Tag: Friendship

“The Tin Star” (1957) starring Henry Fonda & Anthony Perkins

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In the able hands of Henry Fonda and Tony Perkins THE TIN STAR shines like gold! -Cecil B. DeMille

Morg: A decent man doesn’t want to kill, but if you’re gonna shoot, you shoot to kill.
Ben: How about hittin’ them in the arm?
Morg: That hokey-pokey’ll get you killed fast. There’re a lot of guys bragging about shooting a gun out of somebody’s hand. They’re lying. They shot to kill. A wounded man can still kill you.

A world-weary bounty-hunter, Morg Hickman (Henry Fonda- at 52), rides into a small town w/ the body of a criminal he captured. The (formerly safe/orderly) town is facing danger; their sheriff was recently killed. A young/inexperienced local, Ben Owens (Anthony Perkins- just 25), is named the temporary replacement. Ben desperately wants to be sheriff, BUT needs to convince the town’s leaders. His fiancee, Millie Parker (Mary Webster), refuses to marry Ben unless he gives up this goal. While Morg awaits his payment, he stays w/ a widow just outside town, Nona Mayfield (Betsy Palmer), and her young/half Native American son, Kip (Michel Ray). When Ben hears that Morg was a sheriff for many yrs, he asks the older man to teach him what he needs to know.

Morg: [to Ben] Learn what to stay out of. If you step into a fight, make sure you’re the better man. Paste this in your hat: a gun’s only a tool. You can master a gun if you got the knack. Harder to learn men.

I heard about this movie on the Hellbent for Letterbox podcast; it’s “a thinking person’s Western” (as one viewer commented). It was directed by Anthony Mann; he made several movies in this genre w/ Jimmy Stewart. I learned that Stewart was supposed to star here, BUT then (his BFF) Fonda took on the role. Fonda always gives a strong performance; he and Perkins (before Psycho) make a fine- though unexpected- duo. They’re both V tall (6’ 2”) w/ wiry builds, yet give off different types of energy onscreen. Perkins (who studied at The Actors Studio in NYC) isn’t afraid to show Ben’s youthful insecurity and vulnerability.

I thought that the dialogue was great; the 3 writers (Dudley Nichols, Barney Slater, and Joel Kane) were nominated for the 1958 Oscar for Best Writing, Story and Screenplay – Written Directly for the Screen. The supporting characters get their moments. The kindly/elderly Dr. Joe McCord (John McIntyre) is a trusted friend to Ben and the unofficial historian of the community. There are two villains (played by Neville Brand and Lee Van Cleef); these actors also appeared in many noir films. We see how those w/ Native American heritage are treated; they’re relegated to the outskirts of society. The production design is well done; i.e. the large window of the sheriff’s office looks out onto the town square (so Ben can see what’s going on).

[1] You can never take your eyes off Henry Fonda – tall, dark and brooding if there ever was one. Anthony Perkins is (of course) very different to Norman Bates in Psycho and for those of us who saw him in that long before this earlier work, will not be disappointed.

The near-silent ending is as tense as you’ll find anywhere within any Western – and you will be both too – silent AND tense…

[2] We have all the necessary ingredients for a fine screenplay. We have greed, hate, violence, racism, ignorance, and just plain human decency all exposed on screen with an even pace to measure the morals meted out by Fonda’s character as the plot unfolds.

[3] The Tin Star is undoubtedly a very important Western featuring some of the most memorable and heart-warming moments of the genre’s history and a wonderful performance from Henry Fonda.

-Excerpts from IMDb reviews


Countdown to #Halloween: “Bug” (2006) starring Ashley Judd, Michael Shannon, & Harry Connick, Jr.

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First they send in their drone… then they find their queen.

Paranoia is contagious.

-Taglines for the movie

I’ve always thought that Bug was a love story. It’s a love story between two intensely-damaged individuals… but it’s not called ‘Love Story,’ its called ‘Bug,’ so it’s probably about some other things, too. Namely, bugs. -Michael Shannon (actor) in behind-the-scenes video of the movie

Agnes (Ashley Judd) is a lonely waitress working in a lesbian bar. She lives in a grimy/rundown motel somewhere in rural Oklahoma. Her lesbian co-worker/friend, R.C. (Lynn Collins), introduces her to a quiet drifter, Peter (Michael Shannon). The woman talk, drink, and do some cocaine. After R.C. is called away, Agnes and Peter get to know each other. The next morning, Agnes’ violent/ex-con husband, Goss (Harry Connick, Jr.) suddenly appears. We learning of a great tragedy in Agnes’ past; she’s tired of being alone. She starts a romance w/ Peter, even though she knows V little about him. Peter (who could be in trouble for going AWOL from the military) thinks that there are bugs infecting the motel.

