“Free Guy” (2021) & “The Lost City” (2022)

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I just got past a V busy time at work; my team was under a LOT of pressure these past 6 wks! So, I decided to watch these newer/comedic movies. I didn’t have high expectations, so I wasn’t TOO disappointed. These movies already played in theaters; you can watch them on streaming now. Just don’t think too much and try to analyze entertainment like this- LOL!

Free Guy (2021) starring Ryan Reynolds, Jodie Comer, Taika Waititi, Lil Rel Howery, Joe Keery, & Utkarsh Ambudkar

Guy [saying his catchphrase]: Don’t have a good day, have a great day.

In the (fictional) popular video game, Free City, a NPC (non-playable character) named Guy (Ryan Reynolds) somehow breaks out of his programming and starts behaving differently from the other NPCs. (Gamers noted that this world has elements from Grand Theft Auto and Fortnite.) He eventually learns the true nature of his existence after he meets a human player, Millie AKA Molotov Girl (Jodie Comer). Guy’s best friend is a security guard, Buddy (Lil Rel Howery), who can’t see the game as Guy does. Key (Joe Keery) and Mouser (Utkarsh Ambudkar) are two programmers who work on user complaints at Soonami, the company that owns Free City. Antwan (Taika Waititi- in a rare bad role) is their boss.

The scenes in the real world are shot w/ anamorphic lenses, while the scenes in the game are shot w/ standard spherical lenses; the film is at 2.39:1 aspect ratio. Though the establishing shot of Free City is downtown Pittsburgh, the movie was largely filmed in Boston. In later scenes, when Antwan is standing in his office, the background is the Seattle skyline. The director, Shawn Levy, is perhaps more known as a producer; he worked recently on Stranger Things (Netflix). This movie was shot in 2018, BUT was delayed for some time.

Guy: Millie, how many times a day are the banks robbed in your world?

Molotov Girl: Hardly ever, Guy.

Guy: What about corpses, Millie? Do ya see a lot of those? How many an hour?

Molotov Girl: None per hour, Guy.

Guy: What about gun violence? See a lot of gun violence in your world?

Molotov Girl: Actually, that’s a big problem, Guy, it’s a massive problem.

This joke above is one of the few clever/funny parts of this movie, sorry to say. There are a LOT of cameos- voice and in-person! The two up-and-comers – Comer (one of the co-leads in The Last Duel) and Keery (best known as Steve on Stranger Things)- are doing as well as they can w/ the material; this was actually her 1st movie role. Reynolds is (as MANY critics/viewers commented) playing a version of himself; I haven’t seen a LOT of his movies yet, BUT he doesn’t impress me much. Reynolds (personally) asked Mariah Carey for the rights to use her iconic song- “Fantasy.” You can watch this movie on HBOMax.

[1] Free Guy (2021) feels as though it’s been made by people who have never actually played a video-game. […] …the fact that it lacks a proper sense of logic isn’t its biggest issue, although it is undeniably irritating that a movie which is supposed to celebrate video-games clearly doesn’t understand them and also partakes in the kind of banal ‘gamer’ stereotyping that perforates pretty much every piece of traditional media about the subject. No, the biggest issue is that, for me, it simply isn’t fun.

[2] Free Guy is worth going to see because it is one of the few quality films right now that increases one’s faith in human nature. Lately, I feel as though I have lost my faith in humanity, with all that is happening in the world, so it is refreshing to get a movie that feels confident in the human experience. Maybe I’m looking too deep into the message of Free Guy and maybe it was conceived just so Ryan Reynolds could screw around for two hours…

-Excerpts from IMDB reviews

The Lost City (2022) starring Sandra Bullock, Channing Tatum, & Daniel Radcliffe

Reclusive author Loretta Sage (Sandra Bullock) writes about exotic places in her romance novels. The model for her hero- Dash- is named Alan (Channing Tatum); his look is based on Fabio. While on tour promoting her latest book- The Lost City of D– w/ Alan, Loretta gets kidnapped by an eccentric billionaire, Abigail Fairfax (Daniel Radcliffe), who hopes she can lead him to an ancient city’s lost treasure. Determined to prove he can be a hero in real life, Alan sets off to rescue her w/ the help of a former Navy Seal- Jack Trainer (Brad Pitt).

Loretta: Why are you so handsome?

Jack: My father was a weatherman.

