Re-watching Spike Lee’s “BlacKkKlansman” (2018) starring John David Washington & Adam Driver

When producer Jordan Peele first pitched “Black man infiltrates Ku Klux Klan” to Spike Lee, Lee thought it might be a Dave Chappelle skit, until Peele assured him the story was authentic. For Lee, the story was too outrageous to ignore. He had a few conditions for directing: incl. comedic elements, and drawing parallels w/ contemporary racial issues. When Lee was a young student at NYU Film School, he was so outraged that professors taught the 1915 movie Birth of a Nation (w/ no mention of its racist message or its role in the Klan’s 20th century rebirth). He made The Answer (1980) as a response; many professors took great offense and Lee was nearly expelled. Lee was saved by a faculty vote; after his success as a filmmaker, he became a professor there and also Artistic Director of the Graduate Film Department. The film is dedicated to Heather Heyer, a young/idealistic white woman who was killed in hit-and-run at the “Unite the Right” rally on August 12, 2017 in Charlottesville, VA. The film opened in the US on August 10, 2018 to mark the 1st anniversary of the rally/her death. Lee received a six-minute standing ovation at the Cannes Film Festival- wow! He also became the 2nd Black American to be nominated at the Academy Awards for producing, writing and directing in the same year.

Patrice: Are you down for the liberation of black people?

Ron: Power to the people.

Patrice: All power to all the people.

Ron: That’s right, Sista.

In the early 1970s, Ron Stallworth (John David Washington- oldest son of Denzel/former football player) is hired as the 1st Black officer in the Colorado Springs, CO police department. Ron (a real person) is a college grad from a military family who wants to make a difference in his community. He’s assigned to the records room, where he is faced w/ micro-aggressions and even openly racist remarks from others. Master Patrolman Andy Landers (Frederick Weller) is one of the uniformed cops who doesn’t hide his dislike of Blacks. Ron (who wears an Afro and knows “jive”) soon requests to go undercover. His immediate supervisor, Sgt. Trapp (Ken Garito), is supportive of Ron. Chief Bridges (John David Burke) is surprised by the bold move, but agrees. Ron is assigned to infiltrate a rally where civil rights leader, Kwame Ture AKA Stokely Carmichael (Corey Hawkins- recently played Macduff opposite Denzel in The Tragedy of Macbeth), is to give a speech. Ture was considered “radical” as he was a Black Panther; he had organized “The Freedom Rides” a few years earlier to register Black voters in the South. Two experienced undercover cops, Flip Zimmerman (Adam Driver) and Jimmy Creek (Michael Buscemi- younger brother of Steve), listen in from a surveillance van nearby. In line for the rally, Ron meets a young woman named Patrice Dumas (Laura Harrier), the president of the Black Student Union at Colorado College. This is a fictional character created for the movie; she is smart, articulate, and a challenging love interest for Ron. He hears Ture’s speech (very strong/impassioned); Hawkins provides gravitas to this small role.

Sgt. Trapp (to Ron): You know the way to sell hate? Affirmative action, immigration, crime, tax reform… He [David Duke] says, no one wants to be called a bigot anymore because Archie Bunker made that too uncool. So, the idea is under all these issues… everyday Americans can accept it. Support it. Until eventually, one day he gets somebody in the White House that embodies it.

The police don’t seem concerned w/ the Klan at this time; they think there is no activity locally. One day, Ron sees an ad in the paper, and calls up the number complaining re: Black people. He soon gets a return call from KKK’s Grand Wizard- and future politician- David Duke (Topher Grace)! Playing such a loathsome role posed a challenge for Grace, leading the actor to feel depressed. The men of “The Organization” (the term they use) are archetypes we’ve seen before; they’d be the type to vote for Trump (if around in recent years). Walter Breachway (Ryan Eggold) is the genial/clean-cut guy who quickly builds a rapport w/ Flip (posing as Ron in-person). Felix Kendrickson (Jasper Paakkonen- who is actually Finnish) is the wild-eyed/hot-tempered one whose plus-size wife, Connie (Ashlie Atkinson- recently seen on And Just Like That and The Gilded Age) wants to get involved in his cause. Ivanhoe (Paul Walter Hauser) is the fat, dim-witted younger man (looking to the others for guidance/approval). Felix has a collection of firearms; he suspects that Flip is Jewish (raising the tension/potential for danger).

