FanstRAvaganza 4: Re-watching North & South (Episode 1)

Introduction

For Richard Armitage Week on the Web, I’m re-watching my favorite miniseries, North & South (BBC, 2004).   As I wrote before, I learned a little about it from the (many) YouTube fan videos created by its loyal fans.  Wow, I guess something about this film really touched people!  I saw it first in 2009 (Spring), not long after I’d moved to a city I didn’t know and had no local friends/connections (just like Margaret’s predicament at the start of Episode 1). 

The Backstory

Margaret Hale (Daniela Denby-Ashe) is looking back on the London wedding of her vivacious/blonde cousin, Edith, as she takes the train from Helstone (her home in the rural South- Hampshire) to Milton (a growing industrial city modeled after Manchester by novelist Elizabeth Gaskell).  We meet Aunt Shaw (a wealthy widow who was married to a much older man) and Margaret’s parents, the Hales (married for love).

You know, sister, sometimes I envy you your quiet country parsonage.  Now, Edith can afford to marry for love.

Daniela Denby-Ashe as Margaret Hale and John Light as Mr, Lennox
Henry picks a rose for Margaret

The older brother of the groom, Captain Frederick Lennox, Henry (John Light), chats with Margaret and compliments her looks, but she doesn’t notice.  (We can tell that he’s interested in her.)  They talk of the perfect wedding and Margaret’s love of her hometown.  Soon after she goes back to Helstone (bright/green/peaceful), Henry comes for a visit, much to Margaret’s surprise.  She is shocked when he proposes to her in the church yard.  Margaret (age 18) insists that she’s “not ready to marry anyone!”  Henry leaves, very disappointed, as he thought that she cared about him (as more than a friend).

Arrival in Milton

There will be no people like us there.

Mrs. Hale (Lesley Manville) is very upset and worried about going to live in such a strange place.  (It’s dark, gray, smoky, and bustling with people and activity.)  The Hales’ loyal housekeeper, Dixon (Pauline Quirke), empathizes with her mistress (who is in poor health).  Why can’t they stay “by the coast” (seaside) while Mr. Hale (Tim Pigott-Smith) looks out for a house?  But her husband insists that she come along.  Margaret tells her father that they should both go see the properties- it’s faster. 

Maragret is visibly annoyed when she overhears Mr. Thornton’s overseer (Williams) and another man (property agent) talking about Mr. Hale in a disrespectful way.  Williams doesn’t want to discuss rent of the townhouse with her, so she insists upon seeing Thornton.  She’s a bit surprised that Mr. Thornton’s house is right beside his mill.  After some minutes, Margaret gets tired of waiting, and walks into the mill.  

Meeting Mr. Thornton

Richard Armitage as Mr. Thornton
Margaret sees Mr. Thornton for the first time

There is cotton fluff going all around- Margaret has never seen such a place!  The workers are busy, aside from one man, who is trying to smoke.  Mr. Thornton (Richard Armitage) sees him before he can light up and chases him across the floor.  In one corner, he gets hold of the man (Stephens), and starts punching him (very hard), while shouting about the danger of fire in a mill.  Margaret is horrified to be witnessing such a fight; she yells “Stop!”  Stephens begs for his job and cowers on the floor (with blood on his face).  Thornton kicks him and yells over at his manager: “Get that woman out of here!”  Margaret chastises the master for his behavior before she’s urged away by Williams.

I was angry.  I have a temper.  Fire is the greatest danger in my mill aside from-

Richard Armitage as Mr. Thornton
Meet Mr. Thornton

I love how Thornton stands up straighter and puffs out his chest before Mr. Hale introduces him to Margaret!  (He wanted to make a good impression.)  She’s not happy to see him- her expression is one of disgust and disappointment throughout the scene.  But she is surprised when he (passionately) tells the story of the burning of a mill in Yorkshire the previous year.  And the voice- WOW!

Introduction to the Higgins & Thorntons

They don’t much like strangers in my house.

