Category: Actors

Actors I like

Ocean’s 8 (2018) starring Sandra Bullock, Cate Blanchett, & Anne Hathaway

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NOTE: This post contains MILD SPOILERS for the film (now playing in theaters).

What seems like a fun, simple heist movie (female reboot of Ocean’s franchise), has layers (when you dig deeper). The dialogue and slow-ish directing style leaves much to be desired, BUT the actors pull off a LOT w/ the strength of their personalities, FAB fashion, confidence, and (off course) charisma. These women (mostly household names) are NOT afraid to poke fun at themselves. At one point, Debbie Ocean (Sandra Bullock) says: “A he gets noticed. A she is invisible. We want to be invisible.” Oooh, if that’s NOT a direct jab at major Hollywood film studios, I don’t know what is!

I haven’t seen Bullock (who plays recent parolee/younger sis of Danny) in a while; she’s had some hits (and quite a few misses) in her career. (Fun fact: He mom was an opera singer from Germany; she speaks some German at pivotal points in the film.) Cate Blanchett (Lou) is great, as usual; her platinum bob and menswear-inspired suits look V cool. I much prefer to see Blanchett in this type of strong/independent woman role, as opposed to Blue Jasmine (saw recently on Netflix w/ my mom). Her performance is compelling in that (rather lackluster) film, BUT I just like her kicking ass! There is an enigmatic nature to the relationship between Debbie and Lou.

Anne Hathaway (who steals the show) takes on the self-obsessed Hollywood star archetype. I think even Hathaway’s haters will have to take note of this performance! She is more of an earnest theater geek/English major, a far cry from Daphne Kluger, who swings from confident to insecure in the blink of an eye. Dahne’s designer for the Met Gala is Rose Weil (Helena Bonham-Carter), a broke Irishwoman near the end of her rope (until she meets Debbie and Lou). Bonham-Carter also makes fun of herself; take note the of the quirky touches (incl. hair, gloves, Victorian-inspired outfits). It’s great to see her (on the big screen) after MANY years. 

My friends and I were excited to see Mindy Kaling (now a mom- WOW); I wanted to know a BIT more re: her diamond-expert character, Amita. Awkwafina, a young Chinese-American actress from Queens, gets laughs for her deadpan performance of Constance (a skateboarding street hustler). Catch her later this Summer on Crazy Rich Asians. And who can forget Nine Ball, a young hacker played by Rihanna!? She just has the kind of screen presence that can’t be faked, even covered in baggy ponchos and working over a laptop. Sarah Paulson is the bored suburban mom, Tammy; she should’ve gotten more to do. 

Richard Armitage fans (like myself) will be V happy to see the Brit get more exposure; he plays Claude Becker (art dealer/con man). He recently tweeted that he got the role last-minute. Another Brit I’m also fan of (Damian Lewis- starring in Showtime’s Billions) had to drop out. Claude is Daphne’s date for the Gala; he has little interest in her (as a person), BUT seems to love being in proximity to celebs. (There are MANY celeb cameos in this film- FYI.) There are little moves and expressions to show Daphne that he cares, BUT this is all a performance. Richard does a great job in his (limited) role; he gets really great outfits, too. 

Sidenote: If you want to know more re: the Met Gala, check out the doc that the characters watch- The First Monday in May (Netflix). 

Fleabag (2016)

