June Bride (1948) starring Bette Davis

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A poster for the film

Despite the title, this movie isn’t really about a wedding, at least not in the way you might think. Instead, it’s a surprisingly biting look at a grown-up relationship set against the backdrop of a wedding. -Blonde at the Film

…the dialogue is terribly adult, taken directly from the play without much editing, often reminiscent of pre-Codes. June Bride is lots of fun and much snappier and wittier than reviewers give it credit for, though to be fair, it does occasionally buckle under the weight of post-war sensibilities. -She Blogged By Night

Independent, happily single women’s magazine editor, Linda Gilman (Bette Davis), takes an appointment w/ globe-trotting foreign correspondent, Carey Jackson (Robert Montgomery), who also happens to be her ex-boyfriend. Carey (after suddenly leaving the country a year ago) is eager to get into Linda’s good graces (admitting that she’s the ONLY woman who made him think of settling down), though she wants nothing to do w/ him. After all, Linda likes her life as it is, and she doesn’t lack male company. Carey negotiates w/ Linda to get a job at the magazine, saying that he won’t mind having a woman for a boss.

Linda, Carey, and a team (incl. noted character actresses Mary Wickes and Fay Bainter) go to Indiana to cover a small-town girl weds boy-next-door wedding. The Brinkers are a typical Midwestern family w/ strong values, a garish parlor (which needs to be redone), and two teen daughters (Jean and Boo), and a few secrets. 19 y.o. Jeanne (Barbara Bates) and fiance Bud Mitchell (Raymond Roe) seem to be VERY much in love and eager to wed. However, 17 y.o. Boo (who greatly admires Linda) reveals that Jeanne was once engaged to Bud’s older brother, Jim (Ray Montgomery). Carey (who was bored by all the wholesomeness) sees “an angle,” and leaps on it.  

It’s a light comedy, so Davis is NOT the first name that would come to one’s mind. But she wanted to make a comedy for a change. Montgomery’s character is a BIT egotistical, yet also mischievous and energetic; Davis is more business-like and mature about their (conflicted) relationship. If you like this film, check out Christmas in Connecticut (1945) starring another iconic actress, Barbara Stanwyck.

Catastrophe (Amazon): Season 3

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A poster for Season 3 of the series.

NOTE: This review contains MILD spoilers.

…“Singles in America” study that I do with Match.com, we ask them, “What must you have in a relationship?” And, “What’s very important?” And they must have somebody they can trust and confide in. They must have somebody who respects them. They must have somebody who makes them laugh, which actually is very important biologically.

-Dr. Helen Fisher (Biological Anthropologist)

…Sharon Horgan and Rob Delaney can communicate so much with raised eyebrows or a sour expression.

Catastrophe has given this couple so many chances to wash their hands of one another, but one of the show’s underlying strengths is that they so clearly don’t want to. Because they’re connected in so many different ways…

-AV Club

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Sharon (Sharon Horgan) and Rob (Rob Delaney) with their son in the ER.

Rob Morris (Rob Delaney) and Sharon Norris (Sharon Horgan) are back for Season 3 of their irreverent, funny, yet still romantic, comedy. By this time of life- Rob is 40, while Sharon is 44- the romance is in the commitment; this something that Dr. Helen Fisher noticed from an esteemed Chinese relationship expert, NOT unlike herself. In America, we value falling in love, BUT in China, they focus on the long-term. 

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Mia (Carrie Fisher) talks on the phone with her son Rob.

Fisher appears in only a handful of episodes overall, her appearances are extremely memorable.

-Collider (on actress Carrie Fisher’s last performance)

The themes and events in this season are the darkest yet, though there are still laughs to be had (no matter if the viewer is single, married, or something in between).  In the first episode, Sharon wonders what exactly happened w/ that younger man in the Season 2 finale. She thinks of returning to her teaching job. Rob is still a stay-at-home dad, BUT financial reasons could compel him to get back work. 

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Rob (Rob Delaney) is shocked by his own behavior to one of the other parents.

Their families and friends are going through some issues of their own. Sharon’s younger brother, Fergal (Jonathan Forbes), moves his family to Spain (where his wife is originally from). Sharon’s close friend, Fran (Ashley Jensen), is feeling lonely and insecure re: aging. Fran’s ex-husband, Chris (Mark Bonnar) is one of the MOST quirkiest, BUT also most loyal/dependable, friend characters in modern TV. I esp. LOVE how he is there to listen to Rob, BUT doesn’t judge. There is a LOT more going on (including some notable guest actors), so do check this show out yourself! (FYI: Season 4 has been confirmed.)

La La Land (2016) starring Ryan Gosling & Emma Stone

NOTE: This review contains MILD SPOILERS for the film.

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Mia (Emma Stone) and Sebastian (Ryan Gosling) dance in Griffith Park.

[1] What has been thrown, hurled and heaved at this film is Oscar-seeking acting, Oscar-seeking direction and Oscar-seeking technical twiddling. And hey ho and guess what? It got Oscars.

