The Enterprise is sent to investigate the disruption of the Gamma VII-A solar system and the destruction of the U.S.S. Intrepid, staffed by Vulcans. When they arrive, they find a large dark mass floating in space. This ep has a great introduction w/ Spock realizing that his own people died and sensing their “astonishment” (fine acting from Nimoy). Spock doesn’t know how the ship is being drained of energy and pulled towards this “hole in space.” Life support systems are diminishing quickly. Stimulus is injected in the Bridge crew (esp. Kirk) to keep them going despite exhaustion from a previous mission.
Drawn into the mass, they find a huge amoeba-like creature. Kirk and McCoy wonder that mankind’s sole destiny may be in repelling such invaders of our galaxy; our species may act like antibodies of the galaxy-body, fending off invading cosmic viruses. Were this creature to reproduce, as the crew discovers it is about to, it would eventually fill the entire galaxy. The crew is working as a team under pressure against an unknown threat. There is the drama of Spock and McCoy competing to see who gets to take the shuttlecraft to get a closer look and research further. Kirk must decide which of his two friends to send on the dangerous mission. Scotty is worried about the engines, which are losing power fast. There is a lot of atmosphere, foreboding, character development, and dialogue (incl. science and medical talk).
Mr. Spock: I’ve noticed that about your people, Doctor. You find it easier to understand the death of one than the death of a million. You speak about the objective hardness of the Vulcan heart, yet how little room there seems to be in yours.
Dr. McCoy: Suffer the death of thy neighbor, eh, Spock? Now, you wouldn’t wish that on us, would you?
Mr. Spock: It might have rendered your history a bit less bloody.
From a planet devoid of life for half a million years, the Enterprise hears the voice of a powerful being (Sargon- voiced by James Doohan), who can control ship. He transports the landing party (Kirk, Spock, McCoy and astro-biologist Ann Mulhall) to room miles underneath the planet. However, the security guards they planned to take along were prevented from coming along. Sargon is one of only three survivors of an intelligent race made of pure energy/pure thought. They started life on Earth and spread out to many other places, so refer to our heroes as “my children.”
Suddenly, Sargon possesses Kirk’s body! He requires Spock’s and Dr. Mulhall’s bodies, too, but promises they will be returned afterthey build advanced robots to house themselves. Sargon gives them time to freely make up their minds and beams them back to the ship. McCoy warns against hosting the lifeforms, but Kirk, Spock, and Dr. Mulhall (Diana Muldaur- Dr. Pulaski on ST:TNG) are intrigued. We soon see that the aliens can only survive in human bodies for short periods of time w/o killing their surrogates!
It must’ve been fun for Shatner and Nimoy to take on two roles as aliens inhabiting the bodies of Kirk and Spock. Shatner as Sargon goes from over-the-top dramatics to being dignified and caring. His scenes w/ his wife Thalassa (in the body of Dr. Mulhall) are sweet and touching. Nimoy gets to play Henoch, who seeks to remove Sargon from the equation and take over. Nimoy has an excuse to play w/ different emotions; he creates a twisted (yet smooth-talking and smiling) villain. Henoch tries to trick Nurse Christine Chapel, who we know loves Spock.
This ep and its writer, John T. Dugan, earned a WGA Award nom in the category Best Written Dramatic Episode in 1968. Dugan wrote the original script after he had read an article about highly sophisticated robots. In his original draft, Sargon and Thalassa continue their existence as spirits w/o bodies, floating around the universe. However, Roddenberry (as he often did) re-wrot the script to change the ending (w/ the aliens fading out into oblivion). This is the reason Dugan put his pen name (John Kingsbridge) in the credits.
[1] Dr. McCoy’s objections are warranted and well expressed, but a final centerpiece speech by Kirk explains the risks and rewards of flight, space flight, sciences and alien encounter. He states “Risk is our business” in a well written and delivered plea.
[2] It’s haunting, tragic, deeply romantic, dream like, and sensual. The idea that god like aliens long to be human, to have all the feelings and emotions we take for granted, is deeply inspiring.
I loved how the “temptation” of Thalassa was so Biblical, with the suave Henoch in the role of the serpent.