Flip: For you it’s a crusade. For me it’s a job.

Ron: You’re Jewish. They hate you. Doesn’t that piss you off? Why are you acting like you don’t got skin in the game?

One of the key themes of this movie is duality; Ron and Patrice even have a conversation re: “double consciousness” on one of their dates. Double consciousness is the internal conflict experienced by subordinated or colonized groups in an oppressive society. The term and the idea were first published in W. E. B. Du Bois’ The Souls of Black Folk (1903). Originally, double consciousness was specifically the psychological challenge African Americans experienced of “always looking at one’s self through the eyes” of a racist white society and “measuring oneself by the means of a nation that looked back in contempt.” The term also referred to Du Bois’s experiences of reconciling his African heritage w/ an upbringing in a European-dominated society. Ron is a Black man living in a racist society; he is also a police officer (so part of “the system”). Flip is Jewish (has a Star of David necklace), but he didn’t grow up w/ the rituals and traditions (and always considered himself “white”). However, getting embedded w/ the KKK, Flip finally has to grapple w/ his religious heritage and the prejudice faced by Jewish people. Lee co-wrote the script w/ his (frequent) collaborator, Kevin Wilmott and two Jewish co-writers who served as producers (Charlie Wachtel and David Rabinowitz).

Flip (to Ron): I’m Jewish, but I wasn’t raised to be. It wasn’t part of my life, I never thought much about being Jewish, nobody around me was Jewish. I wasn’t going to a bunch of Bar Mitzvahs, I didn’t have a Bar Mitzvah. I was just another white kid. And now I’m in some basement denying it out loud. (He chuckles low.) I never thought much about it, now I’m thinking about it all the time. About rituals and heritage. Is that passing? Well then I have been passing.

He’s a beast! Game respects game. -Lee re: working w/ Driver

For Driver fans, there is much to admire: the quiet intensity, close-ups of his profile (quite striking), and his restrained swagger. His hair is longer than most cops and he wears casual clothes (plaid shirts, sheepskin jacket, and jeans). Flip is a really good shot (can handle himself in tough situations) and projects a laid-back personality. As Flip interacts more w/ the Klan, it takes a toll (focus on the eyes). There are a few light moments in the film between the cops; these are needed to cut the tension created by the serious subject material. Driver was nominated for an Oscar for Best Performance by an Actor in a Supporting Role. There is much more to see/discuss; check it out yourself! I saw it at a free screening when it came out in theaters, then saw it again (Amazon Prime) a few weeks ago.

[1] BlacKkKlansman, is great movie, that manages to be thought provoking and funny at the same time. The cinematography is excellent. The only issue I had with this movie was the pacing, but nothing major. Oh, forgot to mention, great ending as well!

[2] There are aspects that feels too artificial which detracts from the tension. The subject matter requires the movie to be more real. At times, Spike Lee pushes into satire territories but nevertheless, it is still one of his better recent movies.

[3] Lee’s film takes liberties with the actual true events. It starts off as a satirical drama. Lee however in unable to resist being heavy-handed with his message…

The film benefits greatly from the performances by John David Washington and Adam Driver.

