More than 400 years ago, an intelligent, independent-minded woman (Queen Elizabeth I of England) faced issues that we ladies still face: gaining respect in a male-dominated field (i.e. government), finding the right man to marry (who would also be acceptable to her people), and not-so-friendly relatives (Mary, Queen of Scots).  The British monarch (nearing middle-age in Part I this mini-series) is played by the truly regal Helen Mirren, who can be smart, tough, and vulnerable.  Her closest friend/long-time love is Robert Dudley, the dashing Earl of Leicester (Jeremy Irons).  In the Cate Blanchett film, Joseph Fiennes played the (young) Leicester.  Irons is probably one of the few actors capable of going head-to-head with Mirren.  They also look terrific as a romantic pair, and seem like intellectual equals.

Her closest advisors, Lord Francis Walsingham and Lord Burghley, are pressing her to (finally) marry.  They think they have the man- the Duke of Anjou, heir to the throne of France; their union would unite Protestant England with Catholic France.  Thus, they could fight off Spain, a very formidable Catholic nation at that time.  (Religion was a part of government in Western Europe in those days.)  Elizabeth is not opposed to marrying and bearing children (she knows her duty), but who will be the man for her?  Leicester is jealous; he says: “No one could be close as we too, Bess.”  She explains that she must marry royalty, so he’s not a valid choice. 

Leicester is her friend, confidant, and… more (though she is still a virgin).  A doctor assures her advisors this is true, and that she can bear children.  The queen’s body belongs to the people, not only to her.  As the Queen readies to meet her (arranged) match, all the men around her look nervous.  Will the Duke convert, or be a “quiet Catholic?”  Will his temperament suit Elizabeth?  Meanwhile, she wonders if the Duke is handsome.  Some things never change! 

There is a fun scene on a boat where the Duke reveals himself; he came in disguise.  There is an instant spark of attraction between the pair!  Elizabeth is happily surprised, and ready to make the best of it.  After a few weeks of wooing, her “contentment” is marred by Leicester’s arrival.  Is he a jealous man only thinking of himself?  Or is he worried about his country’s future? 

It soon becomes apparent that her people are against the marriage as well.  Doesn’t she deserve love, just like anyone else?  Out of the blue, the French minister blurts out something about Leicester and Lady Essex, a recently widowed woman of the court.  Watch Mirren’s reaction- it’s terrific!  She only exposes Elizabeth’s true emotion in a quick burst then is the composed Queen once more.            

Then scene, where she sits looking over the marriage contract surrounded by her council, is even stronger.  The men fearfully eye the pen in her hand.  Mirren reveals the Queen’s (natural) longings as a woman before breaking down in tears.  But it is merely a brief outburst; she will sacrifice for her country.  After bravely dealing with personal disappointments, Elizabeth hears of a papal decree which causes her to fear for her life! 

If you’d like to know more, check out Elizabeth I.  In Part II of the series, the male lead is played by the gorgeous Hugh Dancy (as impulsive, ambitious Earl of Essex).  Despite the (big) age difference, Mirren and Dancy create great chemistry together.   I know it’s available at the Virgin Megastore (where I bought it this past winter) and at Blockbuster.  The total time is 211 minutes with two special features, one re: the filming and another about the life of the real Elizabeth. 

Below are portraits of the real Dudley, Anjou, and Essex (in case you were curious)!

Before last week, I never knew about this terrific comedy film by famed director Billy Wilder.  I picked it up from The Strand bookstore in Union Square because I absolutely loved Jack Lemmon (and co-star Tony Curtis) in Some Like It Hot.  The Apartment won 5 Oscars in 1960, including the most-coveted one, Best Picture!  The stars of this (black and white) film are Jack Lemmon, Shirley MacLaine, and Fred MacMurray.  Unlike Some Like It Hot (another Wilder comedy where the main characters dress in drag to escape the mob), The Apartment is a more serious, true-to-life type of comedy. 

There are light and dark moments relating to ambition and romantic relationships, among other themes.  Jack Lemmon plays C.C. (Bud) Baxter, a single, ordinary “nebbish” (as his neighbor says) working for a huge insurance company in NYC.  But Bud has an advantage over his co-workers- he’s renting out his apartment to four men (working above him in different divisions) who want a little “ring-a-ding-ding” outside their marriages.  These guys, including a hilarious young Ray Walston (known to modern audiences from his serious TV roles), say this will put Bud on the fast track to success.  Bud has no problem with them having fun on the side, until it hits him personally.

The audience can clearly see that Bud has an interest in one of the elevator operators in his office building, Fran Kubelik (a very young Shirley MacLaine).  He thinks she’s “a nice decent girl” and goes out of his way to compliment and chat with her whenever he can.  When he gets a big promotion, he asks her out on a date to the theater.  He got free theater tickets from the head of personnel, Mr. Sheldrake (Fred MacMurray).  But things are not as they seem with the sweet, friendly Ms. Kubelik. 

I’m not going to reveal more about the plot of The Apartment, because I want you all to discover the surprises on your own.  Jack Lemmon does a great job in this film- he can convey conflicting emotions with subtlety.  He can do physical comedy, and his eyes are very expressive.  Shirley MacLaine will remind you of Renee Zellweger; she can be vulnerable and tough.  Young single, working women will relate to the character of Fran (at certain points in the film).  Fran wants to be loved, but keeps falling for the wrong kind of men.  This is a must-see film for anyone looking for a smart, thoughtful comedy!    

