The Enterprise travels to Beta III to learn what happened to the U.S.S. Archon, which went missing a century earlier. A crewman in the landing party disappears, while another (Sulu) returns in a strange state. The word “Archon” was the title of certain Greek heads of state, incl. those in the Athenian Republic. It comes from Greek root “arch”, meaning “leader, highest, chief” (found in monarch, hierarchy, and anarchy).
Kirk beams down w/ another landing party just before the chaos of “Festival” (or “Red Hour”) begins at 6PM. They say they’re visitors from “The Valley,” escape the streets for a hotel, where the owner (Reger) and town elders ask if they are “Archons.” To learn more, Kirk has to convince some citizens to disobey Landru (who has ruled this society for 6,000 years). There are Lawgivers (wearing brown robes w/ long staffs in hand) everywhere; they are watching and waiting for those who disobey.
Spock: This is a soulless society, Captain. It has no spirit, no spark. All is indeed peace and tranquility – the peace of the factory, the tranquility of the machine, all parts working in unison.
Kirk: Mr. Spock, the plug must be pulled.
Spock: Sir?
Kirk: Landru must die.
Spock: Captain, our prime directive of non-interference…
Kirk: That refers to a living, growing culture. You think this one is?
This ep contains the first mention of the Prime Directive. This is also the first ep where Kirk, Spock, McCoy, and their landing party are disguised in the clothes of the native society. Nimoy looks a but more elegant than usual w/ a black cape (to cover up Spock’s Vulcan ears). Spock is seen sleeping with his eyes opens- another element of the alien side of his character. In the dungeon, Spock punches a guard in the face w/ his fist (first time we see) instead of using the Vulcan neck pinch.
This story is the inspiration for The Purge (2013) and its sequels; I haven’t seen those movies yet. Ben Stiller named his production company Red Hour; he is a huge fan of ST: TOS. The location scenes were filmed at the 40 Acres backlot in Culver City, CA. This is the same place where Miri and The City on the Edge of Forever were shot. The sets were featured prominently on The Andy Griffith Show and originally constructed to portray 19th century Atlanta for Gone with the Wind (1939). Westerns were very big in the ’60s, so it was cost-effective to use the sets, as well as the costumes.
[1] Some rather deep and sophisticated concepts were presented in this episode, quite sophisticated even for this show; the drawback was an unexciting narrative, even a drab pace.
[2] This episode always makes me wonder if this was the inspiration for the Borg. The planet has 1 ruler/leader, who’s name is Landru. But he is really just a computer. This was a common theme in the original Star Trek… computers gone awry.
[3] There’s also Roddenberry’s intriguing symbolism of ‘the three’, those elder statesmen, who were immune to ‘absorption’. They were among the last remaining citizens who understood that ‘freedom is never a gift’.
Time travel is one of the most common (and popular) topics in sci-fi. No doubt many of you have watched the Back to the Future movies (starring a young Michael J. Fox) and/or the TV series Quantum Leap (starring Scott Bakula- the captain in Star Trek: Enterprise). In this ep, Capt. Kirk says the first moon shot was in the late ’60s (which turned out to be accurate)! A fan noted that the day after this ep originally aired astronauts Gus Grissom, Ed White, and Roger Chaffee perished in a flash fire in their Apollo Command module during a launch rehearsal.
When the Enterprise is flung back in time while trying to escape the gravitational pull of a black star (black hole), they find themselves in orbit around Earth- late 1960s. When they are seen by a U.S. Air Force pilot, Capt. John Christopher (guest star Roger Perry), they beam him aboard. They face the dilemma of what to do with him, as he learns more and more about the future. Lucille Ball (who started Desilu Productions) chose Perry for this role; he was a Broadway actor and had guest roles on many TV series.
Spock: We cannot return him to Earth, Captain. He already knows too much about us and is learning more. I do not specifically refer to Captain Christopher; but suppose an unscrupulous man were to gain certain knowledge of man’s future. Such a man could manipulate key industries, stocks, and even nations, and in so doing, change what must be. And if it is changed, Captain, you and I, and all that we know, might not even exist.
Kirk: Your logic can be most… annoying.
There is also some humor (as we expect) in this ep. The ship’s computer (voiced by Majel Barrett) has a glitch; it’s addressing Capt. Kirk as “dear” in an “affectionate” tone. Roddenberry was fascinated by the potential of a matriarchal society, and explored this theme in later eps and series.
Capt. Christopher: I take it that a lady computer is not routine.
