Spoiler-Free Review: “West Side Story” (2021) starring Ansel Elgort, Rachel Zegler, Ariana DeBose, David Alvarez, & Rita Moreno

I’m sure almost ALL of you know the plot, as West Side Story is a re-imagining of Shakespeare’s most famous tragedy (Romeo & Juliet) set among gangs on the West Side of Manhattan in the late 1950s. The 2 gangs are the Jets (white ethnics/NYC-born) and the Sharks (Puerto Rican). The 2 teen “star-crossed lovers”- Tony (former leader of the Jets) and Maria (newly arrived to NYC)- meet at a HS dance and fall in love at first sight. Of course, their relationship will have (deadly) consequences!

There are MANY problematic elements in the 1961 movie, though it is also much-loved by audiences of ALL ages all over the world. First of all, Natalie Wood was NOT a Latina or of Puerto Rican heritage. The Sharks were made-up w/ dark foundation, though people from PR have a wide variety of skin tones. This movie was released after lyricist Stephen Sondheim died on November 26, 2021. He did see the final cut of the film and prefers this version to the original 1961 film (as he said on The Late Show with Stephen Colbert).

I have been challenged by what would be the right musical to take on. And I could never forget my childhood. I was 10 years old when I first listened to the West Side Story album, and it never went away. I’ve been able to fulfill that dream and keep that promise that I made to myself: You must make West Side Story. -Steven Spielberg

The screenwriter is Tony Kushner; I think he did a fine job (aside from a couple of lines which came off as a BIT modern). The choreography (originally by Jerome Robbins) was updated by Justin Peck from the New York City Ballet. Director of Photography, Janusz Kaminski (who often collabs w/ Spielberg), went to great lengths to replicate (as much as possible) the lighting/visual style of the1961 film. Look at the way that the camera is swinging around, even from the opening number from the Jets- wow! I liked the (more realistic) sets and (colorful) costumes here. John Williams was brought in as music consultant; he was piano soloist for the 1961 movie. As many critics/viewers have noted, West Side Story has some of the best (and well-known) songs of ALL time! I’m sure a LOT of you were tapping your feet and/or singing along. This film follows the original song order of the stage musical w/ 2 exceptions: “Gee, Officer Krupke” (really liked the choreography) is moved to earlier (as the 1961 movie also did) and “Cool” (NOT impressed by new version) is sung by Tony to Riff (not sung by Riff to the Jets).

Divisions between un-likeminded people is as old as time itself. And the divisions between the Sharks and the Jets in 1957, which inspired the musical, were profound. But not as divided as we find ourselves today. It turned out in the middle of the development of the script, things widened, which I think in a sense, sadly, made the story of those racial divides- not just territorial divides- more relevant to today’s audience than perhaps it even was in 1957. -Spielberg on movie’s relevance today

When casting this version, Spielberg insisted that all Latino characters be portrayed by real Latino actors. Out of the 33 Latino characters onscreen, 20 are of Puerto Rican heritage. There is a good amount of Spanish used in this film; I was glad that I knew the language (though NOT fluent). You don’t need to know Spanish to get what’s up. Almost the entire cast is made up of musical theatre performers; veteran actress Rita Moreno (an EGOT winner; Maria in the 1961 movie) is the most famous. Except for Ansel Elgort, Rachel Zegler (cast straight out of HS), and Corey Stoll, ALL of the principals are Broadway alums.

Zegler has a V pure/powerful voice; she has received MANY rave reviews for her singing! Elgort (who shot this movie before revelation of SA allegations) is V tall, handsome (in a bland way), and moves gracefully (he studied ballet some). His voice is NOT remarkable in any way and holds little power; this makes “Tonight” NOT as impressive; it also puts a damper on “Maria.” Anita (Ariana DeBose), has the most interesting role; the actress has received a LOT of award season buzz! DeBose is Afro-Latina and worried that she had the “wrong look” for this role; Spielberg told her that she was “perfect.” DeBose and David Alvarez (Bernardo- older bro to Maria) also have good romantic chemistry. Of course, it’s tough to beat the (fiery) chemistry between Moreno and her Bernardo (George Chakiris- who was of Greek heritage). I was V impressed by Riff (Mike Faist); he commands the screen w/ his (amazing) dancing, but it also a fine actor. This Riff is hard-edged/volatile; this is a far cry from the (teddy bear-like) characterization from Russ Tamblyn (1961). You can now watch this movie on HBOMax!

