This splendidly nuanced work has emerged as one of the standouts of the noir cycle…
Ophuls… drew from Bennett her most natural, believable performance. She has never been better.
Near perfect, this is a marvellous and magical non stop emotional thriller with the camera moving with such fluidity we can only stare in wonder.
James Mason is great as a refined crook who suddenly finds himself feeling empathy for others. Can’t think of too many actors who could pull this off…
Traumatic as Lucia’s experience is, Donnelly’s devotion to her connects Lucia with the love and sexuality that may be missing from her marriage.
-Excerpts from IMDB reviews
Lucia Harper (Joan Bennett, then 39 y.o.) is an upper middle-class wife/mother w/ an energetic teen son and stubborn/beautiful 17 y.o. daughter. Lucia’s husband, Tom, has to go away on business to Berlin (during the holidays). The family lives in an ocean-front home in Balboa, 50 miles south of LA. Bea, who is an art student, is involved w/ an older man, Ted Darby. He is sleazy and lives in a sketchy hotel in LA. When Lucia realizes what’s going on, she warns the man to stay away from Bea (who is underage). Ted ends up dead on the beach, not far from the Harper’s house. Lucia thinks Bea was responsible, so quickly takes action to protect her daughter (as well as her family, respectability, and lifestyle).
When the dead body of the man is discovered by police, they suspect murder! Lucia is visited by an Irishman, Martin Donnelly (James Mason, then just 40 y.o. in his third American movie). He has love letters written by Bea to Darby; these could be damaging if turned over to police or the press. The price for the letters is $5,000 (which Lucia doesn’t have on hand). Donnelly’s boss Nagle wants payment- fast. Soon, the crooked man finds himself empathizing w/ – something you don’t expect- and developing feelings for the housewife.
She’s lucky to have a mother like you. -Donnelly comments
Everyone has a mother like me! You probably had one, too! -Lucia retorts
This is a tight, tense, and quite effective movie (which I learned about when browsing online through holiday classics playing at AFI). It’s an unique blend of melodrama and noir; you can see it (free) on YouTube. The director, Max Ophuls, is an immigrant from Germany; he worked in several European cities before coming to the U.S. in 1941. Often times, the outsider has a fresh take on something that others take at face value. Mason here may remind you of Gregory Peck (tall w/ high cheekbones and dark hair), BUT w/ potentially dangerous vibes. IMO, to be an effective leading man, a actor MUST be able to project a hint of danger. Some actors didn’t stray (or perhaps get chances to stray) from the “gentleman” role. Though Mason is British, his Irish accent is very good. Bennett does a great job- her character is quick-thinking, determined, and tough as a mother. Lucia gets drawn into the seedy side of life, much to her dismay and discomfort, but she has the guts to go there.
4 thoughts on “Holiday Film Noir: “The Reckless Moment” (1949) starring James Mason & Joan Bennett”
They are really some of my favorite historic films: Cabinet of Dr Caligari, M, The Blue Angel, Metropolis, Dr. Mabuse, Drei Gröschen Oper. I show Caligari and Three Penny Opera to students periodically.
Oh yeah, I’ve heard of “Metropolis”- I will try & check it out!
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Saw this article and thought of you:
I can see a lot of continuities between Weimar-era German film and noir. Perhaps German emigrés were especially likely to think of society as a madhouse.
Oooh, will def have to read soon! And I don’t know anything (yet) re: Weimar-era German films.
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