This movie was shot on location in the Dominican Republic (during the pandemic); the scenery is gorgeous! Ryan Reynolds was originally sought for the lead male role, marking this a reunion w/ Bullock after The Proposal (2009), but a deal couldn’t be reached and Tatum was cast. IMO, Tatum is a better actor than Reynolds. The said the nude scene where Bullock pulls leaches off Tatum’s nude body was shot on the 2nd day of filming. They barely knew each other and he joked w/ her that they were about to get to know each other very well- LOL! They had to shoot it 50 times b/c Tatum kept laughing at the line: “They’re sucking on my butt like a Jamba Juice.” I liked their dance scene in the 3rd act, BUT I thought the romance was a BIT forced. These characters had more friend chemistry.

This movie needed more of Pitt (as MANY critics have said)! Bullock and Pitt became friends after they acted together in Bullet Train (2022). Pitt’s character- Jack Trainer- is a nod to the film that this is a loose remake of- Romancing the Stone (1984). In that film the male lead (played by Michael Douglas) was named Jack Colton; Mary Ellen Trainor (wife of director Robert Zemeckis) had a small role. The name of Loretta’s book tour is Romancing the Page– another callback to the 1984 movie. You can see this on Amazon Prime (Paramount+ Channel).

Loretta: How do they keep finding us?

Alan [pointing out her purple/sequined jumpsuit]: You’re basically a walking disco ball.

[1] Sandra Bullock and Channing Tatum can play these characters in their sleep, and to their credit, they both seem engaged and willing to put forth the necessary effort. Tatum especially embraces the duality of a preening cover boy and the sensitive type out to prove he has substance.

[2] The Lost City has pieces that work and pieces that don’t. Placing pretenders into an actual adventure is good for laughs and heart, yet much of this script is generic. Unimaginative MacGuffins, flat villains, and predictable romances are individually forgivable, but together, they override the premise’s charm. Furthermore, the dialogue, humor, and plot devices are subpar.

[3] In the end, The Lost City is exactly what I think moviegoers need right now. Nothing too serious or weighed down by heavy drama. This is a good old-fashioned, silly comedy/romance that I feel works for what it is. It’s not going to be the type of comedy that a lot of people are going to watch over and over again, at least I don’t think, but the heart of the film is in the right place and it never takes anything too seriously.

-Excerpts from IMDB reviews

“Bull Durham” (1988) starring Kevin Costner, Susan Sarandon, & Tim Robbins

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A Major League Love Story in a Minor League Town. -Tag line for the movie

It’s the start of the baseball season, and Annie Savoy (Susan Sarandon), for whom baseball is a “religion,” is in the process of choosing one player on the Durham Bulls (her home team in the Carolina League) who she’ll take under her wing. This player has always gone on to have the best year of his career. She has narrowed her choices to Ebby Calvin LaLoosh (Tim Robbins)- the young/undisciplined pitcher- and veteran catcher- Crash Davis (Kevin Costner)- brought in to improve Ebby’s game. Ebby is V eager to “hook-up” w/ Annie when she offers, BUT Crash takes himself out of the running (b/c he doesn’t see “matters of the heart” as a game). It’s obvious that Annie and Crash are attracted to each other. First thing, Annie gives Ebby a nickname- Nuke- which helps boost his confidence. Thus begins Annie, Crash and Nuke’s complicated relationship!

Annie: Right, honey, let’s get down to it. How was Ebby Calvin LaLoosh?

Millie [younger friend/fellow baseball groupie]: Well, he f***s like he pitches – sorta all over the place.

The writer/director, Ron Shelton, was a former minor league baseball player; he played 5 seasons in the Baltimore Orioles farm system. The highest level Shelton reached was w/ the Rochester Red Wings in the Triple-A International League. Kurt Russell helped Shelton develop the script and was slated for to play Crash. After the film was made, Russell was so impressed, he wrote fan letters to Costner and Shelton! Orion Pictures gave Shelton a mere $9M budget (w/ cast members accepting lower salaries than usual b/c of the strong material), an 8-wk shooting schedule, and creative freedom. The film’s box-office success caused Hollywood to produce several more baseball-centered movies over the next few yrs. Though it is meant to be set over a hot/humid Summer, Bull Durham was actually filmed on location in North Carolina in October and November of 1987. The grass had to be touched up w/ green paint and the breath of the actors can be seen in many night scenes.

Crash [giving advice to Nuke during a game]: Relax, all right? Don’t try to strike everybody out. Strikeouts are boring! Besides that, they’re fascist. Throw some ground balls – it’s more democratic.