The Enterprise visits a planet that had previously been visited by the U.S.S. Horizon 100 years earlier, before the issuance of the Prime Directive. The Enterprise received an old radio-style message before that starship was lost, which reported an intelligent, developing alien species prone to imitation. The Horizon left behind a book about gangs of 1920s Chicago which became the Iotians’ bible. They are divided into a series of criminal gangs, two of which are headed by Bela Oxmyx (Anthony Caruso) and Jojo Kracko (Vic Tayback). After beaming down, Kirk, Spock, and McCoy find themselves in the middle of a turf battle. Both sides take turns holding our heroes hostage and demanding “heaters” (guns) from the Federation in order to take control of the planet. Kirk must do his best to fix the wrongs of the Horizon w/o interfering too much with the development of the planet’s evolution.
This ep has one of several “parallel Earth” plots in TOS, contrived in part to save money, by avoiding “alien” sets, costumes, and makeup. Kirk and Spock get to wear flashy pin-stripe suits, hats, carry machine guns, and speak in gangster accents. Even the women wear guns on their garters (which you probably wouldn’t see in reality)! It’s esp. funny to see Spock try to fit the situation. Kirk makes up the rules of the card game “fizz bin” as he goes along. Shatner ad libbed the rules, so his pauses to think and the other actors’ confusion are genuine. The scene when Kirk puts his feet up on Krako’s table and declares that now the Federation is “taking over the whole ball of wax” is reminiscent of a scene in the gangster film Little Caesar (1931).
After filming wrapped, the studio received a letter from Caruso. “Oxmyx” thanked the crew of the Enterprise for creating the “syndicate” and noting that things were proceeding nicely on Sigma Iotia II. As he goes on in the letter, it is now the 1950s and he is sporting a crew-cut. He also mentioned wanting to visit Las Vegas which “seems like my kind of town.” LOL- what a creative guy!
[1] If you’re a fan of “The Godfather” and “Goodfellas,” then you’ll love this amusing episode… which plays like an eerily prescient parody of the original “Godfather.”
[2] There are great scenes as Kirk, and even more ridiculously, Spock try to mimic the dialect and nomenclature of the time. There is the priceless scene the two attempting to drive. Kirk jerks along, not quite getting the hang of the clutch, and Spock tells him he is a great captain, but a horrible, dangerous driver.
[3] I couldn’t stop laughing every time poor Scotty tries to decipher the gangster speak, with Kirk having to go from the mob language to Federation speech across the communicator to help him out.
Capt. Kirk: How close will we come to the nearest Klingon outpost if we continue on our present course?
Chekov: Ah, one parsec, sir. Close enough to smell them. [grins broadly]
Spock: That is illogical, Ensign. Odors cannot travel through the vacuum of space.
Chekov: I was making a little joke, sir.
Spock: Extremely little, Ensign.
The working title for this popular/comedic ep was “A Fuzzy Thing Happened to Me…” (LOL)! Having received a Priority One distress call from an outlying space station, the Enterprise arrives to find they’ve been summoned there by a self-important Federation commissioner, Nilz Baris (William Schallert), to protect a shipment of seeds (quadrotriticale) meant to sow wheat on Sherman’s planet. The planet is coveted by the Klingons, who are taking shore leave at the station. Koloth (William Campbell) cites authority to shore leave rights as authorized by the Organian Treaty; this occurred in Errand of Mercy when the Organians prevented a war between the Federation and the Klingon Empire. The Treaty of Organia dictates interactions between the two sides to prevent another chance of war. The trouble arises w/ tribbles- small furry creatures that seem to multiply w/o end. However, their presence reveals both a problem w/ the wheat and a spy on the space station.
Spock: [while holding a tribble] Most curious creature, Captain. Its trilling seems to have a tranquilizing effect on the human nervous system.
Spock: [beginning to pet it gently] Fortunately, of course, I am… immune to it’s effect… [realizing what he is doing, he quickly puts the tribble down and excuses himself]
When McCoy figures out that the tribbles are in a perpetual state of being pregnant, this marks one of the very first instances on American TV of the use of that word. While McCoy is telling the good things about tribbles, Spock takes a jab at him by saying that one good thing about tribbles is that they don’t talk much. William Shatner recalled: “The trouble we had with Tribbles was [to] keep your straight face. It was just a lot of fun.” The scene in which Kirk is buried in an avalanche of tribbles took eight takes to get right. The tribbles were thrown into the hatch by the production crew, but were not sure when to stop b/c they were unable to see the scene. This is why additional tribbles keep falling on Kirk one by one. Shatner looks perplexed (almost breaking the fourth wall for a moment) in that scene.