There is some class and culture clash when Margaret meets the Higgins.  (Class difference is still a common theme, even in modern TV/films from the UK.)  They will become close friends, though the Higgins are working folks and she’s a gentleman’s daughter.  Bessie (Anna Maxwell Martin) admires how Maragaret stood up to Thornton.  We learn it was her father, Nicholas (Brendan Coyle), who helped Margaret in the stampede in an earlier scene.

Our Milton craftsmanship can compare with the very best.

Well, that was an awkward tea!  Mrs. Thornton (Sinead Cusack) is very stern and humorless.  She says that her son is “sought after by all the ladies” in town. When Margaret smiles and gives a little laugh at that, she is offended.  Fanny (Jo Joyner) is hilarious (without knowing it). 

The Masters’ Dinner

Mr. Thornton at the mill owner's dinner
Mr. Thornton at the mill owner’s dinner

I do not run a charitable institution.  My workers expect me to be hard. 

This is an especialy well done scene!  The director and cinematographer work with light, shadow, and angles to cast Thornton as an ambiguous character.  We don’t yet know if he’s a good or bad guy.  We also learn a bit about the other mill owners, too, as they discuss “the wheel” and how they deal with their workers.

Tea with the Hales

Mr. Thornton admires Margaret
Mr. Thornton admires Margaret

Margaret is ironing the curtains.  Thornton smiles when he comes to the door of their house- love that!  He admires (checks out) Margaret as she pours him tea, but she remains stand0ffish. He tries to connect with her in this scene, but fails.  When Mrs. Hale talks about the new decor, he makes a comment on “Milton taste” and smiles over at Margaret. Again, no positive response from her.  But when he mentions the South, she gets ticked off, saying he “knows nothing about the South” and there being “less suffering” there than in  his mill.  Look at the (obvious) disappointment on his face! 

I do know something of hardship…

But things really get serious (we are more drawn in) when Thornton tells the story of his past.  Notice the change in his posture, voice, and expression with each sentence- just subtle/superb acting!  The Hales are silent and admit to being taken aback by his (emotional/forthright) disclosure.  Mr. Thornton is reading the great books and discussing them with Mr. Hale to improve his education (which was abruptly halted as a boy). 

Margaret, the handshake is used up here in all forms of society. 

Mr. Thornton is offended when Margaret refuses to shake his hand.  He wanted to leave her with a positive impression. 

The Meeting of the Millworkers

Nicholas rallies the men (from different mills) at the Lyceum Hall for the first time.  (Mr. Hale said they could meet during his lecture time.)  Boucher, who has a wife and six young children, speaks his concerns.  The strike fund can’t help men like him, he thinks.  They millworkers are not striking yet, but need to be ready for the future.

Conclusion of Episode 1

Stephens comes back to Marlborough Mills to beg for his old job, saying he can act as a spy and find out what the other workers are up to.  Thornton yells a him and shoves him out.  Part of this encounter is witnessed by Margaret and her father, who don’t approve of such harshness.  Margaret wishes she could tell Edith how she really feels- she’s “lonely” and Milton is “hell.”

Richard Armitage Week on the web

The Company Men (2010)

company-men-poster

This is a slice-of-life indie film (set in the mid-sized city of Gloucester, MA) centering on several executives working for GTX, a fictional manufacturing company that has had some heavy lay-offs.  It was written/directed by John Wells (ER, Mildred Pierce, The West Wing, etc.); Maria Bello (also from ER) has a role in the film as a shrewd businesswoman.  Though it focuses on white, upper-middle class men, I could relate to it on several levels.   

Discussion of lay-offs in the boardroom
Glen McClary (Tommy Lee Jones), Sally Wilcox (Maria Bello), and others discuss lay-offs

Old friends James Salinger (Craig T. Nelson) and Glen McClary (Tommy Lee Jones) have built GTX from the ground-up, but Salinger, the president, wants to trim costs in order to raise profits.  McClary feels like he’s going about it the wrong way; he also feels guilty for benefitting from the rise in company stock.  Sally Wilcox (Bello) handles the lay-offs, which come as a shock to Robert Walker (Ben Affleck), a top sales exec (w/ MBA) who’s worked for the company for 13 years (all of his career).