“America” from “West Side Story” (2021) featuring Ariana DeBose and David Alvarez

Spoiler-Free Review: “Dune” (2021) starring Timothee Chalamet, Rebecca Fergusen, Zendaya, Oscar Isaac, Jason Momoa, Stellan Skarsgard, & Josh Brolin

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence- a commodity capable of unlocking humanity’s greatest potential- only those who can conquer their fear will survive. -Synopsis from Warner Bros.

Dune (directed by Denis Villeneuve- Canadian of French heritage) is a movie unlike any other I’ve seen in recent years; I was surprised by how much I enjoyed it! Its 2 hr. 35 min. run time seemed to pass by quickly, as the story (incl. stunning visuals) was V compelling. The music (composed by Hans Zimmer) adds much to the movie; new instruments and a language were invented for the score. The costumes range from practical and lightweight to intricate and decorative. This is part one of the story; it is based on the book by Frank Herbert, one of the iconic writers of sci-fi. Herbert’s work has been compared to Tolkein’s LOTR trilogy; it obviously influenced George Lucas as he created Star Wars. The planet Arakis (also called Dune) is the ONLY place where “spice” (perhaps akin to oil in our world) can be found; many factions want to control this world. The natives of Arakis are the Fremin, a tough/desert people who live in a harsh environment w/ dangerous giant worms (yikes)! The scenes on the ocean world of Caladan were shot in Norway. Much of the desert scenes of Arakis were shot in Jordan and Abu Dhabi.

Paul: [From trailer] Dad, what if I’m not the future of House Atreides?

Duke Leto: A great man doesn’t seek to lead; he is called to it. But if your answer is no, you’d still be the only thing I ever needed you to be: my son.

In a world unlike ours 8,000 yrs. in the future, we meet Paul Atreides (Timothee Chalamet- doing a fine job), a skinny/bright/teen. He spends his days studying and learning to fight from his older mentor/sword master- Gurney Halleck (Josh Brolin). One of the early scenes where Paul and Gurney spar is V cool; the choreography (by Roger Yuan) included a type of Filipino martial arts. Another mentor of Paul’s is the warrior, Duncan Idaho (Jason Mamoa), who brings charm and humor to the story. Much is expected from Paul, as he’s the son/heir of Duke Leto Atreides (Oscar Isaac- looking fab w/ gray-streaked hair/full beard). I loved the easy/warm relationship between Chalamet and Isaac. I’m surprised that Chalamet is growing on me; his naturalistic acting style, incl. ability to portray vulnerability easily fit this role. (Though Christian Bale will always be Laurie to me!)

Duncan: Dreams make good stories, but everything important happens when we’re awake.

Paul has inherited strong powers from his mother, Lady Jessica (Rebecca Ferguson- a standout). She is the concubine of Duke Leto and was raised by the Bene Gesserit (a secretive/powerful order made up of all women). Chalamet and Ferguson also have great chemistry. Paul has visions about Arakis w/ an unknown/young woman (Zendaya- who appears in the 3rd act of this story). The Rev. Mother Mohaim (Charlotte Rampling- a veteran British actress) comes to see (and test) Paul on his abilities. House Atreides is given control of the desert planet from the Emperor. A powerful opponent, Baron Harkonnen (Stellan Skarsgard- menacing even inside prosthetics), wants to take control of Arakis. Check out this movie on HBOMax! I didn’t know much re: this story, aside from watching the miniseries (which co-starred a V young James McAvoy) about 20 yrs. ago.