This past weekend, I saw The Dark Knight.  I absolutely LOVE Christian Bale’s work, and I hadn’t seen Aaron Eckhart for a while.  I do agree with the reviewers who said this film is dark! 

It is a movie about pairs- “the dark knight” could refer to billionaire businessman Bruce Wayne (Batman) and to DA Harvey Dent (who becomes Two Face after a tragic incident).  The Joker (Heath Ledger’s last role, sadly) is also looking to become part of a pair- he’s a “freak” who wants someone else to play with- Batman.  The audience also doesn’t know who will pair up with ADA Rachel Dawes (the always capable Maggie Gyllenhaal)- Bruce or Harvey.  It’s a very entertaining film; you can expect SOME surprises in this film!

Near the opening of the film, Lt. Jim Gordon (the multi-talented Gary Oldman) is waiting for Batman, but it seems like he’s taken some time off.  Bruce is overseeing a BIG deal with a Chinese company; he feels that there will be a time “when Gotham no longer needs Batman.”  The new DA Harvey Dent (the usually indie actor Aaron Eckhart) is the “kind of hero the city needs”; he is a righteous, determined lawyer who has put away MANY criminals.  He says he won’t stop until he cleans up the city.  Bruce truly DOES believe in Harvey Dent, even though Harvey is dating his old friend/true love, Rachel.   He throws a fundraiser for Dent, but there is an unwelcome guest…

The Joker is nothing like Jack Nicholson portrayed him!  As the ever-loyal and wise butler Alfred (Michael Caine) points out, “some criminals can’t be bought” and do things “just because they can.”  These men CAN’T be understood!  Heath Ledger makes The Joker PRETTY scary- he’s like a force in Gotham.  (If Ledger DOES get the Best Supporting Actor Oscar, it’ll be WELL deserved!)  The make-up, clothes, walk, and especially menacing tone he has will get your attention.  He has varying stories about how he got the scars on his face.  What is his motivation?  (Does he even have one?)  And WHO is he really?  Even Batman is perplexed this time!    

This film has new stunts, gadgets, and social questions (surprise!) to address.  In some scenes, the action (fights, explosions, punches, etc.) is non-stop.  Wayne Enterprise’s top scientist Lucius Fox (Morgan Freeman) has created a more flexible Batman suit; it is easier to move around in (but also makes our hero more vulnerable).  As for the social issues… 

Can a police department function when some of its cops have been corrupted?  How far will people go to preserve their lives (or the lives of their family)?  The Joker creates an experiment involving two ferries, but I won’t give it away.  (It was the MOST interesting part of the movie for me!)  Check out “The Dark Knight” if you’re in the mood for a dark, fun, and intelligent action movie!

This is an unusual (yet VERY intelligent) film that I first watched 2 yrs ago.  I found it (only $3.99!!!) at Blockbuster this past weekend.  I had to get it!  The Dancer Upstairs (released in 2002; directed by John Malkovich) is based on a book by Brit writer, Nicholas Shakespeare.  His book is based on the lives of several REAL people. 

The movie deals with many issues: terrorism, government/police corruption, violence, family, love, and above all- the search for truth.  The viewer is pulled in because of such themes; the setting is the recent past in an unnamed Latin American country.  (However, those with knowledge of that area will know that the author meant to portray Peru.)  This film is in English, as Malkovich wanted, but spoken by the actors as a second language.  This doesn’t in any way detract from the film because these actors are SO strong.

The main protagonist is Agustin Rejas (the always-fabulous Javier Bardem), a smart (reads many books), humble, and honest policeman who used to be a lawyer.  He’s not the typical swaggering detective we’re familiar with; he is calm, yet determined.  He has a young daughter devoted to ballet and a beautiful, but a bit superficial, wife.  

A recent rash of terrorist attacks, such as a little boy walking into a government building w/ a bomb in his backpack, have the military, president (unpopular w/ many; accused of crimes), and regular people in fear.  All across the country, there are mysterious deaths of political leaders, military men, etc.  Dead dogs are hung from posts w/ signs proclaiming “Viva el Presidente Ezequial” (the codename for an unknown terrorist leader). 

A top-ranking military man chooses Rejas (w/ a team of young, streetwise detectives) to head the investigation.  They are to research the incidents, work long hrs. among a small group, and keep things hush-hush.  One of the young cops (Juan Diego Botto, a boyish Cuban-American actor) serves to lighten the tension w/ his jokes, casually rumpled/quirky wardrobe, and eye for the ladies.  

Though he is on this tough case, Rejas is NOT getting paid extra.  So, his check to his daughter’s ballet teacher, Yolanda (Laura Morante, an Italian actress whose looks and easy grace reminded me of Juliette Binoche) bounces.  He goes to give her cash, feeling apologetic, and strikes up a conversation.  You can tell that Rejas is intrigued by Yolanda from this first meeting; she is friendly and a good listener.  Yolanda is also mysterious b/c we don’t know much about her past; she says she has traveled a lot and likes to choreograph her own dances.  Rejas doesn’t tell her what he does for a living.         

Rejas is looking to find a honest way to make a living, he tells another character early in the story.  He doesn’t like it when the military is on the streets (martial law is declared at one time).  Yolanda is concerned with creative freedom, but doesn’t talk directly about her personal political views.  Rejas starts to fall for Yolanda.  I don’t want to write TOO much re: the action of this movie, but remember that NOT all terrorists (or those who sympathize with them) look like crazy, evil people.  There is plenty of action, blood, and drama to go along with romantic tensions.  I HIGHLY recommend The Dancer Upstairs.