Tag: Movies

Movie reviews

“The Hitch-Hiker” (1953) directed by Ida Lupino

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When was the last time you invited death into your car? -A tag line for the film

Two friends, Roy Collins (Edmond O’Brien- who has appeared in several noir films) and Gilbert Bowen (Frank Lovejoy- the more conventionally handsome of the pair), on their way to Mexico for a fishing trip, pick-up a stranded motorist, Emmett Myers (William Talman- the prosecutor on Perry Mason) who turns turns out to be psychopath/escaped convict. Myers has a facial deformity which prevents one of his eyes from ever closing- creepy! He has murdered other good Samaritans; he taunts/threatens the two pals, getting joy from holding them hostage w/ his gun. Myers’s destination is a ferryboat in Baja, CA. Collins and Bowen hope to stay alive long enough to escape or maybe get rescued by Mexican cops.

Emmett Myers: You guys are soft. You know what makes you that way? You’re up to your neck in IOU’s. You’re suckers! You’re scared to get out on your own. You’ve always had it good, so you’re soft. Well, not me! Nobody ever gave me anything, so I don’t owe nobody!

The Hitch-Hiker is the ONLY film noir of the classic era directed by a woman- Ida Lupino! She was born/raised in England, then came over to the US as a teenager in the ’30s. At Warner Bros. (where she was contracted), Lupino often played characters much older than her years (b/c she had the maturity and talent). As a V slim/petite ingenue, she had her hair colored platinum. In the late ’40s, Lupino (inspired by Italian neo-realist directors, incl. Vittorio De Sica and Roberto Rossellini) decided to take on a new role; she and her writer/producer husband (Collier Young) may’ve been the first to coin the phrase “the filmmakers.” While Lupino was directing, she always wore pants, explaining that they were more suited to the work than skirts/dresses. Her production company wasn’t afraid of controversial topics or centering stories of females: Not Wanted deals w/ a teenager’s unwanted pregnancy, Never Fear is centered on a dancer who has polio, and Outrage considers what happens after a woman survives rape.

Ida Lupino is the most talented and versatile woman in the history of movies. -Eddie Muller, TCM host

This tense/atmospheric movie is available in the public domain; the run time is at 71 mins. It is based on an incident that happened in California in the early ’50s. At this time in the US, hitch-hiking wasn’t that uncommon. A man named Billy Cook murdered a family of 5, incl. 3 children, then killed a traveling salesman. He kidnapped 2 hunting buddies (James Burke and Forest Dameron) and took them across the border into Mexico, intending to kill them, too. However, Cook was captured by Mexican police and extradited to the US. Lupino somehow met Dameron at an event in Palm Springs, FL, and felt this story would make a compelling movie. She also met w/ Cook while he was on death row in San Quentin- wow!

Talman recalled an incident that happened shortly after the release of The Hitch-Hiker. He was driving his convertible in LA w/ the top down, and he stopped at a red light. Another driver in a convertible stopped next to him stared at him for a few seconds, then asked: “You’re the hitchhiker, right?” Talman nodded. The other driver got out of his car, slapped Tallman across the face, then drove off. Talman said: “You know, I never won an Academy Award, but I guess that was about as close as I ever will come to one.”

[1] This flawlessly acted and directed thriller sustains a uniquely tense atmosphere from start to finish, and this without reverting to explicit violence or dreadful clichés. 

[2] We’ve seen many similar plots over the years, but I thought this was a fresh and unpredictable. Lupino’s direction really suits the material, the tension builds throughout, and Talman is unforgettable.

[3] This is a low budget, black and white suspense thriller that has more tension in it than a dozen recent movies. The low budget works in its favour, with tight camera angles making for a claustrophobic viewing experience. Actress Ida Lupino certainly knows what she’s doing behind the camera, as she rarely puts a foot wrong here: the pacing is exact and the performances are excellent.