Spock: We’d put into Cygnet XIV for general repair and maintenance. Cygnet XIV is a planet dominated by women. They seemed to feel the ship’s computer system lacked personality. They gave it one. Female, of course.
Capt. Christopher: [laughing] Well, you, you people certainly have interesting problems. I’d, uh… I’d love to stay around to see how your girlfriend works out, but…
Of course, Capt. Christopher is surprised to see the advanced tech, women working onboard, and (esp.) an alien- Spock. Capt. Kirk is fascinated by the pilot; he is probably much like what he would be (if he’d grown up in the 20th century). Later in the story, when Capt. Kirk is in danger, Spock and Capt. Christopher have to work together to rescue him. Spock’s response (and delivery) were very effective in this little scene.
Capt. Christopher: You don’t trust me, do you Spock?
Spock: In fact, I do. [Pause] But only to a certain point.
In the book, Q-Squared, author Peter David wrote that Trelane was an adolescent Q entity. This is questionable to some fans, as Trelane requires support equipment to perform his type of magic and makes mistakes (which implies he is not omnipotent). I’m a big fan of ST: TNG; John de Lancie is introduced as Q in that series. Roddenberry was channeling Trelane when he created Q, the actor thought; he said “I only filled out the character.”
When Kirk (William Shatner) and Sulu (George Takei) vanish into thin air from the bridge of the Enterprise, Spock (Leonard Nimoy) sends a landing party to the planet below to locate them. They find an 18th c. castle and a foppish/aristocratic man, Trelane (William Campbell), who seems to know a great deal about Earth (though in the wrong time period). Trelane acts like a spoiled child, w/ Kirk and his crew as (unwilling) playmates. Trelane comments about the beauty of Lt. Uhura and another female in the crew, Yeoman Teresa Ross (Venita Wolf), who looks like a real-life Barbie doll. Later, he puts Yeoman Ross in a pink princess-type of gown and dances w/ her (while Uhura- magically- plays the piano). Spock finds Trelane to be an incredible pest; Nimoy’s weary/annoyed looks are just the right touch. Our heroes soon realize that to free themselves, they must locate and destroy Trelane’s source of power!
The Squire of Gothos is one of the “sillier” episodes of Star Trek, and therefore one of the most entertaining ones.
Spock intrigues Trelane. He has studied Earth, but has only gotten as far as the18th century. A Vulcan like Spock is something he can’t account for.
The antique-cluttered set is the perfect setting for Campbell’s performance: we see the artifacts from a dozen cultures (including an apparently stuffed specimen of the “salt vampire” seen in The Man Trap), which Trelane casually disintegrates.
So what is this episode really about? Are we just the playthings of the gods? Are we on a plane so far below other beings that even their children can discard the human race on a whim? A scary thought!
-Excerpts from IMDB reviews
In his fight with Shatner in the forest, Campbell fell and dislocated his shoulder. As he flung his arm up in his instinctive reaction to the pain, the shoulder popped back into its socket! Due to Campbell’s injury, the ep finished shooting a day over schedule. The actor said: “It was just a great role. It was sensational. I’ll never forget it. It would be very easy for any actor who had any training to play the Squire of Gothos. The character was so well written and, of course, it was the show.” Look for Campbell as a Klingon in the fan fave ep- The Trouble w/ Tribbles in S2.
This was the first episode of the original Star Trek to air on TV. We get to see the developing chemistry between the main crew members, an alien creature, and interesting planetary scenery. Captain James T. Kirk (William Shatner), Dr. Leonard McCoy (DeForest Kelley), and a young redshirt (Michael Zaslow, who later became a soap opera star) beam down to a planet to provide medical supplies to Dr. Crater and his wife, Nancy, a former girlfriend of McCoy’s. Oddly, each man sees Nancy as a different woman from his past. Redshirt is a term used by fans of Star Trek to the characters who wear red Starfleet uniforms and/or characters who are expendable, and often killed.
The joking banter between Kirk and McCoy shows that the captain is not just an authority figure, and the doctor has a lot of charm. We learn re: Spock (Leonard Nimoy) and his logical Vulcan personality. There is a flirty early scene between him and Lt. Uhura (Nichelle Nichols); this (no doubt) inspired the romance between the characters in J.J. Abrams recent reboot movies. Uhura tried and succeeded in making Spock hot under the collar (notice the little move Nimoy does at end of the clip).