Producer Thom Mount (part owner of the real Durham Bulls) hired Pete Bock (former semi-pro baseball player) as a consultant. Bock recruited minor-league players, ran a tryout camp (to recruit an additional 40-50 players), hired several minor-league umpires and conducted two-a-day workouts/practice games w/ Robbins pitching and Costner catching. Bock made sure the actors looked/acted like ballplayers and that the real players acted convincingly in front of the cameras. Shelton decided to cast Costner b/c of the actor’s natural athleticism. The actor was a former HS baseball player and hit 2 home runs (while the cameras were rolling). According to Shelton, Costner insisted “on throwing runners out even when they [the cameras] weren’t rolling.” The actor is also “a switch hitter” (Crash is shown hitting both left and right-handed).

Annie [in voiceover re: Nuke]: The world is made for people who aren’t cursed with self awareness.

There are many LOL (or V amusing) moments in this movie. The cute/funny dance scene w/ Nuke and several actresses in the bar was choreographed by Paula Abdul. On my re-watch, I noticed that Annie’s first dress (black top, wide red belt, & black/white checkered skirt) is V similar to the one worn by dancer/actress Vera Allen in White Christmas. As Karina Longworth explained, the R-rating comes more from the profane language rather than the love scenes (NOT daring by today’s standards). These elements are rare for a mainstream/Hollywood film: Annie and Millie are never “slut-shamed” (as they go after what they want); the ballplayers (young/fit) are objectified perhaps more than the women.

This near pitch perfect movie (pun intended) has great dialogue and sparkling chemistry btwn its 3 co-leads. Now, you don’t have to be a fan of baseball or even Costner (who I don’t think has much range) to enjoy this movie. After I saw Costner opposite Sean Young in No Way Out (1987), I thought maybe he has some appeal. The role of Crash suits Costner (33 y.o.) V well; I’m assuming his acting is improved b/c he gets so many great lines. Jeff Bridges turned down the lead, BUT I think he’d have done a fine job. Costner plays well off both Sarandon (confident/mature at 42 y.o.) and Robbins (enthusiastic/boyish at just 30 y.o.) In their different ways, Annie and Crash both serve as mentors to Nuke (who has potential to go to “the big show”- major league). This is where Sarandon and Robbins first met and fell in love. I was surprised that I got a bit emotional in a scene (near the end)!

[1] This film is not only a great sports film, but it is one of the great all around films I have ever seen. This film has it all from romance to comedy to witty dialogue. Susan Sarandon, Kevin Costner and Tim Robbins all brought Ron Shelton’s script to life and the three of them displayed some of the greatest chemistry ever captured on film. This film is a timeless classic.

[2] It is nice to see a movie that attracts more than one kind of audience. This is a comedy, then again a love story. This can be placed in the baseball genre, as well as a coming of age drama. Most movies claim to be one or the other and sometimes fail to be. Then again, when a good movie hits a home run it can not only become a money maker and a box office smash, it can also become timeless. Before they became giants of Hollywood, Kevin Costner, Susan Sarandon and Tim Robbins stars in this great movie as some of the most interesting, yet simple characters. […] Together, the three introduce three different worlds upon the audience. Each are believable characters even though they are in a way, fantasy like. A great story with a perfect ending, Bull Durham is one of those hard to find movies that is a crowd pleaser with just about every audience out there.

-Excerpts from IMDB reviews

“The Hitch-Hiker” (1953) directed by Ida Lupino

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When was the last time you invited death into your car? -A tag line for the film

Two friends, Roy Collins (Edmond O’Brien- who has appeared in several noir films) and Gilbert Bowen (Frank Lovejoy- the more conventionally handsome of the pair), on their way to Mexico for a fishing trip, pick-up a stranded motorist, Emmett Myers (William Talman- the prosecutor on Perry Mason) who turns turns out to be psychopath/escaped convict. Myers has a facial deformity which prevents one of his eyes from ever closing- creepy! He has murdered other good Samaritans; he taunts/threatens the two pals, getting joy from holding them hostage w/ his gun. Myers’s destination is a ferryboat in Baja, CA. Collins and Bowen hope to stay alive long enough to escape or maybe get rescued by Mexican cops.

Emmett Myers: You guys are soft. You know what makes you that way? You’re up to your neck in IOU’s. You’re suckers! You’re scared to get out on your own. You’ve always had it good, so you’re soft. Well, not me! Nobody ever gave me anything, so I don’t owe nobody!

