This Bollywood movie (directed by the prolific, yet shallow, Sanjay Leela Bhansali) uses Shakespeare’s Romeo and Juliet as a frame; it is also influenced by works of American director Quentin Tarantino and (in my opinion) Aussie director Baz Luhrmann. In a village in Gujarat, Ram (Ranveer Singh) is more of a flirt (Romeo) than a fighter. Though his hardened father’s gang deals in guns, Ram manages a small theater showing porn films. In another part of town, Leela (Juliet) is the spirited daughter of a petite boss lady dealing in spices. Of course, their families hate each other; these communities (the Saneda and Rajadi) have been enemies for 500 years. Ram sneaks into Leela’s part of town for Holi w/ his pals; they fall in love at first sight. This movie brought these two actors together (in real life); they were recently married.
The landscape of this movie (shot primarily in Udaipur) reminded me of Westerns (of the American Southwest). This movie has (for the most part) good/catchy songs, most notably the mega-hit Nagada Sang Dhol (sung by one of Bollywood’s best voices- Shreya Ghoshal- and Osman Mir). In order to perform the fast-paced/energetic choreography for this dance, Padukone had to learn to do garba (dance). The costumes are unique, intricate, and colorful, as seen in other recent Bhansali films (Bajirao Mastani; Padmaavat). There is a mix of modern (incl. ripped jeans) and historical fashions. The chemistry between the leads is obvious; the director had them spend time together alone and at various events.
If there weren’t cell phones, movies, bullets, or guns shown, it could easily be a historical film. Guns are fetishized throughout; this may put off some viewers. The title translates to A Play of Bullets: Ram-Leela. Rifles are being sold openly in the village market, a visitor is shocked to see. At the slightest insult, men and boys from opposing gangs start shooting (like the Wild West). There is very little blood shown, as that’s the norm in Bollywood. Even the chilled out Ram wears an embroidered pistol holder at his waist. The lovers flirt using pistols; it was unexpected and ironic. There are Gujarati slang terms and curses which Ram uses, some viewers/critics pointed out.
This movie clocks in at 2 hrs and 30 mins; this isn’t unusual for this genre. Padukone comes off as confident and natural; her large/expressive eyes are her finest asset. There are not many well-developed supporting characters. Leela’s mother, Baa (Supriya Pathak Kapur), makes a big impression as the villain She has very imposing looks and a rough/world-weary voice. We don’t learn much re: Ram’s father, his older brother, or Leela’s scheming male cousins (who want to succeed Baa). Instead of the old Nurse in Romeo and Juliet (or feisty Anita in West Side Story), we have Leela’s sister-in-law, Rasila (Richa Chadha). She tries to help the star-crossed lovers escape town. Bhansali chose Chadha for her more “typical Indian features and dusky skin” (which is in contrast to the leading lady). In one standout scene, Rasila (who has confidence and toughness) escapes being raped by Ram’s friends! I’m sure that scene will be upsetting to some viewers, though it is a common trope in Bollywood.
Priyanka Chopra dances during the song Ram Chaye Leela Chaye Ram; she was up for the role of Leela years earlier (after Kareena Kapoor turned it down). Chopra (now famous worldwide) is a rather limited actress. I though that this dance was unnecessary; it didn’t flow w/ the movie and mainly involved moving her (quite toned) stomach. Chopra got a more meaty role in Bajirao Mastani. Speaking of abs, Singh was put on a diet of mainly fish, broccoli, turkey, and green tea to help achieve his look. He also worked out at a gym built specifically for him. However, great (or defined) abs don’t equate to great acting. I don’t see the point of having actors (male and female) go to such lengths when their time would be better spent in acting classes. Also, with this type of (shallow) material, actors can’t do much!