Episode 4: Where No Man Has Gone Before
The episode title was the closing phrase of the opening credits (voiced by Shatner) and has gone on to shape sci-fi and pop culture! After investigating what happened to the Valiant, the Enterprise encounters a magnetic space storm that gives Lt. Cmdr. Gary Mitchell (Gary Lockwood) dangerous/godlike powers and ESP. When Mitchell, a friend of Kirk’s from Starfleet Academy, unleashes his powers on the crew, Spock suggests that he should be killed. Kirk disagrees and takes him to a remote planet, but there is more to the story.
There is action and fine acting by Lockwood and Sally Kellerman (psychiatrist Dr. Elizabeth Dehner). Lockwood (a former football player and stuntman) was the star of Roddenberry’s first TV show- The Lieutenant (1963). In 1968, he was cast as the co-lead in Stanley Kubrick’s iconic sci-fi film- 2001: A Space Odyssey. You get a glimpse into humanity’s struggle for power and the corruption it breeds. Kirk knows that Mitchell didn’t ask for what happened to him; thus begins a tradition of complicated/sympathetic villains in the world of Star Trek.
Episode 5: The Naked Time
Spock and a redshirt- Tormolen- beam down to a planet (wearing funky/orange environmental suits) to investigate. They discover a frozen lab w/ 6 dead scientists. They also get exposed to a substance that strips people of their inhibitions. After beaming back aboard, Tormolen ends up killing himself (riddled w/ self-doubt). You get to see the chemistry between Bones (Kirk’s nickname for McCoy) and the captain; they’ve known each other a long time.
Riley, another young crewman, begins acting goofy (going on about being Irish and singing songs). Most famously, Sulu (George Takei), begins to parade around w/ a sword (like a musketeer). Riley ends up taking over the engineering room, and basically, the ship becomes chaos! Spock stops Sulu by applying the Vulcan nerve pinch (which Nimoy came up w/ himself, as an alternative to a violent strike). As you see in S1 E6, it was Shatner’s over the top reaction that sold this move to producers. Nurse Christine Chapel (Majel Barrett) and Spock have a nice scene, and he gets infected (after she holds his hand). There is a lot of comedy, but fans also love it for Nimoy’s terrific performance. Capt. Kirk is even infected, so we hear his regret at not having a personal life.
Episode 6: The Enemy Within
Star Trek takes on Jekyll and Hydew/ an ep focused on Kirk (and Shatner’s unique style of acting). During a survey of a new planet, a technician is exposed to a substance that alters the Enterprise’s transporter. When Kirk beams aboard the ship, he is split into two: one good, one evil. After the lustful/violent Kirk attempts to assault Yeoman Janice Rand (Grace Lee Whitney), Spock deduces that there is an imposter aboard. The good Kirk is lacking confidence and indecisive (looking to Spock for his trusted guidance). The episode looks into the duality of human nature; the two halves need to coexist together inside one body. There is also an alien animal which is (obviously) a small dog in a furry costume w/ a horn on its head- LOL! This ep was directed by Leo Penn (father of actor Sean Penn); he went over-schedule, so was sadly not asked back to work.
Episode 11: The Corbomite Maneuver
While developing star maps of a distant region of space, the Enterprise is confronted by a box-shaped alien ship commanded by a powerful being- Balok. When he threatens to destroy the ship, Kirk comes up with a cunning bluff to convince the alien that the Enterprise is carrying a deadly substance (corbomite) which could destroying both ships. This is the first ep to show Kirk’s daring in a face-off w/ another ship in space. Kirk bends the rules for the greater good and turns a potentially fatal situation into a victory. By using his imagination instead of violence, a better outcome is achieved.
Episodes 12 &13: The Menagerie (Parts I & II)
The only 2-part episode of ST: TOS which calls back to former star dates when the Enterprise was comprised of a different crew (aside from Spock). Before Shatner was cast as Kirk, Star Trek shot a pilot (The Cage) starring Jeffrey Hunter as Capt. Christopher Pike and Number One (Majel Barrett)- his female first officer. The network rejected that pilot, considering it too cerebral and thinking it too unrealistic to have a woman as senior officer. Barrett would play Nurse Chapel on the show (w/ a blonde wig) and the voice of the computer system. She married the show’s creator, Gene Roddenberry, in 1969.
This is a clip-show w/ Starfleet’s version of a courtroom drama. Spock abducts his former commander, the recently disabled Capt. Pike, and heads for Talos IV, where The Cage took place. The punishment for traveling to this planet is death, according to Starfleet. Spock turns himself in and presents an elaborate story in defense of his actions. We meet a beautiful/mysterious human woman (played by Susan Oliver) and the Talosians (a large-headed alien race who communicate w/ their thoughts and have the power to create illusions which look like reality).