-Excerpts from IMDB reviews

 

In My Ear (June 2022): Podcast Episodes for Cinephiles

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The Feminist Frequency (hosted by Anita Sarkeesian):

1950s Hollywood with Alonso Duralde, author & podcaster (Breakfast All Day)
Femme Fatale: 1940s Hollywood & Film Noir w/ Julie Grossman, literature & film studies professor
30s Hollywood: Did the Hays code actually create opportunities for queer subtext? w/ Patricia White, professor

You Must Remember This (created/hosted by Karina Longworth):

For Fans of the Erotic Thriller Genre (my “guilty pleasure” in pandemic life):

1988: KEVIN COSTNER, SEAN YOUNG, NO WAY OUT & BULL DURHAM (EROTIC 80S PART 11) /JUNE 13, 2022

1987: FATAL ATTRACTION AND DIRTY DANCING (EROTIC 80S PART 10) / JUNE 6, 2022

1986: 9 ½ WEEKS, MICKEY ROURKE & ZALMAN KING (EROTIC 80S PART 9) / MAY 30, 2022

1985: FEAR SEX. JAGGED EDGE & AIDS (EROTIC 80S PART 8) / MAY 23, 2022

For Fans of Classic Films:

SIX DEGREES OF JOAN CRAWFORD: THE MIDDLE YEARS (MILDRED PIERCE TO JOHNNY GUITAR) /AUGUST 29, 2016

HE RAN ALL THE WAY: JOHN GARFIELD (THE BLACKLIST EPISODE #6) /MARCH 14, 2016

“The Unbearable Lightness of Being” (1988) starring Daniel Day-Lewis, Juliette Binoche, & Lena Olin

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Tereza: I know I’m supposed to help you, but I can’t. Instead of being your support I’m your weight. Life is very heavy to me, but it is so light to you. I can’t bear this lightness, this freedom… I’m not strong enough.

Tomas (Daniel Day-Lewis) is a young/apolitical/doctor in 1960s Czechoslovakia; he lives the life of a Casanova, working his charm on many women. He is involved w/ a sophisticated artist (“friends w/ benefits” would be the term today), Sabina (Lena Olin). On a trip to operate on a patient in a rural town, he meets/falls hard for a shy waitress, Tereza (Juliette Binoche). In time, Tomas asks Sabina to help find a job for Tereza. The two women (opposites in many ways) meet, share an interest in photography, and become close friends. These three characters are are caught up in the events of the Prague Spring of 1968, until Soviet tanks crush the (non-violent) rebels, and change their lives forever.

Tomas: Some people never change. Some people are always scoundrels.

This is the type of film to recommend to anyone who thinks they can’t be “wowed” by movies anymore! DDL was just 30 y.o. when this film was shot- wow! This is his 1st big movie; he played a quirky/supporting role in A Room with a View (1985). DDL at first turned down the role, feeling the script made Tomas too nice. The script was revised and things from the book (by Milan Kundera) were added, making the character less “perfect.” Speaking of perfection… Roger Ebert wrote that Binoche was “almost ethereal in her beauty and innocence” after watching 23 y.o. French woman’s performance. As the French say: Vive La Binoche! Swedish-born Olin (32 y.o.) has her American film debut; some of today’s single/childfree/independent-minded women may relate to her character. Speaking of Swedes… Stellan Skarsgard (mid-30s) has a small, BUT pivotal role in the 3rd act.

To me, thoughts are fun and art is fun. The strength of our society should not be idle entertainments, but the joy of pursuing ideas. -Philip Kaufman, director

If you want fame, and a beautiful statue made of yourself, don’t be a screenwriter. The writer disappears. He works in the shade. -Jean-Claude Carriere, screenwriter

I was surprised to learn that the director, Philip Kaufman, is an American (NOT European, as I’d assumed). The cinematographer (a respected veteran in his field) is Swedish; Sven Nykvist was know for giving the films he worked on the simplest and most natural look imaginable. Milos Forman personally offered Kaufman the opportunity to direct the movie. Forman had to pass the chance to direct b/c he still had family in Czechoslovakia; he feared for them in case of a negative reaction from the Soviet government (occupying the country at the time). The sequence depicting the 1968 Soviet invasion of Czechoslovakia incorporates real documentary footage of the era shot by students of Prague Film School.

[1] Romanticism originally doesn’t mean romance. The 19th century romantic hero was always a doomed one. The romantic characters long for something larger than life. The frailness, lightness of things is unbearable to those sensitive beings. This is why romantic stories typically end with the death of their heroes. Romanticism is the opposite of Hollywood, as there is no happy end. The epitome of a romantic story is for example “Romeo and Juliet”, where death is preferred to an impossible love story.

Because such intense feelings are a threat, some people try to escape them by taking nothing seriously.

[2] There has been many threesomes in cinematic history. The acting power in these three is one of best. Daniel is able to make the charismatic cad likable. Lena is sexual dynamite. Juliette is pure magic in this one. It is a great threesome against the backdrop of compelling political turmoil.

