Movie Review: “Persuasion” (BBC: 1995)

Persuasion is perhaps one of Jane Austen’s most personal novels.  The central idea for the story, loving someone even when hope is gone, comes from a terrible incidence in her older sister Cassandra’s life.  The young naval officer she was engaged to marry died at sea.  He wanted to seek his fortune before settling down.  Cassandra retired from society after this loss, vowing to never marry.  For many years, Cassandra kept house for Jane, while the more famous sis wrote.  Perhaps this book was a way to give her big sis a happy ending!    

Eight years ago, Anne (Amanda Root), daughter of a nobleman, Sir Walter Elliot (Corin Redgrave), fell deeply in love with Frederick Wentworth (Ciaran Hinds), brother of the local curate (preacher; pastor).  Wentworth was in the navy, and not too much older than Anne (who was just 19).  He was not from a distinguished family, and had yet to prove his merit (meaning: get rich).  Lady Russell, Anne’s neighbor (acting in lieu of her deceased mother), persuaded her to refuse Frederick’s hand.  “He had nothing but himself to recommend him,” Lady Russell comments.   

At the start of the film, Anne is 27, and considered an “old maid.”  Her father pays little attention to her, probably seeing her as another burden.  (Sir Walter spends more than is prudent.)  Though her superficial, older sister (Elizabeth) is 29, it is hinted (in the book) that she’s waiting around for a super-rich beau.  The younger sis, Mary (Sophie Thompson, sister of Emma Thompson), is a mother of two sons, and settled comfortably with a gentleman farmer, Charles Musgrove

Things get so bad financially, that Sir Walter’s lawyer suggests the Elliot family “retrench” to Bath, a resort town where they can still live respectably.  They can rent out their house (on a big estate, Kellynch Hall) to Admiral Croft, a very gentleman-like naval officer and his wife.  Anne is (visibly) upset when she hears this- Mrs. Croft is the elder sister of Frederick!  Lady Russell remembers the “disappointment,” but has no regret about it.  However, Anne is still in love with her first love.

Captain Wentworth comes to Uppercross (where Anne is staying for a time); he is introduced to all the Musgroves.  Both of the unmarried Musgrove girls, Louisa and Henrietta, seek his attention.  At a dinner, Wentworth comments to someone that Anne “was so altered that he’d hardly have known her.”  What will happen now that the tables are reversed?  Anne’s family has its good name, but very little money.  Wentworth has made a considerable fortune at sea, and is therefore a great catch for any single gal.  Anne looks weighed down by life; Wentworth is social and upbeat in all types of company.  Have his feelings changed?  How will they ever get together?

You have to remember that in Austen’s time, single people (usually) did not have long courtships or engagements.  They were often in company, so had little chance to talk alone about crucial matters (how they really feel about each other and so forth).  People usually hung out with their neighbors, cousins, and others in their social rank (when they were on vacation or in London).  It wasn’t polite to go blabbing your (true) opinions in public.  But, people did write letters- this is crucial in Persuasion.                   

The lead actors are very good at conveying their emotions, however subtle, in this film.  A lot has to be said without words, or the movie would not be true to the book or its time period.  Sophie Thompson, as Mary, is also very good (as she is in Emma).  She has some subtle comedic moments; Mary likes to create little dramas (she’s a typical bored housewife).  Another small, but notable character, is Mrs. Croft (Fiona Shaw).  Anne is drawn to her warm personality.  She is a very kind, energetic, and well-traveled older woman.  The Crofts, though they have no children, are a very loving/compatible couple (both in the book and film).  In one dinner scene she says that “we [women] none of us want to be in calm waters all our lives.”  Very true!        

Jane Austen said that the character of Anne was “almost too good to be true.”  Anne is described as capable (she nurses her injured nephew) and down-to-earth (she visits an old, sick school friend instead of visiting a high-ranking relation).  Like many Austen heroines, she likes reading, long walks, and intelligent conversations.  She is not obsessed with rank, unlike the rest of her family.  She is unbowed by the flattery of her cousin, Mr. Elliot, who heaps attention on her in Bath.  So, she’s a gal you can root for!     

The look of this film is very authentic, in my opinion.  The actors are not overly glamorous, nor do they over-act (like in some tongue-in-cheek adaptations of Jane Austen).  Yes, there are a few moments of humor, but the issue at hand is serious.  Love (and life) may pass these characters by if they don’t communicate and take some action to hook up!  Check this film out if you’re looking for an adaptation that is intelligent.  I’ve seen it several times, and consider it the best adaptation of Austen on film (aside from the Pride and Prejudice mini-series with Colin Firth and Jennifer Ehle).  This film gives modern audiences a view into Austen’s characters’ minds.

