven’s film could still have influenced the direction and editing. Madonna met w/ a (real-life) dominatrix, who taught her how to tie someone’s arms behind their back using a belt. Dafoe attended a criminal trial; it was interrupted when several people (incl. the judge and many jurors) recognized him and wanted to talk. This is on Roger Ebert’s 2005 list of his most hated films. If you enjoy comedy podcasts, check out the ep reviewing this movie on How Did This Get Made?

Frank Dulaney: Counsel for the Prosecution has already used this witness to establish the state of mind of the deceased. He opened the can, Your Honor.

Judge Burnham: And I do see worms crawling all around you, Mr. Garrett.

Madonna was the 1st choice to play Rebecca; producer Dino De Laurentiis purchased the script b/c he believed it was the perfect role for her. She has short/platinum hair, V pale (unflattering) makeup, red lipstick, and designer clothes. Madonna personally selected Dafoe as her co-star, BUT they have no romantic chemistry together! As many filmmakers have noted over the yrs, casting is V important. Also, where is the development of the characters!? Frank seems eager (quite early on) to do what Rebecca prefers. In one of the (later) steamy scenes, Dafoe looks hesitant (as if performing a chore). Madonna’s acting coach quit just before production began, claiming that “she thinks she knows everything.” As this movie will show, she is a V limited actress. The dialogue given to her is NO help at all! The movie’s (German) director, Uli Edel, said Madonna refused to be directed in the sex scenes. She insisted on pouring (real/hot) wax on Dafoe’s chest in (perhaps the most controversial) scene- ouch! To y’all younger gen viewers, little of this content will look daring.

I was too young to know better. It was the first time I’d been asked to get naked and it turned out to be completely extraneous and gratuitous. Ugh. It was a terrible film and a terrible performance by me. It was about nothing, and I didn’t need to be doing it. -Julianne Moore

Joe Mantegna (who plays prosecutor Robert Garrett) said filming the courtroom scenes was so tedious that 2 extras (jurors) fell asleep during Dafoe’s closing statement. Mantegna (always reliable) yelled at them to wake them up- LOL! The director doesn’t know how to make the trial visually interesting. The judge has lines which (in retrospect) are sassy/funny. Anne Archer does OK what little she is given. A young Julianne Moore plays Sharon (Frank’s wife); she runs a successful restaurant and is mom to a preteen son (seen in just one scene). Moore (who can tackle any role) later said she regretted taking this on; she was then new to movies. Frank Langella has a small/pivotal role as a man from Rebecca’s past. One of Madonna’s besties (actress Sandra Bernhard) was heard laughing at the premiere, commenting: “This is not a serious movie!”

[1] It is both as bad as you remember it, but somehow endlessly entertaining.

[2] The movie goes from the ridiculous to the sublime and every thing else in between, and by the time the movie is over, you feel like you went over Niagara Falls on a surf board.

[3] The courtroom and crime scenes is just background to what the movie is, Madonna in the bedroom.

[4] …might have been much more fun had it the slightest sense of humor. Alas, all the laughs here are unintentional, and the straight-faced actors just end up looking foolish. […] For camp-addicts, a hoot; all others beware.

-Excerpts from IMDb reviews

“The Outsider” (2002) starring Naomi Watts & Tim Daly

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Have y’all seen anything on Freevee? A few weekends ago, I came across this movie (which originally aired on Showtime). The Outsider (based on the novel by Penelope Williamson) is a Western/drama/romance set in the late 1880s; it was filmed in Australia. It is centered on the (forbidden) love btwn a widowed mother, Rebecca Yoder (Naomi Watts), from a (Mennonite-like) group and a gunslinger, Johnny Gault (Tim Daly), who she takes into her house after he is shot. Noah (Keth Carradine) is Rebecca’s friend/neighbor; he is a widower w/ a teen son. The community’s doctor is played by his (real-life) older brother, David Carradine. Fans of the LOTR trilogy will recognize the main villain, Mr. Hunter (John Noble- a veteran Aussie actor). The director (Randa Haines) has worked on several critically-acclaimed films.

This is NOT the typical (shoot ’em up) Western, though there are scenes of action. The scenery is V nice, though the sets, costumes, etc. are simple. Rebecca’s community members are called “the plain people” and they avoid confrontation and violence. In an early scene, we see what lead to the death of her husband. The townspeople try to take advantage of this peaceful community sometimes. The worst one of all is Mr. Hunter, a powerful/feared man who wants to expand his land holdings. About a year later, a man dressed in dusty/dark clothes stumbles onto her land w/ a bullet lodged in his gut. Quickly, Rebecca and her young son (Benjo) take him into their log cabin. Rebecca is shocked when she unwraps the guns, knives, and bullets that this man carried on his person. We wonder if this is a good man or one that is a criminal (who could cause her harm)! The doctor removes the bullet and predicts that the outsider will die soon. However, Rebecca is NOT convinced; she prays for his life and helps him recover (going out of her way).

Why would anyone want to cover up something so beautiful? -Johnny asks Rebecca (who covers her hair)

After a rocky start, Rebecca and Johnny get to know each other as he heals. She’s pleasantly surprised to know that he knows the Bible. Johnny appreciates her humor and humanity. Rebecca is more of a spiritual person; her view of religion consists of everything around her. When Johnny is chastised for playing music, he is playful/teasing w/ Rebecca, not angry. It turns out that Rebecca loves music, BUT it’s not allowed by her people. Rebecca is attracted to Johnny b/c he appreciates who she is. Yes, there are (typical) tropes you find in romance novels, BUT there are scenes that feel fresh and non-cliched. Even today, there are NOT many movies that focus on women’s desire! Watts (who is an Aussie) would go on to some big roles; she always gives a fine performance. Daly (an American; then known for light/comedic roles) gets to show his versatility. They have great chemistry together!

[1] Every so often, a movie comes along with an inspiring cast, a beautiful setting, dialogue that sounds like people talking, foreshadow that makes sense and characters that emote deep sympathy.

[2] For anyone that loves reading a good romance novel, this is the movie for you. […] Sexy, intelligent, believable characters, and a smoldering chemistry…

Tim Daly is fantastic in this film. …his character has a variety of facets which are explored in a realistic way.

[3] Tim Daly – who I had always considered as an actor in light comedy – was extremely impressive as a dark, possibly evil, character. In a movie that could have been just a mixture of Shane/Witness, it brought something new and impelling. It made you care…

-Excerpts from IMDb reviews