The Hitch-Hiker is the ONLY film noir of the classic era directed by a woman- Ida Lupino! She was born/raised in England, then came over to the US as a teenager in the ’30s. At Warner Bros. (where she was contracted), Lupino often played characters much older than her years (b/c she had the maturity and talent). As a V slim/petite ingenue, she had her hair colored platinum. In the late ’40s, Lupino (inspired by Italian neo-realist directors, incl. Vittorio De Sica and Roberto Rossellini) decided to take on a new role; she and her writer/producer husband (Collier Young) may’ve been the first to coin the phrase “the filmmakers.” While Lupino was directing, she always wore pants, explaining that they were more suited to the work than skirts/dresses. Her production company wasn’t afraid of controversial topics or centering stories of females: Not Wanted deals w/ a teenager’s unwanted pregnancy, Never Fear is centered on a dancer who has polio, and Outrage considers what happens after a woman survives rape.

Ida Lupino is the most talented and versatile woman in the history of movies. -Eddie Muller, TCM host

This tense/atmospheric movie is available in the public domain; the run time is at 71 mins. It is based on an incident that happened in California in the early ’50s. At this time in the US, hitch-hiking wasn’t that uncommon. A man named Billy Cook murdered a family of 5, incl. 3 children, then killed a traveling salesman. He kidnapped 2 hunting buddies (James Burke and Forest Dameron) and took them across the border into Mexico, intending to kill them, too. However, Cook was captured by Mexican police and extradited to the US. Lupino somehow met Dameron at an event in Palm Springs, FL, and felt this story would make a compelling movie. She also met w/ Cook while he was on death row in San Quentin- wow!

Talman recalled an incident that happened shortly after the release of The Hitch-Hiker. He was driving his convertible in LA w/ the top down, and he stopped at a red light. Another driver in a convertible stopped next to him stared at him for a few seconds, then asked: “You’re the hitchhiker, right?” Talman nodded. The other driver got out of his car, slapped Tallman across the face, then drove off. Talman said: “You know, I never won an Academy Award, but I guess that was about as close as I ever will come to one.”

[1] This flawlessly acted and directed thriller sustains a uniquely tense atmosphere from start to finish, and this without reverting to explicit violence or dreadful clichés. 

[2] We’ve seen many similar plots over the years, but I thought this was a fresh and unpredictable. Lupino’s direction really suits the material, the tension builds throughout, and Talman is unforgettable.

[3] This is a low budget, black and white suspense thriller that has more tension in it than a dozen recent movies. The low budget works in its favour, with tight camera angles making for a claustrophobic viewing experience. Actress Ida Lupino certainly knows what she’s doing behind the camera, as she rarely puts a foot wrong here: the pacing is exact and the performances are excellent.

-Excerpts from IMDB reviews

 

In My Ear (June 2022): Podcast Episodes for Cinephiles

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The Feminist Frequency (hosted by Anita Sarkeesian):

1950s Hollywood with Alonso Duralde, author & podcaster (Breakfast All Day)
Femme Fatale: 1940s Hollywood & Film Noir w/ Julie Grossman, literature & film studies professor
30s Hollywood: Did the Hays code actually create opportunities for queer subtext? w/ Patricia White, professor

You Must Remember This (created/hosted by Karina Longworth):

For Fans of the Erotic Thriller Genre (my “guilty pleasure” in pandemic life):

1988: KEVIN COSTNER, SEAN YOUNG, NO WAY OUT & BULL DURHAM (EROTIC 80S PART 11) /JUNE 13, 2022

1987: FATAL ATTRACTION AND DIRTY DANCING (EROTIC 80S PART 10) / JUNE 6, 2022

1986: 9 ½ WEEKS, MICKEY ROURKE & ZALMAN KING (EROTIC 80S PART 9) / MAY 30, 2022

1985: FEAR SEX. JAGGED EDGE & AIDS (EROTIC 80S PART 8) / MAY 23, 2022

For Fans of Classic Films:

SIX DEGREES OF JOAN CRAWFORD: THE MIDDLE YEARS (MILDRED PIERCE TO JOHNNY GUITAR) /AUGUST 29, 2016

HE RAN ALL THE WAY: JOHN GARFIELD (THE BLACKLIST EPISODE #6) /MARCH 14, 2016

“The Unbearable Lightness of Being” (1988) starring Daniel Day-Lewis, Juliette Binoche, & Lena Olin

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Tereza: I know I’m supposed to help you, but I can’t. Instead of being your support I’m your weight. Life is very heavy to me, but it is so light to you. I can’t bear this lightness, this freedom… I’m not strong enough.

