Month: June 2023

Quick Reviews: Recent Documentaries of Actors

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Jane Fonda in Five Acts (2018)

A look at the life, work, activism and controversies of actress and fitness tycoon, Jane Fonda.

Julia Louis-Dreyfus: Does a woman have to be single to be her authentic self?
Jane Fonda [at age 85]: Well, it depends on how you’re brought up. I grew up thinking it was my job to make men love me.

-From the podcast Wiser than Me with Julia Louis-Dreyfus (April 11, 2023)

Director Susan Lacy captures Jane Fonda’s complex life in this V informative, entertaining, and emotional doc (available on Max). The film is divided into 5 stages of the iconic actress’ life: Henry (her childhood/early yrs. w/ her father/family); Vadim (her older/French director hubby); Tom (her activist/lefty hubby); Ted (another American icon/”Alpha man” who became her hubby in middle age); and the last chapter- Jane (her important “3rd act”). The actress is open and honest w/ facts and freely gives her opinions (and we wouldn’t expect less). It was a BIT tough for her to get the confidence to pursue acting, which she began studying at 21: “I grew up in the shadows of a national monument- my dad!” Fonda is also known for her activism (which went way beyond the social media engagement of the young celebs of today), V popular fitness videos (in the ’80s), and entrepreneurship. We hear from her exes, family (incl. son Troy Garity), friends, and collaborators (incl. Alan J. Pakula, Sydney Pollack, Robert Redford, and Lily Tomlin). I will have to check out more of her work.

Rita Moreno: Just a Girl Who Decided to Go for It (2021)

A look at the life and work of Rita Moreno from her humble beginnings in Puerto Rico to her success on Broadway and in Hollywood.

She is an original, and she can’t help but be that every minute of her life. So one gets lost in her personality, happily and feels better for being with her. -Norman Lear

There was nobody that I could look up and say “That’s somebody like me”. Which is probably why I’m now known in my community as ‘La Pionera’, or the Pioneer. I really don’t think of myself as a role model. But it turns out that I am to a lot of the Hispanic community. Not just in show business, but in life. But that’s what happens when you’re first, right? –Rita Moreno

This doc (which I saw on PBS) is shown in interviews w/ the iconic actress at age 87. Rita Moreno (who I 1st saw on The King and I as a kid) is one of the few artists who is an EGOT (Emmy, Grammy, Oscar, Tony) winner. She became successful as a petite/minority/woman in entertainment; she hails from Puerto Rico w/ humble roots. Like many young women of her day, she started out as a dancer; in an early role, she danced w/ Ricardo Montalban! Moreno (healthy, energetic, and blunt-talking) expands re: many difficulties she faced as young woman: the “casting couch;” being typecast in “exotic” roles which only required her to look beautiful/speak in accents (even after the Best Supporting Actress Oscar win for West Side Story); and broadening her career to do work which interests her (even if NOT high-profile). She discusses how her low self-worth affected her romantic relationships; she was involved w/ Marlon Brando, then married to Leonard Gordon for 45 yrs. Moreno (who recently appeared on the family comedy One Day at a Time) is also an activist focused on women and minority rights. We hear from her friends, collaborators, and others she inspired, incl: George Chakiris (co-star on West Side Story), Hector Elizondo, American Ferrera, Norman Lear (iconic TV writer/producer), and Lin Manuel-Miranda.

The Last Movie Stars (2022)

In this intimate six-part docuseries, actor/director Ethan Hawke explores the love story and enduring legacy of Hollywood legends Joanne Woodward and Paul Newman.

I think of Newman and Woodward as one of the (few) marrieds who made domestic life look fun! Ethan Hawke may win an Emmy for his (must-see for classic film fans) doc on Max. It features the voice talents of of many fine actors, incl. George Clooney (Newman), Laura Linney (Woodward), Zoe Kazan, Alessandro Nivola, and Billy Crudup. There are interviews w/ the iconic actors’/philanthropists’ daughters and excerpts from a many interviews (transcribed from tapes which Newman recorded in the early ’80s). We hear re: the actors’ (difficult) childhoods, their exciting days studying/working in NYC theaters, their (sometimes complicated) courtship/marriage, and much more. Did you know that Newman was Jewish!? Though I was familiar w/ several of Newman’s films discussed (From the Terrace, The Long Hot Summer, Sweet Bird of Youth, Hud, and The Sting), there are MANY that I’ve never seen (esp. from later in his career). I learned that Woodward made her mark (in middle-age) w/ TV movies (acting and directing); she won several Emmy awards. I will have to check out her work in the future; the couple also worked together on some projects. Though some critics felt that Hawke was “too present” in this, I didn’t mind this (unique) take on the doc. When he was V young, Woodward donated $10,000, so that Hawke could start a small theater company- wow! Woodward was a teacher/mentor/friend to Linney.