[3] Highlighting this impeccable picture are three sensational performances, a masterfully adapted screenplay full of beautiful and intriguing dialogue and quite possible the finest cinematography of the ’80s. Day-Lewis perfectly encompasses the charm of Tomas with a subtle charisma that keeps my eyes glued to him every time he appears on screen. The young Juliette Binoche is adorable, shy and emotionally powerful, but also plays it off very subtly. Lena Olin is overwhelmingly seductive and crafts a sense of freedom unlike any I’ve ever seen. These characters are all very human which means they have their fair share of flaws and the performances capture every essence of them so perfectly.

[4] …the film itself has stayed in my mind like few others. Yes, it’s very long, but the characters are so memorable that the length didn’t bother me at all – I loved the time spent in their company. In particular, Juliette Binoche and Lena Olin are each astonishing in their own way. Olin is ferociously sensual and mesmerizing, while Binoche is superlatively sympathetic and sensitive. Two of the best female performances I can remember. By the end of the film I was totally wrapped up in these people’s lives. This film is deeply erotic but in an intelligent and adult way…

-Excerpts from IMDB reviews

Spoiler-Free Review: “The Batman” (2022) starring Robert Pattinson, Zoe Kravitz, Jeffrey Wright, Colin Farrell, & Paul Dano

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…rather than make Bruce Wayne the playboy version we’ve seen before, there’s another version who had gone through a great tragedy and became a recluse. Kurt Cobain had a relationship w/ fame, where being famous was not his goal. He loved music, but the idea of being famous for music was a double edged sword for him. And that made me think of Rob Pattinson, actually. I felt that this rock-star vibe suited him well. After all, he became a pop-culture icon at a very young age and had to carry that burden too, and extricate himself from it to become the actor he is today. -Matt Reeves, writer/director

Bruce Wayne in this reimagining of Batman was partially inspired by Kurt Cobain. Reeves was listening to Nirvana when he wrote the 1st act. This is the 1st movie to directly address the black eye makeup under the cowl. In previous versions, the makeup just disappeared when Bruce took his mask off. Reeves explained: “I just loved the idea of taking off [the mask] and under that there’s the sweating and the dripping and the whole theatricality of becoming this character.” Robert Pattinson (whose acting I don’t yet know well) and Zoë Kravitz (who plays Selina Kyle AKA Catwoman) were friends for about 10 yrs before being cast in this film. Reeves commented that they already had great chemistry and a natural connection from the beginning of shooting. I thought almost ALL the scenes btwn Batman and Catwoman crackled w/ chemistry!

Bruce is obsessed in being Batman. He has no desire to be Bruce and he wants to just throw it away. He hasn’t gotten over being the 10-year-old boy who, in his mind, let his parents die. For him, being Batman is like a strange kind of therapy. He thinks this is the way he can save himself, by living in this kind of Zen state as Batman, where it’s just pure instinct and no emotional baggage. It feels like he has a death wish going out at night. I always get the impression that he wants to keep recreating the night when his parents died. In his mind, every single person he is fighting is the person who killed his parents. -Robert Pattinson

This Batman is a “detective” of sorts, as many critics/viewers noted; he works w/ the police to solve crime. He is a man of few words and doesn’t feel the needs to put on the persona of Bruce Wayne. At this point, he has been at the vigilante biz for 2yrs and Gotham doesn’t trust him. However, the respected Lt. James Gordon (Jeffrey Wright- always great in any role) brings him in on tough cases as he trusts Batman. Reeves’ version of the Riddler (Paul Dano- all grown up) was partly inspired by the Zodiac killer who operated in California in the late 1960s. I noticed that some Adam Driver fans also admire this character actor. Like Driver, Dano is V tall, doesn’t have a face typical of a Hollywood actor, and is able to project vulnerability. Andy Serkis takes on the (rare) good guy role; he plays Alfred, BUT doesn’t get too much to do. I thought he did fine w/ what he was given. Did some of you recognize Colin Farrell!? (I ONLY knew it was him b/c I listened to some movie podcasts before viewing!) John Turturro (a veteran character actor who I know from Spike Lee movies) has a pivotal role, BUT I don’t want to give too much away.

When my kid saw me for the first time, he was utterly horrified. I have it on iPhone. He was horrified.

