“Star Trek: DS9” – Season 1, Episode 5 (“Captive Pursuit”)

Tosk: [on holosuite programs] I have no use for fantasy adventure. I live the greatest adventure one could ever desire.

Michael Westmore and his makeup department won an Emmy for their work on this ep. The story was inspired by the 1924 Richard Connell short story The Most Dangerous Game (which is taught in many junior high schools). An unknown ship is coming from the Gamma Quadrant on the other side of the wormhole- could be exciting! The ship has engine trouble and the pilot (a new race of alien to DS9) seems nervous and reluctant to accept help. O’Brien convinces him to come on board and the alien introduces himself as “Tosk” (Scott MacDonald). The make-up was based on an alligator featured in Smithsonian Magazine. Tosk says the wormhole caused his ship’s problems. O’Brien senses that he has a secret. Some viewers noted that Tosk may be of a closely related species to the Jem’Hadar, who are created by the Dominion. Don’t miss this one- it’s considered a highlight of S1!

I loved how O’Brien was very tricky and behaved most unlike a Federation officer. The same, to a lesser extent, can be said for Sisko.

Despite Tosk’s reptilian appearance and mannerisms, Meaney and MacDonald give their characters a certain odd and subtle chemistry which helps to carry the intelligently plotted story and well-written script. Avery Brooks also makes a very nice impression…

This story hits all the notes of a classic Trek- moral issues, human moments, conflict between Federation and alien value systems, tension and suspense, sci-fi technology, exploring the unknown, and Prime Directive invocations.

-Excerpts from IMDB reviews

“Star Trek: DS9” – Season 1, Episode 4 (“Babel”)

Those of you fed up w/ quarantine life, coronavirus updates, and related topics may want to skip this one- LOL! This is the first time that Ira Stephen Behr wrote a teleplay for the series. Naren Shankar (who has a science background and started out as an intern on TNG) contributed to the story. The title is based on the biblical story of the The Tower of Babel in Genesis. Man wanted to be closer to God, so built this high tower. God was angered, destroyed the tower, and punished the men by making them speak many different languages (babbling), thus beginning the various nations and cultures.

The ep starts off comedic, then gets serious, building tension from scene to scene. Chief O’Brien is very busy as systems (built by the Cardassians) all over DS9 are failing. He has to free people stuck in an airlock and Dax wants him to repair a malfunction in the science lab. O’Brien must also repair the navigational computer for Kira, but Sisko can’t get good coffee, so wants the Ops replicator fixed ASAP. All of a sudden, he becomes aphasic- the words coming out of his mouth don’t make sense. Bashir has no clue what happened, as nothing is physically wrong w/ O’Brien. The crew works to find a cure before the entire station is effected. Eventually, Dax also turns aphasic during a meeting in Ops. People all over the station start displaying the symptoms- it’s an epidemic!

[1] Pretty unnerving though how relevant this still is in 2020.

[2] The O’Brien scenes at the start are great. I love his sarcastic comments, and Colm Meaney is such a great actor (with an awesome accent)…

[3] Some unusual partnerships are forged. Never question the strength of the Ferengi immune system.

-Excerpts from IMDB reviews

The frenemy relationship between Odo and Quark is explored further; we get moments of humor. When Odo discovers Quark accessing crew quarters illegally to make use of a replicator, Quark says: “Never ask when you can take.” This is the first example of a collection of Ferengi sayings which will later be called The Rules of Acquisition. Quark takes on responsibility when the command officers have been affected by the virus. To add to the excitement, a ship tries to break quarantine which threatens to cause an explosion (since it’s clamped to the station when the engines power up).

Odo: I need to get to Docking Port V now. That ship’s gonna explode in five minutes!

Quark: I’ll beam you over.

Odo: You?

Quark: Relax. I served on a Ferengi freighter for eight years.

Odo: All right.

[He rushes onto the transporter pad.]

Quark: I must have witnessed the procedure hundreds of times!

Odo: Witnessed? You mean to say you never handled the controls yourself?

Quark: Energizing!

[Waves Odo goodbye as he beams him away.]

“Star Trek: DS9” – Season 1, Episode 3 (“A Man Alone”)

Jake (Cirroc Lofton) makes friends w/ a teenage Ferengi, Nog (Aron Eisenberg), Quark’s nephew and prone to act mischievous. Chief O’Brien (Colm Meaney) argues w/ his wife Keiko (Rosalind Chao- who co-starred in The Joy Luck Club also in 1993), who hasn’t adjusted to life on DS9. On the Enterprise (TNG), Keiko was a botanist, but now she has no work. Odo (Rene Auberjonois) doesn’t see what’s so great about being a couple, as he comments to Quark (Armin Shimerman). This is a fun scene w/ actors who can do both comedy and drama. You also see their chemistry w/ each other as frenemies. Lt. Dax (Terry Farrell) explains to Dr. Bashir (Alexander Siddig) that her species don’t go seeking romantic relationships. I like the charm and confidence Farrell shows, even in early eps. Siddig also brings the charm, yet his character has much more naivete.

Sisko: [to Odo] If you can’t work within the rules I’ll find someone who can.

