Beyond Bollywood International Film Festival

Meet the Patels (2014)

MeetThePatelsPosterThis documentary from LA-based brother-sister team, Ravi (actor/main subject) and Geeta (director) Patel, is scary relatable for desi (and other singles) all over the US!  When he turned 30 a few years ago, first gen Indian-American Ravi (who’d had only one real relationship with a white woman) agreed to try the traditional Indian way of finding a wife; this (of course) brought joy to his mother and father in North Carolina.  Geeta, his older sis, came along to film the experience. 

The family went off to the Punjab region of India to look at eligible single ladies (fellow Patels); Ravi felt odd about the scenario.  However, he also admitted that he loved the way he grew up- with a strong sense of pride in being a Patel and having an extensive community; he wanted that for his future.  After the trip to India (doesn’t work for him), Ravi says he’ll accept arranged introductions to women born/raised in the U.S.  He also attends a large marriage conference (for singles of the Patel community in the U.S.); it looks very similar to ISNA. 

We learn that as tough as it is for Ravi, Geeta went though the same situations (she thinks she’s had 200 arranged dates since age 20- wow!)  The true stars if the doc are the parents- Champa (mom) and Vasant (dad), who proclaims that being single is akin to being a “loser.”  But they are no stereotype- they are loving/caring/thoughtful parents who want their kids to be happy… and someday soon give them grandchildren.  In the end, Ravi does find his match, but she’s not who you’d expect!  This film is laugh-out-loud hilarious; my friends and I all thought so.

Brahmin Bulls (2013)

brahmin-bullsThis is a powerful (yet subtle) film from a husband-wife team (Indian-Americans) who are friends of the lead actor (Sendhil Ramamurthy from Heroes fame; he is American with South Indian roots).  Director/writer Mahesh Pailoor and Ramamurthy have known each other since undergrad; this role was written for the actor.  The focus is on the strained/distant relationship between 30-something L.A. architect, Sid Sharma (Ramamurthy) and his professor father, Ash (internationally-acclaimed Indian veteran actor, Roshan Seth).  Mary Steenburgen has a crucial role in the film, too.  Wow, what cast!  (By the way, if you’re a fan of tennis, you’ll especially enjoy this film.  Ramamurthy had a scholarship in undergrad, he said in a post-show panel interview).

When Ash drops in from Boston to attend a conference in LA. (you’ll discover the reason why), Sid is very taken aback.  He’s going through a transition in his marriage and at work, and doesn’t feel comfortable having the old man around in his house.  Both men are brooding, charming, intelligent, but also quite stubborn; this is the making for great dramatic conflict.  However, they have more in common than you’d expect!  My friends said they liked the movie a lot, as did I.

 

Spoiler-Free Review: Gone Girl (2014)

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Ben Affleck (Nick) & Rosamund Pike (Amy) meet

Marriage is the main villain (as one film critic noted) in this diabolical film directed by David Fincher (Seven, The Social Network, House of Cards).  What goes on between two people within a marraige is a mystery to outsiders.  And individually, we can be a mystery to our loved ones. It’s not a date movie, though one ad mentioned those words.  I went to see this film during its opening weekend with a group of friends; the two who read the novel (by Gillian Flynn) said it was very close to the book.  One of my friend’s really liked Affleck’s low-key (almost a regular guy) performance, as did I.  I only read a few chapters before seeing the film, but it’s very good (Flynn has a way with today’s modern language and dark humor). 

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Nick wipes away some sugar from Amy’s lips

Fincher knows how to set the mood in his work- he succeeds well here, too.  The music, color palette, pacing- it all works together to keep the viewer interested.  One friend said that it really kept her attention, unlike many recent films.  Rosamund Pike (a Brit who had to gain and lose 15 lbs. twice for this role) gets to showcase her talents with her complex character.  Pike wasn’t well-known to US viewers, though I’d seen her in different films and series before (being an anglophile).   One friend commented: “Women can be crazy!” 

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Amy and Nick at a book launch party

The supporting cast (yes, even Tyler Perry) does a fine job.  There are a few scenes that will be difficult for more sensitive viewers, including one involving a large quantity of blood.  In a pivotal scene near the end, blood is used in a creative (metaphorical) way.  In the middle of this film, I remember thinking to myself that I was glad to be single! 