Being Mary Tyler Moore (2023)

Mary’s vanguard career, who, as an actor, performer, and advocate, revolutionized the portrayal of women in media, redefined their roles in show business, and inspired generations to dream big and make it on their own.

This doc (which came out this month on Max) was produced by Moore’s surviving husband Dr. Robert Levine; the director (James Adolphus) had access to home movies, personal memorabilia, family and friends. I read that Adolphus (who worked 20 yrs, as a cinematographer and producer) wasn’t familiar w/ the iconic actress’ work prior to making this movie; producers saw this as a positive. Moore started out w/ modeling, then got into radio progs and TV commercials. She was TV’s funny/pretty/housewife/mom (The Dick Van Dyke Show) before she transitioned to happily single/career gal (The Mary Tyler Moore Show). While Moore was in front of the camera, her (then hubby) Grant Tinker worked on the business side of the (iconic) comedy focused on TV news reporters in Minneapolis. We hear from those who knew her well and others inspired by her example (from several gens): James L. Brooks, Rob Reiner, James Burrows, Ed Asner, Valerie Harper, Oprah, Julia Louis-Dreyfus, Lena Waithe, Reese Witherspoon, etc.

“Sliver” (1993) starring Sharon Stone, William Baldwin, & Tom Berenger

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You like to watch… don’t you. -Tagline for the movie

Hoping for a fresh start after a recent divorce, a 35 y.o. book editor, Carly Norris (Sharon Stone- who was signed for $2.5M), moves into an elegant/high-rise apt. in Manhattan. However, the luxurious “sliver” building comes w/ a history of unsolved murders! Carly catches the eye of middle-aged crime novelist, Jack Landsford (Tom Berenger- in a thankless role), and the 20-ish video-game designer, Zeke Hawkins (William Baldwin). There is a voyeur watching the tenants’ every move using some (then high-tech) equipment. Is this movie really as bad as most people say? Oh yeah, it’s just a mess! The dialogue is cliched, the characters are shallow (or cartoonish), and the plot is basic (and predictable). The screenplay credits go to Ira Levin (who wrote the source novel) and Joe Eszterhas (whose credits incl. Jagged Edge, Basic Instinct, and Showgirls).

Stone alleged in her autobiography that one of the producers, Robert Evans, wanted to see her naked and treated her in a misogynistic manner. Stone (who gets to show some vulnerability in this movie) didn’t want him on set while she was working. As one viewer commented on IMDb: “Stephen Baldwin [one of Alec’s younger bros] is utterly intolerable, why this man was given leading roles in big budget Hollywood films I will never know.” If you thought Madonna was limited in her (vanity project) Body of Evidence, well Baldwin is worse! Johnny Depp, Val Kilmer, and River Phoenix turned down the role of Zeke. The script originally called for full male frontal nudity (which has become less controversial in the past 5 yrs), but Baldwin changed his mind (after the scenes had been shot). Though he does bare his backside in Basic Instinct, Michael Douglas said no to full frontal nudity.

Philip Noyce (an Aussie w/ extensive TV/movie credits) previously directed Dead Calm, Patriot Games, and Clear and Present Danger. A crew was sent to Hawaii to film an active volcano for the opening credits. The volcano erupted and the helicopter carrying the crew crashed- yikes! No one was killed, BUT all film was lost. Eszterhas’ original ending was confusing to test audiences; an alternate ending was quickly written/shot. I don’t think you can blame Noyce much, as doesn’t have much to work w/ here. According to the director, Stone and Baldwin disliked each other so much that they demanded their scenes be filmed separately (when possible). As for the steamy scenes, they’d have been more effective if there was any romantic chemistry. A young Polly Walker (who went on to work on Rome and Bridgerton) plays Carly’s model neighbor. I think modern viewers will be bored, IF they happen to watch this movie!