Episode 15: Balance of Terror
At the 50th anniversary Star Trek convention in Las Vegas in August 2016, fans voted this the 8th best episode of the entire franchise! The Enterprise battles a Romulan ship suspected of destroying outposts in the Neutral Zone in this tense, intelligent, and though-provoking ep. The Romulan Bird-of-Prey has a cloaking device. Since two-way visual communications didn’t exist during the Earth-Romulan War about a 100 yrs ago, Romulans and humans have never seen one another. The Enterprise has to confront a brilliant enemy leader and also its own bigotry, as the unnamed Romulan commander (Marc Lenard, who later played Spock’s father- Sarek) resembles a Vulcan! Budget and time constraints prevented the make-up and costuming departments from dressing up each of the Romulans in Vulcan ears. They decided to give the lesser Romulans helmets, which were redressed Roman helmets from the studio’s Biblical epics of the ’50s.
Network restrictions at the time forbade the tackling of any controversial subjects (EX: Vietnam War, the Civil Rights movement, and the rise of feminism). ST: TOS, under the form of sci-fi, boldly flouted these rules! This story openly deals with the subject of racism, as reflected through Lt. Stiles’ (Paul Comi) opposition to Spock. Lenard (who worked mainly in theater until his early 40s) said: “The Romulan Commander was one of the best roles I ever had on TV. In many ways, I did enjoy that role [Sarek], but I think the more demanding role and the better acting role was the Romulan Commander.” When Nimoy held out for a better contract (after the first season), Lenard was one of the leading candidates to replace him as Spock. Nimoy (who received more fan mail than Shatner and an Emmy nom) eventually got a raise from $1,250 to $2,500 per episode.
Episode 17: The Galileo Seven
This ep features a shuttlecraft (for the first time). Spock leads a research team aboard the Galileo on a mission that begins as an investigation of a mysterious quasar-like formation. Forced to make an emergency landing on Taurus II, a fog-shrouded planet, Spock and crew face off w/ large/ape-like creatures armed w/ huge spears. These creatures pose immediate threats to the crew, but Spock also goes up against hisgreatest enemy– his own logic- when faced w/ decisions of command. Nimoy comes center stage (for the first time and proves that Spock can serve as the driving force of an ep). Spock’s logic is thwarted by several events. In a desperate attempt to escape the planet, Spock makes an illogical gamble!
Episode 23: Space Seed
This very famous ep introduced Star Trek‘s most popular villain: the genetically enhanced superman from the 20th century, Khan Noonien Singh (Ricardo Montalbán). Following positive feedback from producers and the network, this was the first episode to feature a prominent role for Scotty (James Doohan). The Enterprise comes across a long-lost Earth vessel, the Botany Bay, containing a cryogenically frozen Khan and his crew. After manipulating historian Lt. Marla McGivers (Madlyn Rhue) w/ his strong will/magnetism, Khan and his superhuman soldiers take command of the Enterprise. Carey Wilber (the scriptwriter) used the 18th c. British custom of shipping out the undesirables as a parallel for his concept of “seed ships,” used to take unwanted criminals out to space from the overpopulated Earth.
Khan is the perfect villain for Kirk to take on, as he is a mentally/physically superior being who threatens his command and crew. Montalban was always the first choice for Khan; he had been suggested by casting director Joseph D’Agosta, who was not looking to cast an actor of a particular ethnic background due to Roddenberry’s vision (of race neutrality) for the series. Montalban (born in Mexico to Spanish parents) came up in the theater, like several actors in the Star Trek franchise, and does a terrific job. The actor thought his role was “wonderful,” saying “it was well-written, it had an interesting concept and I was delighted it was offered to me.” This episode inspired two films: Star Trek II: The Wrath of Khan (1982), in which Montalban once again played the role, and Abrams’ Star Trek: Into Darkness (2013) w/ Benedict Cumberbatch.
Episode 25: This Side of Paradise
Was humanity meant to live in an Eden? This memorable ep explores that question when the Enterprise investigates a colony destroyed by deadly ray beams on a planet. Kirk, Spock, McCoy, Sulu, and some redshirts beam down to the planet’s surface to discover that Elias Sandoval (Frank Overton) and his colonists are still alive and in perfect health, enjoying a pastoral existence off the grid. The colony’s botanist, Leila Kalomi (Jill Ireland) knew Spock 6 yrs ago and has deep feelings for him still. She leads him a flowering plant whose spores cause euphoria and loss of inhibitions. Spock declares that he loves Leila and agrees to live in the commune! As you will see in the clip below, Nimoy plays this scene totally straight (revealing that he does love Leila, but was unable to express it before).