 

Bollywood Movie Review: “Aaja Nachle”

Sometimes it’s fun to see a Bollywood film… especially something like Aaja Nachle.  It’s modern, fun, colorful, and has some unusual  topics (for Bollywood at least).  Anyone familiar with movies like Strictly Ballroom, Dance with Me, and Chocolat will like this film.  Madhuri Dixit (the star with the BIG smile) is even more gorgeous and fit than in her ’90s roles.  I always feel that her dancing is very natural, usually exceeding her acting.  (She is a Kathak-trained dancer, and you can see the influences in Aaja Nachle.)  This film centers on NRI dancer/choreographer Dia who returns to Simla (her small hometown) hoping to save the Ajanta Theater.  The place, though dear to her, is falling apart.  Politicians, businessmen, and most of the town want to replace it with a mall. 

Aside from Madhuri, there are a LARGE troupe of actors and dancers that show a LOT of talent!  These include the always fabulous Konkona Sen Sharma, young Kunal Kapoor, Raghuvir Yadav (a great character actor seen in Salaam Bombay, Earth, and Water), charming Akshaye Khanna, and Irffan Khan (terrific in Maqbool and The Namesake).  The local MP (Akshaye Khanna) tells Dia that if she can put on a successful dance show using ONLY town folks, Ajanta will be saved.  However, because of past events/gossip, most of Simla thinks Dia (and by extension- dance) are BAD influences. 

Dia decides to do a song/dance version of the classic tragic love story Layla-Majnu.  A local hoodlum named Imran (Kunal Kapoor) is chosen as Majnu, while the tomboy Anokhi (Konkona Sen Sharma) keeps auditioning for Layla.  She has no talent, but is crazy about Imran.  Konkona is great at playing tough, clueless, then later… vulnerable.  Joing this odd pair of lovers are a shy government officer, an uptight politician, and a lovesick retaurant owner.  And let’s not forget- the members of this motley crew ALL have to dance!   

 

The songs in this film fit VERY naturally with the actions (as it should be).  The sets, costumes, and dances will draw you in (for sure).  Madhuri portrays an independent, strong lady quite naturally.  Konkona and Kunal have good chemistry, and also make good dance pair.  The final show is shot differently than the rest of the movie (on purpose, said the director).  The ageless tale of Layla-Majnu is very well-executed by ALL the actors/dancers- STUNNING!!!  

 

 

 

 

“North & South” (BBC)

Daniela Denby-Ashe as Margaret Hale and Richard Armitage as John Thornton

Introduction 

Cotton, tea pouring, and firm handshakes NEVER looked SO good!  A very unlikely romance, labor union struggles, friendship across social classes, and other very “modern” themes are found in this timeless story (not unlike the work of Jane Austen).  However, unlike JA, Mrs. Gaskell delves into the lives of the poor/working class in Milton (a city VERY similar to Manchester) where she moved after she married.  I’m reading the novel, and this adaptation stays close to it.  If you haven’t seen this 2004 show yet, check out You Tube (under MissJaneAustenfan, a young Spanish woman who is ALSO crazy over period dramas).   

http://www.youtube.com/user/MissJaneAustenfan

Or you can buy the DVD (set of 2 discs) online or at your B&N store.  It’s worth it!

UPDATE: It’s now also on Netflix! 

 

Background, Setting, & Costumes  

The time period is AFTER that of JA- N&S is set during the start of the Industrial Revolution in Victorian England.  The main protagonist is Margaret Hale (Daniela Denby-Ashe), around 18 at start of tale, who moves from the South (Helstone) to the North (Milton) with her parents and trusty old servant.  Mr. Hale (Tim Pigott-Smith- from The Remains of the Day) didn’t lose his faith; he didn’t like how the church was being run.  To him, it was “a matter of conscience.”  He became a tutor instead.  JA’s parsons would NEVER do such a thing- leave job and move to rough, big city! 

Margaret sees inside cotton mill

   

When I first saw N&S, it took me away to a different place/time.  The music is AWESOME!  This is definitely NOT like the (usually) green, sunny, cozy JA world!  It is harsh city life, including social isolation (MH is so desperate for friends that she follows a mill worker on her way home!), poverty, hunger, etc.  MH, who is from a small town, is at a loss for a few months; she misses Helstone desperately.  Her clothes, as we learn in Episode 2 are from LAST year.  “Mind you- you’ll have to get much smarter clothes if you want to catch him,” her aforementioned friend, Bessie Higgins, jokes.  The colors she wears are dark, and her style is very simple.     

UPDATE: Bessie’s dad is played by Brendan Coyle (currently on the hit show Downton Abbey)!

        

Thornton at dinner party

Mr. Thornton the wealthy mill owner, has his business clothes (not so fine), but dresses up very sharp for tea, parties, etc.  His height (he’s tall in the book, too), stern brow, and deep voice also give him a formidable appearance.  He’s described as having “perfect teeth” in the book, energetic, with an air of importance about him. 

 

Story & Characters 

 We learn that the Hales married for love, and Maria was MUCH wealthier than her learned parson husband.  In the book, Mr. Hale is described as being tall, dark, and handsome.  Mrs. Hale was brought up with the best that good society could offer.  She was also very pretty, and had many marriage offers, but chose love over money.  Margaret’s (maternal) Aunt Shaw has a house in the best part of London.  In the book, this aunt married an older military man who had money, too.  Usually in JA’s novels, the girls fall for a guy WITH money.  Aunt Shaw was therefore very happy when her daughter married for love.  “Edith can afford to marry for love,” she says in the movie.

