Overview: Robin Hood (BBC)

… I can’t believe he [Richard Armitage] is here – an actor of his talent, sitting on my sofa, talking to me about playing this part. I feel so lucky. -Dominic Minghella, co-creator of series (brother of famed director, Anthony)

Close-up of Guy from S1, Ep 11: Dead Man Walking

Even when I was a kid/teen, I rarely watched TV shows geared for those groups, unless my little sister was around watching them.  They just seemed too unrealistic to me, and the acting often bordered on camp (with a few exceptions).  However, there are some shows that crossover from the youth audience to a wider/grown-up one, such as BBC’s reboot of the Robin Hood myth (2006-2009).  It’s available on Netflix.

Jonas Armstrong as Robin Hood

The star of this series is Irish-born Jonas Armstrong (b. 1981), a 2003 graduate of RADA.  My opinion: He sometimes didn’t hold my attention.  He doesn’t have the presence (X factor) needed for a series leading man.  Also, I didn’t see much going on between him and Lucy Griffiths (Marian), aside from friend chemistry.  I’m sure a lot of teen girls liked him in the show, though.

The show has a very high production value and was shot on location outside Budapest, Hungary.  The forests are very beautiful!

Jonas Armstrong as Robin with his band of merry men

Gisborne could have been simply a one-dimensional pantomime villain who is unbelievably evil. But he works on-screen as a believable and complex character. The key is probably the fact that Richard Armitage believed in him.  -Excerpted from RichardArmitageOnline.com

Some people consider this show campy and cheesy, though it’s nowhere close to the unabashed goofiness of Hercules: The Legendary Journeys (which I watched for a while, I must admit).  I feel that the likeability of Kevin Sorbo and the obvious tongue-in-cheek look at the Greek myths were the main reason people tuned into that show (1995-1999).  Australian actor Michael Hurst added humor, in contrast to the straight-shooting American- Sorbo.  Oh and don’t forget how Sorbo looked in those costumes- LOL!

Kevin Sorbo as Hercules and Michael Hurst as Iolas

In my humble opinion, this show is mainly worth watching for it’s villains, Sheriff Vesey (portrayed by Keith Allen), his frenemy/sidekick Sir Guy of Gisborne (portrayed by Richard Armitage), and the cool action sequences.

sheriff-keithallen

Anjali Jay as Djaq

Also, one of Robin’s Merry Men is actually a young Saracen (Arab/Muslim) woman, played by a petite/cute British-Indian actress, Anjali Jay (b. 1975). She sports a pixie haircut, chooses a male name (Djaq), and clothes herself as a teen boy.  (It’s rare to see desi actors, much less ones in regular, prominent TV roles.  Well, maybe it’s not so rare in England…) 

From Wikipedia:

Saracen was a term for Muslims widely used in Europe during the later medieval era. The term’s meaning evolved during its history. In the early centuries AD in Greek and Latin it referred to a people who lived in desert areas in and near the Roman province of Arabia, and who were specifically distinguished from Arabs. In Europe during the Early Medieval era, the term began to be used to describe Arab tribes as well. By the 12th century, Saracen had become synonymous with Muslim in Medieval Latin literature. This expansion of the meaning had begun centuries earlier among the Byzantine Greeks, as evidenced in Byzantine Greek documents from the 8th century.

Harry_Lloyd_Robin-Hood

I especially liked Jay’s scenes with one of her love interests, the up-and-coming Brit, Harry Lloyd (Will Scarlett).  I first noticed Lloyd (b. 1983) on Doctor Who (he featured prominently in two episodes in 2007: The Family of Blood and Human Nature.)  Game of Thrones fans will know him as the deliciously evil Viserys Targaryen.  He is a multi-faceted actor who definitely has a bright future ahead!

Lucy Griffiths as Marian

His love for Marian is something which is beginning to unravel him and he’s becoming more human through her. It’s actually surprising him. -RA

Unfortunately, I can’t rave about the (limited) acting of Griffiths (b. 1986), who has a musical background.  She was only 20 years old, and an unknown, when cast for the role of Marian.  I think her wholesome beauty suits the role, though some of Marian’s dresses are too modern (bordering on the risque).