Belle (2014)

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Portrait of Dido Elizabeth Belle and her cousin Lady Elizabeth Murray

This film, released early in 2014 in the US, is a must-see, especially for fans of historical dramas and Jane Austen!  Issues of class privilege, marriage/property, and slavery arise.  In the portrait (above), the viewer’s eye is drawn to Dido, who seems full of vivacity, while her cousin seems more proper/sedate. 

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The poster for the film

The poster itself intrigued many people walking through theater lobbies- a pretty biracial woman dressed in finery.  The film was directed by Amma Asante, the daughter of Ghanian immigrants to England; she is also an actress and writer.  The luminous lead actress is Gugu Mbatha Raw, the daughter of a black South African doctor and white British nurse.  (FYI:  That’s natural beauty- Gugu wore no makeup during filming, since there was none for Belle’s complexion.)

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Belle & Elizabeth all grown up

The young Belle is brought by her naval officer father (Matthew Goode) to live in the household of his childless uncle, William Murray, the first earl of Mansfield (Tom Wilkinson, superb as ever) and his wife (Emily Watson, in a low-key role).  All we know is that the child’s mother was an African slave  found aboard a Spanish vessel.  Already living on the vast country estate is another girl, Elizabeth Murray (newcomer Sarah Gadon), the daughter of another of  Lord Mansfield’s nephews.  The girls grow up together, like sisters, though Belle is of a different status (too high to dine with the servants, yet too low to dine w/ the family). 

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Lord Mansfield & Belle talk

Lord Mansfield is also Chief Justice of the Royal Court, and as in the film, the real Dido assisted her great-uncle w/ his daily correspondence.  I especially enjoyed the debate/discussion scenes between these two! 

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Belle & John

 The idealistic son of the local parson, John Davinier (newcomer Sam Reid, a solid performance) comes to study law with Lord Mansfield.  He mentions an important court case involving slave cargo, and she wants to learn more.

Related Links:

All Things Considered (NPR): Film review by critic Bob Mondello

Morning Edition  (NPR): Interview w/ director Amma Assante

Tell Me More (NPR): Interview w/ actress Gugu Mbatha-Raw

The Lunchbox (2013) starring Irrfan Khan

Viewer comments:

…this gentle and thoughtful director shows human nature running a very natural course.

It had humor, seriousness, lessons, insight, beauty, love, family, decision-making, sadness, reflections, invisibleness, self-doubt, invention, perseverance, respect, aging, determination, coming to terms when enough is enough and genuine affection in how feelings grew by words alone…

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Here is the perfect film (from a first-time director) for smart/sensitive viewers who want an alternative to Bollywood.  Neglected middle-class housewife/mother, Ila (Nimrat Kaur), yearns to win back the attention and love of her husband Rajeev, one of the many strivers in the new India.  Rajeev barely looks at Ila, is glued to his cell, and often comes home late at night.  With the help of her (unseen) upstairs neighbor, she creates delicious (vegetarian, as she’s Hindu) recipes, and packs them in his tiffin (lunchbox). 

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This lunchbox is supposed to be picked up each afternoon and delivered (via rickshaw, truck, and bus) to his office.  However, it goes to a Sajaan Fernandes (Irrfan Khan from The Namesake, Life of Pi, etc.), a lonely/Christian government accountant just a month away from retirement.  He likes the food, so an empty lunchbox is delivered back to Ila.  Feeling appreciated, she decided to write him a thank-you letter. 

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The two lonely people begin a correspondence, bringing (much-needed) hope and optimism into each other’s lives.  They share thoughts in their letters that no one else knows, from the mundane to the deeply personal.  Are they just pen pals?  Or is there possibility for more?   

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Saajan is dreading retirement, and postpones the training of his replacement, Shaikh (Nawazuddin Siddiqui), a younger Muslim man eager to learn/succeed. I enjoyed the slow reveal of Shaikh’s life- he’s got a fascinating story under that big grin.  His character’s struggles and yearnings embody that of many modern, urban men.  Siddiqui (still in his 30s), played a pivotal role in Midnight’s Children, and is an actor to watch.   Nimrat Kaur is very easy to relate to; I’d never seen her before.  She had a make-under for this role; she’s a very glamorous woman in real life.  Irrfan Khan continues to (quietly) create magic- he simply becomes the character!  He still has a long career ahead (only in his mid-40s).  This  is a must-see!     