-Excerpts from IMDB reviews

Q&A w/ the cast, director, & Ron Stallworth:

“The Dead Don’t Die” (2019) starring Bill Murray, Adam Driver, Chloe Sevigny, & Tilda Swinton

In Centerville, PA (FYI: Hudson Valley, NY is where they filmed), Chief Cliff Robertson (Bill Murray) and Officer Ronnie Peterson (Adam Driver) respond to a report from farmer Frank Miller (Steve Buscemi) re: a missing chicken. They briefly interact w/ Hermit Bob (Tom Waits), a bearded/armed eccentric who lives in the woods. On the way back to the station, Cliff notices it is still daylight after 8pm; Ronnie’s watch and cell have stopped working. At the local diner, Hank Thompson (Danny Glover), hears a radio report on “polar fracking.” Two zombies reanimate when night falls; they drink coffee and kill two women (Fern and Lily) working at the diner. When Hank comes by early the the next morning, he finds their mutilated bodies- yikes! Ronnie believes zombies killed the women.

Officer Ronnie Peterson: Is our plan to inform people about the zombie danger before it gets dark?

Chief Cliff Robertson: I guess so.

Ronnie: Because we passed Farmer Miller’s place a little while ago, do we need to inform him?

Cliff: F**k Farmer Miller.

Ronnie: Oh ok.

I learned that this is the 1st film of director Jim Jarmusch’s long career to receive a wide release in theaters here in the US! It contains deadpan humor (which is common for Murray) and is meta (self-referential). You’ll probably notice more if you’re familiar w/ the horror (esp. zombie) genre. I’m NOT one of those viewers- LOL! Also, the pacing is quite slow and the characters aren’t well-developed. I didn’t know what to expect here, BUT this is NOT my kind of movie. The zombie makeup and special effects seemed OK to me; I didn’t expect to see the more gruesome (bloody) stuff though.

Zelda Winston: Ah, Star Wars. That’s good fiction.

When Ronnie comes to the diner in his little red Smart car, the sounds are taken from a Star Wars vehicle. Later, when he hands the keys to the Scottish mortician, Zelda (Tilda Swinton), she notices his Star Wars key chain. Of course, most of the audience will know Driver as Kylo Ren in the latest sequel trilogy. He ONLY had about 3 wks to shoot this movie, as he was due back in England for Star Wars: The Rise of Skywalker. Driver’s hair is NOT too long; it looks really good/natural. He also wears (nerdy) glasses, but still has the Kylo (action star) body- what a combo! I felt a BIT bad for him seeing this movie- it just didn’t work (for most critics/viewers).

SyFy Channel Interviewer: “If you were a zombie, what would you be obsessed with?”

Driver: “I’d say cereal. I like all kinds of cereal.”

Sevigny: “Well, it’s not a thing, but vintage shopping.”

Frank wears a red baseball cap w/ the words “Make America White Again.” RZA is the driver of a WU-PS delivery truck; he’s a founding member of The Wu-Tang Clan musical group. The gas station manager, Bobby Wiggins (Caleb Landry Jones), knows a LOT re: zombies; this actor appeared in Get Out. The young “hipsters” coming through town (in a Pontiac Le Mans) are driven by Zoe (Selina Gomez). I learned that this car was prominently seen in George Romero’s Night of the Living Dead (1968). Each zombie says only one word, related to something from their past or an item they are obsessed w/: coffee, Chardonnay, wi-fi, Snickers, popsicles, Alexa, etc.

[1] The zombie material is extremely familiar and there isn’t much to be said or done about endless scenes of humans battling zombies, but some of the quirky character interplay hits the mark; I was just left wanting more of that and less of the generic.

[2] Director Jim Jarmusch is trying for a meta hipster zombie comedy. It’s a more dead-pan and less funny Shaun of the Dead. […] This one is simply trying for fun. It’s not trying to be that smart. Bill Murray is perfect for the dead-pan especially without the anger to taint it. The cast is talented and they’re having fun.

[3] The zombie make-up was good, so that at least counted for something, but it wasn’t enough to make up for everything else where the movie either lacked, came in short or just didn’t even bother to make an effort.

[4] …if you like the filmmaker, go see it. But don’t expect greatness. Even I as a huge Bill Murray fan, who also likes Driver, cannot say this was a great movie.