Reboot: Wow, who’s THAT guy!?

It’s time to bring back one of my favorite topics on this blog- fine (and fine looking, in many cases) actors who are not yet household names.  You may have seen tall, striking (mother is Peruvian; father is Scottish), leading-man to-be, Henry Ian Cusick (b. 1967).  His accent is British.  He appeared in ABC’s Lost from 2005-2010 (after I stopped watching it- too bad), and was nominated for an Emmy.  I first saw him in Fall 2010 on my favorite show, NBC’s Law & Order: Special Victims Unit

Ian (as he prefers to be called) was in a 2 episode arc (Bullseye and Locum), playing Eric Weber, an IT security expert/neighborhood vigilante/martial arts teacher.  At first, I thought that Erik could be a potential love interest for Detective Olivia Benson (Mariska Hargitay), but he turned out to be two-faced… and a serial pedophile!  The dark hair/eyes, features, and intensity bring to mind actor Clive Owen, who got his start on British TV playing antiheros.

In ABC’s Scandal, Ian played a supporting role as Stephen Finch, close friend/co-worker of DC lawyer/fixer Oliva Pope (Kerry Washington).  However, Shonda Rimes (the show’s creator) decided not to bring his character back for the 2nd (current) season.  Ladies’ man Stephen got married to a teacher and moved away to “have a normal life” (as Olivia wanted for him all  along). 

Wiseguy (Season 1, Part 2)

Season 1, Part 2 of the unusual ’80s drama continues w/ the always gorgeous OCB agent, Vinnie Terranova (Ken Wahl), going undercover as a bodyguard to unstable billionairre Mel Proffit (Kevin Spacey) in Vancouver.  Proffit is into guns and drugs big time, we discover over this series of eps.

Fans of Spacey are in for a treat here, b/c aside from Mel’s drug dependency and eccentric ways, there are a FEW believable and touching moments, too!  Vinnie gets himself wrapped up w/ Mel’s stunning younger sister Susan (Joan Severance, a former model).  I was surprised to see such capable acting from a novice (too bad that she’s mainly remembered for her looks and skimpy outfits).

Mel’s most trusted associate (aside from Susan) is hitman Roger Lococco (Canadian actor William Russ; he later played the father on Boy Meets World).  Lococco, a Vietnam vet who operates according to his own code, is VERY intriguing.  Vinnie is mystified by him, yet feels like they’re connected somehow.  We eventually learn that Roger is MORE than what he seems.  Russ is a strong actor, so able to create a fine foil (or perhaps, frenemy) for Wahl.

We also see more of Agent Terranova’s field supervisor, Frank McPike (Jonathan Banks), in this arc.  He becomes vulnerable, and more likeable, after his wife asks for a separation.  McPike, who has a young son, gets a love interest.  Vinnie calls on The Lifeguard (Jim Byrnes) more often to discuss his true feelings, not merely business.  They finally meet each other!

Yes, this show has action: guns, fistfights, explosions, etc.  But what keeps me watching are the interesting (sometimes wacky, admittedly) characters that Vinnie has to deal w/ on a daily basis.  He gets involved in their lives, sometimes TOO much.  Though it’s set in the late ’80s, the show is not 100% gung-ho about the police, government, etc.  Vinnie admits in this story arc that he doesn’t want this type of life for long; he thinks of a wife, kids, and wanting to “worry about crabgrass.”  If there was a modern show like this, I’d probably tune in!

Here is my earlier review of Season 1, Part 1.

https://knightleyemma.com/2011/11/21/wiseguy-season-1-part-1/

Views for Your New Year

Bramwell (Series 2)

There are MANY surprises and fresh guest stars in the 2nd series of this smart, gritty show starring Jemma Redgrave as Dr. Eleanor Bramwell.  Well-born lady doc Eleanor, while struggling to keep her “baby”–The Thrift (a charity hospital in London) going–is still at odds w/ her protective dad and fellow doc, Robert (David Calder).  Romance comes into Eleanor’s life (FINALLY!!!) in the form of handsome, charming Dr. Finn O’Neill.  The Irish researcher may be her equal in brains and talent.  But love is NOT easy for this pair, thanks to their conflicting natures and ambitions.  And, of course, Robert is NOT happy of his “little girl’s” choice.

