2015 New African Film Festival – Triangle: Coming to America

This film (released in Ethiopia in 2012) was the centerpiece of the festival; the theater was almost full when I went to see it on a Saturday night.  The audience included viewers of Ethiopian and Eritrean heritage, particularly in their 20s and 30s.  My friend had seen it the previously and raved about it.  Writer/director Theodros Teshome (who held an after-show Q&A w/ two of the lead actors) was inspired to write this film after hearing the story of a fellow Ethiopian man’s dangerous/illegal journey to the U.S.  Teshome then performed some research, and discovered hundreds of similar stories of immigration.  He quickly realized that this story had to be told. 

Kaleab (Solomon Bogale, dubbed “the Denzel Washington of Ethiopia”) is part of a small group of Ethiopians being led through the desert by an Arab guide (who is dressed traditionally in a white jilbab and turban).  The Arab carries a rifle for protection, but he also uses it to threaten the group.  We learn that Kaleab’s good friend, Jemal, and his young wife are leaving b/c they eloped against her parents wishes.  Jemal provides some well-needed humor, but he can also fight (though short and wiry). 

Along the way, this group merges with a small band of Eritreans, which includes a young woman named Winta (Mahder Assefa).  Unlike some of the others, Winta doesn’t have a relative or friend traveling w/ her, so Kaleab watches out for her.  Jemal and his wife urge Kaleab to speak to Winta, though he is shy/reluctant.  There’s more than love in the air- they must deal w/ a sand storm, then another storm at sea (on the way to Italy).  One man (who used to be a soldier/lived overseas) is heartbroken when he loses his lovely young wife to pneumonia after landing in Italy. He wails and says he doesn’t have the desire to go on, leaving her body buried in a strange land.  The others, particularly Jemal, convince him to forge ahead.   

On the journey, Kaleab helps Winta, then she returns the favor (in a big way) when they reach Mexico.  Shared hardship, respect, and kindness between them grows into love.  I think this theme of the story helped the viewers deal w/ the hardships- a bit of hope, silver lining, and such.  I was surprised that such a serious tale could be told w/ bits of (real-world) humor.  The audience enjoyed the film a LOT- I could tell from reactions during and comments afterward.  

In the Q&A session, Teshome said that there will be a part two of this story, which will be about these characters’ lives in America. He explained that it’s very difficult to make a film in Ethiopia, though there is a wealth of acting talent and a great interest in movies from the general public.  The special effects had to be created in LA, which took up most of the (VERY modest, even for an indie film) $650,000 budget.  The cast and crew spent four days shooting in the desert.  It takes a good chunk of money to get theaters to screen films, but after two shows at AFI, more were added at the Columbia Heights Educational Center.  One woman said that she came all the way from Ohio to attend this festival-WOW!            

Spoiler Free Review: Maps to the Stars (NOW PLAYING)

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Jerome (Robert Pattinson) is a chauffer/struggling actor & screenwriter.

This film is NOT for everyone- it certainly made me and my gal pal think “WTF!?”  The small audience (perhaps 15 ) we saw it with were nearly silent, aside from a few awkward/small laughs.  One woman sitting close to me looked at her watch, asking “How long is this movie?”  It contains material that could be VERY offensive, but that’s not a shocker in a David Cronenberg film.  I think MANY folks want to see Julianne Moore, BUT don’t go if that’s the ONLY reason! 

This is the latest from the veteran Canadian director who brought us Dead Ringers (disturbingly good- mainly for Jeremy Irons), The Fly, Crash (somehow I got through it), A History of Violence (which I REALLY liked), and Eastern Promises (read my review).  His style is “cold, mechanical, and detached” (as one of the critics on the 3/22/15 ep of The Film Stage podcast noted).  This is a scathing portrayal of Hollywood celeb types, w/ VERY few laughs and an (almost) soundless score, which adds to its disturbing nature.

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Agatha (Mia Wasikowska) gets a job as an assistant for has-been actress Havana (Julianne Moore)

I was confused as to the purpose of Robert Pattinson’s chauffer/actor/screenwriter character, Jerome.  At first, he seems genuine in his interactions with the mysterious Agatha (Mia Wasikowska), but then he comments to Havana (Julianne Moore): “Isn’t it all just research?”  I learned that the screenwriter used to be a chauffer in Hollywood.  As for Havana, she’s like a teen girl in the body of a middle-aged/insecure/overly medicated/selfish woman.

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Teen actor Benji (Evan Bird) w/ his dad (played by John Cusack)

Agatha is supposed to be a disfigured young woman, but she doesn’t look THAT bad; one of The Film Stage critics thought that Cronenberg was showing “the difference between what’s on the page and what’s on the screen.”  Perhaps the most irritating character, Benji (Evan Bird), hangs out with a small group of teen celebs “who are supposed to be pretty people, but are really not that beautiful” (The Film Stage).  Where fame, beauty, youth, and money are so valued, there is “a sort of moral decay” (The Film Stage). 

