Countdown to #Halloween: “Bug” (2006) starring Ashley Judd, Michael Shannon, & Harry Connick, Jr.

First they send in their drone… then they find their queen.

Paranoia is contagious.

-Taglines for the movie

I’ve always thought that Bug was a love story. It’s a love story between two intensely-damaged individuals… but it’s not called ‘Love Story,’ its called ‘Bug,’ so it’s probably about some other things, too. Namely, bugs. -Michael Shannon (actor) in behind-the-scenes video of the movie

Agnes (Ashley Judd) is a lonely waitress working in a lesbian bar. She lives in a grimy/rundown motel somewhere in rural Oklahoma. Her lesbian co-worker/friend, R.C. (Lynn Collins), introduces her to a quiet drifter, Peter (Michael Shannon). The woman talk, drink, and do some cocaine. After R.C. is called away, Agnes and Peter get to know each other. The next morning, Agnes’ violent/ex-con husband, Goss (Harry Connick, Jr.) suddenly appears. We learning of a great tragedy in Agnes’ past; she’s tired of being alone. She starts a romance w/ Peter, even though she knows V little about him. Peter (who could be in trouble for going AWOL from the military) thinks that there are bugs infecting the motel.

This low-budget horror (streaming free on various platforms) was shot in July/August of 2005 in Southern Louisiana; it wrapped up only a week before Hurricane Katrina hit. The apt. set was built inside a H.S. gym. Ironically, many of the crew members got rashes from bed bugs in their hotel rooms! Bug was originally a play written by Tracy Letts; Shannon (in his breakout role) had played Peter onstage for several years. Judd hadn’t acted for 2 yrs. when she got the script; she’d been doing work w/ the U.N. According to Collins (a classically-trained actress), director William Friedkin (who passed away this year) never took more than 4 takes. Friedkin said that this film is re: the widespread “infection” of paranoia everyone has, esp. the fear of terrorism. He thought that Peter is someone who could become a terrorist- the mentally unstable loner, out in the middle of nowhere.

[1] “Bug” is, at its core, a cautionary tale about the dangers of isolation and loneliness, compounded by drug and alcohol abuse.

[2] I thought this was an effective movie about paranoia and the human mental condition. It also shows to what lengths some people will go to not be alone anymore.

[3] “Bug” actually reminds me of the first Friedkin movies, also based on plays and more interested in character study than spectacular effects. It’s all the more striking that “Bug” looks like a young man’s movie, filled with energy, experimentation, absurd humor and a genuine sense of artistic freedom.

[4] I have to say that this was an incredibly disturbing psychological thriller that really freaked me out. I mean, these performances were absolutely amazing, most people are raving about Ashley Judd’s performance, but what about Michael Shannon? In my opinion, he had the best performance, he was so intense and he really draws you into the scene and the story.

-Excerpts from IMDb reviews

“The Handmaiden” (2016) directed by Park Chan-wook

Are you a fan of erotic thrillers (which were prominent in the ’80s-’90s)? Though this is a historical drama, you’ll find elements of the erotic thriller genre. As you may’ve noticed from ads/trailers, there is a love triangle (yet w/ an unexpected twist). This is one of those films where the less you know going in, the better! It is truly unlike anything I’ve seen before; some viewers said they needed to watch it 2x to get everything that’s going on. The story is divided into 3 chapters w/ each told from a different character’s POV. The film may be 2.5 hrs. long, BUT I hardly moved from my seat! The themes are quite relevant to our world: greed (lust for money), gender/sexual repression, women’s desire, and the (potential) dangers of porn. The Handmaiden was selected to compete for the Palme d’Or at Cannes (2016). It was released in South Korea on June 1st 2016, to critical acclaim and grossed $38M worldwide. At the 71st BAFTAs, it won Best Film Not in the English Language.