 

The House of Mirth (2000)

No, this film isn’t about Brits; the characters are American (as seen through the eyes of novelist Edith Wharton and screenwriter/director Terence Davies) from the turn of the 20th century.  If you liked The Age of Innocence, you’ll definitely find this film (w/ a much lower budget) quite absorbing!  Canadian Gillian Anderson (Bleak House) lifts this movie onto her narrow shoulders and carries you away into the life of beautiful, charming, yet cash-poor, Lily Bart.  Like many singletons before and after her, New York debutante Lily likes nice clothes, having fun (vacations, theater, fine food, etc.) and hopes to marry someday.  But she MUST marry a rich man to maintain her lifestyle!

At the start of the film, Lily has an ambiguous relationship w/ a bachelor of her circle, lawyer Lawrence Seldon (Eric Stoltz).  They speak their minds to each other, but never directly confess their feelings.  One day, a maid sees her coming out of Seldon’s apartment- a VERY scandalous thing at that time.  A married friend, Gus Trenor (Dan Ackroyd), says he’ll help Lily invest her small income in the stock market, but he has more than that in his (creepy) mind.  Then one of Lily’s close friends, the worldly Bertha Dorset (Laura Linney in a wickedly fine role), turns against her.

Lily tries to stay true to herself and her personal morals.  She can’t force herself to marry for money alone.  Lily is not “world smart,” as my mom says; she thinks that people are pretty much what they portray themselves to be.  The director uses a lot of mirrors, keeping w/ the theme of appearance.  It was interesting to see Oz star Terry Kinney portray a cuckolded hubby.  Also, pay attention to the performance of Australian Anthony LaPaglia; it’s low-key, yet very effective.  The soundtrack, compiled by Adrian Johnston (Becoming Jane) sets just the right mood.

 

Miss Julie (1999)

   

Statuesque Brit Saffron Burrows (a former model; Nan in Circle of Friends) and her (shorter) co-star, Scotsman Peter Mullan (The Claim) are captivating in Mike Figgis’ film version of August Strindberg’s play.  Irish actress Maria Doyle Kennedy (one of he main reasons to see the first season of The Tudors) makes a fine contribution as well.  On Midsummer’s Eve in the late 1800s, the servants at a Swedish country estate are cutting loose w/ drinking, joking, and dancing.  The mistress of the manor, Miss Julie (Burrows), joins them in their revelry rather than going w/ her father, The Duke, to visit relatives.  This doesn’t sit well with the footman, Jean (Mullan) and his intended, the head cook Christine (Doyle Kennedy).

Miss Julie gets tipsy and keeps asking to dance w/ Jean, to his embarrassment and annoyance.  She comes into the kitchen and angrily asks why he’s still wearing his “livery” (uniform) when it’s time to cut loose.  Appearance is VERY important to Jean; he takes GREAT pride in his work for The Duke.  He’s well-spoken, has seen some of the world, and doesn’t take stuff from just anyone. 

Eventually, Christine goes upstairs to sleep, leaving the main players together.  Jean and Miss Julie basically go at it- a power struggle between genders and classes ensues.  There is also the latent physical attraction between them.  Clearly, Miss Julie is an angry, depressed young woman.  We learn that her fiance recently broke up w/ her.  She longs for change- to be free from her “cage;” a little bird sits in an actual cage in a corner of the sparse kitchen set.  In one crucial scene, Jean exclaims that HE could take her away!  Though he is of a low class, he could (in time) make her a duchess; she could never make him a duke (being a powerless woman w/o her father’s status/protection).        

More about the play:

http://en.wikipedia.org/wiki/Miss_Julie