[2] No legit Broadway-style singing technique. I cannot imagine what real Broadway singers and dancers must be thinking about this travesty.

[3] The big red flag with the story is that the music simply is not very good. There is not one memorable song or dance in the entire film! 

[4] The biggest fault with the movie is the complete lack of supporting actors to flesh out the story. The two main characters are just not strong enough to carry the movie for more than two hours without help. 

-Excerpts from various IMDB reviews

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Director Damien Chazelle (just 32 years old) and Gosling on the set of Sebastian’s apartment.

I find L.A. kind of romantic, actually. As a movie junkie, it’s a city that was built by the movies. There’s something really weird and surreal about it that I find energizing. -Damien Chazelle, director

Ugh, what to say re: this movie… My mom wanted to watch it (it’s on Fios On Demand) when we were hanging out at my parents’ house last SAT. We got through it… somehow. My dad and I saw it together (pausing here and there), then my mom saw it the next day; none of us liked it (as I’d guessed). “What kind of movie is this!?” Mom commented, confused and disappointed. She wanted to see what the fuss was about this Oscar-winning film, like many of you out there (who didn’t see it in theaters). A FEW of my friends saw it on the big screen; their opinions went from “I hated it” or “It wasn’t that great.” 

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Mia (Stone) talks with one of her roommates in her colorful bedroom.

People love what other people are passionate about. -Mia explains to Sebastian

Um, you CAN be passionate re: something, BUT that doesn’t mean other people will be invested in it- sorry, that’s reality! Speaking of passion, WHERE is the chemistry between Stone and Gosling? Also, where is the interesting dialogue (which is something that makes or breaks a movie for me)? The script could’ve been written by an idealistic, sensitive, above-average 16 y.o. kid! 

How are you gonna be a revolutionary if you’re such a traditionalist? You hold onto the past, but jazz is about the future. -Keith comments to Sebastian

If Sebastian is SO crazy re: jazz music, then WHY don’t we hear any of it (such as the greats mentioned or something new)? I mean, I’m crazy re: Shakespeare, and those who know me will definitely get an earful! LOL… I think John Legend (who also acts here) worked on ONLY one song. What a waste! 

 

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Sebastian (Gosling) and Mia (Stone) walk over a bridge.

You could just write your own rules. You know, write something that’s as interesting as you are. -Sebastian says to Mia 

Mia is more interesting than Sebastian; she’s also more likable. She suffers through a variety of demoralizing auditions (like a LOT of aspiring actors), has a nice boyfriend (what was wrong w/ him, anyway?), and is on the verge of quitting L.A. I DO like the fact that she writes her OWN story (trying to be a BIT positive here). Why don’t we get to see some of her play? Well, if you have 2 hrs to waste, check it out for yourself. If you’re a fan of classic musicals, smart/snappy dialogue, and effective acting- don’t bother. 

Kiss Me Kate (1953)

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Lilli (Kathryn Grayson) and Fred (Howard Keel) talk about their past marriage and work in her dressing room.

[1] This is my favorite musical, not for the dancing alone, but it is the best. The dancers, not just Ann Miller and Rall, but Bob Fosse, Bobby Van, and Carol Haney!! What more could any dance fan want? There is always something new to see, no matter how many times you have watched it. The lyrics are magnificent, tricky and intriguing. I will admit that the music is great, but folks, catch the dancing!

[2] Keel, with his big big voice and untrained natural talent, fills the screen (and his tights!) with his masculine presence. He struts, swaggers, and yet shows his vulnerable side believably enough to make us *like* his character, ego or no ego. Grayson… really comes into her own here–she’s excellent as Lilli, swooning at the right moments, strident during the rest, and actually bites out ‘I Hate Men’ with conviction…  I’m also partial to Tommy Rall, whose soaring athletic ability just crackles off the screen. It’s such a thrill to see Miller get matched with someone who can dance circles around most everyone else alongside her. They make the cutest couple in their two numbers together, with the energetic, exuberant dance to ‘Why Can’t You Behave?’ definitely making one of my favourite film dance routines of all time.

-Excerpts from IMDB reviews

I became a fan of this musical after seeing a version of it on Great Performances (PBS) several years ago; it stars Brian Stokes Mitchell and Marin Mazzie, two VERY well-respected Broadway veterans. I bought the soundtrack (released in 2006). Seriously, WHO can resist Stokes’ voice!? 

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Marin Mazzie (Lilli/Katharine) and Brian Stokes Mitchell (Fred/Petruchio)

I saw this movie on TCM two weeks ago; it was pretty fun, though NOT as fabulous as the Broadway version. Fred Graham (Howard Keel) and Lilli Vanessi (Kathryn Grayson) are a divorced pair of actors who are brought together by Cole Porter, who has written a musical version of The Taming of the Shrew. Lilli, recently engaged to a Texas oilman, is reluctant to act w/ Fred, who is involved w/ Lois Lane (Ann Miller). It’s obvious that the tap dancing ingenue (Lois) and more mature leading lady (Lilli) resent each other. 