The A-story focuses on Odo, the shape-shifting constable w/ a strong sense of justice who is caught up in a mystery. Odo sees a familiar face on the Promenade, the Bajoran smuggler Ibudan, and gives him a day (26 hours in this world) to get off the station. Sisko (Avery Brooks) says that the man hasn’t done anything wrong, so Odo can’t just kick him out. Odo tells of how Ibudan once let a child die b/c the parents couldn’t afford medicine. Ibudan also killed a Cardassian w/o provocation during the Occupation, so Odo turned him in. When Ibudan is murdered on one of the holodecks, Odo becomes the prime suspect. However, things are not as they seem!

Quark: [about Odo] He’s an ill-tempered, overbearing, cross-patch. But he was no Cardassian collaborator, and he’s no killer.

Zayra: I can’t believe you’re defending him, Quark. You’re his worst enemy.

Quark: Guess that’s the closest thing he has in this world to a friend.

There are a lines and scenes which wouldn’t be out of place on a cop show. Kira (Nana Visitor) says that Odo is “the most honorable man on the station.” The actress really seemed comfortable w/ her character from the start of the series. Dax and Bashir sift through evidence gathered at the murder scene and on the ship which Ibudan came on, trying to solve the crime. Some Bajorans on the station, incl. Zayra (Edward Laurence Albert- son of actor Eddie Albert) grow very suspicious of Odo. He is unlike anyone else in this community and worked under the Cardassians for some years. After Odo is relieved of duty by Sisko (for his own safety), he goes to his office. We see that it has been trashed; along one wall, the word “SHIFTER” can be seen. A mob gathers outside and Sisko calls in security to prevent damage and violence.

Keiko’s plan to start a school for the few kids on the station was a practical idea. Sisko liked the idea very much and Jake had grown bored of studying alone w/ a computer (which is what many kids are doing in quarantine). I liked the scene where Keiko convinced Nog’s father, Rom (Max Grodenchik), to allow him to attend. Rom is portrayed as confident and decisive, which changes drastically later in the show. There is an ep focused on Keiko’s teaching at the end of the season which fans esp. comment about.

[1] I enjoy how DS9 gets to work on establishing it’s characters right away– the payoff doesn’t come for quite a while but damn is it delicious when it does.

[2] …the conflict between Odo’s sense of justice and Starfleet rules will be done much better in later episodes…

[3] Odo – who really is a man alone – must learn to trust others to help him figure this one out and clear him of suspicion.

-Excerpts from IMDB reviews

“Star Trek: DS9” – Season 1, Episode 2 (“Past Prologue”)

Garak [to Dr. Bashir]: Ah, an open mind, the essence of intellect.

The title is based on “What’s past is prologue,” a line from Antonio in The Tempest by Shakespeare. Tahna Los (guest star Jeffrey Nordling), a Bajoran terrorist during the Occupation, asks Cmdr. Sisko (Avery Brooks) for asylum on the space station. He is a member of the Kon Ma (an extremist group) and also accused of crimes against Bajorans. The leader on the ship chasing him, Gul Danar (Vaughn Armstrong), wants Tahna taken to Cardassia. When Tahna promises that he no longer wants to be a terrorist, Sisko decides not to hand him over to the Cardassians. Kira (Nana Visitor) works on getting amnesty from the provisional government for Tahna; they are old friends who went on different paths. We’ll shall see just how different by the end of this ep!

[Kira has managed to get amnesty for Tahna Los]

Tahna: I never realized you were such an accomplished politician.

Major Kira: Me? A politician? You… no, I- I don’t think so.

Tahna: You manipulate Sisko and the Federation, the ministers of the provisional government…

Major Kira: I’m just determined. I think they all simply get tired of hearing my voice.

Two Klingon sisters who tried to overthrow their High Council, Lursa and B’Etor Duras, arrive at DS9. The last Cardassian on the station, Garak (recurring character Andrew Robinson in his first ep), proves an interesting mystery to Dr. Bashir (Alexander Siddig). Garak claims that he is “plain and simple tailor,” but may have been a spy in a previous life. Near the start of the ep, Kira complains re: Sisko to an admiral (guest star Susan Bay Nimoy); she was married to Leonard Nimoy (Spock). Sisko mentions the Klingon Civil War, which took place in TNG (Redemption, Parts I & II); here The House of Duras is attempting to rebuild their forces. Morn, the silent patron always sitting at Quark’s bar, came over from TNG. I recently learned that Morn is akin to Norm from the popular comedy series- Cheers.

Odo: You know, there’s one thing about you humanoids I can’t imitate very well.

Major Kira: What’s that?

Odo: Pretense. There’s a special talent to it. It’s as hard for me as creating one of your noses.

We see the divided loyalties of Kira; she’s working w/in a system, not trying to overthrow one. Sisko is mad (of course) when she goes over his head; he even grabs her arm and chastises her in public. Now, that’s not something you’d see in TNG! Odo (Rene Auberjonois) and Kira have a good scene in his office; they are friends who respect and trust each other. They are also non-Federation characters, who aren’t gung-ho about dealing w/ new bureaucracy, political issues, and co-workers (who don’t have much experience w/ Cardassians).

