The Lusty Men (1952) starring Robert Mitchum

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The Lusty Men_poster

One ‘o the things that’s wrong is all the books and rules on success is written by successful men.  Now that’s wrong.  Fellers like you and me’d get a lot more help if the books and rules on success was written by a failure. That’d make sense.  -Jeremiah, the humble, old, bachelor farmer who lives in Jeff’s former family house explains (in a sort of epilogue to the main story)

This is a film that seems tailor-made for Robert Mitchum; it has drama, GREAT dialogue, a love triangle, and plenty of action/thrills (involving the rodeo)!  I just learned that it was directed by the prolific Nicholas Ray (In a Lonely Place, Rebel Without a Cause, King of Kings, etc.)  After he sustains a rodeo injury, star rider Jeff McCloud (Mitchum), returns to his hometown after many years of absence. He signs on as a ranch hand, where he is befriended by fellow ranch hand Wes Merritt (Arthur Kennedy, a strong supporting man, esp. of the Western genre) and his wife Louise (Susan Hayward in a strong/engaging performance).

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Louise: Wes tells me you once made three thousand dollars in one day, rodeoin’.

Jeff: That’s right.

Louise: And threw it all away.

Jeff: Oh, I didn’t throw it away. It just sorta’… floated.

The Merritts seem like a solid, happy couple, though they also have ambitions for their own little farm.  Wes thinks that rodeo winnings (fast money) could help finance it.  Wes convinces Jeff (who is a BIT reluctant) to coach him, but Louise has strong doubts.  She thinks that the couple should just keep saving slowly.  But, despite his easygoing/humble demeanor, Wes has a lust for adventure!

The Lusty Men_truceThere never was a bronc that couldn’t be rode, there never a cowboy that couldn’t be throwed. Guys like me last forever.  -Jeff says to Louise

It turns out that Wes is QUITE good in the events he signs up for in his first rodeo, impressing his new peers on the circuit.  Of course, the money is GREAT, so he decides to go on the road (BEFORE checking w/ Louise).  She is surprised by this hasty decision, BUT goes on the road w/ her husband and Jeff.  How will Wes and Louise deal w/ their new success/lifestyle?  What will become of Jeff… and his burgeoning feelings for Louise?  Watch this film to find out!    

Arabian Sights Film Festival (OCT 16-25)

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Hey all,

It’s Fall, which means cooler weather and better movies than the past Summer (which is generally geared toward 12 y.o. boys).  It’s also time for film festivals (here in the DC area)!  Last December, I reviewed Rock the Casbah, which was one of the films in the Arabian Sights Film Festival.  Omar Sharif has a cameo in the film.

Official web site of the festival: http://www.filmfestdc.org/arabiansights/index.cfm

*NOTE: All films will be shown at AMC Mazza Gallerie (5300 Wisconsin Ave, NW, Washington, DC 20015); metro riders need to get off at the Friendship Heights station and walk out using the Western Ave exit.

Below are trailers/some info re: the films that I’m MOST interested in:

The Intruder (SUN, 10/18, 5PM)

A Dutch cop of Moroccan descent goes deep undercover to infiltrate a drug-trafficking Moroccan family. The deeper he embeds himself in the family’s inner circles, the more he realizes a sense of belonging and a feeling of brotherhood that has until now eluded him. It is then he begins to question his allegiance to the police force he pledged to serve. 

Eyes of a Thief (FRI, 10/23, 6:30PM)

After ten years in prison, Tarek is desperate to find his daughter who was an infant when he was imprisoned. A lawless lifestyle seems to have seeped into ten-year old Malak, whom Tarek suspects is his estranged daughter. But her adoptive mother is being forced into an arranged marriage with the town’s main businessman with whom Tarek seems to have unfinished business.

Spread the word to those who enjoy intelligent, international cinema!

Thanks for reading,

EMMA

AFI Latin American Film Festival: Marshland (Spain)

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NOTE: This is a SPOILER-FREE review.  DC area folks can see this film tomorrow (SAT, 9/19/15) at 9:15PM at AFI Silver.

Marshland shows us a world where everyone is out for themselves.  -Gareth Wood (Maverick Film)

We’re quite familiar w/ the set-up already: missing girls, small town w/ secrets/corruption, and two VERY different homicide detectives (from the big city) brought in to help solve the case.  However, this film is set in Spain in 1980, soon after General Franco was overthrown and the country (struggling economically) became a democracy.  The missing teens are two sisters, Carmen and Estrella, who were known to “have a reputation.”  The cops from Madrid are idealistic father-to-be, Pedro (Raul Arevalo), and jaded, hard drinking Juan (Javier Gutierrez). 

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Some frames of the film are based on photographs of Atín Aya, whose work impressed the filmmakers when they knew his work in a retrospective exhibition. -IMDB

I recommend this film for fans of Southern Gothic stories, character dramas, and those who like suspense (NOT only action).  Don’t worry, there are a FEW well done action scenes. On the way, the cops are assisted by Jesus (a local guide), who provides some of the humor in his dark tale.  Jesus gets caught hunting a deer (“Bambi,” he jokes) w/o a license.

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The cops work together, BUT also on their own following different leads.  The cinematography in this film is VERY good, as my friend commented.  The location is almost like a character in the story- we see desert, marshes, rivers, and (in the climax) a rainstorm.  If you liked HBO’s True Detective (S1), this is for YOU.