Hitchcock’s “Foreign Correspondent” (1940) starring Joel McCrea, Laraine Day, Herbert Marshall, & George Sanders

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The Thrill Spectacle of the Year! -Tagline for the film

Johnny Jones (Joel McCrea) is a crime reporter at a NYC newspaper- The Globe. The editor suddenly appoints him as an European correspondent; he wants a man who’s a clean slate (doesn’t know much re: world affairs). Jones’ 1st assignment is to get the inside story on a secret treaty agreed btwn 2 European countries by a famous Dutch diplomat- Mr. Van Meer (Albert Bassermann). Things don’t go according to plan; Jones enlists an idealistic young woman, Carol Fischer (Laraine Day), help to track down a group of spies. This is Hitchcock’s 2nd American movie; he has a big budget (and it shows in the impressive sets). Rebecca (a huge hit) was also released in 1940. You can watch this movie on Max (new name for HBO Max).

Scott ffolliott: One of my ancestors was beheaded by Henry VIII. His wife dropped the capital letter to commemorate it. There it is.
John Jones: How do you say it, like a stutter?
Scott ffolliott: No, just a straight “fuh.”

To modern eyes, this is a lesser-known Hitchcock film; we find a LOT of his trademarks (which he improved upon later). It’s a BIT long for a classic at 2 hrs; the pacing was slow in some scenes (which is NOT unexpected). It’s an unique blend of comedy and drama; the lighthearted tone in one scene is followed by a more serious (darker) one. The word “Nazi” is never used, BUT we know where the threat is coming from. The 1st choice for the lead was Gary Cooper, BUT he turned it down; he later admitted to Hitchcock that he regretted that decision. Thrillers didn’t have the best reputation at that time. McCrea plays it easy/understated (as he often did in his roles); he has good banter w/ Day. In one action scene, he scales the outside of a hotel in a robe (flashing a LOT of leg). Stephen Fischer (Herbert Marshall) is the most interesting character; he’s clever, witty, charming, yet mysterious. George Sanders gets to play a good guy (which is rare for him); I got a kick out of that. Robert Benchley (also one of the scriptwriters) is V funny as the (experienced) London correspondent who’d rather be drinking.

[1] Though lacking the star power of some of the great director’s more famous movies, the cast is very good, the settings are wonderfully conceived, and the story and writing keep the viewer’s attention at all times. It has everything we hope for from Hitchcock: action, suspense, and a good dose of humor.

[2] …a film which coincidentally carries Hitchcock’s boldest political statement: That neutrality doesn’t work when others are bent on war. […]

Some back in Great Britain complained Hitchcock’s leaving his native country as it faced Hitler all alone was desertion, but Hitchcock was doing all he could for King and Country, as “Foreign Correspondent” pulls all the stops to shake American viewers from their neutrality.

Hitchcock is very careful in presenting the bad guys. He never says they’re Germans, though the implication is obvious. The chief baddie is ruthless but not without decent impulses…

[3] Notice especially the excellence of the exterior set—the sky, the windmills— these visuals are exceptional for a sound stage creation.

-Excerpts from IMDb reviews

“The Fugitive” (1993) starring Harrison Ford & Tommy Lee Jones

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Dr. Richard Kimble, unjustly accused of murdering his wife, must find the real killer while being the target of a nationwide manhunt led by a seasoned U.S. Marshal. -Synopsis

The studio was not happy with the beard. They figured they paid for the face they wanted to see, so they were concerned about that. -Harrison Ford on his look (in the 1st act of the movie)

I re-watched this movie (released 30 yrs ago this week) recently- it still holds up! It was the 3rd highest-grossing movie in the US in 1993; it was (surprisingly) nominated for MANY awards. There is NOT a lot of dialogue and the story is quite simple, BUT the pacing, build-up of tension, and exciting (and memorable) action scenes keep viewers interested. The focus is mainly on two good guys- Dr. Richard Kimble (Harrison Ford) and the US Marshals lead by Deputy Samuel Gerard (Tommy Lee Jones)- so we want to root for both sides. Ford (who was looking for a challenge) gives an understated performance; however, you see the determination in the hard-set of his jaw and various emotions in his eyes. Remember that in reality, MOST people are trying to hold in their emotions (NOT expressing them openly). Jones has the flashier role (earning him an Oscar as Best Supporting Actor); his character got a spin-off movie- U.S. Marshals. Gerard (a veteran lawman) shows confidence bordering on arrogance, BUT he can also be funny. As we are taken on a cat-and-mouse chase, these two adversaries gain respect for each other.