This ep has mutiny, temptation, and comedy. Kirk struggles to maintain control over the crew members who have been exposed to the spores. McCoy starts talking more Southern (w/ a slow drawl) and looking for ingredients of a mint julep- LOL! Writer D.C. Fontana (who started as a script editor) thwarts audience expectations by putting Kirk in the intellectual lead, while Spock’s half-human side is further developed. Nimoy was initially taken aback when he was told that they were working on a love story for Spock, but said it turned out “very lovely.” Here is a (funny) clip; we also get to see Nimoy’s smile.
Episode 26: The Devil in the Dark
The Enterprise travels to the planet Janus 6 to assist a mining colony. Kirk, Spock, and McCoy beam down to the planet where Chief Engineer Vanderberg tells of a creature loose in the mine tunnels killing his men. It seems to appear out nowhere, then disappears just as quickly. Finding that the creature, a Horta, lives in a newly-opened part of the underground mining complex, Spock uses the Vulcan mind meld to determine why it is killing the miners. Nimoy said the closing banter between Spock and Kirk was one of his faves, as “it was a wonderful moment which defined the relationship and defined the whole Spock character’s existence and his attitude about himself.”
Roddenberry considered this one of the best eps, saying: “The Horta suddenly became understandable… It wasn’t just a monster- it was someone. And the audience could put themselves in the place of the Horta… identify… feel! That’s what drama is all about. And that’s it’s importance, too… if you can learn to feel for a Horta, you may also be learning to understand and feel for other humans of different colors, ways, and beliefs.” Shatner identified this as his fave ep, b/c his father died during filming and Nimoy’s delivery of the mind meld lines made him laugh. He thought it was “exciting, thought-provoking and intelligent, it contained all of the ingredients that made up our very best Star Treks.”
Episode 29: The City on the Edge of Forever
This ep (loved by TV critics and fans) by Harlan Ellison shows us a sympathetic tale mixed w/ elements from the best of sci-fi. This was the most expensive episode produced during the first season, and also the most expensive episode of the entire series, except the two pilots. The average cost of each S1 ep was around $190,000. Production went over schedule, resulting in 8 shooting days (not 6, as usual). Ellison won a Hugo Award and a Writer’s Guild award for best teleplay. Joseph Pevney was chosen to direct on this episode because of his experience in directing 20+ films.
After an accidental overdose which makes him temporarily insane, McCoy beams down to an alien planet. A gateway, The Guardian of Forever, sends him back to Earth during the Great Depression. He somehow alters the course of time, erasing the Federation from history! Trapped in the limbo, Kirk and Spock travel back in time to 1930 (a week before McCoy) in an attempt to correct the course of history. They meet Edith Keeler (Joan Collins), a social worker who runs a mission and has dedicated her life to the needy. Spock works on building a computer to access material on his tricorder. Kirk and Edith have a romance; there is great chemistry between Shatner and Collins. The shocking truth is revealed- in order to fix the time alteration, Edith must die! When asked whether this ep was consciously commenting on the anti-Vietnam War movement, associate producer Robert H. Justman answered (in 1992), “Of course we did.”
Ellison’s original story outline and first draft script featured a crewman named Beckwith (not McCoy), who was dealing drugs. Beckwith murdered a fellow crewman, LeBeque, who was on the verge of turning him in, escaped to the planet the ship was orbiting, and went through time and changed history. The Enterprise was gone, and a savage pirate ship was in its place, full of renegade humans. Kirk and Spock follow Beckwith through the time portal to 1930 in NYC. Kirk still falls in love w/ the young social worker. Finally, w/ the help of a disabled WWI vet- Trooper (who dies in the action)- Kirk and Spock find Beckwith. In the end, Kirk does not stop him saving Edith, but freezes and Spock prevents her rescue. In the epilogue, Spock tries to console Kirk by saying: “No other woman was offered the universe for love.” This script was unusable for different reasons, so was rewritten several times. Roddenberry objected to the idea that drugs would still be a problem in the 23rd century, and even present among starship crews. Also, the production staff was strongly against Kirk’s final inactivity. It seemed that being unable to decide and act, viewers could never be able to accept him as the strong leader in later eps. Some elements were simply impossible to create on the series’ (low) budget.
Knightleyemma 