Spoiler-Free Review: “Deep Water” (2022) starring Ben Affleck & Ana de Armas

A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers. -Synopsis

Film Twitter ands several YouTuber vloggers are commenting re: this new movie (streaming on Hulu) for the past 2 days. I watched this movie late on FRI; an alternate title could be “Deeply Wasteful.” Earlier in the pandemic, I dove back (pun intended) into the (fading) erotic thriller sub-genre. Veteran British director, Adrian Lyne, is known for his erotic thrillers, having worked on 9 1/2 Weeks (1983), Fatal Attraction (1987)), Indecent Proposal (1993), and Unfaithful (2002), among other films. As you may know, Ben Affleck (now 49 y.o.) and Ana de Armas (a 33 y.o. up-and-comer who previously had a big career in Spain) had a year-long relationship after meeting on this movie.

Vic (Affleck) is a wealthy man who has retired young; he enjoys being an involved dad to his adorable/bright daughter, Trixie (Grace Jenkins- who does a fine job). Vic’s younger wife, Melinda (de Armas), seems bored w/ their marriage and doesn’t seem to fit comfortably into the role of mom either. Melinda (who is a knockout) enjoys dancing, drinking (sometimes to excess), and flirting w/ other men. At first, it seems like Vic is cool w/ it (and maybe it also turns him on). His close friends (played by Lil Rel Howery, Dash Mihok, and Devyn A. Taylor) are concerned that Vic is being disrespected (and maybe even hurt) by Melinda’s behavior. Vic explains that maybe he doesn’t share their worries. We learn that one of Melinda’s male friends has recently gone missing. An older author in the community, Don (Tracey Letts- a writer himself), is V interested in this incident.

Deep Water is Lyne’s 1st movie in 20 yrs, and it (sadly) shows. There is a lack of character development here; the script is quite weak. I learned that this story was taken from a novel from Patricia Highsmith; she also wrote The Talented Mr. Ripley (starring Affleck’s BFF- Matt Damon). Watch that movie instead- you won’t regret it! The camera isn’t doing anything unique either. There isn’t much “erotic” or “thrilling” here- to be blunt! It was shot on location in New Orleans- this was mildly interesting (esp. the outdoors scenes).

Many reviewers commented that (real-life) lovers usually lack chemistry onscreen- quite true here. Affleck looks emotionally detached in MOST of his scenes, though I liked his scenes w/ the daughter. As for de Armas, it’s difficult to empathize w/ her; I couldn’t help but compare her to the (mature/complex) role played by Diane Lane in Unfaithful. The “other men” in Melinda’s life (played by Brendan Miller, Jacob Ellordi, and Finn Wittrock) are indeed (conventionally) handsome, BUT they’re also V boring. Ellordi is an Australian actor who co-stars in HBO’s Euphoria; I haven’t yet seen that show.

“The Report” (2019) starring Adam Driver, Annette Bening, & Jon Hamm

The Report is a thriller based on actual events. Idealistic staffer Daniel J. Jones (Adam Driver) is tasked by his boss Sen. Dianne Feinstein (Annette Bening) to lead an investigation of the CIA’s Detention and Interrogation Program created in the aftermath of 9/11. Jones’ relentless pursuit of the truth leads to findings that uncover the lengths to which the nation’s top intelligence agency went to destroy evidence, subvert the law, and hide a shocking secret from the American public. The Report is written and directed by Scott Z. Burns, and the film also stars Jon Hamm, Sarah Goldberg, Michael C. Hall, Douglas Hodge, Fajer Kaisi, Ted Levine, Jennifer Morrison, Tim Blake Nelson, Linda Powell, Matthew Rhys, T. Ryder Smith, Corey Stoll, and Maura Tierney. -Synopsis (Amazon)

This movie (acquired by Amazon Studios) is available for free on Amazon Prime; I saw it 2x (to get a better understanding on the issues). If you follow the news/current events, have an interest in politics, and/or enjoyed The West Wing– check this movie out. This has more of a documentary-style approach, so I wouldn’t call it a typical “thriller” (as classified on IMDb). Just before filming, the original plan of 50 days shooting was cut to a 26 days; the $18 million budget was slashed to ONLY $8 million! Burns revealed that ALL the actors (incl. Driver) were paid next to nothing on this project. Burns originally planned to approach the material in a satirical Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) manner; the more he delved into the facts, he realized it had told in the most realistic fashion. The film premiered at Sundance and received a standing ovation for the real Dan Jones (who was present).