Bobby and Maggie
Bobby (Ben Affleck) & his wife Maggie (Rosemarie DeWitt)

Bobby drives a Porshe, lives in a beautiful house (beside a golf course), and has a lovely family.  However, he’s reluctant to share the bad news with his family (including parents), or rely on them for support.  Bobby thinks that he can get a job right away, but turns out to be wrong (you’ve been there).  Bobby’s understanding wife, Maggie (Rosemarie DeWitt), goes back to work as a nurse.  She urges him to cut back on costs, but he exclaims: “I need to look successful!”  When you don’t have a job, you feel anxious, depressed, irritable, and- perhaps this is more so for males- useless.

Tommy Lee Jones as Gene McClary and Chris Cooper as Phil Woodward
Gene McClary (Tommy Lee Jones) & Phil Woodward (Chris Cooper)

Phil Woodward (Chris Cooper, one of my favorite character actors) is let go in the second round of lay-offs; he takes it very hard.  He worked his way up from the factory floor (where he installed parts on ships) and is pushing 60.  One of his daughters is in college (Brown, no less) and the other is eager for her school’s senior trip to Italy.  His wife suffers from headaches and doesn’t seem like much of a helpmeet.  Phil tells Gene: “My life ended and nobody noticed.”

Jack Dolan (Kevin Costner) and Bobby (Ben Affleck)
Jack Dolan (Kevin Costner) & Bobby

When his brother-in-law Jack Dolan (Kevin Costner, in a low-key but pivotal role) offers Bobby a job with his small carpentary business, Bobby quickly rebuffs him.  That’s not the type of work he sees himself doing (been there, too).  After a few months of disappointment, Maggie reminds him that they can’t pay the mortgage.  Bobby has to swallow his pride and make some uncomfortable decisions. 

What drew me to this film is it’s ensemble cast.  I thought Cooper, DeWitt, and Jones performed their roles especially well.  Affleck and DeWitt have good chemistry in their scenes.  Most of the situations are very relateable.  Bobby is still a lucky guy, even without the trappings of success. 

 

Reblog: North & South (BBC)

I updated and posted my review of the minseries! 

Emma's avatarKnightleyemma

Daniela Denby-Ashe as Margaret Hale and Richard Armitage as John Thornton

Introduction 

Cotton, tea pouring, and firm handshakes NEVER looked SO good!  A very unlikely romance, labor union struggles, friendship across social classes, and other very “modern” themes are found in this timeless story (not unlike the work of Jane Austen).  However, unlike JA, Mrs. Gaskell delves into the lives of the poor/working class in Milton (a city VERY similar to Manchester) where she moved after she married.  I’m reading the novel, and this adaptation stays close to it.  If you haven’t seen this 2004 show yet, check out You Tube (under MissJaneAustenfan, a young Spanish woman who is ALSO crazy over period dramas).   

http://www.youtube.com/user/MissJaneAustenfan

Or you can buy the DVD (set of 2 discs) online or at your B&N store.  It’s worth it!

UPDATE: It’s now also on Netflix! 

 

Background, Setting, & Costumes  

The time period is AFTER that of JA- N&S is set during the…

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Quick opinions of recent views

Black Swan (2010)

We all know the story.  Virginal girl, pure and sweet, trapped in the body of a swan.  She desires freedom but only true love can break the spell.  Her wish is nearly granted in the form of a prince, but before he can declare his love her lustful twin, the black swan, tricks and seduces him.  Devastated the white swan leaps of a cliff killing herself and, in death, finds freedom.

This film was highly hyped when it came out, but I think it’s overrated.  It’s edited well and shot beautifully.  There is an atmosphere of claustrophobia in the film, reflecting the very circumscribed life of the main character, NYC-based ballerina Nina Sayers (Natalie Portman).  It was nice to see veteran actress Barbara Hershey as Nina’s overly-concerned mother.  Too bad not much was done with Winona Ryder’s role.  The meaning of the ending is up to the viewer to decide! 

House of Games (1987)

What I’m talking about comes down to a more basic philosophial principle: Don’t trust nobody.