-Excerpts from IMDB reviews

“What If” (2013) starring Daniel Radcliffe, Zoey Kazan, Megan Park, Adam Driver, Mackenzie Davis, & Rafe Spall

WHAT IF is the story of medical school dropout Wallace (Daniel Radcliffe), who’s been repeatedly burned by bad relationships. So, while everyone around him, incl. his best friend Allan (Adam Driver), seems to be finding the perfect partner, Wallace decides to put his love life on hold. It is then that he meets Chantry (Zoe Kazan), an animator, who lives with her longtime boyfriend Ben (Rafe Spall). Wallace and Chantry form an instant connection, striking up a close friendship. Still, there is no denying the chemistry between them, leading the pair to wonder, what if the love of your life is actually your best friend? -Synopsis from CBS Films

In Canada and the UK, this rom com (free on Amazon Prime) was called The F Word (as in “friend”); Hollywood changed it to avoid the R rating (LOL). It is based on the play titled Toothpaste & Cigars by T.J. Dawe and Michael Rinaldi. Radcliffe (at 25 y.o.) said that this role is the 1st contemporary character he’s ever played: “There was something lovely about just stepping up on set and talking.” The director (Michael Dawse) is Canadian; the screenwriter (Elan Mastai) later went on to work on the hit TV series This is Us (2016). The filmmakers brought the cast back together over 2 weekends to create a new ending, 18 mos. after the original one. Radcliffe was initially hesitant about changing the ending b/c of how much he loved the original (“kind of old-school Hollywood.”) After shooting and watching the screening, he was happy w/ the new ending.

Wallace: In fairy tales, love inspires you to be noble and courageous, but in real life, love is just an all-purpose excuse for selfish behavior. You can lie and cheat and hurt people, and it’s all okay because you’re in love.

I ONLY watched this movie for Driver (just keeping it real); this is his 1st rom com! I found the size difference between Radcliffe (5’5″) and Driver (6’3″) comedic. Their characters also have different personalities; Wallace lives in his head and is more of a thinker, while Allan is extroverted and acts on impulse. Allan and Nicole (Mackenzie Davis) have a love (or lust) at 1st sight connection at Allan’s house party. Driver and Davis (who I first noticed on Black Mirror) make a hot couple; both are V tall, lean, w/ frenetic energy. Driver brings humor and does well w/ what was given. The dancing scenes at the wedding are funny.

Allan: I just had s*x and I’m about to eat NACHOS! IT’S THE GREATEST MOMENT OF MY LIFE!

The relationship which develops between Wallace and Chantry (Allan’s cousin) is slow/complicated. I thought the scene where Wallace and Chantry meet by chance at a screening of The Princess Bride was cute. There was a LOT of banter (perhaps TOO much), esp. between Radcliffe and Kazan (w/ petite build and only 5’4″). Another petite actress (Sarah Gadon) plays a young doc who’s the ex-gf of Wallace; I really liked her performances in Belle and a Canadian TV series- Alias Grace. There are really NOT many stakes in this movie. Wallace is NOT interested in Dalia (Megan Park), the lovelorn/annoying sis of Chantry. Also, Ben (who is a nice guy) is sent off to Dublin for 6 mos. (removing possible tension between him and Wallace). I didn’t see the point of having the animation scenes. There are points where the movie drags. If you’re NOT a fan of the rom com genre, this may tax your patience.

Allan: It’s complicated. All this love shit’s complicated. And that’s good. Because if it’s too simple you’ve got no reason to try, and if you’ve got no reason to try, you don’t.

[1] Have you ever watched a film that was pretty good but easily could have been better? Well, that’s my reaction to What If… It’s a pretty decent little romance, but the film also sure looks like the script could have used a decent editing, as sometimes the dialog is needlessly offensive...

The film is much like the premise behind When Harry Met Sally. In other words, it questions whether a man and woman can be just friends and stay that way.

[2] Poor Daniel Radcliffe, it will be a long time before we think of him as anything else but Harry Potter. But give him credit, he is now establishing himself as a reliable young adult actor. After all he turned 25 in 2014 so these sorts of roles are appropriate for him.