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Katharine (Kathryn Grayson) and Petruchio (Howard Keel) fighting during the play.

We soon seen that Fred and Lilli act a LOT like the mismatched lovers they play, Petruchio and Katharine. A fight between them on opening night threatens the production. Also, two thugs w/ thick New York accents (who are BIG fans of the theater) think that Fred owes their boss a LOT of money, so insist on staying next to him ALL night. Lois (who is cast as Bianca) is in love w/ another of her co-stars, Bill Calhoun (Tommy Rall), who forged that IOU. 

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Three suitors woo Bianca (Ann Miller) during the Tom, Dick, or Harry number.
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Bianca/Lois (Ann Miller) and Bill (Tommy Rall) talk in the theater’s alley.

…Keenan Wynn and James Whitmore, who get into the play and later get to sing one of Cole Porter’s best satirical numbers and a personal favorite of mine, ‘Brush Up Your Shakespeare.’ It’s their own ode to their theatrical experience and also advice to the lovelorn that if you want to win the mate of your choice, learn the classics so you can wow them with rhetoric. Wynn and Whitmore are priceless.

Excerpt from IMDB review

If you’re a big fan of The Bard, you will definitely enjoy the thugs’ song (Brush Up Your Shakespeare); it’s a combo of high culture and naughty wordplay.

I esp. like Lois’ signature song Always True To You (In My Fashion). Here is the (updated) song from the 2006 Broadway play, sung by Amy Spanger.

 

 

Holiday (1938) starring Cary Grant & Katharine Hepburn

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A poster for the movie.

Set in NYC, this film stars Cary Grant as Johnny Case, a 30 y.o. businessman working at a “financial house.” While he takes a skiing holiday to Lake Placid, he meets Julia Seton (Nolan); the two fall in love (in ONLY 10 days). They get engaged!

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Johnny Case (Cary Grant) is amazed by the size of the Seton family’s home.

It turns out that Julia comes from a VERY wealthy/influential family. Johnny is surprised and bemused, BUT then finds himself taken w/ Linda (Katharine Hepburn), Julia’s free-thinking/dramatic older sister and her little brother, Ned (Lew Ayres), a musically-gifted alcoholic. (Linda Seton was loosely based on Gertrude Sanford Legendre, a former débutante who left high society to become a big-game hunter and later spied for the OSS during WWII.) 

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Sisters Julia (Doris Nolan) and Linda Seton (Katharine Hepburn) surround Johnny (Cary Grant).

There are a lot of humorous little episodes. I tried to get Father to let me take a nursing course at a hospital. Oh yes, and I almost got arrested trying to help some strikers over in Jersey. Well, how was I to know that Father was on the board of directors at the company? You see, Case, the trouble with me is I never could decide whether I wanted to be Joan of Arc, Florence Nightingale, or John L. Lewis. -Linda talks about her past

It turns out that Julia is NOT that different from her father; at some point you wonder WHAT Johnny saw in her in the first place! Her siblings are discontented with being under their father’s thumb. Mr. Seton is NOT a bad guy, BUT has strong feelings about how things should be done to keep the family on the up and up. 

You’ve got no faith in Johnny, have you, Julia? His little dream may fall flat, you think. Well, so it may, what if it should? There’ll be another. Oh, I’ve got all the faith in the world in Johnny. Whatever he does is all right with me. If he wants to dream for a while, he can dream for a while, and if he wants to come back and sell peanuts, oh, how I’ll believe in those peanuts! -Linda explains, revealing her true feelings for Johnny 

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Johnny (Cary Grant) with his friends, Professor Nick Potter (Edward Everett Horton) and his wife, Susan (Jean Dixon).

[Quoting an imaginary society column] ‘Miss Linda Seton – on New Year’s Eve – entertained a small group of Very Unimportant People.’ -Nick jokes 

In the original play, Nick and Susan Potter are wealthy socialites. Due to the Depression, the plot was altered so that Johnny (“the common man”) would have more ordinary, down-to-earth friends. Johnny’s friends, the Potters, were intellectuals and funny- great combo. They added a LOT of fun to this film! 

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Johnny (Cary Grant) thinks about his future while his fiancee Julia (Doris Nolan) and her father (Henry Kolker) look on.

[1] Hepburn, clearly the star of this production, acts each scene with an emotion and charm that is almost unheard of in the mainstream cinema of the present. …I found myself becoming so endeared to her character that I probably would have been completely devastated if she didn’t get some sort of happiness in the end, probably one of the highest compliments that I can give to an actor’s performance… He [Grant] is such a fresh and passionate character… 

[2] Cukor takes a lighthearted approach to this story, which keeps it upbeat and entertaining, and he laces it with warmth and humor that’ll give you some laughs and put a smile on your face. But beyond all that, Cukor shows some real insight into human nature and the ways of the world. And it makes this film timeless. 

-Excerpts from IMDB reviews