The main male protagonist, Mr. John Thornton, is played wonderfully by Richard Armitage (currently in the BBC TV show Robin Hood).  Mr. Thornton is definitely NOT like a typical JA hero.  He is a businessman, first and foremost, strong-willed, yet honest and open to new ideas (he is one of Mr. Hale’s private pupils). You won’t see him riding, shooting, though he (sometimes) goes on long walks across town to clear his head. 

Brooding Thornton reading paperIn the book, he is struck by MH when he first sees her.  In the film, they meet under VERY unusual circumstances, where she gets a bad impression about him.  Some of you may think- “Whoa!  How can these two get together!?” 

  Meeting at the Great Exhibition

When the story begins, he is about 30, and a BIG success- owns a cotton mill (Marlborough Mills) and serves as town magistrate.  In his mother’s eyes, he is the best son anyone can have. “I became head of the family very quickly,” he confesses when MH comments that he was “blessed with good luck and fortune.”  JT had to leave school as a teen and work to support the family, his mother (played by Sinead Cusack from Eastern Promises; married to Jeremy Irons!) and baby sister. 

Shaking hands at dinner party

  

The Conflicts 

Are the two (possible) lovers on the same SOCIAL level?  Hmmm… it was a BIT sketchy in Gaskell’s time. JT’s an up-and-coming guy (but is he a “gentleman”?) whereas MH’s father is an Oxford-educated gentleman.  Does JT care about the welfare of his workers, or solely profit? (MH is NOT sure about his TRUE character for QUITE some time in the story.)  Shades of Lizzie and Darcy here, of course!

Margaret kisses Thornton's hand

I am in the middle of the novel, and will write MORE about that later.  You must see the show for yourself to uncover more of this GREAT tale!

The Complete Jane Austen on PBS: “Sense & Sensibility” (Part 1)

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I think this adaptation is going VERY well- I REALLY like the scenery and Col. Brandon (David Morrissey)!  The Dashwoods are (quite literally) removed from their grand house to face the effects of wind, rain, and sea in this production.  The mother is a MUCH stronger character in this film, partly because of the GREAT acting/stature of Janet McTeer (who brought much-needed humor to the dark Wuthering Heights several yrs back).  The cast is very young (as they should be according to the book).  Willoughby gets a scene where he gets to show his sadness/vulnerability before leaving for London (as his aunt wanted).  Can’t wait for the second episode…

Click below to see some cool behind-the-scenes stuff!

http://www.pbs.org/wgbh/masterpiece/senseandsensibility/index.html

Movie Review: “Eastern Promises”

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I know I’m a BIT late in watching this (very interesting) movie, BUT I was wary about the violence.  Usually, I don’t like seeing blood, fights, etc.  However, the director (David Cronenberg) doesn’t glorify violence- it’s short, to-the-point, and then over!  He also made A History of Violence with Viggo Mortensen (also the star here).  Eastern Promises is engrossing (I was on the edge of my seat), short, and filled with great moments of acting from various characters.  Just like the previous film, this one has a BIG twist…

Viggo Mortensen covered in tattoos as a crime boss in new movie with Naomi Watts

Viggo is completely transformed- hair, mannerisms, and speech!  His acting is subtle, because that suits the role to a tee.  Naomi Watts (always looks good, even when wearing “ordinary” clothes) is the everyday midwife who gets pulled into the world of the Russian mafia.  She is the sympathetic character the audience can relate to.  Viggo is intrigued by her from the start, BUT they do NOT have a “typical” movie romance/relationship.  The film also hits on serious stuff: slavery/prostitution (of underage girls who don’t know what they are getting into), drug abuse, alcoholism, thievery, retaliation- what a list!

anna-Gangster-Movies-eastern-promises2

Eastern Promises is a bigger film than A History of Violence, because it has more scope.  However, when you look a LITTLE deeper, you will find very interesting parallels.    In AHOV, the main character (Tom/Joey) was fighting to protect his NEW family (wife, kids) from his OLD family (his big brother, Philly mob).  In EP, Nikolai is fighting to protect a family (Anna, her mom, her uncle, and Tatiana’s baby) from his mafia family (Semyon, Kirill).  Tom became a new person when he left Philly; Nikolai became a new person when he decided to immerse himself into the crime world, instead of just being a “driver.”  Are these two guys “good” or “bad” or neither?  Is violence sometimes needed?

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The sudden bursts of violence in the small town setting of AHOV are jarring, but in EP, violence is less weird (gritty ethnic enclave of London).  The Russian mob boss looks like a pleasant old man (soft speech, big sweaters, cooking).  The Irish mobsters in AHOV, on the other hand, looked and acted tough.  What is more scary to you?

Check out this movie, and discover the different layers!