This movie is inspired by the novel Fingersmith by Sarah Waters (2002) which is set in London during the 19th C. The Handmaiden is set in Korea in the 1930s under Japanese colonial rule. Before filming, Park Chan-wook (an auteur w/ an eye for beauty) sent the completed script to Waters for comments. She liked the script, though felt that it is more appropriate to say that the film was ”inspired by” her novel. The film title in Korean (Ah-ga-ssi) means The Lady, referring to Lady Hideko (Kim Min-hee); the English/international title is The Handmaiden, referring to Sook-hee (Kim Tae-ri). Both Japanese and Korean were spoken by the (mainly Korean) cast. Before shooting, the Korean actors were all assigned Japanese teachers to study the script and learn to speak Japanese. For the theatrical release, the subtitles were color coded to differentiate the two Asian languages spoken in the film: white subtitles were used for Korean, while yellow subtitles were used for Japanese.

[1] What the film does with this basic plot is enjoyable and engaging. The narrative is solid, holds the interest without effort, and is very well paced and structured. […]

The direction, production values, and general pacing of the film, all work together to give it a beautiful appearance and tone. It is quite sensuous to watch, with such great colors, sets, costumes, and designs.

[2] Adapting Sarah Waters’ Fingersmith, a Victorian tale awash with all manner of Dickensian motifs, Park spins an engrossing tale that ebbs and flows with a Hitchcockian suspense; it withholds as much as it discloses; it is an erotic tale that beats with raw fervour.

[3] If the plot and the direction weren’t amazing enough, the movie is as beautiful as they come. From the darkest moment, the most violent, to the most intimate, beauty transpires in every frame, and every scene comes to life and threatens to pop and break free from the screen.

-Excerpts from IMDb reviews

Movie Trailers: Fall/Winter 2023 (Part 2)

Hey y’all,

Here are some more trailers for movies which will be released in the next few mos. I learned a BIT re: these films from movie podcasts and media coverage of film fests (can view on YT). I’m most interested to see Fair Play, a relationship drama/thriller by (1st time director) Chloe Dumont set in NYC finance world. The movie’s leads are (up-and-coming/young) actors- Phoebe Dynevor (Bridgerton) and Alden Ehrenreich (recently seen in Oppenheimer). Fair Play was bought for $20M by Netflix- wow!

All the best,

EMMA.

Fair Play: SEPT (in select theaters); Netflix (OCT 13th)

The Royal Hotel: OCT 6th (US Release)

May December (Teaser Trailer): NOV (in select theaters); DEC 1st (Netflix)

The Killer: NOV 10th

Maestro (Teaser Trailer): DEC 20th

Movie Trailers: Fall/Winter 2023

Hey y’all, thnx SO much for reading!

Wow, can you believe we are already in SEPT!? As it’s now Fall, MANY trailers for (potentially intelligent/interesting) movies are being released. It’s the time for film fests, incl. Venice, Telluride, and TIFF. If you follow me on any social media (knightleyemma), you’ve seen a BIT of the Venice Film Fest coverage. The WGA/SAG-AFTRA strikes are still going on (here in the US); however, a FEW actors (EX: Jessica Chastain, Adam Driver, Jacob Elordi, Peter Sarsgaard, and Cailee Spaeny) have been out promoting their new movies (under an interim agreement). Directors are NOT on strike, so you may’ve seen some on morning shows, entertainment podcasts, etc. What movie are you most looking forward to this season? Who is the best new actor/actress that you want to see more of in the future?

All the best,

EMMA.