[3] Adam Driver from Girls is a tamer version of Adam Sackler and he works quite well.

[4] …this film isn’t as quirky or as entertaining as it thinks it is…

-Excerpts from IMDB reviews

“Tracks” (2013) starring Mia Wasikowska & Adam Driver

Some nomads are at home everywhere. Others are at home nowhere, and I was one of those.

– Robyn Davidson

In 1977, a 27 y.o. Australian woman, Robyn Davidson (Mia Wasikowska), set out from Alice Springs (Northern Territory) to trek across 2,700 km of harsh desert of Western Australia to reach the ocean. Accompanied by her dog and 4 camels, she had NO other purpose than to find herself on a journey of self-discovery. At points along the trip, Robyn is joined by a young American photographer, Rick Smolan (Adam Driver); he works for National Geographic (which sponsored her trip). The director (John Curran) is an American; he worked on We Don’t Live Here Anymore (2004), The Painted Veil (2006), and various TV series. The cinematographer (D.P.) is an Aussie woman (Mandy Walker); she worked on Australia (2008), Hidden Figures (2016), and Mulan (2020).

Robyn: [in letter to the publisher of Nat Geo] I am well aware of the hardship I will be facing. I am the first to admit I’m remarkably unqualified for such a hazardous undertaking. But this is precisely the point of my journey. I’d like to think an ordinary person is capable of anything.

There were several prior attempts to bring Davidson’s adventure memoir (also titled Tracks) to the big screen; she is a well-known in her native country. Over the years, Julia Roberts and Nicole Kidman were attached to the lead role. The actual clothes (skirts, blouses, flannel shirts, etc.) that Davidson wore during her trek were recreated in fine detail. Wasikowka (who is an Aussie and of Polish heritage) gained acclaim as a troubled teen gymnast in S1 (2008) of HBO’s In Treatment; she played the lead in Jane Eyre (2011) opposite Michael Fassbender. She went to a “camel boot camp” for 3 days to learn how to work w/ the animals.

Rick: I didn’t realize how big camels are. It’s like a cow and giraffe mixture. It’s crazy.

She’s an awesome, ferocious actor. She’s so present in the moment, playful, and brave. And you can’t really ask for a better scene partner, I think. -Driver re: Wasikowska

I didn’t know much re: this film until recently; I assumed it was re: a road trip starring Driver (from the few US ads and comments by his long-time fans on social media). This is more about the female character- Robyn- who is introverted/reserved (preferring animals to people). On the other hand, Rick is an extrovert/chatty (who wants to get to know people). I don’t think I’ve ever seen Driver smile so much in a role (which is refreshing)! Wasikowska and Driver (wearing wire-rimmed glasses and clothes of that era) bring differing energies to their roles; she is bemused (maybe even annoyed) by his ebullience. Driver takes on a physicality that it “a bit awkward” (as Curran commented), though it is part of the sweet/nerdy charm of his character. Both Davidson and Smolan participated w/ the filmmakers on this movie; Smolan has a brief cameo as a park ranger. You can see this (free) on IMDbTV!

[1]...the human story is impressive, showing us a side of camels that I had no clue of. Camels as other animals obviously have their own personality and their own mind, seeing this depicted in a movie like this is amazing. Speaking of amazing: It’s not only the performances of the actors that are great, but also the visual presentation of the journey we’re taking with the “characters”. Inspiring and emotional, this might be able to touch you, if you go along with it (no pun intended).

[2] Despite the fact that it is often leisurely in the telling of Robyn’s true story and that Robyn is, for much of the running time, the only person on screen, it is never less than engaging. […]

Mia Wasikowska is very good in this gently moving film, but the real stars of this beautifully photographed story are the Australian desert and the camels.