Tomas (Daniel Day-Lewis) is a young/apolitical/doctor in 1960s Czechoslovakia; he lives the life of a Casanova, working his charm on many women. He is involved w/ a sophisticated artist (“friends w/ benefits” would be the term today), Sabina (Lena Olin). On a trip to operate on a patient in a rural town, he meets/falls hard for a shy waitress, Tereza (Juliette Binoche). In time, Tomas asks Sabina to help find a job for Tereza. The two women (opposites in many ways) meet, share an interest in photography, and become close friends. These three characters are are caught up in the events of the Prague Spring of 1968, until Soviet tanks crush the (non-violent) rebels, and change their lives forever.

Tomas: Some people never change. Some people are always scoundrels.

This is the type of film to recommend to anyone who thinks they can’t be “wowed” by movies anymore! DDL was just 30 y.o. when this film was shot- wow! This is his 1st big movie; he played a quirky/supporting role in A Room with a View (1985). DDL at first turned down the role, feeling the script made Tomas too nice. The script was revised and things from the book (by Milan Kundera) were added, making the character less “perfect.” Speaking of perfection… Roger Ebert wrote that Binoche was “almost ethereal in her beauty and innocence” after watching 23 y.o. French woman’s performance. As the French say: Vive La Binoche! Swedish-born Olin (32 y.o.) has her American film debut; some of today’s single/childfree/independent-minded women may relate to her character. Speaking of Swedes… Stellan Skarsgard (mid-30s) has a small, BUT pivotal role in the 3rd act.

To me, thoughts are fun and art is fun. The strength of our society should not be idle entertainments, but the joy of pursuing ideas. -Philip Kaufman, director

If you want fame, and a beautiful statue made of yourself, don’t be a screenwriter. The writer disappears. He works in the shade. -Jean-Claude Carriere, screenwriter

I was surprised to learn that the director, Philip Kaufman, is an American (NOT European, as I’d assumed). The cinematographer (a respected veteran in his field) is Swedish; Sven Nykvist was know for giving the films he worked on the simplest and most natural look imaginable. Milos Forman personally offered Kaufman the opportunity to direct the movie. Forman had to pass the chance to direct b/c he still had family in Czechoslovakia; he feared for them in case of a negative reaction from the Soviet government (occupying the country at the time). The sequence depicting the 1968 Soviet invasion of Czechoslovakia incorporates real documentary footage of the era shot by students of Prague Film School.

[1] Romanticism originally doesn’t mean romance. The 19th century romantic hero was always a doomed one. The romantic characters long for something larger than life. The frailness, lightness of things is unbearable to those sensitive beings. This is why romantic stories typically end with the death of their heroes. Romanticism is the opposite of Hollywood, as there is no happy end. The epitome of a romantic story is for example “Romeo and Juliet”, where death is preferred to an impossible love story.

Because such intense feelings are a threat, some people try to escape them by taking nothing seriously.

[2] There has been many threesomes in cinematic history. The acting power in these three is one of best. Daniel is able to make the charismatic cad likable. Lena is sexual dynamite. Juliette is pure magic in this one. It is a great threesome against the backdrop of compelling political turmoil.

[3] Highlighting this impeccable picture are three sensational performances, a masterfully adapted screenplay full of beautiful and intriguing dialogue and quite possible the finest cinematography of the ’80s. Day-Lewis perfectly encompasses the charm of Tomas with a subtle charisma that keeps my eyes glued to him every time he appears on screen. The young Juliette Binoche is adorable, shy and emotionally powerful, but also plays it off very subtly. Lena Olin is overwhelmingly seductive and crafts a sense of freedom unlike any I’ve ever seen. These characters are all very human which means they have their fair share of flaws and the performances capture every essence of them so perfectly.

[4] …the film itself has stayed in my mind like few others. Yes, it’s very long, but the characters are so memorable that the length didn’t bother me at all – I loved the time spent in their company. In particular, Juliette Binoche and Lena Olin are each astonishing in their own way. Olin is ferociously sensual and mesmerizing, while Binoche is superlatively sympathetic and sensitive. Two of the best female performances I can remember. By the end of the film I was totally wrapped up in these people’s lives. This film is deeply erotic but in an intelligent and adult way…

-Excerpts from IMDB reviews