-Colin Farrell re: his transformation to Oswald (AKA The Penguin)

I already have my fave Batman (Christian Bale), so wasn’t TOO eager to see this version. There is also charm (and nostalgia) when looking back at Michael Keaton’s take on Batman, many growing up in the ’80s have commented. Also, Keaton and Michelle Pfeiffer (who were exes) were hot as a romantic duo in Batman Returns! It got some decent reviews and was streaming on HBO Max, so I checked it out a few weeks ago. Yes, it’s a V long movie (as is the case nowadays w/ many movies)! The filmmakers create a realistic and noir-like environment; Gotham is usually gloomy, rainy, and dark. It (mostly) kept my attention, BUT I didn’t think much on it after a couple of days. If you want a diversion and enjoy this character, then give it a look.

Spoiler-Free Review: “Shang-Chi and the Legend of the Ten Rings” (2021) starring Simu Liu, Awkwafina, Tony Leung, & Michelle Yeoh

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Shaun (Simu Liu) is a sweet/laid-back man in his mid-20s working as a valet parker at a fancy San Fran hotel, along w/ his bestie, Katy (Awkwafina). He has a small/humble apt. in Chinatown and is V close to Katy’s family (which incl. her grandma, mom, and teen brother). However, while on their commute one morning, we see that there is much more to this mild-mannered young man! Katy almost can’t believe her eyes as Shaun fights off a gang of (V tough/skilled) ruffians on the bus. This is a long and quite impressive action sequence which reminded me of Speed (1994). It turns out that Shaun has a (complicated) family and a painful past (which he will need to face). Thinking that his younger sister, Xialing (Meng’er Zhang) is in danger, Shaun and Katy fly to the glam/island city of Macau.

In the late 1980s, Stan Lee had considered a film/TV series about Shang-Chi, and had in mind Brandon Lee (son of Bruce Lee), for the role. Shang-Chi was visually based on Bruce Lee. Liu was knowledgeable in taekwondo, gymnastics, and Wing Chun. For this role as the Master of Kung Fu, Liu trained in tai chi, wushu, Muay Thai, pencak silat, Krav Maga, jiu-jitsu, boxing, and street fighting. The young actor tweeted in December 2018 re: asking Marvel for the role; he later retweeted that original tweet on July 20, 2019, thanking them! Tony Leung (a star of Hong Kong cinema) gets his 1st role in an American film here as the multi-faceted villain (Wenwu); it’s his first English-speaking role (he speaks it fluently). The character upon who Wenwu is based, The Mandarin, wears 10 alien rings on his fingers. In this movie, the rings were revised to be Hung Gar iron rings worn on the forearms (5 on each arm); these are traditionally used in martial arts training to strengthen the arms/fists.

I tried to explore the reasons that could have led him to become who he is. He’s a man with history, who craves to be loved. He is a sociopath, a narcissist and a bigot, but he is also human and has a family. -Tony Leung

The director/co-screenwriter, Destin Daniel Cretton, is Asian-American and raised in Hawaii; he received critical acclaim for his indie movies, most recently- Just Mercy (2019) starring Michael B. Jordan and Jamie Foxx. Crouching Tiger, Hidden Dragon (2000), Kung Fu Hustle (2004), Tai Chi Master (1993), The Matrix (1999), Donnie Yen’s Ip Man films and Jackie Chan films were cited as influences on the martial arts action. Michelle Yeoh (who plays Ying Nan) starred in Crouching Tiger, Hidden Dragon, as some viewers will recall; she brings gravitas to any role she takes on. Shang-Chi started filming in March 2020, but was put on hold due to the COVID-19 pandemic. Filming resumed at the end of July and ended in October. This production was recognized as the 1st feature film to reopen Disney operations globally since the COVID-19 lockdown.

I heard a BIT re: this movie from some of the podcasters and YouTubers I follow. A few weeks ago, I got curious to see it after having convos w/ a few (much younger) gals on Twitter who have Asian heritage also. A few were already Marvel fans; others were curious to see a movie focused on Asians and Asian-Americans. Way back in 1995, the V handsome/martial arts expert, Russell Wong (who has Chinese/Dutch heritage), starred in the short-lived TV series Vanishing Son; I think that was the 1st time that I saw an Asian-American man as a lead anywhere! There are elements in Shang-Chi here that are unexpected in Hollywood movies, incl. “code-switching” which is done quite well by Shaun. Liu (in his 1st lead role) comes from Canada and speaks both English and Mandarin fluently. Much of the dialogue is in the Mandarin language. As the main villain, Leung does a fine job; you can see why he’s so respected in his field! Though some viewers were disappointed that Shaun and Katy didn’t end up having a romance, Cretton explained that he wanted to show a close/platonic relationship of a male and female (as this still is rare in movies).