Sen. Feinstein: If it [waterboarding] works, why do you need to do it 183 times?

After completing the screenplay, Burns shared it w/ frequent collaborator, Steven Soderbergh, w/ a view as to who he’d suggest for the lead. Driver’s name came up almost immediately; Soderbergh directed Driver in Logan Lucky (2017). In 2007, Dan comes to Capitol Hill as an idealistic young man (wanting to help his country); we learn that he was a Math teacher in Baltimore w/ Teach for America (3 yrs). After 9/11, he switched his classes to national security while at grad school (Harvard). Dan gets a job working for Sen. Feinstein (D-CA), head of the Senate Intelligence Committee. He ended up working on the torture report for 5+ yrs- wow! Jones was available to provide feedback on set; Driver found this very helpful.

Gretchen (CIA Agent): You may not realize, but we were trying to protect this country from people who wanna destroy everything we believe in.

Dan: You may not realize it, but we are trying to do the exact same thing.

The term “enhanced interrogation” has no meaning under law; the tactics aren’t used by professional interrogators. It was created by the CIA to describe tactics that would otherwise be considered torture or unlawful detainee abuse. The science finds that rapport-based approaches to interrogation are the most effective, as FBI Agent, Ali Soufan (Fajer Kaisi), tells Dan when they meet in NYC. Soufan’s flashback was eye-opening and troubling. I’m now curious to see The Looming Tower, a HBO miniseries (w/ Jeff Daniels and French-Algerian actor, Tahar Rahim, as Soufan) which focuses on the FBI’s response to 9/11. The physician assistant, Raymond Nathan (Tim Blake Nelson), who came to oppose EIT, meets w/ Dan late at night in a parking garage (reminiscent of Deep Throat in All the President’s Men). The psychologists, James Mitchell (Douglas Hodge) and Bruce Jessen (T. Ryder Smith) were put in charge of not only creating and implementing the EIT program, but also evaluating its effectiveness. This is (obviously) a conflict of interest, as Dan explains to Feinstein in the 2nd hr. of the movie.

Evan (NYT Reporter): If the Times had your report, we would print it, tomorrow.

Dan: No. If it’s gonna come out, it’s gonna come out the right way.

I live just outside DC, so got a kick out of seeing Driver running past the national monuments. Then there are the (relatable) boring office buildings, basement rooms, and working on computers- LOL. Driver has a scene w/ his wife, Joanne Tucker (who he met while they were students at Julliard)! Tucker plays Gretchen (blonde CIA Agent working under the mysterious Bernadette, played by Maura Tierney); she confronts Dan and his colleague in the restaurant scene. Matthew Rhys plays Evan (the NYT national security reporter); he’s a friend of Driver who acted w/ him off-Broadway and appeared on HBO’s Girls. Corey Stoll (who also appeared on Girls) plays a lawyer, Cyrus Clifford, who Dan consults w/ after the CIA goes after him. Driver and Stoll played brothers in the comedy movie This is Where I Leave You (2014).

[1] The late Sen. John McCain gets the last word here, appropriately, with archive footage of his impassioned speech on the Senate floor regarding the necessity of forbidding the U.S. from engaging in torture, regardless of what the country’s enemies do.

[2] The cuts in time work well to put meat on the bones and helps to mix the political, ethical, and real life aspects of it. […]

It is more important than engaging though, and could have been a stronger film for embracing the complexity more than it did.

-Excerpts from IMDb reviews

Official trailer for The Report.
The director and actors talk re: The Report at Sundance Film Festival with Variety magazine.