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I watched this Brit show (on Amazon Prime) last weekend; there are 6 eps (about 30 mins long). It’s NOT for everyone (TV-MA), BUT does have some interesting/unique components. We’ve ALL seen angry/unlikable/complicated men as protagonists (incl. in comedies) over the past 10 yrs or so. However, there aren’t many female characters like Fleabag (Phoebe Waller-Bridge), a 20ish working woman living in London and dealing w/ grief (incl. that of her BFF/business partner). “Fleabag” is the real-life nickname of Waller-Bridge. She also created a play on which this show is based. Fleabag breaks the fourth wall (as seen prominently on House of Cards); this brings the viewer in closer to the story.
Fleabag struggles to keep her small cafe open, breaks up w/ her sensitive/songwriter BF- Harry (Hugh Skinner), then hooks up w/ different men (one of her coping mechanisms, she admits). Waller-Bridge can be BOTH beautiful and awkward at the same time; she has a flawless face and is tall and slim. Yet she also has a somewhat long/big nose (which gives her an unique look). One of her men is played by an unusually handsome actor (Ben Aldridge). Sidenote: The way others reacted to their pairing reminded me of when Miranda (Cynthia Nixon) dated character played by a soap actor on SATC.
Fleabag has an awkward relationship w/ her father (Scottish actor Bill Paterson) and hates her godmother turned step-mom (Waller-Bridge’s close friend-actress Olivia Colman). Talk about step-mom from Hell- Colman portrays a self-absorbed artist and villain V well here (a departure from her usual roles)! The MOST interesting/complicated relationship is between Fleabag and her seemingly “perfect” older sister, Claire (Sian Clifford). Unlike Fleabag’s aimless approach to life, Claire (Sian Clifford) has to control everything (incl. her own “surprise” b-day party). There is deep love between these women, though they have such different personalities. Both women wonder if they sre “bad feminists”- something V rare for a TV show! Claire is married to an American art dealer, Martin (comedian Brett Gelman), who comes off as creepy and pathetic. I think Martin provides some of the more (obvious) humor.

Heaven Knows, Mr. Allison (1957) starring Robert Mitchum & Deborah Kerr

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I watched his film (w/ my mom) this past week at AFI in Silver Spring, MD (theater across the street from my current apt). I’d seen it before (on TCM), BUT let’s face it- Mitchum is a big man meant for the big screen. This film was shot on location in the Caribbean (Trinidad and Tobago) in Cinemascope. This film is rightly compared to The African Queen w/ a female being a religious missionary and a hell-raising male thrown together in wartime. The African Queen was set during WWI; this film is set on a small Pacific island in WWII.

John Wayne, Kirk Douglas, Clark Gable and Marlon Brando all wanted to play, or were sought for, the part of Mr. Allison before Robert Mitchum was cast. Mitchum worried that Kerr would be like the prim characters she often played; after she swore at director John Huston during one take, Mitchum (who was in the water) almost drowned laughing. The two actors were friends until Mitchum’s death in 1997.

Deborah Kerr is a nun who hasn’t yet taken her final vows.  Being alone on the island with Mitchum is a temptation, no doubt- LOL! At that time, the Catholic church imposed strict censorship laws on films dealing with religious situations/characters. In the original book by Charles Shaw (inspiration for this film), the marine and the nun fell in love. Huston created a resolution in which the marine and nun gain strength, hope and determination from each other. There’s a great parallel between Cpl. Allison and the Sister. Each dedicated themselves to their respective vocations- he is dedicated to the Marines; she is dedicated to the Catholic Church. Mitchum shows what depth and sensitivity he could bring to a part. Kerr earned an Oscar nom! 

The script called for several Japanese-speaking officers and a company of troops to be on the island. There were no Japanese men on the islands of Trinidad and Tobago; a few who spoke the language were eventually found in an emigrant community in Brazil. For the non-speaking Japanese troops, 50 Chinese men (who worked in the restaurants and laundries of T&T) were hired. Some locals were upset b/c work didn’t get done while these men had their 15 mins of fame.

[1] If you are looking for a movie with heart and real content, this could be perfect. The acting is top-notch, as is the cinematography. The plot flows beautifully and holds your attention to the very end. 

[2] It’s the subtlety that makes this film work they way it does. 

[3] Mitchum- an actor who only really has one persona, and yet is a good actor all the same. It didn’t matter whether he was playing… he was still the same sturdy, laconic Robert Mitchum. But within that one persona, he has a full range of expressiveness and credibility. This is among his best performances.