[1] …the powerful ethnic conflict between Bajorans and Cardassians becomes a central focus.

[2] Did he [Garak] help the Federation learn what Tahna Los was up to because he wanted to help them, because it also served Cardassian needs, or did he have personal reasons? We just don’t know.

[3] I really enjoyed how Sisko let Kira make the decision of what route she would ultimately go in this episode- an astute command decision that exposes Kira’s true intentions/loyalty.

-Excerpts from IMDB reviews

“Star Trek: DS9” – Series Pilot (“Emissary”)

It was a bold move for creators Rick Berman and Michael Piller to branch off from TNG (still airing on primetime TV when their new show- DS9- began in early 1993). This pilot is considered to be a very strong start to the sci-fi series, which is known (and loved) for its focus on characters, rather than the alien of the week and techno-babble. The show starts out w/ a bang- literally- as Cmdr. Benjamin Sisko (Avery Brooks- the first African-American main lead on a Star Trek show) loses his wife, Jennifer (Felicia M. Bell), when his starship is attacked by the Borg at Wolf 359. This attack was led by Capt. Jean-Luc Picard (Patrick Stewart) when he was captured and turned into Locutus; this is another unexpected move by the creators. The survivors of the attack, incl. Sisko and his 12 y.o. son Jake (Cirroc Lofton), abandon the ship in escape pods.

About a year later, we see the father and son headed to Deep Space Nine, a space station (built by the Cardassians) in the Alpha Quadrant near the newly-liberated planet- Bajor. Sisko and Picard have a (very tense) meeting, where Sisko admits that he may not want this job; these are yet more bold moves for the show. Many drew comparisons between Bajorans and the Jewish people (particularly the atrocities they faced under Nazis during WWII); there are several writers and producers of Jewish heritage on the show. The Cardassian occupation of Bajor (which lasted 50 years) can also be compared to England and colonial India. When Sisko arrives, he meets engineer, Miles O’Brien (Colm Meaney), who served on the USS Enterprise in TNG. Picard and O’Brien (who served as transporter chief) have a touching goodbye before the Enterprise flies off.

The station (formerly named Terok Nor) is under Federation control; it could be compared to a frontier town in a TV Western (as some reviewers have commented). It’s in ruins and merchants are preparing to leave. We meet the bar owner, Quark (veteran actor Armin Shimerman), who is Ferengi- a race of aliens primarily concerned with profit. The Bajoran commander, Major Kira Nerys (Nana Visitor- who hails from a dance/theater background), is a former freedom fighter (“terrorist”) who isn’t a fan of the Federation. Chief of Security, Odo (veteran theater/TV actor Rene Auberjonois), is a Shapeshifter (one of a kind perhaps) who worked to keep the peace (for some years under the Cardassians). Unlike most TV lawmen, Odo doesn’t carry a weapon (phaser), and bans them from the promenade. Kira and Odo trust each other implicitly. Sisko is happy to be reunited w/ “old” friend Dax, who is a Trill- an alien race who live many lives inside different hosts. Jadzia (Terry Farrell) is the young science officer who is Dax’s current host. Right on her heels is the station’s wide-eyed doctor, Julian Bashir (Alexander Siddig, who is English w/ Anglo and Arab heritage). On his maternal side, Siddig is the nephew of veteran actor Malcolm McDowell (the villain in the TNG movie- Generations). When Bashir sees the sick bay, he comments re: “practicing real frontier medicine.” As a kid, it was very exciting to see an actor of Muslim heritage on such a big TV show! A professor/media critic I follow (Zaki Hasan) said this was the same for his young sons, who are watching DS9 in recent years.

Bajor is not yet a part of the Federation (which Picard explained); it is also beautiful w/ many natural resources. Kira noted that there are several factions now at odds (though they worked together to remove the Cardassians). When Sisko beams down to the planet to meet Kai Opaka (Camille Saviola), one of the most revered religious leaders, she declares that his destiny is to be “emissary” to the Bajoran people. Unlike most TV shows, DS9 doesn’t shy away from religion, or the fact that it plays a big role in the lives of many (humans and aliens). Kai Opaka takes Sisko down to a secret underground cave, and reveals an orb (one of several which traveled to Bajor years ago). When Sisko touches this orb, he is instantly transported (“where no one has gone before”)! There is much more to the story (in the second part of the pilot), so check it out on Amazon Prime.

We see that not all the cast are part of Starfleet, so don’t all wear the same type of uniforms. The makeup for Odo had not yet been perfected, so he looks quite different in S1 than in the rest of the series. The ensemble cast is introduced rather smoothly in this pilot; each character gets a moment to show their personality. There is a mix of young newcomer actors and theater veterans (who provide gravitas). O’Brien is the the “Everyman” character that we know somewhat from TNG; he will get much more to do in DS9. The warm father-son relationship (rare for ST) will grown and develop over the series; Jake is not one of those TV kids who disappears. Brooks insisted on this element to the producers, as he felt there weren’t enough positive role models of black fathers/families in the media.