Dr. Richard Kimble: [Holding Gerard at gunpoint] I didn’t kill my wife!
Deputy Marshal Samuel Gerard: I don’t care!

Andrew Davis (director) convinced the producers to let him shoot (on location) in Chicago; the weather was V cold during the 73-day shoot (which posed challenges). I learned that some of the dialogue was improvised by Ford and Jones. The St. Patrick’s Day parade scene was also improvised; it took several mins. for Ford to be recognized among the crowd. Ford damaged some ligaments in his leg during the scenes in the woods; he refused surgery until the end of filming (so that his character would keep the limp)- ouch! At age 50, Ford is in great shape (as we see in the shirtless scenes where he bandages his wound, then changes into civilian clothes). The supporting players do a good job in this movie: Sela Ward, Joe Pantoliano, Julianne Moore, Jane Lynch, Andreas Katsulas, Jeroen Krabbe, and others. Moore (the young ER doc) had a bigger role; these scenes were filmed/deleted from the final cut. (FYI: If you want to hear more re: Ford’s movies, check out The Fordcast podcast.)

“The Fabulous Baker Boys” (1989) starring Jeff Bridges, Michelle Pfeiffer, & Beau Bridges

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For 31 years it’s been just the Fabulous Baker Boys… but times change. -Tagline for the movie

This movie (free on YT in HD quality) focuses on a Seattle piano lounge act performing jazz versions of famous pop songs. The older brother, Frank (Beau Bridges), is married w/ 2 kids and the business manager, front man, and programmer of the playlist. The younger brother, Jack (Jeff Bridges), is carefree w/o commitments; he has one-night stands (mainly w/ cocktail waitresses). Jack has an old black Lab dog (Eddie) and a pre-teen upstairs neighbor (Nina) who lives w/ her single mom (busy dating various men). The Baker Boys’ act is becoming stale; they’re losing the ability to hold onto what gigs they had. Dave Grusin recorded the songs for the soundtrack, BUT Beau and Jeff both learned to play all the songs. To make their playing look realistic, they watched videos of Grusin’s hands playing the music.

Frank comes up w/ the idea of hiring a female singer. After 37 bad auditions, they finally hire Susie Diamond (Michelle Pfeiffer- who sings all her songs); she is rough around the edges and a former escort. Despite Susie having no formal singing experience, she has good enough vocals and can sell a song. She turns off her tough girl attitude when performing; she becomes vulnerable. Soon, they begin getting better gigs and earning more money. Frank thinks the biggest threat is the sexual tension (real or imagined) btwn Jack and Susie. However, the main threat is how Susie is able to expose the (existing) rifts btwn the brothers; Frank’s goal is to provide for his family, while Jack wants to pursue his own musical dreams.

They just don’t make films like this anymore (for the big screen)! It’s a 3-person character drama, NOT unlike what you’d see onstage. The writer (also 1st time director), Steve Kloves, had shown the script to (IRL friend) Pfeiffer 3 yrs. before it was made. Kloves mainly worked as a screenwriter afterwards; he did a fine job here. The film was released in SEPT 1989 in only 800 theaters; it sold out in NYC, Chicago and LA (thanks to word of mouth). There was NOT much money spent by the studio (Fox) on advertising.

I love them- both the Bridges brothers! -Michelle Pfeiffer on Inside the Actors Studio

Some critics (of ALL genders) commented: “This is Jeff Bridges looking his hottest.” Most of the time, Jack (an anti-hero) is wearing a black tux open at the collar. Susie has a variety of dresses, ranging from trashy to elegant. They BOTH have great hair, too! The audience is anxious for them to get together, BUT they need time (as they are guarded emotionally). The Fabulous Baker Boys is a must-see film w/ intelligent dialogue, great acting, and sparkling chemistry. There is a sense of authenticity; the settings are NOT always glam and the characters are multi-layered.