FOE (OCT 6th): Official Trailer

Killers of the Flower Moon (OCT 20th): Official Trailers

Saltburn (NOV 17th): Official Trailer

Priscilla (NOV 3rd): Official Trailer

The Holdovers (NOV 10th): Official Trailer

The Bikeriders (DEC 1st): Official Trailer

Poor Things (DEC 8th): Official Trailer

Ferrari (Christmas Day: DEC 25th) : Official Teaser Trailer

“Tequila Sunrise” (1988) starring Mel Gibson, Michelle Pfeiffer, & Kurt Russell

A dangerous mix. -Tagline

A former L.A. drug dealer tries to go straight but his past and his underworld connections bring him into the focus of the DEA, the Mexican feds and the Mexican drug cartels. -Synopsis

This is a neo noir (written/directed by Robert Towne) set in LA; it’s streaming on Max (formerly HBO Max). It was also shown on TCM’s Noir Alley. I must’ve seen it MANY yrs ago (maybe as a teen) b/c I recalled V little about it (aside from the hot/famous cast). It’s trying to be edgy, as the good guy is an ex-drug dealer and the cops/feds are baddies. There is a love triangle of 2 men (friends since HS) and one woman; this is unusual for mainstream Hollywood. Critics are mixed re: this movie; some enjoyed it, while others noticed the (many) flaws.

Jo Ann: I’m sorry. I was just joking. I didn’t mean to hurt you.

Mac: Aw, come on. It didn’t hurt that bad. Just looking at you hurts more.

What’s up w/ the odd title? When the DEA agent, Maguire (J.T. Walsh), is listening to surveillance tapes of restaurant owner, Jo Ann Vallenari (Michelle Pfeiffer), she’s heard offering Dale “Mac” McKussic (Mel Gibson) a cocktail (Tequila Sunrise). FYI: The drink consists of tequila, orange juice, and grenadine syrup. The producers wanted Harrison Ford and Jeff Bridges for the male co-leads; that could’ve been a better movie. Gibson was V popular then; he’d recently been in Lethal Weapon; Mac is more nuanced than Det. Riggs (trying to be a good father). Russell (acting since childhood) was known for his likeability and work in the action genre; Lt. Nick Frescia is NOT so nice though. Pat Riley (coach of the LA Lakers) provided the inspo for Nick’s look (suits and slicked-back hair).

Jo Ann: Mr. McKussic, it seems, has been engaged in his business for purely romantic reasons, whilst you have been engaged in romance for purely business reasons.
Nick: I’m not sure I understand.
Jo Ann: A little vague for you?
Nick: A little.
Jo Ann: Well, then, let me spell it out for you: you want to f**k your friend, then f**k him, not me!

Did these (mostly male) writers and producers have any (female) friends!? Mac’s ex-wife is depicted as vain/money-obsessed; she gets V little screen time. As some viewers noted, neither Nick not Mac is good enough for Jo Ann! Pfeiffer (in mostly cream-colored outfits) is doing her best w/ Jo Ann’s (shallow/contradictory) characterization. She didn’t get along w/ Towne; he called her “the most difficult actress I have ever worked with.” The actress was going through a divorce at this time. There is a (infamous) love scene; the hot tub was NOT built properly/chlorinated. Pfeiffer, her body double, and Gibson got skin rashes and splinters from the wood- ouch! Production shut down for a few days while they recovered.

Carlos [to Mac]: You son of a bitch! How could you do this? Friendship is the only choice in life you can make that’s yours! You can’t choose your family, God damn it – I’ve had to face that! And no man should be judged for whatever direction his d**k goes – that’s like blaming a compass for pointing north, for Christ’s sake! Friendship is all we have! We chose each other. How could you f**k it up? How could you make us look so bad?

The dialogue can be good (at times), BUT also quite cheesy/predictable. The plot and editing are often confusing; Roget Ebert commented: “It feels like there are chunks of the movie cut out.” The filmmakers could’ve made better (more nuanced) choices. I expected Mac to die at the end of the film; that would’ve made more sense! Towne wanted that ending also, BUT producers said Gibson had to be alive. Is there anything fun re: this movie? Well, Gibson is shirtless in several scenes (in FAB shape). The kid playing Mac’s son (Cody) does a good job in his small role. When the main villain, Carlos (Raul Julia), appears- he steals the movie! Julia (a trained singer) sings some; he does the best he can w/ what he has been given. A young Matt LeBlanc (Friends) appears on the TV; this was a real commercial for Heinz ketchup.