[3] …the screenplay by Marion Nelson superbly uses brief flashbacks to give a psychological depth to what Davidson is trekking over, which never over powers the spiritual and personal discover that Davidson is making on the tracks. Largely taking place in the desert, Nelson avoids things drying up by crossing Davidson’s solo walk with intersections which take Davidson out of the self-imposed wilderness,as a sweet bond of friendship builds with Smolan, and Davidson learns of a completely different culture from the aboriginals.

-Excerpts from IMDB reviews

“Midnight Special” (2016) starring Michael Shannon, Joel Edgerton, Kristen Dunst, & Adam Driver

From a local Texas news story, we learn that 8 y.o. Alton Meyer (Jaeden Martell) was been kidnapped by Roy Tomlin (Michael Shannon). Alton (who doesn’t look hurt/scared) wears goggles over his eyes, headphones over his ears, and reads comic books. Roy has a friend, Lucas (Aussie actor Joel Edgerton), who is along on the road trip to Florida. Alton’s adopted father, Pastor Calvin Meyer (actor/playwright Sam Shepard; he passed away in 2017), is the leader of a religious cult (The Ranch). He sends two of his loyal followers, Doak (Bill Camp) and Levi (Scott Haze), to find and bring back the boy. Agent Miller (Paul Sparks) is on the case; The Ranch has raised the suspicion of the FBI in recent mos. (after members purchased many firearms). A young NSA agent, Paul Sevier, (Adam Driver), is flown in to lead the investigation. We will also meet Sarah (Kristen Dunst- understated w/ no make-up), a woman who left the cult.

This film (written/directed) by Jeff Nichols was shot in 40 days on a budget of just $18M. It still has the look (aside from the special effects) and feel of an indie, BUT was produced by Warner Bros. This is the 4th film where Nichols collaborated w/ Shannon (who came up from the Chicago theater world). I was quite impressed w/ Shannon when I saw him in Ramin Bahrani’s indie, 99 Homes (2014), co-starring Andrew Garfield. Before quarantine, I’d sometimes attend free/press screenings of films in/around DC. I’ve also seen him as the villain (Gen. Zod) in Man of Steel (2013) and as a sheriff in Nocturnal Animals (2016). He is tall w/ big/wide-set eyes and projects a lot of intensity.

I heard about this movie on a few podcasts (when it first came out); many critics praised it and referred to Nichols as an auteur (a filmmaker whose individual style and complete control over all elements of production give a film its personal and unique stamp). This film is moody, atmospheric, mysterious, and the characters usually express themselves (w/o saying much). Spielberg is (obviously) a big influence on Nichols, who wrote the screenplay after becoming a father for the first time. I learned that Nichols turned doing directing Aquaman– wow- b/c he prefers to work on his own (small) projects!

If you’re a fan of Driver, you’ll enjoy this movie. He looks youthful, cute in a relatable way (wears glasses and the clothes are a bit nerdy), and projects intelligence and open-mindedness. Yes, this is before he made it big as Kylo Ren. Nichols said that Sevier was influenced by Hopper (Richard Dreyfuss) in Jaws (1975) and Lacombe (Francois Truffaut) in Close Encounters of the Third Kind (1977)- a movie I haven’t seen. Nichols had never seen HBO’s Girls; Driver was recommended to him by his casting director.

We took a character that could’ve been the most clichéd in the whole movie, and maybe still is, but I think it was Adam who started to ask the right questions about that character. […] I remember in one of the first scenes we did, he sat down at this desk and banged his leg on the table and dropped his bookbag. And I remember thinking, “Oh, that’s terrible, should I call cut?” And I realized, “Oh no, he’s being Paul Sevier. That’s how Paul Sevier enters a room.” And it just made it better and I’m quite impressed with Adam Driver. …I think he’s probably gonna be one of the most important actors of our generation.

-Jeff Nichols (from March 22, 2016 interview in Indiewire)

This has a great sense of sci-fi realism… Shannon simply has intensity.

A beautiful, touching story. Nice performances. Fascinating subject.

– Excerpts from IMDB reviews