This low-budget horror (streaming free on various platforms) was shot in July/August of 2005 in Southern Louisiana; it wrapped up only a week before Hurricane Katrina hit. The apt. set was built inside a H.S. gym. Ironically, many of the crew members got rashes from bed bugs in their hotel rooms! Bug was originally a play written by Tracy Letts; Shannon (in his breakout role) had played Peter onstage for several years. Judd hadn’t acted for 2 yrs. when she got the script; she’d been doing work w/ the U.N. According to Collins (a classically-trained actress), director William Friedkin (who passed away this year) never took more than 4 takes. Friedkin said that this film is re: the widespread “infection” of paranoia everyone has, esp. the fear of terrorism. He thought that Peter is someone who could become a terrorist- the mentally unstable loner, out in the middle of nowhere.

[1] “Bug” is, at its core, a cautionary tale about the dangers of isolation and loneliness, compounded by drug and alcohol abuse.

[2] I thought this was an effective movie about paranoia and the human mental condition. It also shows to what lengths some people will go to not be alone anymore.

[3] “Bug” actually reminds me of the first Friedkin movies, also based on plays and more interested in character study than spectacular effects. It’s all the more striking that “Bug” looks like a young man’s movie, filled with energy, experimentation, absurd humor and a genuine sense of artistic freedom.

[4] I have to say that this was an incredibly disturbing psychological thriller that really freaked me out. I mean, these performances were absolutely amazing, most people are raving about Ashley Judd’s performance, but what about Michael Shannon? In my opinion, he had the best performance, he was so intense and he really draws you into the scene and the story.

-Excerpts from IMDb reviews

“Godless” (2017) starring Jack O’Connell, Michelle Dockery, & Jeff Daniels

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Welcome to no man’s land. -Synopsis

In the late 1800s, infamous criminal leader, Frank Griffin (Jeff Daniels), and his outlaws are on a mission to get revenge on Roy Goode (Jack O’Connell), the former “brother” who betrayed their gang. On the run, Roy seeks refuge near the mining town of La Belle, N.M. He gets a job and a place to stay w/ Alice Fletcher (Michelle Dockery), a widow/single mom/outcast. The local sheriff, Bill McNue (Scoot McNairy), is keeping a secret, BUT still trying to do his job. Bill’s deputy, Whitey Winn (Thomas Brodie Sangster), is eager to fight, yet untested. Mary Agnes McNue (Merritt Wever) helps Bill care of his 2 young kids; she wears pants and handles a gun well (like her brother). When word of Griffin’s imminent arrival, the residents of La Belle (mostly women) band together to defend themselves.

Godless (7 eps) was released on Netflix in NOV 2017. Scott Frank (writer/director) was nominated for the 2018 Emmy in Outstanding Writing for a Limited Series, Movie or Special. Frank is known for Logan (2017), Out of Sight (1998) and The Lookout (2007). Daniels (a veteran of film/TV/stage) won the Emmy that year for Outstanding Supporting Actor; Wever (mainly a theater actress; seen in Marriage Story in 2019) won Outstanding Supporting Actress. La Belle is an actual town that was located in Taos Co. around the turn of the 20th C. The character of John Randall (Rob Morgan) of the 10th Cavalry Union Army and the legend of the Buffalo Soldiers is true. Blackdom was located in SE New Mexico (close to Roswell), NOT in the North of the state (as other towns mentioned on the show).

This show both subverts, and builds upon, the common tropes of the Western genre. Though the setting here is the Old (& V wild) West, the issues explored are universal: grief, generational trauma, desire for redemption, search for knowledge, etc. The women have no choice; they MUST be self-sufficient, work w/ own hands/bodies, and develop mental toughness. Masculinity is depicted in nuanced ways (which pleasantly surprised me); there are no swaggering John Wayne-type heroes. Some of the work was done by casting male actors of slim builds/average height; also, the dialogue and (subtle) acting is key. The men in this show are able to cry, fall in love, and (sometimes) verbalize what is affecting them. The costumes, production design, cinematography, and music are ALL superb.

[1] Godless is easily one of my favorite westerns I’ve seen in a long time. I’m actually blown away by how much I liked it. I had high expectations because of all the great ratings and reviews and it not only met those expectations but surpassed them in every way!

[2] Jack O’Connell and Jeff Daniels lead an absolutely incredible cast who are all at the top of their game here!

[3] The writing of this show is what surprised me the most, how the scenes of each character from their past to the present are presented in such a subtle yet moving way. […]

The direction of Scott Frank is really among the best when it comes to how he sets up the scenes, the camera work, and how he spent time with these characters that went further than western to date. I wish there were more Westerns made this way…

-Excerpts from IMDb reviews

Movie Trailers: Fall/Winter 2023 (Part 2)

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Hey y’all,

Here are some more trailers for movies which will be released in the next few mos. I learned a BIT re: these films from movie podcasts and media coverage of film fests (can view on YT). I’m most interested to see Fair Play, a relationship drama/thriller by (1st time director) Chloe Dumont set in NYC finance world. The movie’s leads are (up-and-coming/young) actors- Phoebe Dynevor (Bridgerton) and Alden Ehrenreich (recently seen in Oppenheimer). Fair Play was bought for $20M by Netflix- wow!