In David Mamet’s film noir (done in his usual style), respected Chicago psychiatrist/author Margaret Ford (Lindsay Crouse) tries to help a troubled young patient with an IOU.  She’s is drawn into the world of  con man Mike (Joe Mantegna), a smooth/charismatic character who teaches her about “hustling” (through real-world experiences).  Margaret can’t resist the dark side, nor Mike, though she may be be the biggest “patsy” in the game.  

You say I acted atrociously.  Yes.  I did.  I do it for a living.

I recommend this film for Mantegna’s fine performance, as well as for the plot twists.  However, I preferred The Winslow Boy and The Spanish Prisoner (two great Mamet films).     

Please Believe Me (1950)

This film has some nice moments/dialogue, but is pretty uneven.  It takes too long to set up the premise, but that’s not unusual for older films.  Sensible single gal, Alison Kirbe (Deborah Kerr) of London, receives a telegram from Texas, that she has inherited a livestock ranch from an old friend. It is plastered throughout newspapers that Alison has become a rich heiress, and is sailing to the United Slates alone to claim her inheritance.  Smooth-taking gambler Terence (Robert Walker from Strangers on a Train), laid-back playboy Jeremy (Peter Lawford), and Jeremy’s no-nonsense lawyer, Matthew (Mark Stevens) take an interest in Alison aboard the ship.

Rage in Heaven (1941)

I wanted to see this film since a young Ingrid Bergman is in the lead role.  I recommend this film, as does my dad.  Stella (Ingrid Bergman), a refugee/ personal secretary to wealthy English widow Mrs. Monrell, accepts the marriage proposal of her son, Philip (Robert Montgomery).  This is a bit of a surprise since Philip seemed to encourage a relationship between his college  friend, Ward Andrews (George Sanders from All About Eve) and Stella.  After Stella and Philip get married, he assumes the lead management role in the family’s steel business.  Philip’s behavior becomes increasingly erratic, both at home and in the office.  How will Stella, Ward, and those involved in the steelworks cope?

Some Quick Film Reviews

The Best Exotic Marigold Hotel (2012)

Well, you really CAN’T go wrong w/ such a stellar cast!  (Dev Patel, just 21 y.o., said how BIG of an honor it was to work w/ all these legends, in a recent NPR interview.)   My fave characters were portrayed by Judy Dench, Bill Nighy (he surprised me w/ his skill), & Tom Wilkinson.  Some viewers commented that Patel’s acting was very one-note (& I mostly agree w/ that).  Perhaps he got bogged down in the Indian accent (he’s a British desi, after all); perhaps he just needs to learn more.  The complete change of heart from Maggie Smith’s characters didn’t ring QUITE true IMO.  There are some GREAT life lessons in this film, BUT it’s NOT schmaltzy or stereotypical. 

Empire Falls (2005)

Fans of Paul Newman will be surprised by his (antihero) role in this HBO miniseries!  There are some  fine performances, esp. from Ed Harris, Aidan Quinn, Robin Wright Penn, & a young Danielle Panabaker.  I thought it started out quite strong, BUT there is something disjointed about it.  It’s set around two VERY different families in a working-class town of Maine. 

L.A. Confidential (1997)

Three reasons to see this film (in order): 1) Russell Crowe 2) Kevin Spacey 3) Guy Pearce.  I’m pretty sure this film was a star-making turn for Crowe.  Also, this is one of the BEST edited films I recall seeing.  I was surprised that Kim Basinger was so capable- she didn’t annoy me in this film!   I think you need to see it twice to appreciate it- I don’t think I paid attention the first time.

The Horseman on the Roof (1995)

This historical French film is GORGEOUS (& not just b/c of the two leads)!  There’s a LOT of natural beauty- greenery, mountains, snow, etc.  Olivier Martinez, who you may recall from Unfaithful,  portrays a true “romantic” (a individual of high ideals).  Juliette Binoche is perfect (as usual), though there is NOT much dialogue.   Plus, you have to give props to a woman who’s not afraid to act w/ a man prettier than her- LOL!   La Binoche never disappoints.