GREAT Films about the Immigrant Experience

Avalon (1990)

This is a gorgeous film directed by Barry Levinson (Diner, Homicide, Liberty Heights, etc.)  It’s a talent-laden (Armin Mueller-Stahl, Aiden Quinn, and a very young Elijah Wood play the male leads) drama set in ’50s Baltimore.  The film explores 3 generations of a tightly-knit, middle-class, Jewish-American family.  My dad really liked this story; it’s suitable for all ages!   

Mississippi Masala (1999)

I tell all my desi friends (and anyone who likes good films) about this one!  I first saw it as an undergrad.  This small-budget/educational/realistic film was directed by Mira Nair; she also plays a small role as a catty auntie.  The screenwriter, Nair’s close friend/collaborator Sooni Taraporevela, said the basis for the love story between Meena (Sarita Choudhury) and Demetrius (Denzel Washington) was partly inspired by a fellow Indian gal pal at Harvard who fell in love with a black (Jamaican) man.  The dialogue is spot-on and the sweet romance between Meena and Demetrius is as hot as the setting (small towns of Mississippi).  There is another kind of love in this story- Jay (veteran Indian actor Roshan Seth), Meena’s father/lawyer-turned-motel manager, desperately trying to get back property/citizenship in his native Uganda (scenes were filmed in Nair’s own Kampala house).

Sidenote: I saw Sarita at a staged play reading in NYC (back in 2006).  Film does NOT do her justice; she’s stunning in real life! 

My Family/Mi Familia (1995)

Unfair deportation, police aggression, gangs/crime, Catholicism, and the ties that bind families are explored in one of my all-time favorite films.  I saw this first during my 12th grade American History class; later I saw it w/ my family (they all liked it a lot, too).  It was directed superbly by a Californian of Mexican heritage, Gregory Nava (Selena, Frida).  The music is an integral part of the story, as is the moral compass/strength of matriarch Maria Sanchez, who is played by Jennifer Lopez (younger) and Jenny Gago (older).  The male leads are played by Jacob Vargas (Jose), Esai Morales (Chucho), and  Jimmy Smits (Jimmy).  Edward James Olmos plays the aspiring writer, also the narrator.  Scott Bakula plays the husband of Toni (Constance Marie).  The setting is primarily East L.A. (a long-established Latino neighborhood). 

Nuovomundo/Golden Door (1996)

Don’t let the language (primarily Italian) deter you from this unique/educational film; it contains some magical realism.  It was produced by the famed Martin Scorcese, himself a proud Italian-American.  The (nearly unspoken) love story in the film is between kind-hearted Italian peasant Salvatore (Vincenzo Amato) and mysterious/redheaded Englishwoman Lucy (Charlotte Gainsbourg).  Salvatore decides to sail to the U.S. so his family, which includes two teen sons and mother, can survive.  Crops won’t grow on his land, and his brother is already settled in NYC.  However, after their ship lands on Ellis Island, there are more tests/tribulations ahead! 

Liberty Heights (1999)

Another of Levinson’s fine films- this time focusing on brothers who live in a Jewish-American enclave of ’50s Baltimore.  The narrator, 17 y.o. Van (Ben Foster), and his college-going brother, Ben (Adrien Brody) are good kids trying to figure themselves out. You will relate to this film, especially if you are a 1st generation American, as the Kurtzman brothers navigate around heritage, parents, and wider racial issues of the ’50s.  Van befriends Sylvia (Rebekah Johnson), the only black girl in his class.  Ben makes new friends at a party and eventually falls for Dubbie (Carolyn Murphy), a gorgeous/troubled WASP.  Yussel (David Krumholtz), Ben’s best pal/smart-aleck, provides a lot of the comedy.  The parents in the film are portrayed by Joe Mantegna and Bebe Neuwirth.       

The Namesake (2006)

This is the first film exploring two generations of an Indian-American family (Bengali in heritage); it is based on Jhumpa Lahiri’s novel and directed by Mira Nair.  I saw it in 3 different theaters w/ different groups of family/friends (who all loved it).  Gogol/Nikhil (Kal Penn) and his little sister, Sonia, grow up on Long Island, the children of successful/overprotective immigrant parents, professor Ashok (Irrfan Khan) and homemaker Ashima Ganguli (Tabu).  Though the novel’s main focus was Gogol, Nair takes a deeper focus into the slow-burn love story between Ashok and Ashima (I enjoyed their scenes most).  Irrfan Khan is amazing; too bad he decided not to come to Hollywood!     

The Killers (1946) starring Burt Lancaster & Ava Gardner

The Swede (Burt Lancaster) falls head over heels for Kitty (Ava Gardner)
The Swede (Burt Lancaster) falls head over heels for Kitty (Ava Gardner)

This film noir is based on a short story by Ernest Hemingway.  It was Burt Lancaster’s first film role (at age 32).  I thought he looked/acted much younger.  There is that openness and vulnerability in his eyes that fans will recognize.  Even battered and bruised, he has potential.  Lancaster plays Ole Andresen (known to most as “The Swede”), a quiet gas station attendant in Brentwood, New Jersey.  

Jim Riordan (Edmond O'Brien) investigates the why of the murder
Jim Riordan (Edmond O’Brien) investigates the why of the murder

We learn that there’s much more to The Swede than meets the eye, thanks to an insurance investigator, Jim Riordan (played by noted character actor Edmond O’Brien).  He later went on to play Big Daddy in The Long Hot Summer (starring Paul Newman and Joanne Woodward).  The movie gains momentum after a murder by two strangers to the small town.  Riordan comes to deal with the $2,500 insurance policy left behind by the deceased.   He eventually teams up with one of Ole’s oldest friends from Philly, Lt. Sam Lubinsky, to get to the crux of the matter.  The femme fatale of the story is Kitty Collins (Ava Gardner), the girlfriend of a well-known hood in Atlantic City.   

Kitty (Gardner) is the catayst in this tale.
Kitty (Gardner) is the catayst in this tale.

Most people seem to think I’m the kind of guy who shaves with a blowtorch. Actually I’m bookish and worrisome.  –Burt Lancaster

If you liked this movie, you’ll love Out of the Past (1947), starring Robert Mitchum, Kirk Douglas, and Jane Greer.  BOTH Mitchum and Lancaster were able to show the masculine man’s sensitive side.  But maybe Mitchum had a BIT more danger and unpredictability?  They’re both fabulous actors who used their presence and physicality to enhance their roles (think Denzel Washington).  After all, it takes more than height and looks to make a leading man!