 

GREAT Films about the Immigrant Experience

Avalon (1990)

This is a gorgeous film directed by Barry Levinson (Diner, Homicide, Liberty Heights, etc.)  It’s a talent-laden (Armin Mueller-Stahl, Aiden Quinn, and a very young Elijah Wood play the male leads) drama set in ’50s Baltimore.  The film explores 3 generations of a tightly-knit, middle-class, Jewish-American family.  My dad really liked this story; it’s suitable for all ages!   

Mississippi Masala (1999)

I tell all my desi friends (and anyone who likes good films) about this one!  I first saw it as an undergrad.  This small-budget/educational/realistic film was directed by Mira Nair; she also plays a small role as a catty auntie.  The screenwriter, Nair’s close friend/collaborator Sooni Taraporevela, said the basis for the love story between Meena (Sarita Choudhury) and Demetrius (Denzel Washington) was partly inspired by a fellow Indian gal pal at Harvard who fell in love with a black (Jamaican) man.  The dialogue is spot-on and the sweet romance between Meena and Demetrius is as hot as the setting (small towns of Mississippi).  There is another kind of love in this story- Jay (veteran Indian actor Roshan Seth), Meena’s father/lawyer-turned-motel manager, desperately trying to get back property/citizenship in his native Uganda (scenes were filmed in Nair’s own Kampala house).

Sidenote: I saw Sarita at a staged play reading in NYC (back in 2006).  Film does NOT do her justice; she’s stunning in real life! 

My Family/Mi Familia (1995)

Unfair deportation, police aggression, gangs/crime, Catholicism, and the ties that bind families are explored in one of my all-time favorite films.  I saw this first during my 12th grade American History class; later I saw it w/ my family (they all liked it a lot, too).  It was directed superbly by a Californian of Mexican heritage, Gregory Nava (Selena, Frida).  The music is an integral part of the story, as is the moral compass/strength of matriarch Maria Sanchez, who is played by Jennifer Lopez (younger) and Jenny Gago (older).  The male leads are played by Jacob Vargas (Jose), Esai Morales (Chucho), and  Jimmy Smits (Jimmy).  Edward James Olmos plays the aspiring writer, also the narrator.  Scott Bakula plays the husband of Toni (Constance Marie).  The setting is primarily East L.A. (a long-established Latino neighborhood). 

Nuovomundo/Golden Door (1996)

Don’t let the language (primarily Italian) deter you from this unique/educational film; it contains some magical realism.  It was produced by the famed Martin Scorcese, himself a proud Italian-American.  The (nearly unspoken) love story in the film is between kind-hearted Italian peasant Salvatore (Vincenzo Amato) and mysterious/redheaded Englishwoman Lucy (Charlotte Gainsbourg).  Salvatore decides to sail to the U.S. so his family, which includes two teen sons and mother, can survive.  Crops won’t grow on his land, and his brother is already settled in NYC.  However, after their ship lands on Ellis Island, there are more tests/tribulations ahead! 

Liberty Heights (1999)

Another of Levinson’s fine films- this time focusing on brothers who live in a Jewish-American enclave of ’50s Baltimore.  The narrator, 17 y.o. Van (Ben Foster), and his college-going brother, Ben (Adrien Brody) are good kids trying to figure themselves out. You will relate to this film, especially if you are a 1st generation American, as the Kurtzman brothers navigate around heritage, parents, and wider racial issues of the ’50s.  Van befriends Sylvia (Rebekah Johnson), the only black girl in his class.  Ben makes new friends at a party and eventually falls for Dubbie (Carolyn Murphy), a gorgeous/troubled WASP.  Yussel (David Krumholtz), Ben’s best pal/smart-aleck, provides a lot of the comedy.  The parents in the film are portrayed by Joe Mantegna and Bebe Neuwirth.       

The Namesake (2006)

This is the first film exploring two generations of an Indian-American family (Bengali in heritage); it is based on Jhumpa Lahiri’s novel and directed by Mira Nair.  I saw it in 3 different theaters w/ different groups of family/friends (who all loved it).  Gogol/Nikhil (Kal Penn) and his little sister, Sonia, grow up on Long Island, the children of successful/overprotective immigrant parents, professor Ashok (Irrfan Khan) and homemaker Ashima Ganguli (Tabu).  Though the novel’s main focus was Gogol, Nair takes a deeper focus into the slow-burn love story between Ashok and Ashima (I enjoyed their scenes most).  Irrfan Khan is amazing; too bad he decided not to come to Hollywood!