All the best,

EMMA.

Fair Play: SEPT (in select theaters); Netflix (OCT 13th)

The Royal Hotel: OCT 6th (US Release)

May December (Teaser Trailer): NOV (in select theaters); DEC 1st (Netflix)

The Killer: NOV 10th

Maestro (Teaser Trailer): DEC 20th

“Tequila Sunrise” (1988) starring Mel Gibson, Michelle Pfeiffer, & Kurt Russell

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A dangerous mix. -Tagline

A former L.A. drug dealer tries to go straight but his past and his underworld connections bring him into the focus of the DEA, the Mexican feds and the Mexican drug cartels. -Synopsis

This is a neo noir (written/directed by Robert Towne) set in LA; it’s streaming on Max (formerly HBO Max). It was also shown on TCM’s Noir Alley. I must’ve seen it MANY yrs ago (maybe as a teen) b/c I recalled V little about it (aside from the hot/famous cast). It’s trying to be edgy, as the good guy is an ex-drug dealer and the cops/feds are baddies. There is a love triangle of 2 men (friends since HS) and one woman; this is unusual for mainstream Hollywood. Critics are mixed re: this movie; some enjoyed it, while others noticed the (many) flaws.

Jo Ann: I’m sorry. I was just joking. I didn’t mean to hurt you.

Mac: Aw, come on. It didn’t hurt that bad. Just looking at you hurts more.

What’s up w/ the odd title? When the DEA agent, Maguire (J.T. Walsh), is listening to surveillance tapes of restaurant owner, Jo Ann Vallenari (Michelle Pfeiffer), she’s heard offering Dale “Mac” McKussic (Mel Gibson) a cocktail (Tequila Sunrise). FYI: The drink consists of tequila, orange juice, and grenadine syrup. The producers wanted Harrison Ford and Jeff Bridges for the male co-leads; that could’ve been a better movie. Gibson was V popular then; he’d recently been in Lethal Weapon; Mac is more nuanced than Det. Riggs (trying to be a good father). Russell (acting since childhood) was known for his likeability and work in the action genre; Lt. Nick Frescia is NOT so nice though. Pat Riley (coach of the LA Lakers) provided the inspo for Nick’s look (suits and slicked-back hair).

Jo Ann: Mr. McKussic, it seems, has been engaged in his business for purely romantic reasons, whilst you have been engaged in romance for purely business reasons.
Nick: I’m not sure I understand.
Jo Ann: A little vague for you?
Nick: A little.
Jo Ann: Well, then, let me spell it out for you: you want to f**k your friend, then f**k him, not me!

Did these (mostly male) writers and producers have any (female) friends!? Mac’s ex-wife is depicted as vain/money-obsessed; she gets V little screen time. As some viewers noted, neither Nick not Mac is good enough for Jo Ann! Pfeiffer (in mostly cream-colored outfits) is doing her best w/ Jo Ann’s (shallow/contradictory) characterization. She didn’t get along w/ Towne; he called her “the most difficult actress I have ever worked with.” The actress was going through a divorce at this time. There is a (infamous) love scene; the hot tub was NOT built properly/chlorinated. Pfeiffer, her body double, and Gibson got skin rashes and splinters from the wood- ouch! Production shut down for a few days while they recovered.

Carlos [to Mac]: You son of a bitch! How could you do this? Friendship is the only choice in life you can make that’s yours! You can’t choose your family, God damn it – I’ve had to face that! And no man should be judged for whatever direction his d**k goes – that’s like blaming a compass for pointing north, for Christ’s sake! Friendship is all we have! We chose each other. How could you f**k it up? How could you make us look so bad?

The dialogue can be good (at times), BUT also quite cheesy/predictable. The plot and editing are often confusing; Roget Ebert commented: “It feels like there are chunks of the movie cut out.” The filmmakers could’ve made better (more nuanced) choices. I expected Mac to die at the end of the film; that would’ve made more sense! Towne wanted that ending also, BUT producers said Gibson had to be alive. Is there anything fun re: this movie? Well, Gibson is shirtless in several scenes (in FAB shape). The kid playing Mac’s son (Cody) does a good job in his small role. When the main villain, Carlos (Raul Julia), appears- he steals the movie! Julia (a trained singer) sings some; he does the best he can w/ what he has been given. A young Matt LeBlanc (Friends) appears on the TV; this was a real commercial for Heinz ketchup.