“Mulholland Falls” (1996) starring Nick Nolte, Melanie Griffith, & Jennifer Connelly

The power of love vs. the love of power. -A tagline for the film

This neo noir is set in the 1950s; the LAPD cops we meet are part of the anti-organized crime squad (“the Hat Squad”). These men are big/tough and do NOT hesitate to break the law, IF it suits their purposes; the drive around in a black convertible (1949 Buick Roadmaster). The leader of this unit is Det. Max Hoover (Nick Nolte); he and his wife, Katherine (Melanie Griffith), seem to have a V happy marriage. A local young woman, Allison Pond (Jennifer Connelly), is brutally murdered and dumped at building site; the investigation reveals she’d been romantically linked to several prominent men. One of her lovers was Gen. Thomas Timms (John Malkovich), the head of the Atomic Energy Commission; he is shown w/ her on a film. Hoover gets a shock when he sees Allison’s body; he knew her as well!

It kind of shocked everyone who knows me that I wound up doing this movie, because I had always been so careful about nudity; it was very much a part of this character and I couldn’t be coy or guarded or self-conscious, otherwise it wouldn’t work. It was sort of a challenge I wanted to take on, I guess. -Jennifer Connelly on her nude scenes

There are SO many familiar (some who became famous) faces here in cameos or supporting roles: Rob Lowe, Louise Fletcher, William Petersen (before his CSI days), Andrew McCarthy (as Allison’s gay bestie), Treat Williams (who passed away last wk.), Kyle Chandler, Michael Madsen, Daniel Baldwin (older bro of Alec), and Chazz Palminteri (as a somewhat sensitive cop). All of Connelly’s scenes are shown in flashbacks. This was the 1st American film directed by a New Zealander (Lee Tamahori); his mother is British and his father is Maori. He gained the attn. of Hollywood after getting critical acclaim for the indie drama Once Were Warriors (1994); I need to check that out soon. The DP is Haskell Wexler; he is considered one of the best in the field of cinematography.

Gen. Timms: These tiny particles of matter, which are so small that no one’s ever seen them – never – they contain enough energy to blow up this house, an entire city, every person on Earth. Now that is inconceivable.

Hoover: General, I really don’t think much about those things. I’d probably see too much.

Gen. Timms: What do you see?

Hoover: People dead before their time.

Gen. Timms: That’s the history of the world, Lieutenant. Some people die before their time so that others can live. It’s the cornerstone of civilization. War, religion, democracy. A hundred die so that a thousand may live.

This was a time of great change is the U.S. We see the suburbs being built; some cops are skeptical about these planned developments (long drive from the city). Max’s partner, Elleroy (Palminteri), has been seeing a (female) therapist. Unlike Max (who keeps things bottled up), Elleroy is able to talk about his (conflicting) feelings on the job. Malkovich gets some of the best lines; he plays a cold/smart/privileged man who thinks he’s above the law. The costumes, sets, and atmosphere reminded me V strongly of the older noirs. As one astute viewer wrote: “It isn’t your traditional cop drama/political thriller because of the nature of the main characters. They don’t always play by the rules, but in the end, they are the good guys. And, it’s got a good finale.”

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.