There is one (badly done CGI) scene that several commentators (on IMDB) wrote was “laughable.”  Perhaps the director didn’t think this was a big deal?  Or maybe it was intentional?  VERY little of this film made sense to me, so I had to look up what critics/reviewers thought- that’s a BAD sign!

Top 10 Moments from Selma (NOW PLAYING)

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NOTE: This post contains mild SPOILERS.

10) J. Edgar Hoover (Dylan Baker) tells President Lyndon B. Johnson (Tom Wilkinson) that the FBI can create a wedge in the family of MLK, Jr. (David Oyelowo).  

9) Coretta Scott King (Carmen Ejogo) quietly meets with Malcolm X in a church.  He offers assistance to the movement. 

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8)  Annie Lee Cooper (Oprah Winfrey) punches out a policeman who violently lay hands on her in front of the Selma courthouse.  

7) LBJ tells Governor George Wallace (Tim Roth) that “no way in Hell” will he be on the same page as the backward-thinking man when it comes to history. 

6) Coretta confronts Martin about her fears and insecurities, including the other women in his life.    

5) Rev. Reeve, a white Episcopal priest from Boston, is attacked by a group of young (also white) men.  (I didn’t know about this event before!)

 

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4) The prayer on the Edmund Pettis Bridge- a silent, BUT powerful moment.

3) Some little girls in their Sunday best discussing Coretta’s hair before the church bombing (of the 16th Street Church in Birmingham). 

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2) Amelia Boynton’s “you are already prepared” speech to Coretta- VERY well-written, touching, and inspiring!  (Ms. Boynton is still alive at age 103!  She’ll be a guest of honor on Tuesday night’s State of the Union speech.)

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1) MLK, Jr.’s emotionally-charged speech at Jimmie Lee Jackson’s funeral.  (Jimmy, an unarmed black man, was shot and killed by a state trooper in a diner.  This was witnessed by his mother and elderly grandfather.)

 

Into the Woods (NOW PLAYING)

NOTE: This is a SPOILER-FREE review.

The Witch (Meryl Streep) wishes to reverse a curse to restore her beauty.
The Witch (Meryl Streep) wishes to reverse a curse to restore her beauty.

Anything can happen in the woods…

I saw this movie musical last weekend with my parents; they are both big fans of Meryl Streep.  We didn’t know what to expect, since we hadn’t seen the play or read up on many details.  I just thought it was a reimagining of several fairy tales with songs.  It was directed by Rob Marshall (who has an unexpected hit with Chicago).

The Baker (James Corden) and his wife (Emily Blunt) wish for a child.
The Baker (James Corden) and his wife (Emily Blunt) wish for a child.

We were pleasantly surprised to see that Emily Blunt was a key role- she plays The Baker’s Wife.  The Baker is played by a likeable Everyman type, James Corden, who is from the theater world.  These actors had good chemistry together and made a quite believable couple.  They were the center of the story. 

The Wolf is played by Johnny Depp.
The Wolf is played by Johnny Depp.

Stay a child while you can be a child.

The Wolf (Johnny Depp in a small role) has a song about the deliciousness of Little Red Riding Hood and Granny; this bordered on controversy because of the lyrics.  The song was changed from the original version (which was heard by playgoers).

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Cinderella’s stepmother is played by Christine Baranski (center).

Fans of The Good Wife will get a kick out of seeing Broadway vet Christine Baranski and Tammy Blanchard (who had a recurring roles on the courtroom drama series).  I got a kick out of their outlandish hairstyles and clothes.  And the trying on the shoe part- well. you’ll see! 

Cinderella (Anna Kendrick) is indecisive about The Prince.
Cinderella (Anna Kendrick) is indecisive about The Prince.
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Cinderella’s prince is played by Chris Pine (right).

Careful the path they take, wishes come true, not free.

Anna Kendrick seemed to be miscast as Cinderella; she even admitted that she thought she’d be cast as Red.  The two princes have a hilarious duet along a waterfall (Agony)!  Chris Pine, who actually looks good with a bit of a beard (unlike many men), said he did a Captain Kirk (William Shatner) impression at one point in the number.  (I’m sure the Trekkies out there will notice it.)  Pine did a good job with the material, I was surprised to see! 

Aside from Streep, Blunt, and Corden, young Daniel Huttlestone does a good job.  You may remember him from the latest Les Miserables film, where he also sang.  Tracey Ullman provided some bits of comedy as Jack’s irritable/critical mother.   

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Jack (Daniel Huttlestone) with his cow and mother (Tracey Ullman).

One reviewer (IMDB) commented: “I think that the later half of the movie, after the ‘happily ever after’ scene, was not given the same attention as the first half of the movie.  It felt like someone stepped in at the last moment and said: Hey, movies shouldn’t be allowed to have a happy fairy tale ending anymore. Let’s add some grim to it.”  In response, a theatergoer said: “The stage show has a two act structure that works a lot better. The first act is the fairy tale happy ever after. The second, which takes place roughly a year later, is what happens when you get your wish but are still unsatisfied and want for more. The second act is really a metaphor for greed and looking a gift horse in the mouth.”  If you want more analysis of the film, check out this podcast ep!