[Kirk is testing the tribbles’ reaction on several people, starting with the Klingons. The tribbles squeal]
Capt. Kirk: …They don’t like Klingons. [He moves on]
Capt. Kirk: But they do like Vulcans. Well, Mr. Spock, I didn’t know you had it in you.
Spock: Obviously, tribbles are very perceptive creatures, Captain.
To create the one tribble moving on its own, the prop supervisor bought a battery powered toy dog and stripped it down to the mechanical works. Once recovered w/ fur incl. the toy legs, the prop moved on camera along the railing on the Enterprise bridge without wires or external assistance. The toy was so noisy all the dialogue in the scene had to be looped w/ ADR (re-recorded after shooting). The noises that the tribbles make were a combination of dove cooing, screeching owl cries, and air escaping from balloons. Tribbles have made appearances in different versions of Star Trek, incl. Star Trek: Deep Space Nine: Trials and Tribble-ations (1996).
[1] Sometimes an episode like this is needed to keep the fun flowing… refreshing change from the drama that is prevalent throughout the series. I also love the fighting between Kirk’s crew and the Klingons – that is a barrel of laughs. In fact, there is humor all though this episode – that is the appeal of it.
[2] Here, the mundane, the banal, is thrust upon him [Kirk]: instead of being allowed to explore the galaxy in the grandest tradition, he’s forced to guard a bunch of wheat.
It’s a farce, Trek style.
[3] Shatner wears a great air of weary disbelief about everything and he has plenty of great lines… …he shows a real comic touch here and I was rolling with laughter as he stands up to his chest in Tribbles being pelted from above by them while delivering his lines. Nimoy enjoys himself too with lots of “raised eyebrow” moments…
The Enterprise is transporting several diplomatic delegations to a conference on Babel re: the future of the mineral-rich planet, Coridan. This ep introduces the Andorians and the Tellarites; later in the series, we learn that they are two of the four founding members of the United Federation of Planets. Among the passengers are Mr. Spock’s parents, the Vulcan ambassador, Sarek (Marc Lenard), and his human wife, Amanda (Jane Wyatt from Father Knows Best). There is obviously a chill between father and son. It turns out that Sarek is very ill w/ a heart condition; Dr. McCoy wonders if/how he can be saved. To add to the drama, there tension among the delegations; a spy is transmitting messages to a hostile ship which is following closely. When Capt. Kirk is wounded in an attack, Spock takes command just as his father needs a transfusion (that only he can provide)!
In the first ep ever to feature Spock’s parents (who are fan faves); Lenard received more fan mail than Nimoy for two weeks after this aired. We learn that Vulcans have a longer lifespan than humans. Being new to the show, Lenard and Wyatt asked Nimoy for advice on how the two of them could display their love in a subtle way. Nimoy suggested Sarek and Amanda touch and stroke each other’s hand by the index and middle finger. In S1 of TOS, Lenard (who was only 6 yrs older than Nimoy) played the unnamed Romulan commander in another terrific ep- Balance of Terror. Lenard had been a potential candidate for the recasting of Spock (when salary negotiations w/ Nimoy were going on at the end of S1).
Writer D.C. Fontana chose the name “Amanda” for Spock’s mother b/c it means “worthy of love” in Latin- how cool! She had become curious about past references to Spock’s background and fully fleshed them out here. Fontana also thought this would be an interesting way to reflect issues of the Generation Gap. Roddenberry wanted Kirk to be more involved with the story, so he wrote the scene where Amanda explains to Kirk about the rift between her son and husband. However, Fontana felt that it would be inappropriate for Amanda to discuss this w/ someone she had just met.
[1] …though there are some humorous moments, it’s mostly an episode driven by intrigue, suspense and interesting drama on the Vulcan side, where even more backstory is revealed on Spock…
Nimoy gives another subtly excellent performance; his demeanor is slightly different when speaking with his mother about the situation between himself and his father. Despite the Vulcan reserve, you sense his discomfort and sadness.
[2] The presence of Spock’s parents allows writers D.C. Fontana and Gene Roddenberry to further their character development of Spock as a man half-Vulcan and half-human. There are a number of wryly humorous moments between Spock and his father, who we learn not only have the normal Vulcan unemotional relationship, but who have some bad feelings towards each other. Maybe because they’re feelings, they don’t talk about it, and just ignore the situation as best as they can. Amanda… proves to be a surprising fulcrum balancing the two.
Knightleyemma 