“Inside Llewyn Davis” (2013) starring Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, & Justin Timberlake

Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving NYC winter, he is struggling to make it as a musician against seemingly insurmountable obstacles — some of them of his own making. -Synopsis

The cat was a nightmare. The trainer warned us and she was right. She said, uh, “Dogs like to please you. The cat only likes to please itself.” A cat basically is impossible to train. We have a lot of footage of cats doing things we don’t want them to do, if anyone’s interested; I don’t know if there’s a market for that. -Ethan Coen

This Coen brothers movie (streaming free on Amazon) is a vehicle for Oscar Isaac, who acts (and sings) in the title role. I saw it for the 1st time last week and liked it a LOT! The Coens are experts at casting, creating different worlds, and setting mood/tone in their movies. Llewyn (handsome/talented) is NOT a V likeable character, which could be hurting his music career and his friendships. He can’t even afford a Winter coat- awww. Recently, he has been sleeping on friends’ couches or in his sister’s humble home. Mitch (Ethan Phillips) and Lillian (Robin Bartlett) Gorfein are an older/academic couple who work at Columbia; their cat follows Llewyn out of their spacious UWS apt. Jim (Justin Timberlake) and Jean (Carey Mulligan w/ long dark hair) are a married couple/musical duo. A promising young singer in the Army, Troy Nelson (Stark Sands), has taken their couch. Also, Jean is V angry/hostile (she has a reason to be so).

Llewyn Davis: If it was never new, and it never gets old, then it’s a folk song.

Joel and Ethan Coen named a character Al Cody (AKA Arthur Milgrom) as an homage to a veteran Minnesota documentary filmmaker- Al Milgrom. The Coens are from the Twin Cities area and looked up to Milgrom, who also founded a film fest. Llewyn (desperate for a break/money) gets a chance to record a song (Please Mr. Kennedy) w/ Jim and Al Cody (Adam Driver in a cowboy hat w/ short hair). Driver’s role is small, BUT it’s memorable. He sings (the funny parts of the song), says “meow” (just like a cat), and gives Llewyn his couch for the night. At an interview for Star Wars: The Force Awakens, Isaac said that he watched tapes of actors (when the Coens asked his advice) and liked Driver’s audition. “He owes me his career,” Isaac joked; Driver laughed and replied w/ “thanks.” The actors are friends and attended Julliard, though Isaac graduated before Driver.

Jean: Everything you touch turns to shit, you’re like King Midas’ idiot brother.

Through Al’s friend, Johnny Five (Garrett Hedlund- w/ James Dean vibes), Llewyn gets a ride to Chicago. In the backseat is an older jazz musician, Roland Turner (John Goodman), who is annoyingly chatty, offensive, yet also funny. Goodman is the type of character actor who always adds to whatever movie he does. Bud Grossman (F. Murray Abraham) is based on Albert Grossman, who ran the Gate of Horn club in Chicago; he also managed Bob Dylan, Peter Paul & Mary, and Janis Joplin). Llewyn sings for Grossman (re: Henry VIII and Jane Seymour); it’s a mournful song. The singing voice of Mike (Llewyn’s former music partner) is Marcus Mumford of the band Mumford & Sons. He’s now married to Mulligan; I wonder IF they met while working on this movie. Mulligan and Hedlund co-starred in Mudbound (2017) where they BOTH do a great job; check that out soon.

I think they have a common theme, even though they work in completely different ways. Specificity of story – so clear with what it is they’re after – and different opinions about how to get there. They’re kind of unanimous in that way. Just to see the Coens at the state they are in with their careers, and how they still have this relentless pursuit to to tell the best version possible, and do all their homework – it’s incredible to have been able to witness. -Driver, on working w/ the Coens

[1] The performances are certainly a major plus with Isaac doing a marvelous job in the lead role. I really loved the way he brought this character to life and especially the various moods that he goes through. This includes some very dark moments in the film but also some pretty funny ones where his mouth gets him into trouble.

[2] The ten or so minutes in that car are some of the very best. Goodman taunts and pokes (literally, using a cane) Llewyn, calling him Elwyn. He is absolutely brutal and yet hilarious. 

[3] For lead actor Oscar Isaac, this movie should be a deal-breaker in landing crucial parts in films for many years to come. Of course, he owes so much here not only to his talent, but also to his writer-director duo. The Coens are the absolute masters right now in character creation (and casting the perfect people for those characters)…

-Excerpts from IMDb reviews