I’m VERY excited to see Alexander Siddig (ST: DS9; Syriana) on a regular series again! I was surprised at first, BUT now it makes great sense (his looks fit for a Martell). Also, it’ll be interesting to see Jonathan Pryce (a veteran actor of great stature) and the Oscar-nominated Keisha Castle-Hughes (Whale Rider; The Nativity Story), who’s now ALL grown-up.
Category: TV/Streaming Shows
‘Game of Thrones’ showrunners on those season 4 finale twists
Season Finale: Game of Thrones – “The Children”
“The Children”
June 15, 2014
“You remember where the heart is?”
Each season of Game of Thrones has been an exercise in selective adaptation, but its fourth season has been a feat of adaptive engineering. Working primarily with material from the third book but leaning heavily on the fourth and fifth in certain storylines, it is the season that has emphatically taken the “book-to-season” adaptation comparison off the table.
At the same time, though, the season has been organized around key climaxes taken directly from the third book in the series. Moreso than in other seasons, you could tell the writers were having to stretch storylines to maintain the timing they had established, creating material to flesh out the scenes on The Wall to justify the Battle of Castle Black taking place in episode nine or finding things for Arya and the Hound to do so that their scenes in…
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Game of Thrones – “The Watchers On The Wall”
“The Watchers On The Wall”
June 8, 2014
“Blackwater” was about convergence. It was the inevitable collision between Stannis’ claim to the throne and the Lannister powers controlling it. In truth, Stannis’ side of the battle was pretty thin, sketched in without a whole lot of detail beyond Davos and his son. It was really about how Stannis’ attack changed the power dynamics at King’s Landing, whether through Cersei’s steely resolve, Tyrion’s ingenuity and intelligence, or Joffrey’s cowardice. At a stage when this was still ostensibly a show with the Stark family as its protagonist, it was an early example of the richness of stories in King’s Landing, capable of carrying an entire episode on its own.
“The Watchers On The Wall” wants to be “Blackwater.” Neil Marshall has returned as director. Mance Rayder’s not dissimilar to Stannis, in terms of development at this stage in their respective narratives, an…
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Game of Thrones – “The Mountain and the Viper”
“The Mountain and the Viper”
June 1, 2014
“Traditions are important – what are we without our history?”
One of the perils of being a book reader watching Game of Thrones has been the fact that so many of the biggest moments have been “surprises” in the context of the narrative. We look to events like the Red Wedding, or the Purple Wedding, or Ned Stark’s fate on the Steps of Baelor as key events in the narrative, but we can’t necessarily share the anticipation of those events with viewers who have no idea they’re coming.
This is why “The Mountain and the Viper” is such a fun episode as a reader writing about the show. For once, the show has built in its own hype machine, setting up the trial by combat and building suspense for it over the past two episodes. The week off for Memorial Day…
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