[4] Kerr- she conveys every thought and emotion through tiny gestures, facial twitches and changes in posture. Above all, she brings a very warm and believable character out beyond the stereotype.

-Viewer comments from IMDB

The Heiress (1949) starring Olivia de Havilland & Montgomery Clift

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In the late 1800’s, the wealthy Sloper family- surgeon Dr. Austin Sloper (Ralph Richardson), his daughter Catherine (Olivia de Havilland), and the doc’s recently widowed sister- Lavinia Penniman (Miriam Hopkins)- live in a spacious house at Washington Square in Manhattan. Despite lessons in various social graces, Catherine is awkward and shy; in contrast, her deceased mother had a LOT of charm and beauty, as her father and their social circle often comment. Lavinia attempts to get her niece to be more social and hopefully meet the a suitable man to marry. Enter handsome, smooth-talking Morris Townsend (Montgomery Clift), recently returned from Europe.

Morris dances w/ Catherine at a party, NOT minding her clumsy feet, and manages to put her at ease briefly. He comes to call for several days in a row; she is surprised and nervous, even skipping out one morning hoping to avoid him. In no time, Morris declares his love to Catherine and asks to for her hand in marriage. She is thrilled, b/c she NEVER expected anything like this to happen to her. The air-headed/hopeful Lavinia (who serves as chaperone) greatly approves of the man, though cold/aloof Dr. Sloper is suspicious of Morris’ motives. The young man has potential, BUT doesn’t have a job. Above all, the father can’t fathom that a man would want the daughter that he continually puts down. Dr. Sloper, after learning more re: Morris’ character, refuses to give his permission for the marriage. Catherine, angry yet determined, forms a plan to elope ASAP. 

As one viewer wrote:

There are no easy answers in this movie. You can think Dr. Sloper is right about Morris and only wants to protect his daughter, or you can see his actions as those of a vindictive man who blames her for the death of his beloved wife (in childbirth). Morris could be a fortune hunter, or he could be a man who does care for Catherine, in his own way, and would make her happy. Or all of the above. 

After seeing The Heiress on Broadway, de Havilland approached William Wyler about directing her in a screen adaptation (which won 4 Oscars). He agreed and encouraged Paramount execs to purchase the rights from the playwrights (Ruth and Augustus Goetz) and have them also write the screenplay. They were asked to make Morris less of a villain than in the play and the original novel (Washington Square by Henry James); the studio wanted to capitalize on Clift’s reputation as a romantic lead. Wyler’s idea was to pair de Havilland with frequent co-star Errol Flynn, but studio execs favored Clift (w/ a more subtle acting style). Though Flynn and de Havilland had great chemistry, execs felt that the actor’s real-life womanizer rep would’ve worked against him.

 

 

Top 5 Shakespeare Films (or Best of The Bard Onscreen)

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1) Much Ado About Nothing (1993)

If there was just one word to describe this film, it would be “luminous.” Filmed during a Summer in Italy, the FAB cast includes Kenneth Branagh (who directed), Emma Thompson, Denzel Washington, Michael Keaton, and Keanu Reeves (whose presence is odd, yet doesn’t spoil the movie). You have the innocent/fresh-faced lovers: Hero (Kate Beckinsale- SO adorable and young) and Claudio (Robert Sean Leonard- who ages quite slowly), In contrast to this hopeful pair, there is the sharp-tongued/witty older couple: Beatrice (Thompson) and Benedick (Branagh). Her father fears that her sharp tongue will render her single for life. Benedick declares that he’ll die a bachelor, BUT his jovial friend/lord Don Perdo (Denzel- looking esp. FAB in leather pants) has other plans. Who doesn’t LOVE Denzel doing light-hearted roles!? Almost everyone (aside from Keanu- DUH!) does well w/ the (complicated) words, incl. the newbie Beckinsale. The veterans (all Brits) in the cast add authenticity and Keaton brings in eccentric humor. Aside from the gorgeous scenery, the music (composed by Patrick Doyle) is amazing (I had the CD back in the day).

2) A Midsummer Night’s Dream (1999)

This is another visually gorgeous film (w/ a talented cast from BOTH sides of the pond), though NOT as seamless as Much Ado (also a popular comedy). There are several pairs of lovers, incl. fairies: Oberon (Rupert Everett) and Titania (Michelle Pfeiffer) and humans: Lysander (Dominic West- famed for The Wire) and Hermia (Anna Friel- Brit stage actress); Demetrius (the FAB Christian Bale) and Helena (American TV darling Calista Flockhart); Theseus (character actor David Strathairn) and Hippolyta (Frenchwoman Sophie Marceau). The naughty fairy, Puck, is played by the always great Stanley Tucci (FYI: he even published an Italian-American cookbook a few yrs back- WOW!) I really liked Kevin Kline’s portrayal of Bottom (the weaver who wants to play every part in the play- LOL). Kline is a theater pro, just like Denzel (and it shows). Pfeiffer admitted that she never understood Shakespeare, BUT hey, she does a good job (w/ the best costumes/hair).   

3) Titus (1999)

This movie is NOT for the faint of heart- it’s one of The Bard’s bloodiest tales come alive (thanks to Broadway’s Julie Taymor). Come for the spectacle, BUT stay for the (terrific) acting from a cast that includes Americans, Canadians, Brits, and Scots. Anthony Hopkins is in the title role of the war-weary Roman general, Titus Andronicus, who has captured the queen of the Goths, Tamora (Jessica Lange), her three sons, and her secret/Moorish lover, Aaron (Harry Lennix). Though Tamora begs for his life, her eldest son is slaughtered; Titus, who lost MANY sons of his own during years of battle, shows no mercy.

Tamora vows revenge against Titus and his kin, along w/ her other sons: Demetrius (Matthew Rhys) and Chiron (Jonathan Rhys Meyers). Titus’ household includes his kind-hearted brother, Marcus (Colm Feore), his remaining sons: the grown-up/practical Lucius (Angus MacFadyen) and a pre-teen boy, and his only daughter-sweet/innocent- Lavinia (Laura Fraser). She is in love w/ Bassanius (James Frain), an honorable young man running to become ruler of this city against the vain Saturninus (Alan Cumming). Titus’ family become outcasts when Tamora (who is BOTH smart & gorgeous) convinces the new/gullible emperor, Saturninus (Alan Cumming), to marry and ally w/ her family. Who knew that Lange could be SO wonderfully evil!? I loved her chemistry w/ everyone, incl. Lennix (who worked as a teacher before getting into film). Fraser impressed me a LOT also; you hear NO hint of her (real-life) thick Scottish accent.

4) Romeo & Juliet (1996)

The actor who really sells this Baz Luhrmann adaptation is Claire Danes (great at ANY age)! Sure, Leo was the draw for the younger gen, BUT she is the one who raises the game w/ her interpretation of an innocent teen girl in love for the first time. Even is you’re NOT a fan of modernized Shakespeare, give this one a chance (IF you already haven’t). I know MANY high schools are using it to appeal to teens. 

5) Twelfth Night, or What You Will (1996)

Some of you may NOT have seen this film from Brit director Trevor Nunn (which is shot in Ireland and England), BUT it features two strong female performances. A young foreign noblewoman disguised as servant boy, Viola (Imogen Stubbs), unwittingly sparks the interest of a noblewoman from Illyria, Olivia (Helena Bonham Carter). Gender confusion is a common theme in Shakespeare; in The Merchant of Venice, a woman even disguises herself as a male lawyer and wins a court case for the man she wishes to marry. Viola finds herself falling for her boss, Duke Orsino (Tody Stephens- still looking cute w/ quirky facial hair) who pursues Olivia, though she spurns all men (b/c mourning her brother). Look out for Sir Ben Kingsley in the supporting role of Feste, the fool in Orsino’s court.